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A Pattern Language for Costumes in Films
Institute of Architecture of Application Systems A Pattern Language for Costumes in Films David Schumm1, Johanna Barzen2, Frank Leymann1, and Lutz Ellrich2 1 Institute of Architecture of Application Systems, University of Stuttgart, Germany {schumm, leymann}@iaas.uni-stuttgart.de 2 Institut für Theater-, Film- und Fernsehwissenschaft, Universität zu Köln, Germany {jbarzen, lutz.ellrich}@uni-koeln.de : @inproceedings,{INPROC42012419,, ,,,author,=,{David,Schumm,and,Johanna,Barzen,and,Frank,Leymann,and,Lutz, ,Ellrich},, ,,,title,=,{{A,Pattern,Language,for,Costumes,in,Films}},, ,, ,booktitle,=,{Proceedings,of,the,17th,European,Conference,on, ,Pattern,Languages,of,Programs,(EuroPLoP,2012)},, ,,,editor,=,{Christian,Kohls,and,Andreas,Fiesser},, ,,,address,=,{New,York,,NY,,USA},, ,,,publisher,=,{ACM},, ,,,year,=,{2012},, ,,,isbn,=,{97841445034294349}, }, © 2012 David Schumm, Johanna Barzen, Frank Leymann, and Lutz Ellrich. A Pattern Language for Costumes in Films David Schumm1, Johanna Barzen2, Frank Leymann1, and Lutz Ellrich2 1 Institute of Architecture of Application Systems, University of Stuttgart, Universitätsstr. 38, 70569 Stuttgart, Germany. {schumm, leymann}@iaas.uni-stuttgart.de 2 Institute of Media Culture and Theater, University of Cologne, Meister-Ekkehard-Str. 11, 50937 Köln, Germany. {jbarzen, lutz.ellrich}@uni-koeln.de Abstract. A closer look behind the scenes of film making and media science reveals that the costumes used in film productions are products of a complex construction process. The costume designer has to put a lot of creative and investigative effort into the creation of costumes to provide the right clothes for a particular role, which means the costume reflects the place and time of play as well as it shows understanding of the characteristics of the role, actor and screenplay overall. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
Munsingwear" Still Alive in 1894 When Munsing Left to Pursue a Career As an Inventor
MH f/ QCO ccz!" ODO ILU-I KATIMES.COM , When your underwear is in a bundle, creeping and crawling where it does not belong, the discomfort can have a significant impact on the quality of your day. Hence, the quest for perfect-fitting undergarments. Admittedly, even our worst options today are far superior to the loin cloths, corsets and wool union suits our ancestors had to wear. George D. AAunsing understood the importance of comfort, and he initiated a huge leap forward in the underwear department during the late 1800s. Among his numerous patents involving knitting, sewing and crocheting machines, his most famous involved an itchless wool union suit and better-fitting undershirts and underpants. The company he helped found, which eventually became known as AAunsingwear, was part of the fabric of Minneapolis history for more than 100 years. Here's a brief "under-view" of some of the more colorful swatches of AAunsingwear history. ///////////////////////////^^^^ company couldn't keep up with demand. Unable to deliver the goods, they struggled to keep the business alive. In 1887, three well-known Minneapolis businessmen - Charles A. Pillsbury (flour), Clinton Morrison (banking) and Thomas Lowry (transportation) - served on the board of directors "Don't Say and purchased stock to infuse capital into the company. Two key decisions kept the business Underwear afloat: the company set up a distribution office in — Say New York and established temporary agreements with textile subcontractors. The business was Munsingwear" still alive in 1894 when Munsing left to pursue a career as an inventor. The other two founding In 1974 sales were $104 partners had also left the company by this time. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Fashion Content Standards Guide
Walmart Fashion Content Standards Updated Q4 2020 updated on: 11-17-20 Table of Contents Section 1: Content Section 4: Attribution Guidelines Importance of Content Men's & Women's Uniform & Workwear - Gowns & Coveralls 3 41 Attribute Definitions 82 Children's Apparel 42-45 How to Add Attributes 83 Section 2: Image Guidelines Gifting Sets Apparel 46-47 All Apparel Attributes 84-90 Image Requirements 5 All Tops, Items with Tops & Full Body Garments – Additional Attributes 91 Image Attributes 6 Section 3: Copy Guidelines All Tops with Collars, Robes, and Items with Collars – Additional Attributes 92 Silo Image Requirements - Photo Direction 7 Copy Standards 49 All Tops, Items with Tops, Intimates, Swimwear, & Dresses – Additional Attributes 93 Copy Definitions 50 Women's Dresses & Jumpsuits 8 All Jackets/Coats/Outerwear Tops & Sets with Jackets/Coats Additional Attributes 94 Search Engine Optimization 51 Women's Bodysuits & Outfit Sets 9 All Jackets/Coats/Outerwear & Weather Specific Bottoms –Additional Attributes 95 Writing Descriptions for Fashion 52 Women's Tops & Bottoms 10 All Athletic & Activewear - Additional Attributes 96 Women's Jackets & Coats 11 Legal Copy Information for All Categories 53 All Bottoms, Overalls/Coveralls, & Items with Bottoms - Additional Attributes 97 Women's Cloaks & Ponchos 12 All Upper Body Garments – Title Structures 54 All Pants, Overalls, & Items with Pants/Bottoms - Additional Attributes 98 Women’s Bundled/Multipacks – Tops 13 All Upper Body Garments - Copy Guidelines 55 All Shorts & Items with Shorts - -
