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Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
A History of Swedish Experimental Film Culture : from Early Animation to Video Art
A History of Swedish Experimental Film Culture : From Early Animation to Video Art Andersson, Lars Gustaf; Sundholm, John; Söderbergh Widding, Astrid 2010 Link to publication Citation for published version (APA): Andersson, L. G., Sundholm, J., & Söderbergh Widding, A. (2010). A History of Swedish Experimental Film Culture : From Early Animation to Video Art. (Mediehistoriskt arkiv; Vol. 17). Kungliga biblioteket. Total number of authors: 3 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 29. Sep. 2021 A History of Swedish Experimental Film Culture: From Early Animation to Video Art 1 Lars Gustaf Andersson John Sundholm Astrid Söderbergh Widding NATIONAL LIBRARY OF SWEDEN / P. O. -
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2021 Industry Guide 44th Göteborg Film Festival goteborgfilmfestival.se Jan 29–Feb 8 2021 #gbgfilmfestival Contents 5 Welcome 16 Industry Programmes 6 Online universe 18 Nordic Competition of Industry 2021 Short guide to our 20 International Competition digital platform. 22 Nordic Documentary 8 Accreditation Guide Competition An explicit visual guide of what's 34 Nostradamus Academy included in your accreditation. Exclusive training programme for film and television 9 Digital self-care industry professionals. 37 Film Production in 11 Discover the West Sweden 44th Göteborg 38 Who's who at Göteborg Film Festival Film Festival? Read more about the 24 Ingmar Bergman festival's annual focus, Competition special programmes, guests and competitions. 26 Nordisk Film & TV Fond Prize 28 Swedish Shorts Competition 30 Nordic Film Lab Nordic Film Lab is an exclusive networking forum for upcoming Scandinavian filmmakers. Cover photo from Gagarine. Industry Guide 2021 – Göteborg Film Festival Göteborg Film Festival Editor: Josef Kullengård, Liisa Nurmela Olof Palmes Plats 1 Editorials: Cia Edström, Nicholas Davies 413 04 Göteborg, Sweden Layout: Felicia Fortes Tel: +46 31 339 30 00 Photo Editor: Linda Petersson E-mail: [email protected] www.goteborgfilmfestival.se 3 4 From Undine Welcome to the 44th Göteborg Film Festival Welcome to the Göteborg Film Festival. For 44 The festival’s industry programme – the years, Scandinavia’s leading film festival pro- Nordic Film Market, TV Drama Vision, Nostrada- gramme has been presented in cinemas packed mus and Film Forum Sweden – transforms into a with expectant audiences and filmmakers. Over multidimensional digital space to offer industry time, the festival audience has become one of delegates exclusive live online sessions, network- the largest in Europe; in a normal year, audiences ing and engaging high-end content. -
Umedalen Skulptur 2010 5/6–15/8 Umeå, Sweden
1 Umedalen Skulptur 2010 5/6–15/8 UMEÅ, SWEDEN Angela de la Cruz, Jacob Dahlgren, Grönlund–Nisunen, Lotta Hannerz, Michael Johansson, Per Kirkeby, Wilhelm Mundt, Trine Lise Nedreaas, Magnus Petersson, Jaume Plensa, Bjørn Poulsen, Astrid Sylwan 2 CONTENT 2010 map 4–5 Overview 6–7 Introduction 8–9 Grönlund-Nisunen 12–13 Trine Lise Nedreaas 14–15 Jacob Dahlgren 16–17 Per Kirkeby 18–19 Magnus Petersson 20–21 Angela de la Cruz 22–23 Astrid Sylwan 24–25 Wilhelm Mundt 26–27 Grönlund-Nisunen 28–29 Bjørn Poulsen 30–31 Michael Johansson 32–33 Jaume Plensa 34–35 Permanent collection 36–54 Skulptures from earlier years 55–59 In Umea City 60–67 3 5/6–15/8 Sculptures placed in the Mikael city center of Umeå 2010 map Richter p. 60–65 49 Winter & 48 Hörbelt New Sculptures 2010 p. 10–33 Jacob 50 Sculptures from Permanent Dahlgren earlier years collection Jaume p. 54–59 p. 34–52 Plensa 47 Lotta 51 Hannerz Lin Peng 1 Magnus Jacob Takashi Petersson Angela Dahlgren 46 Naraha 45 2 3 4 De La Cruz Grönlund-Nisunen Michael Raffael Rheinsberg 44 9 Trine Lise Nedreaas Johansson Jacob Dahlgren Claes Antony Kari Per Kirkeby Bård Hake Gormley Cavén 5 Breivik 43 42 41 40 38 37 Johanna Jonas Charlotte Clay Cristos 10 Buky Anna Ekström Kjellgren 6 Gyllenhammar Ketter Gianakos Schwartz Renström Bernard Astrid 39 Anne-Karin 15 7 Kirchenbaum 36 8 Sylwan Furunes 14 11 12 Torgny Gunilla Wilhelm Mundt The Art Nilsson Samberg 16 Meta Isæus Berlin Sean Guys 17 18 35 Henry Roland Mats Persson Grönlund-Nisunen 13 19 Bergqvist Kari Kaarina Cavén Kaikkonen 25 30 Louise 21 34 Bourgeois Anish Bjørn Poulsen Kapoor 20 22 23 24 26 27 28 29 31 32 33 Nina David Tony Antony Richard Cristina Carina Miroslaw Bigert & Serge Saunders Wretling Cragg Gormley Nonas Iglesias Gunnars Balka Bergström Spitzer 4 Sculptures placed in the Mikael city center of Umeå Richter p. -
Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund
Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Haverty Rugg, Chair Professor Mark Sandberg Professor Mel Y. Chen Spring 2018 © Christian Mark Gullette 2018 Abstract Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Linda Haverty Rugg, Chair This dissertation explores the work of author Jonas Hassen Khemiri and filmmaker Ruben Östlund, examining the ways both artists consistently negotiate racial identification and “Swedishness” in neoliberal economic contexts that are often at odds with other Swedish, exceptionalist discourses of social justice. Khemiri and Östlund represent contrasting perspectives and tonalities, yet both artists identify the successful competition for capital as a potentially critical component in achieving access to “Swedishness.” Khemiri and Östlund recognize that race and economics are intertwined in neoliberal arguments, even in Sweden, something their works help to elucidate. The implications of such similar observations from very different artists might go overlooked if discussed in isolation. I argue that it is crucial to analyze the negotiation of identity in these works not merely in abstract economic terms, but through their use of a very specific neoliberal economic discourse. -
2013 / Dreispitzhalle Mon 10 – Sat 15 June 2 013 Daily 10 Am – 7Pm Public Art Spaces
DESIGN: WWW.HAUSER-SCHWARZ.CH MONDAY JUNE 10 TH – SATURDAY JUNE 15TH 2013 / DREISPITZHALLE MON 10 – SAT 15 JUNE 2 013 DAILY 10 AM – 7PM PUBLIC ART SPACES C12 C14 C16 C19 C20 C21 C29 OFFICE P74 BULIAN FORTLAAN 17 EGELUND CHARLIE OSLO8 SMITH OSLO10 TINT RADIO X SMAC C30 GUEPIN C6 C13 C15 C17 KUDLEK GARNATZ BRUNDYN + PRO C18 IAAB / ARTISTS’ STUDIOS GONSALVES C18 C31 SCULPTURE TEZUKAYAMA HOUSE OF ELECTRONIC ARTS C7 C9 C11 H.A.N. BIANCHI BASTEJS POULSEN C27 C28 C32 BALZER- NOVA LÉNA ROSELLI C5 ART BRANSTEN C22 C23 JARMU- LARSEN C26 C28 SCHEK 532 SCULPTURE THOMAS C8 C2 C10 JAECKEL ARANA- MAZZOLI VERNON C23 POVEDA SCULPTURE C4 C24 C25 ROLLINS SKAPE HILGER- C35 C34 C33 PARTNERS BROT- DUKAN DILLON BINDER KUNST- COFFEE C3 C1 HALLE BAR GalleryLOG CHAPLINI SECCI SHOWROOMBASEL UNGUIDED BASEL SHOWROOM GALLERIES 532 Thomas Jaeckel ------------------------------------ C26 HOLE -------------------------------------------------------------------------------------------- A11 ADN ---------------------------------------------------------------------------------------------------- A9 INTERNATIONAL 3 ---------------------------------------------- A8 CATERING ANNA NOVA --------------------------------------------------------------- C28 JARMUSCHEK --------------------------------------------------------- C22 BY BESCHLE UNGUIDED ALARCÓN CRIADO ------------------------------------------- B3 KLEINDIENST ----------------------------------------------------------- B10 ARANAPOVEDA -------------------------------------------------------- C8 KRUPIC KERSTING || KUK ----------- -
Stiftung BLICKACHSEN Ggmbh
26 May – 6 Oct 2019 In collaboration with Wanås Konst sculpture park, Sweden Stiftung BLI CKACHSEN gGmbH Bad Homburg v.d.Höhe Press release, April 2019 List of artists participating in Blickachsen 12 A multifarious experience of art: 31 artists from around the world will this summer take part in the twelfth edition of the Blickachsen Sculpture Biennale. As ever, this year’s twelfth Blickachsen from 26 May to 6 October will bring together the most varied positions in contemporary art, including numerous site-specific projects specially created for the exhibition. In the historic park landscapes of Bad Homburg, and in five further locations in the Rhine-Main region, visitors will have