Instructor Bios (Alphabetical Order): Cathy Fink – Artistic Director
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NEW DEAL • Summer 2014
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MF 111 Folksongs in February Collection
MF 111 Folksongs in February Collection Northeast Archives of Folklore and Oral History Number of accessions: 1 Dates when interviews were conducted: 1977 Finding aides: 8 page index Access restrictions: none Description: NA2596 David Mallett, David Ingraham, Charlie Nevells, Larry Kaplan, Edward D. “Sandy” Ives, Kendall Morse, Margaret MacArthur, Norman Kennedy, Louis and Sally Killen, Yodeling Slim Clark, Charlotte Cormier, Sparky Rucker, Sandy and Caroline Paton, Hazel Dickens, Tim Woodbridge, Joe Hickerson, Debby McClatchy, Gordon Bok, Sean Corcoran, Bill Shute and Lisa Null, by Maine Folklife Center, February, 1977, Orono, Maine. Tape: 8 reels (ca. 15 hrs.) Accession consists of 8 tape reels containing recordings of a folk music concert program called “Folksongs in February” held at the University of Maine in February, 1977. Accession includes 8 black & white contact sheets of 35 mm photos of the performances. Individual frames are unnumbered at the time of accessioning. Text: 36 pp. Recordings: T 2015-2022 / CD 0406-0419 (CD 0406 is MIA). Photographs: P00880, P00881, P01114 – P01399 Also see: NA2132 Susan Tibbets, hosts concert with 20 singer and songwriters, featuring Kendall Morse, Edward D. “Sandy” Ives, Lisa Null, and Slim Clark, deposited by Maine Public Broadcasting Network, fall 1989, Hauck Auditorium, UMaine, Orono, Maine. 11 pp. Cat. only. On February 11 and 12, 1977, a concert and a series of workshops called "Songs for February" held at the Hauck Auditorium UMaine. From the recordings made of the concert and series of workshops, the Maine Public Broadcasting Network produced an 8-part radio series as part of their “Roots and Branches” series.” Accession consists of a catalog of the radio program. -
Appalachian Studies Bibliography Cumulation 2013-June 2016 ______
Appalachian Studies Bibliography Cumulation 2013-June 2016 _____________________ CONTENTS Agriculture and Land Use ................................................................................................................3 Appalachian Studies.........................................................................................................................8 Archaeology and Physical Anthropology ......................................................................................14 Architecture, Historic Buildings, Historic Sites ............................................................................18 Arts and Crafts ..............................................................................................................................21 Biography .......................................................................................................................................27 Civil War, Military.........................................................................................................................29 Coal, Industry, Labor, Railroads, Transportation ..........................................................................37 Description and Travel, Recreation and Sports .............................................................................63 Economic Conditions, Economic Development, Economic Policy, Poverty ................................71 Education .......................................................................................................................................82 -
Bluegrass Music: a Toe-Tapping Exploration of an American Art Form a Smithsonian Folkways Lesson Designed By: Lesley Lopez Pennsylvania State University
Bluegrass Music: A Toe-Tapping Exploration of an American Art Form A Smithsonian Folkways Lesson Designed by: Lesley Lopez Pennsylvania State University Summary: Students will be introduced to American Bluegrass music and Appalachian songs through singing, listening and conversation. A number of songs will be compared leading to a conversation on the characteristics of Traditional American music. Suggested Grade Levels: 3-5 Country: United States Region: Southern United States, Appalachia, North America Culture Group: Anglo-American Genre: Bluegrass Instruments: Voice Language: English Co-Curricular Areas: Social Studies, Theater National Standards: 1, 6, 7, 8, 9 Prerequisites: Knowledge of the string family of instruments Objectives: Identify the characteristics of folk music Identify Appalachia on a map of The United States Listen to two versions of the “Crawdad Song” and be able to compare and contrast the two recordings Sing a traditional Appalachian folk song Dramatize an Appalachian folk song Introduce the history of Bluegrass music Relate knowledge of folk music to the characteristics of Bluegrass music Identify the instruments used in Bluegrass music by sight and sound Become aware of “Newgrass” music (progressive Bluegrass) Listen to an example of Newgrass and compare it to Bluegrass music Materials: “Crawdad Song” by Woody Guthrie from Muleskinner Blues: The Asch Recordings, Volume 2 (Cat. # SFW40101_122) http://www.folkways.si.edu/woody-guthrie/muleskinner-blues-the-asch-recordings- vol-2/american-folk-struggle-protest/music/album/smithsonian -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