By Craig Sodaro
By Craig Sodaro © Copyright 2012, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155 . All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” THE SECRET CASE OF SHERLOCK HOLMES A Comedy by CRAIG SODARO CAST OF CHARACTERS (In Order of Speaking) # of lines 1886 CHARACTERS MISS PINCHLEY ........................Arthur Conan Doyle’s secretary 16 H.G. WELLS ..............................20-year old aspiring author 33 SHERLOCK HOLMES ..................young detective just 267 starting out DR. JOHN WATSON ....................his friend and partner 219 VOICE OF MRS. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
A Fashionable History
Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. A Fashionable History Typical dress foi iaIC ¡ 85Us and early 1860s. Editor's Note: The following pictorial essay depicts the ever changing world of fashion from the 1850s to the 1930s. The contrast between the restrictive clothing of the "good old days" and the freer styles of today is striking. The photographs are from the collection at the Historical Resource Center and from Mrs. Patricia Pate of Fort Meade, South Dakota (see photo credits). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Late 1880s child's dress with sash. Silk waist front dress with bishop sleeves, early 1890s; man's shirt has Frontenac collar, teck scarf (tie). Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Upper left. 1887 dress, plain fronted waist with apron front over-dress, side pleated flounce; upper right, early 1880s traveling eostume with lace Jabot, suit trimmed with braid: rigfjt, walking costume with kilt-pleated skirt, mid-î880s. K, I- Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Fashionable History Î57 Right, man in Mackintosh coat and planter's hat; left, single-breasted fly front sack overcoat and bowler hat. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. 158 South Dakota History Wedding dress, 1895; man wearing cutaway coat. Wedding dress, 1900s. Copyright © 1977 by the South Dakota State Historical Society. All Rights Reserved. Wedding dress and going away suit on display at Robinson Museum, Pierre, 1907. Copyright © 1977 by the South Dakota State Historical Society. -
The Inhabitants of the Artie
586 Pliysiolo[.!ir Adjustme11t lo Cold mul Altitude pn•s<>nt day Arctic people. The figurine how Clothing, Its ever is of Paleolithic age and is of interest as showing that tailored skin clothing was worn as early as 20,000 years ago.2 Evolution and According to a written communication dated May 1967 from James A. Ford, PhD, Development By Curator for the Florida State Museum, in Europe: the Inhabitants The hanged individuals found in the peat bogs of Denmark wore long nightgown-like woolen cloaks with hoods and Mark Twain in of the Artie the Connecticut Yankee makes the point that the Eurnpean peasants of the Middle Ages Robert L. Woodbury, wore kilts and nightgowns, a fashion retained Abrrdeen Prol'ing Ground, kid hy jJE>ople like the Scottish highlanders and the Greek Evizones. Fitted tailored clothing was just coming into the vogue in court circlPS at ARCHAEOLOGY and history provide the time of Queen Elizabeth. The adoption of fascinating material concerning the evolu trousers as we know them today took centuries. tion and development of clothing in most Sir Walter Raleigh wore very short pants or cultures. According to a written communica small clothes and the close-fitting hose were at· tion of June 1967 from Henry B. Collins of tached to these pants as high up the thigh as the Smithsonian Institute· possible. By the time of George Washington, Archaeology reveals nC1thing as to the develop breeches had descended to the knees and by ment of Arctic clothing-. The frozen ground has Abe Lincoln's day they were dragging the preserved fragments of skin boots, pieces of ground and had a strap under the instep to sewed skin, sinew thread. -
A Study of Fashion Change Related to Men's Boxer Undershorts As Depicted in Sears Annual Merchandise Catalogs 1946-1988
