Retelling Gods Through Different Tales- a Comparative Analysis of the Writings of Contemporary Indian Writers Devdutt Patanaik &
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Volume II, Issue IX, January 2015 - ISSN 2321-7065 Retelling Gods through different tales- A comparative analysis of the writings of Contemporary Indian writers DevDutt Patanaik & Amish Tripathi Noopur Jha Lecturer University of Petroleum & Energy Studies Dehradun ABSTRACT Many perceive India as a country of intolerant and conservative religious groups who tend to sabotage any voice that doesn’t resonate with theirs. However, there is a larger segment within the country which questions religious beliefs on ground of logic while appreciating what is good and beautiful in a culture (any culture). From this segment of people arise writers like Amish Tripathi and Devdutt Patanaik who have taken an attempt to retell Hindu mythology. Both of them, with their own unique approach, have attempted to do what would have been considered a taboo just sometime before- rewriting a Hindu God. This paper will analyze and compare the writing styles of both the writers taking a look at a few of their popular books. The attempt will be to bring out the similarities and uniqueness of the writers. Also, the paper will be set in the premise of the contemporary mythological books gaining ground with the Indian readers. http://www.ijellh.com 181 Volume II, Issue IX, January 2015 - ISSN 2321-7065 INTRODUCTION Indian mythology with its rich line of stories and archetypical characters has been an area of interest among authors across the globe; be it classical authors who write about Indian Gods with their larger than life image or recent attempts by Indian authors to humanize them. The idea of rewriting a God has almost always been accepted by the readers as well as the publishers. The condition however is that the interpretation is not very deviant from the common belief as was the case with Wendy Doniger’s “The Hindus-An alternative History” which had to be withdrawn from the market owing to the series of protests against it. i The concept of interpretation in Indian mythology is not entirely new. The two pillars of mythological literature are ‘Sruti’ and ‘Smriti’. Sruti refers to the divine literature which is believed to have had no human intervention in its makingii. Smriti on the other hand is what is remembered by the sages and put to words, needless to say with their own subjective interpretationsiii. Although Sruti enjoys a greater status than Smriti when it comes to authority, nonetheless, the concept of remembered texts passed on to generation by sages has been there in Indian mythology. The attempt to retell mythology can have several approaches to it. The televised versions of Ramananad Sagar’s Ramayana and Mahabharat portrayed Gods in the similar larger than life image which made them extremely popular with the Indian masses at that time. The thrust in the more recent times, however, has been to respectfully humanize the Gods, thus bringing them closer to people. The same can be seen in Amish Tripathi’s Shiva Trilogy. The trend was started by Ashok Banker through his series of 8 books where he rewrote the story of Ramayana. A more intellectual and insightful edge was added to it by Devdutt Pattanaik who also works as a leadership consultant, whose work focuses on deriving management insights from mythology to reveal a very Indian approach to modern business. The idea that Amish Tripathi’s Immortal of Meluha was rejected 20 times by publishers before indicates that there probably wasn’t an established market for that kind of writing.iv Or possibly there were doubts about the acceptance of text that humanizes Shiva the God’s God. But the series turned out to be a great success. So much so that it became the first book series to have music http://www.ijellh.com 182 Volume II, Issue IX, January 2015 - ISSN 2321-7065 album dedicated to it. This is indicative of a trend where readers are willing to accept and appreciate sensible interpretations. http://www.ijellh.com 183 Volume II, Issue IX, January 2015 - ISSN 2321-7065 BACKGROUND OF THE WRITERS Devdutt Pattanaik Devdutt Pattanaik is a famous author and mythologist. Devdutt’s parents migrated from Odisha to Mumbai over 50 years ago. He was born and brought up in Mumbai, and he currently lives in Mumbai. He has two sisters, and two nephews. He was a trained medical practitioner before he left it for writing. The celebrated writer has worked for over 15 years in the healthcare industry, with companies such as Apollo Health Street and Sanofi Aventis, before joining Ernst & Young as Business Advisor. Devdutt has also worked as leadership consultant, deriving management insights from mythology to reveal a very Indian approach to modern business. He has written over 30 books, with best-sellers like Myth = Mithya, Business