Zen Bridge: the Zen Teachings of Keido Fukushima
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PUBLICATION of SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS
PUBLICATION OF SAN FRANCISCO ZEN CENTER Vol. XXXVI No. 1 Spring I Summer 2002 CONTENTS TALKS 3 The Gift of Zazen BY Shunryu Suzuki-roshi 16 Practice On and Off the Cushion BY Anna Thom 20 The World Is Vast and Wide BY Gretel Ehrlich 36 An Appropriate Response BY Abbess Linda Ruth Cutts POETRY AND ART 4 Kannon in Waves BY Dan Welch (See also front cover and pages 9 and 46) 5 Like Water BY Sojun Mel Weitsman 24 Study Hall BY Zenshin Philip Whalen NEWS AND FEATURES 8 orman Fischer Revisited AN INTERVIEW 11 An Interview with Annie Somerville, Executive Chef of Greens 25 Projections on an Empty Screen BY Michael Wenger 27 Sangha-e! 28 Through a Glass, Darkly BY Alan Senauke 42 'Treasurer's Report on Fiscal Year 2002 DY Kokai Roberts 2 covet WNO eru 111 -ASSl\ll\tll.,,. o..N WEICH The Gi~ of Zazen Shunryu Suzuki Roshi December 14, 1967-Los Altos, California JAM STILL STUDYING to find out what our way is. Recently I reached the conclusion that there is no Buddhism or Zen or anythjng. When I was preparing for the evening lecture in San Francisco yesterday, I tried to find something to talk about, but I couldn't; then I thought of the story 1 was told in Obun Festival when I was young. The story is about water and the people in Hell Although they have water, the people in hell cannot drink it because the water burns like fire or it looks like blood, so they cannot drink it. -
Moon by the Window
DaI Te oM B ontents BOaSK NGMK NrKeGIK H SnqqGry 8mcKx ne CGSSOMrGoNOKq ,4mMSOqNA 8mcKx ne CGSSOMrGoNOKq ,RnT GPOA Aansa E OqcnT Ns aSOIGaOnmq CnoyrOMNa NGMK Prxyatx Rxyxrxntxs to tyx moon appxar yrxquxntly zn qxn koans as a syortyanw yor tyx awakxnxw mznw. Altyouxy tyxsx tallzxrapyy pyrasxs arx not tyx moon ztsxly- tyxy offxr a mxans yor awakxnznx to tyx mznw’s wzswom sy sxrvznx as a rxmznwxr oy tyx txatyznxs wyxn a txatyxr zs not prxsxnt. Tyx tallzxrapyzxs tyxmsxlvxs provzwx an xxprxsszon oy tyx awakxnxw mznw- a vzsual Dyarma- tapturznx tyx lzvznx xnxrxy oy a momxnt zn znk on papxr. Tyus- worws anw zmaxxs work toxxtyxr to tonvxy tyx xssxntx oy qxn to tyx vzxwxr anw rxawxr. Known zntxrnatzonally as a tallzxrapyxr anw mastxr txatyxr- Syowo aarawa was sorn zn B94A zn Nara- capan. ax sxxan yzs qxn traznznx zn B9HC wyxn yx xntxrxw Syoyuku.jz monastxry zn Kosx- capan. Aytxr traznznx unwxr ramawa Mumon Rosyz ,B9AA–B988A yor twxnty yxars- yx rxtxzvxw Dyarma transmzsszon anw was appozntxw assot oy Soxxn.jz monastxry zn Okayama- capan- wyxrx yx yas tauxyt szntx B98C. aarawa Rosyz zs yxzr to tyx txatyznxs oy Rznzaz qxn Buwwyzsm as passxw wown zn capan tyrouxy Mastxr aakuzn anw yzs suttxssors. aarawa Rosyz’s txatyznx zntluwxs trawztzonal Rznzaz prattztxs znyormxw sy wxxp tompasszon anw pxrmxatxw sy tyx szmplx anw wzrxtt Mayayana wottrznx tyat all sxznxs arx xnwowxw wzty tyx tlxar- purx Orzxznal Buwwya Mznw. Protxxwznx yrom tyzs all.xmsratznx vzxw- aarawa Rosyz yas wxltomxw sxrzous stuwxnts ,womxn anw mxn- lay anw orwaznxwA yrom all ovxr tyx worlw to trazn at Soxxn.jz anw tyx txmplxs yx yas xstaslzsyxw nxar Sxattlx- oasyznxton- anw zn Gxrmany- as wxll as at morx tyan a wozxn szttznx xroups arounw tyx worlw. -
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California L
On Lay Practice Within North American Soto Zen James Ishmael Ford 5 February 2018 Blue Cliff Zen Sangha Costa Mesa, California Last week I posted on my Monkey Mind blog an essay I titled Soto Zen Buddhism in North America: Some Random Notes From a Work in Progress. There I wrote, along with a couple of small digressions and additions I add for this talk: Probably the most important thing here (within our North American Zen and particularly our North American Soto Zen) has been the rise in the importance of lay practice. My sense is that the Japanese hierarchy pretty close to completely have missed this as something important. And, even within the convert Soto ordained community, a type of clericalism that is a sense that only clerical practice is important exists that has also blinded many to this reality. That reality is how Zen practice belongs to all of us, whatever our condition in life, whether ordained, or lay. Now, this clerical bias comes to us honestly enough. Zen within East Asia is project for the ordained only. But, while that is an historical fact, it is very much a problem here. Actually a profound problem here. Throughout Asia the disciplines of Zen have largely been the province of the ordained, whether traditional Vinaya monastics or Japanese and Korean non-celibate priests. This has been particularly so with Japanese Soto Zen, where the myth and history of Dharma transmission has been collapsed into the normative ordination model. Here I feel it needful to note this is not normative in any other Zen context. -