AN ABSTRACT OF THESIS OF Bernadette A. Tatarka for the degree of Master of Science in Apparel, Interiors, and Merchandising presented on May 22, 1990. Title: A Study of Fashion Changes Related To Men's Boxer Undershorts As Depicted In Sears Annual Merchandise Catalogs (1946-1988) Abstract approved_Redacted for Privacy More research has been conducted regarding women's costume history than that of men's historic costume. One area in which little research has been conducted concerns men's boxer underwear. The need for additional research dealing with basic style changes of men's boxer undershorts was compelling to this researcher, as well as adding to the literature concerning men's historic costume. The purpose of this study was to research the availability of men's boxer undershorts post World War II (1946-1988). Specifically, based on pictorial underwear fashions illustrated in the Sears Annual Merchandise Catalog, this study documented and analyzed the availability of boxer undershorts as to fiber content, fabric structure, color, style features, and special design motifs during the time period studied. The objective of the study was to increase the knowledge of men's historic costume through an investigation into the styles of men's boxer undershorts. The historical continuity of fashion, as well as other theories concerning fashion change served as the theoretical framework for this study. The historical continuity process of fashion proposes that each new fashion is an evolutionary outgrowth and elaboration of the previous fashion (Blumer, 1969). Examples include past research by Young (1937), Kroeber (1919), and Robinson (1976), which indicated that changes in fashions took place in well-defined cycles. -
Munsingwear, an Underwear for America / Marcia G. Anderson
IN 1984 the Minnesota Historical Society acquired the Mun singwear, Inc., corporate records and product samples. These business records, photographs, promotional materials, and garments ojjer an especially broad and detailed docu mentation oj the company's history jrom its inception in 1886 through the modern miracle-jiber era oj the 1970s. While there are some gaps in several categories or time peri ods, the coUection as a whole is a treasure trove oj injorma g^gMMBa8"ffl—8SM tion about the company, its competitors worldwide, and the undergarment industry in general. It provides a rare oppor tunity to compare historical documents with material cul ture over a signijicant period oj time. For more injormation on the collection, see inside the back cover. \rwi^f THE INDUSTRIAL REVOLUTION affected nearly every aspect of daily life in the 19th century. Weapons, furniture, chromolithographs, appliances, and'clothing, to name a few items, were standardized, and streamlined production made more—and new—products widely available. Although standardization and mass production limited creativity and uniqueness, their result was predictable: stable designs and reliable products that could evolve or be adapted to meet the An needs of the mass market. The Industrial Revolution fostered the idea that the useful and the aesthetic were not necessarily antithetical and that the perfection of simplicity, predictabil ity, and control were values to rival elite tastes for the beauti Underwear ful and rare. The machine-made knit-goods industry began in America in 1832, when Egbert Egberts developed equipment for knit ting socks in Cohoes, New York. His simple production For method contributed to the eventual replacement of woven goods (largely flannel) with knit goods in underwear. -
Estta272541 03/17/2009 in the United States Patent And
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA272541 Filing date: 03/17/2009 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91183558 Party Plaintiff Temple University -- Of the Commonwealth System of Higher Education Correspondence Leslie H Smith Address Liacouras & Smith, LLP 1515 Market Street, Suite 808 Philadelphia, PA 19102 UNITED STATES [email protected] Submission Motion for Summary Judgment Filer's Name Leslie H Smith Filer's e-mail [email protected] Signature /Leslie H Smith/ Date 03/17/2009 Attachments TEMPLE WORKOUT GEAR SJ Motion with Exhibits and Certif of Service.pdf ( 75 pages )(1933802 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In the Matter of Application No. 77/038246 Published in the Official Gazette on December 18, 2007 Temple University – Of The Commonwealth: System of Higher Education, : : Opposer, : Opposition No. 91183558 : v. : : BCW Prints, Inc., : : Applicant. : SUMMARY JUDGMENT MOTION OF OPPOSER TEMPLE UNIVERSITY – OF THE COMMONWEALTH SYSTEM OF HIGHER EDUCATION TABLE OF CONTENTS Page I. INTRODUCTION…………………………………………………………… 2 II. UNDISPUTED FACTS……………………………………………………… 3 III. THE UNDISPUTED FACTS ESTABLISH A LIKELIHOOD OF CONFUSION BETWEEN THE TEMPLE MARKS AND OPPOSER’S TEMPLE WORKOUT GEAR (AND DESIGN) TRADEMARK…………… 7 A. Likelihood of Confusion is a Question of Law Appropriate for Summary Judgment………………………………………………………………….. 7 B. Under the du Pont Test, the Undisputed Facts Establish A Likelihood of Confusion between Temple’s TEMPLE Marks and Opposer’s TEMPLE WORKOUT GEAR (and design) Mark…………………………………… 7 1. The TEMPLE Marks and the TEMPLE WORKOUT GEAR (and design) Mark Are Similar in Appearance, Sound, Connotation, and Commercial Impression………………………… 8 2.