Sutra, The Pregnant King, and Jaya: An illustrated retelling of the Mahabharata. His books have been translated in multiple Indian languages like Hindi, Tamil, Telugu, Gujarati and Marathi. He continues to study and write on mythological stories and symbols, alongside drawing insights about business, leadership, and modern life. He also writes on management and culture regularly in The Economic Times (Corporate Dossier supplement), Mid-Day, Speaking Tree and the DailyO (India Today website). Devdutt has also worked as the Chief Belief Officer of Future Group and is now a much sought-after public speaker and culture consultant for corporations and business leaders. Additionally, Reliance consults him on matters related to culture and Star TV on various mythological serials. v Amish Tripathi Amish Tripathi is an IIM (Kolkata)-educated boring banker turned happy author. The success of his first book, The Immortals of Meluha of the Shiva Trilogy, encouraged him to give up a fourteen-year-old career in financial services to focus on writing. He is passionate about history, mythology, philosophy and is an ardent admirer of the Lord Shiva. http://www.ijellh.com 184 Volume II, Issue IX, January 2015 - ISSN 2321-7065 Amish has most recently written the Shiva Trilogy which includes The Immortals of Meluha, The Secret of the Nagas & The Oath of the Vayuputras, which has sold over 2 million copies in India since 2010, grossing over Rs 500 million and making the Shiva Trilogy the fastest selling books series in Indian history. The books that he plans to write in the future are also in the areas of mythology & history. He has over 14 years of experience in the financial services industry. His last job was as National Head - Marketing & Product Management and Member of the Senior Management Committee at IDBI Federal Life Insurance.vi The Tribal Warrior versus The Earth’s Daughter The Immortals of Meluha is Amish’s first book in the series of Shiva Trilogy and Devdutt’s Sita is a version of Ramayan through Sita’s eyes. Taking a close look at both the books gives a rich insight into the writing styles of the authors. It also helps in understanding how Amish’s writing is different from Devdutt’s. Sita is a version of Ramayan, a retelling, a very small part of the huge texts and interpretations written around the legendary king Ram and his wife, the Queen Sita. Devdutt, right in the prologue of the book states this fact. The author makes no assertions as to being able to cover all that is said and known about the Goddess in the book, but humbly states the story as he could gather from the various interpretations that he has read. “Within all these stories is the truth. Who knows it all? Varuna has but a thousand eyes; Indra, a hundred; You and I only two.” (Pattanaik 2013). The high note of the book Sita is that it has information tables across all chapters. These tables enlist views that are known and written about the various characters and incidents of Ramayan across India and beyond. For instance, the name of Sita’s mother is different across different interpretation of Ramayan (Pattanaik 2013). Although the author chooses to take up one name, and consequently one version of it, he mentions the rest in the information tables duly. This reflects on the authors understanding of Smriti which forms the pillar of Hindu mythology and literary texts. It also shows the author’s reluctance to project a personal favorite version among the options available. The treatment of the protagonist Sita is very objectively done by the author. http://www.ijellh.com 185 Volume II, Issue IX, January 2015 - ISSN 2321-7065 On the other hand, Amish’s Immortals of Meluha reflects the author’s personal admiration for the Lord by the way he characterizes Shiva, the tribal warrior. The story entails how a human of flesh and blood becomes Godlike through his deeds. Despite of the author’s personal sentiments, he tries to keep the protagonist as human as possible to the point where Shiva introspects about the mistakes that he made in his past life and his total reluctance to be called the chosen Neelkanth, the Destroyer of Evil. “I don’t deserve any destiny. If these people knew of my guilt, they would stop this bullshit instantly”, thought Shiva. (Tripathi 2010) Interestingly, Amish chose to have his own explanations for the various incidents known about the Lord Shiva. The Neelkanth or the blue neck of Shiva has been explained as the consequence of drinking poison by the Lord as quoted by Dr. K K Aggarwal.vii The book however calls it the consequence of drinking a life giving potion called Somras which eventually turns out to be the evil that the protagonist would fight against. There isn’t a major diversion in what is already known commonly, but Amish has attempted to add his own subjective interpretations to it making the book all the more interesting.