Excerpts for Distribution
EXCERPTS FOR DISTRIBUTION Two Shores of Zen An American Monk’s Japan _____________________________ Jiryu Mark Rutschman-Byler Order the book at WWW.LULU.COM/SHORESOFZEN Join the conversation at WWW.SHORESOFZEN.COM NO ZEN IN THE WEST When a young American Buddhist monk can no longer bear the pop-psychology, sexual intrigue, and free-flowing peanut butter that he insists pollute his spiritual community, he sets out for Japan on an archetypal journey to find “True Zen,” a magical elixir to relieve all suffering. Arriving at an austere Japanese monastery and meeting a fierce old Zen Master, he feels confirmed in his suspicion that the Western Buddhist approach is a spineless imitation of authentic spiritual effort. However, over the course of a year and a half of bitter initiations, relentless meditation and labor, intense cold, brutal discipline, insanity, overwhelming lust, and false breakthroughs, he grows disenchanted with the Asian model as well. Finally completing the classic journey of the seeker who travels far to discover the home he has left, he returns to the U.S. with a more mature appreciation of Western Buddhism and a new confidence in his life as it is. Two Shores of Zen weaves together scenes from Japanese and American Zen to offer a timely, compelling contribution to the ongoing conversation about Western Buddhism’s stark departures from Asian traditions. How far has Western Buddhism come from its roots, or indeed how far has it fallen? JIRYU MARK RUTSCHMAN-BYLER is a Soto Zen priest in the lineage of Shunryu Suzuki Roshi. He has lived in Buddhist temples and monasteries in the U.S. -
To Transmit Dogen Zenji's Dharma
http://www.stanford.edu/group/scbs/Dogen/Dogen_Zen_papers/%20Otani. html [03.10.03] To Transmit Dogen Zenji's Dharma Otani Tetsuo Introduction It is my pleasure to address the distinguished guests who have gathered today at Stanford University to celebrate the 800th anniversary of the birth of Dogen Zenji. In my talk today, I will discuss the topic of "Dharma transmission," first by reflecting on Dogen Zenji's interpretation of the idea. Second, I will examine the so-called "lineage- restoration" movement (shuto fukko) of the early modern period which had the issue of Dharma transmission at its core. And finally, I will conclude with a reflection on the significance of receiving and transmitting the Dharma today. I. Dogen Zenji's Dharma Transmission and Buddha Dharma While practicing in the assembly of Musai Ryoha at Tendozan Monastery right after he went to China at the age of 24, Dogen initially had an interest in the genealogy document (shisho), a certificate authenticating the transmission of the Dharma. Dogen was clearly moved when he actually had opportunities to see "transmission documents" (shisho) and wrote about it in the "Shisho" chapter of his Shobogenzo. In this chapter, he recorded a total of five occasions when he was able to look at a "transmission document" including that of Musai Ryoha. Let us look at these five ocassions in historical sequence: 1] The fall of 1223 when he traveled to China, he was introduced to Den (a monk who was in charge of the temple library), a Dharma descendent of Butsugen Sei'on of the Rinzai Yogi lineage. -
Review Of" Unsui: a Diary of Zen Monastic Life" by E. Nishimura