The Center for Popular Music, Middle Tennessee State University, Murfreesboro, Tn
THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN TOM MORGAN COLLECTION 09-015 Creator: Morgan, Tom Type of Material: Manuscript Materials, Photographs, Performance Documents, Artifact Physical Description: 12 boxes, including contact lists, performance flyers and resources, sheet music, newspaper clippings, Tom Morgan’s career and performance documents, oversized articles, artifacts, photographs, contracts, and correspondence. Dates: circa 1970-2010 Abstract (Descriptive Summary): This is a collection of mostly papers and photographs related to Tom Morgan and his career. It also includes resources about renowned country and bluegrass artists whom Tom Morgan worked with and knew. Access/Restrictions: The collection is open for research use. All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: Tom Morgan, local bluegrass musician and luthier, gave the material in this collection to the Center for Popular Music in multiple installments, beginning in 2009. Accession numbers for Mr. Morgan’s collection include: 09-015, 12-018, 14-031, 14-035, 14-049, 14-066, 15-001, 15- 011, 15-039, and 15-040. Subjects/Index Terms: Fiddling--Southern States Old-time music Old-time music—Tennessee TOM MORGAN COLLECTION 09-015 Fiddler's Convention Fiddling—Competitions Banjo Guitar Mandolin Fiddle Folklife Festival – Smithsonian Chattanooga Audubon Society Chattanooga Historical Society Chattanooga (Tenn.) SIEM Bluegrass Country and western music Luthiers Tennessee Bluegrass unlimited--Indexes. Tennessee Banjo Institute Agency History/Biographical Sketch: Pioneer bluegrass musician, luthier, and educator, Tom Morgan, was born in Morgan Springs, Tennessee on April 19, 1932. -
Roles of Women in Bluegrass Music
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "You're pretty good for a girl": Roles of women in bluegrass music Jenna Michele Lawson [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Lawson, Jenna Michele, ""You're pretty good for a girl": Roles of women in bluegrass music. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/995 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jenna Michele Lawson entitled ""You're pretty good for a girl": Roles of women in bluegrass music." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Allison S. Robbins, James Fellenbaum Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) “YOU’RE PRETTY GOOD FOR A GIRL”: ROLES OF WOMEN IN BLUEGRASS MUSIC A Thesis Presented for the Master of Music Degree The University of Tennessee, Knoxville Jenna Michele Lawson August 2011 ii Copyright © 2011 by Jenna Michele Lawson All rights reserved. -
Folklore Journal North Carolina
Folklore Journal North Carolina Carolina North 57.2 Fall-Winter 2010 Fall-Winter 57.2 North Carolina Folklore Journal Philip E. (Ted) Coyle, Editor Jared W. Gallamore, Assistant Editor The North Carolina Folklore Journal is published twice a year by the North Carolina Folklore Society with assistance from Western Carolina University, Appalachian State University, and a grant from the North Carolina Arts Council, an agency funded by the State of North Carolina and the National Endowment for the Arts. Editorial Advisory Board (2006-2010) Barbara Duncan, Museum of the Cherokee Indian Alan Jabbour, American Folklife Center (retired) Erica Abrams Locklear, University of North Carolina at Asheville Thomas McGowan, Appalachian State University Carmine Prioli, North Carolina State University Kim Turnage, Lenoir Community College The North Carolina Folklore Journal publishes studies of North Carolina folklore and folklife, analyses of folklore in Southern literature, and articles whose rigorous or innovative approach pertains to local folklife study. Manuscripts should conform to The MLA Style Manual. Quotations from oral narratives should be transcriptions of spoken texts and should be identified by informant, place, and date. For informa- tion regarding submissions, view our website (http:/paws.wcu.edu/ncfj), or contact: Dr. Philip E. Coyle Department of Anthropology and Sociology Western Carolina University Cullowhee, NC 28723 North Carolina Folklore Society 2010 Officers Barbara Lau, Durham, President Lora Smith, Pittsboro, 1st Vice President Shelia Wilson, Burlington, 2nd Vice President Steve Kruger, Hillsborough, 3rd Vice President Joy M. Salyers, Hillsborough, Secretary Janet Hoshour, Hillsborough, Treasurer North Carolina Folklore Society memberships are $20 per year for individuals; student memberships are $15. -