the opportunity to experience a broad spectrum of contemporary sculpture and installations curated by Christian K. Scheffel together with Elisabeth Millqvist and Mattias Givell, the joint directors of this year’s partner museum, Wanås Konst from Sweden. The roster of international artists is made up, in almost equal measure, of male and female artists working in the field of three-dimensional art, including, as always, less well-known as well as world famous names: Hanneke Beaumont (The Netherlands) *1947 in Maastricht; Claudia Comte (Switzerland) *1983 in Lausanne; Jacob Dahlgren (Sweden) *1970 in Stockholm; My Ekman (Sweden) *1969 in Stockholm; Elmgreen & Dragset (Denmark / Norway): Michael Elmgreen, *1961 in Copenhagen, Ingar Dragset, *1969 in Trondheim; William Forsythe (USA) *1949 in New York; Charlotte Gyllenhammar (Sweden) *1963 in Gothenburg; Jeppe -
Most Anticipated Movies of 2021, Paul Thomas Anderson to Park
From Paul Thomas Anderson To Park Chan-Wook, 46 Movies (And A TV Series) That Could Light Up Film Festivals In 2021 Andreas Wiseman (L-R) Paul Thomas Anderson, Denzel Washington, Tilda Swinton and Park Chan Wook Mega Film lovers roll up. Here’s our annual list of movies that could have festivals drooling in 2021. In the age of Covid-19, could has never felt more operative. With Sundance and Berlin reimagining their events next year, traditional festival paths are already diminishing, but here’s to hoping that the pandemic eases, and we get to see at least some of these anticipated movies in theaters and at marquee film events in the next 12 months. There is a bumper crop to choose from with so many having been held back or delayed from 2020. The Power Of The Dog Could Jane Campion, the first woman to ever win the Palme d’Or, be back in Cannes this year with her new drama starring Benedict Cumberbatch, Jesse Plemons, Kirsten Dunst and Thomasin McKenzie? That will of course depend on whether Netflix and the French fest can bury the hatchet on their disagreement over the streamer’s windowing policy, but either way this is going to be a hot festival title next year. Pic follows a pair of brothers who own a large ranch in Montana and are pitted against each other when one of them gets married. It’s based on the book by Thomas Savage. Producers include See-Saw, which was behind Campion’s Top of the Lake. Related Story The Beatles, The Velvet Underground & Billie Eilish… Music Documentaries To Watch For In 2021 Macbeth Denzel Washington is playing the titular Shakespeare protagonist in a rare Joel Coen solo venture away from brother Ethan. -
Swedish Film #2 2021
#2 • 2021 FEATURES • DOCS • SHORTS • FILMS IN PRODUCTION 1 Contacts Head of International Festivals, shorts & docs Administrator Department Jing Haase Melissa Jonsson Steffen Andersen-Møller Phone: +46 70 420 32 74 +46 70 010 11 52 Phone: +46 76 051 36 97 [email protected] [email protected] [email protected] Festivals, features Festivals, docs & shorts International co-productions Petter Mattsson Sara Rüster Lina Norberg Johansson Phone: +46 70 607 11 34 Phone: +46 76 117 26 78 Phone: +46 70 251 91 72 [email protected] [email protected] [email protected] Festivals, docs & shorts Festivals, features Press Officer Josefina Mothander Theo Tsappos Jan Göransson Phone: +46 70 972 93 52 Phone: +46 76 779 11 33 Phone: +46 70 603 03 62 [email protected] [email protected] [email protected] Swedish Film Institute International Department Art Director: Markus Edin P.O Box 27 126 Cover photo: SE- 102 52 Stockholm, Sweden Nelly Rapp Monster Agent Phone +46 8 665 11 00 filminstitutet.se ©SF Studios/Per Larsson Fax +46 8 661 18 20 instagram.com/swedishfilm Welcome to the world of Swedish films Contents FEATURES AND DOCS FILMS IN PRODUCTION SHORTS 5 The Ape Star 28 Passion 40 Amina 61 Anyway 6 Be My Voice 29 Pleasure 41 Boy From Heaven 62 Grab Them 7 Bellum 30 Psychosis in Stockholm 42 Bullets 63 The Great Overflow 8 Bert’s Diary 31 Sabaya 43 Calendar Girls 64 The Hearing 9 Breaking Surface 32 Run Uje Run 44 Clara Sola 65 Huldra 10 Charter 33 The Scars of Ali Boulala 45 Day by Day 66 I, Julia 11 Children of the Enemy 34 Stories from -