Swarthmore College Works Religion Faculty Works Religion 10-1-1975 Review Of "Unsui: A Diary Of Zen Monastic Life" By E. Nishimura Donald K. Swearer Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-religion Part of the Religion Commons Recommended Citation Donald K. Swearer. (1975). "Review Of "Unsui: A Diary Of Zen Monastic Life" By E. Nishimura". Philosophy East And West. Volume 25, Issue 4. 495-496. DOI: 10.2307/1398231 https://works.swarthmore.edu/fac-religion/122 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Religion Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. 495 is, to write a twentieth century Cloud of' Unknowing (a Christian document) by using Buddhism. PAUL WIENPAHL University of California, Santa Barbara Unsui: A Diary of Zen Monastic Life, by Eshin Nishimura, edited by Bardwell L. Smith, drawings by Giei Sa to . Honolulu: University Press of Hawaii, 1973 . In Unsui Eshin Nishimura and Bardwell Smith have put together a thoroughly delightful volume on Zen Buddhist training and monastic life. The book combines ninety-six comic, cartoonlike color drawings by Giei Sato (1920- 1970)- an "ordinary Rinzai Zen temple priest"- with Nishimura's running commentary, and a useful introduction by Bardwell Smith which underlines the paradox of tension and harmony characterizing Zen Buddhist monastic life. Taken as a whole, from its appreciative Foreword by Zenkei Shibayama to its Glossary, the book provides a helpful counterpoint to the standard popular work in this area, D. -
Introduction Shunryu Suzuki Sojun Mel Weitsman
Introduction Shunryu Suzuki Sojun Mel Weitsman INTHE SUMMER OF 1970 Suzuki Roshi gave these talks on the Sandokai of Sekito Kisen. BRANCHING Suzuki Roshi had come to America in 1959, leaving Rinso-in, his tem STREAMS ple in Yaizu, Japan, to serve as FLOW IN THE priest for the Japanese-American congregation at Sokoji temple at DARKNESS 1881 Bush Street in San Francisco. During those years a large number of people came to practice with him, and San Francisco Zen Center Zen Talks on the Sandokai was born. Suzuki Roshi became By tht author of Z~n Mind. Beginne~s Mind surrounded by so many enthusias- tic American Zen students that in 1969 he and his students moved to a large building at 300 Page Street and established Beginner's Mind Temple. Two years earlier, Zen Center had acquired the Tassajara resort and hot springs, which is at the end of a four teen-mile dirt road that winds through the rugged mountains of the Los Padres National Forest near the central coast of California. He and his stu dents created the first Zen Buddhist monastery in America, Zenshinji (Zen Mind/Heart Te mple). We were starting from scratch under Suzuki Roshi's guidance. Each year Tassajara Zen Mountain Center has two intensive practice period retreats: October through December, and January through March. These two practice periods include many hours of zazen (cross-legged seated meditation) each day, lectures, study, and physical work. The students are there for the entire time. In the spring and summer months (May through August), Tassajara provides a guest season for people who are attracted by the hot mineral baths and the quiet atmosphere. -
Every Day Is a Fine Day” Calligraphy by Roshi Keido Fukushima from the World Wisdom Online Library: Www
“Every Day is a Fine Day” Calligraphy by Roshi Keido Fukushima From the World Wisdom online library: www. worldwisdom.com/public/library/default.aspx Every Day is a Fine Day It was a nasty day. It had been raining all day. I had been waiting to play golf all week, and now all plans for golf had to be can celled. I was in a bad mood. All I could think of was, “Why did it have to rain today?” Suddenly Gensho walked into the living room, all drenched with rain, and with a big smile shouted, “Every day is a fine day.” I remember that I said nothing to his exuberant comment. On the contrary—I was irritated, think ing, “How can it be a fine day when it’s raining cats and dogs and I can’t play golf.” This incident occurred in 1974 at Claremont. Ever since that day, on numerous occasions, I have heard Roshi Keido Fukushima use this phrase—“Every Day is a Fine Day”—in his talks on Zen. Now that I understand the Zen import of this phrase, I have often greeted my students in my classes on a cold, wintry day in Ohio with the remark, “Every day is a fine day.” It presents an opportunity for a good discussion. As for me, I can cancel a tee-time for a golf game without get ting a headache. So, what does Zen have to do with the weather? The Roshi explains that it was Ummon (864 - 949 C.E.), a T’ang dynasty Zen master in China, who was fond of using this phrase. -
Trouble in Paradise