America's Roots Music
FREE Volume 1 Number 4 July/August 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers AMERICA’S ROOTS MUSIC NEW FILM EXAMINES THE LIFE & MUSIC OF APPALACHIAN PEOPLE ike O Brother, Where Art Thou, singing ballads Songcatcher is a movie where the and young folks plot is built to showcase the fiddling away on music. As with O Brother... the the corner. music being trumpeted is from Songcatcher Appalachia. The haunting songs attempts to give us a glimpse into life in the Songcatcher in the film, as well as on the mountains at the turn of the century. Dr. Lily L soundtrack, represent some of Penleric (JANET MCTEER) is an academic WRITTEN & DIRECTED BY America’s most powerful musical folklorist. When she is passed over again for MAGGIE GREENWALD influences - the roots that later sprout into blue- university promotion, she leaves the universi- WITH JANET MCTEER, EMMY ROSSUM, grass, country music, folk singing, and eventually, the Southern- ty and heads to the mountains where her sister runs a local PAT CARROLL, AIDAN QUINN influenced rock ‘n roll of Elvis Presley. Appalachia remains a schoolhouse. Once there, she “discovers” the treasure-chest hotbed of creative music with new stars such as Iris DeMent ris- of music, sung with such expression and depth that she is at ing out of the old traditions with the rarest of gifts: a high lone- once inspired to tell the world (and make her statement to the some voice and a simple song that can shatter a person’s heart. -
The Life, Music, and Impact of Hazel Dickens Kelly Landers
University of Richmond UR Scholarship Repository Honors Theses Student Research 2010 Freedom's disciple : the life, music, and impact of Hazel Dickens Kelly Landers Follow this and additional works at: https://scholarship.richmond.edu/honors-theses Part of the Leadership Studies Commons, and the Music Commons Recommended Citation Landers, Kelly, "Freedom's disciple : the life, music, and impact of Hazel Dickens" (2010). Honors Theses. 1066. https://scholarship.richmond.edu/honors-theses/1066 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERS TY OF RICHMOND LIBRARIES \1\\1 \\\I\\\\\\ I\ I\\\\II \I\ I\\ I\\\\ I\I\ \\\\ I\\ \I\I\ \ \\\ I\\I\ \\II 3 3082 01040 2435 Freedom's Disciple: The Life, Music, and Impact ofHazel Dickens by Kelly Landers Honors Thesis in LeadershipStudies Universityof Richmond Richmond, VA April 29, 2011 Advisor: Dr. Gary McDowell Abstract Freedom's Disciple: The Life,Music, and Impact of Hazel Dickens Kelly Landers Committee members: Dr. Gary McDowell, Dr. Terry Price, Dr. Dorothy Holland The work of Appalachian musician Hazel Dickens sheds light on many of the musical and cultural changes in our country. Dickens used her music as a voice forthe disadvantaged, advocating for improvements in the lives of miners, working-class people, and women, and pushing forall to be treated equally. A wonderfulsongwriter, performer, and overall musician, Dickens saw her career, music, and beliefs as inextricably linked, and so this thesis will explore her leadership by analyzing her songs and her history. -
Senator Carmichael, Mr. President, in the Chair.)
____________ Charleston, West Virginia, Monday, February 4, 2019 The Senate met at 11:07 a.m. (Senator Carmichael, Mr. President, in the Chair.) Prayer was offered by Seth Polk, Lead Pastor, Cross Lanes Baptist Church, Cross Lanes, West Virginia. The Senate was then led in recitation of the Pledge of Allegiance by the Honorable Chandler Swope, a senator from the sixth district. Pending the reading of the Journal of Friday, February 1, 2019, At the request of Senator Beach, unanimous consent being granted, the Journal was approved and the further reading thereof dispensed with. The Senate proceeded to the second order of business and the introduction of guests. The Clerk presented the following communication from a state agency as required by the provisions of law: Administration, Department of (Comprehensive Procurement Program for Recycled Products) (§22-15A-21) The Senate then proceeded to the third order of business. A message from the Clerk of the House of Delegates announced the concurrence by that body in the passage of Eng. Com. Sub. for Senate Bill 255, Relating to Emergency Medical Services Advisory Committee. A message from the Clerk of the House of Delegates announced the passage by that body and requested the concurrence of the Senate in the passage of 2 JOURNAL OF THE SENATE [February 4 Eng. Com. Sub. for House Bill 2001—A Bill to amend and reenact §11-21-12 of the Code of West Virginia, 1931, as amended, relating to exempting social security benefits from personal income tax; clarifying that tier one railroad retirement benefits are not subject to personal income tax; specifying an effective date; and removing obsolete language.