Carl Eldh Studio Museum Reopens May 25 Charlotte Gyllenhammar
PRESS RELEASE S E U M F U I F T M Y Y Carl Eldh Studio Museum I O E D A U R T S reopens May 25 S 1 9 H 6 D 3 L – E 2 L 0 R Charlotte Gyllenhammar 1 A 3 May 25-October 27 2013 C 50 For six long years, the Carl Eldh Studio Museum has been closed due to construction work for the Northern Link road in the rock directly below the museum. However, on May 25, this unique, indeed magic, artistic environment, a solitary of the Bellevue Park, throws open its gates again. The original wooden studio with two ateliers and a rotunda was designed by Ragnar Östberg and erected in 1919. Today, this veritable pearl of Nordic classicism, is on the Swedish list of buildings of special architectural or historic interest. Inside the fence is a fl ourishing garden, where it is possible, during opening hours, to enjoy a cup of coffee – a pleasant conclusion to a visit to the magnifi cent localities, which have remained practically as they were when Carl Eldh left them some 60 years ago. Here, you will fi nd over 500 works by Eldh, including many portraits of the celebrities of his day, not least his good friends August Strindberg and Gustaf Fröding. The collection gives the visitor a fascinating peek into a successful sculptor’s working situation during the fi rst part of the 1900s. Here is also ample testimony to the hardships of his years in Paris, summoned, for example, in works like “Grieving Mother” and “At the Night Asylum” (both 1902). -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund Permalink https://escholarship.org/uc/item/4fb4b564 Author Gullette, Christian Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Haverty Rugg, Chair Professor Mark Sandberg Professor Mel Y. Chen Spring 2018 © Christian Mark Gullette 2018 Abstract Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Linda Haverty Rugg, Chair This dissertation explores the work of author Jonas Hassen Khemiri and filmmaker Ruben Östlund, examining the ways both artists consistently negotiate racial identification and “Swedishness” in neoliberal economic contexts that are often at odds with other Swedish, exceptionalist discourses of social justice. Khemiri and Östlund represent contrasting perspectives and tonalities, yet both artists identify the successful competition for capital as a potentially critical component in achieving access to “Swedishness.” Khemiri and Östlund recognize that race and economics are intertwined in neoliberal arguments, even in Sweden, something their works help to elucidate. -
Radical Academy of Fine Art?: Power and Social Dimensions in Recruitment to the Fine Art Professorships at the Royal College of Art in Stockholm, Sweden 1938-2000
http://www.diva-portal.org This is the published version of a paper published in Passepartout - Skrifter for kunsthistorie. Citation for the original published paper (version of record): Edling, M. (2015) A Radical Academy of Fine Art?: Power and social dimensions in recruitment to the fine art professorships at the Royal College of Art in Stockholm, Sweden 1938-2000. Passepartout - Skrifter for kunsthistorie, (36): 117-138 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26756 A Radical Academy of Fine Art? Power and social dimensions in recruitment to the fine art professorships at the Royal College of Art in Stockholm, Sweden 1938-2000. This article provides evidence about how the “old boys’ network” of the school of the Academy of Fine Art in Stockholm effected gatekeeping procedures when recruiting professors to Sweden’s most prestigious school of fine art over the period 1938-2000. Marta Edling The relationship between art and social power is a challenging topic. Art historians frequently have to deal with art and artistic contexts that are inscribed in structures of dominance related to class, gender, ethnic iden- tity, geographical centre/periphery, etc. It is thus not surprising that com- pensatory efforts are initiated in order to locate “great” – but neglected or forgotten – artists and to adjust earlier biased narratives. However, such efforts are at risk of concealing the fact that aesthetic distinction in these cases also works as social distinction.