Trouble in Paradise SEQUENCE A FADE IN NIGHT MED. SHOT DOOR OF A HOUSE A cheap residential district. The house has no architectural character; it is not certain where we are. Near the entrance door is a garbage can, full. A dog is nibbling at some of the garbage. We hear whistling, footsteps. A garbage man comes into the picture. He shoos the dog away. Without pause in whistling, he lifts the garbage can and, followed by camera, goes to the end of the block, which is only a few steps. Now we discover we are in Venice. In the background is a major canal and a typical bridge--romantic background. Gondolas are passing. In the foreground at the sidewalk is the garbage gondola, piled high with garbage. The man dumps his load, leaves the empty can on the sidewalk, gets in the gondola, and paddles away with the grace of a gondolier. Now, in a beautiful tenor voice which is quite a contrast to the garbage, he starts singing a passionate Italian love song. LONG SHOT A GONDOLA Two tourists. Husband and wife. They are in a sentimental embrace. In back is the gondolier. Camera follows gondola a few seconds, coming closer. ANOTHER GONDOLA Camera shoots down. Gondola is covered by a typical little canopy, so that gondolier cannot see the passengers. Camera cuts canopy on one side so that we don't see, at first, who is paddling. In the gondola seat is a woman in evening gown, lots of jewels. She lies in the arms of the gondolier. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Italian-American Ethnic Identity and School Achievement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1982 Italian-American ethnic identity and school achievement : an exploration of the persistence of conflict between the home and school cultures of Italian-American high school students. Thomas D. Sharkey University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Sharkey, Thomas D., "Italian-American ethnic identity and school achievement : an exploration of the persistence of conflict between the home and school cultures of Italian-American high school students." (1982). Doctoral Dissertations 1896 - February 2014. 3849. https://scholarworks.umass.edu/dissertations_1/3849 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ITALIAN- AMERICAN ETHNIC IDENTITY AND SCHOOL ACHIEVEMENT: AN EXPLORATION OF THE PERSISTENCE OF CONFLICT BETWEEN THE HOME AND SCHOOL CULTURES OF ITALIAN- AMERICAN HIGH SCHOOL STUDENTS A Dissertation Presented By THOMAS D. SHARKEY Approved as to style and content by: Patrick J. Sullivan, Chairperson Reginald B. Damerell, Member Christopher S. Hurn, Member UAL IAN-AMER ICAN ETHNIC IDENTITY AND SCHOOL ACHIEVEMENT AN EXPLORATION OF THE PERSISTENCE OF CONFLICT BETWEEN THE HOME AND SCHOOL CULTURES OF ITALIAN-AMERICAN HIGH SCHOOL STUDENTS A Dissertation Presented By Thomas D. Sharkey Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION February 1982 Education Thomas D. -
Goal No1, -No Poverty
Rev.KushikiAlanSenauke TheabbotofBerkeleyZenCenter 〜 W h a t c a n w e d o n o w f o r o u r f u t u r e ? 〜 - F r o m B u d d h i s t P e r s p e c t i v e s - G O A L N O 1 , - N O P O V E R T Y - 2021.6.26(Sat) 2-4pm(PST) FREEADMISSION @Zoom 【BBA】 【REGISTER】 SOTO ZEN HTTPS://FORMS.GLE/4RTAR SHUNSHU OTANI-HA BLPGHNQMT2R8 JODO SHINSHU HONGWANJI-HA NICHIREN SHU PRESENTS BAY AREA BUDDHIST ASSOCIATION PRESENTS SDGs&Buddhism Whatcanwedonowforourfuture? -FromBuddhistPerspectives- SDGs(sustainabledevelopmentgoals)aimbothinthepresentdayaswellasinthe futureatasocietyinwhichnooneisleftbehind.Thisisacomprehensiveandinclusive waythatlookstoresolvingtheseventeenrelatedtopicsthat193countriesoftheUnited Nationshaveidentifiedincludingpovertyandhunger,correctinginequality, environmentalconservation,andtherealizationofapeacefulsociety.AtaUN summitheldinSeptember2015,themembercountriesunanimouslydecidedtoadoptas internationalobjectivesthatbytheyear2030theyshouldaimtofulfilltheseseventeen goalsmentionedaboveaswellas169specifictargets.Governmentagenciesofeach country,industry,andnon-governmentalorganizationsareunitedinmovingforwardto bringingabouthappinessforallpeopleandworkingtowardstheprotectionofthe environment. We,theSotoZen,ShinshuOhtani-ha,NichirenShuandJodoShinshuHongwanji-ha InternationalCentersintheBayAreahavecreatedagroupcalledtheBayAreaBuddhist Association(BBA).WeareplanningtoholdaBuddhistinterdenominationaleventtolearn abouthowBuddhismrelatestotheUnitedNationsSustainableDevelopmentGoals (SDGs).Wehopethatthroughthisprojectministersandassistantsfromeachsectwill