Margaret Macarthur in Concert February 8 Silly Wizard to Appear
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
The Folklore Society of Greater Washington
The folklore Juli Musgrave, Editor Soci et y |Box 19114,20th Street Station, Washington, DC 20036 of Greater Washi ngt on NHWIJTIB Volume 22, No. 9 May 1986 Phone (703) 281-2228 BLEIZI RUZ MAY 16 SPECIAL EVENT Brittany is a windswept, rugged penin sula in the northwestern corner of France. Unlike other peoples of France, the Bret ons are a Celtic people; their culture, language, and music are closely related to Welsh, Irish, and Scottish traditions. From this heritage comes the band Bleizi Ruz for an FSGW Special Event concert on Friday, May 16. The music of Bleizi Ruz (Breton for "Red Wolves") comes from the tradi tional "festnoz," or late-night Breton ceilis. In towns throughout the region, people of all ages gather to socialize and dance to the music of the bombarde and biniou (folk oboe and bagpipe), fiddle, and accordion. The tunes combine haunting melodies with lively dance rhythms, creating an unforgettable sound. The Bleizi Ruz repertoire includes these dance tunes, as well as songs, and tunes arranged for listening. This is the first U.S. tour for this popular Breton band, so don't miss it! The concert will be held at the Department of Commerce’s Hoover Audi torium on 14th St. between Constitution Avenue and E St. NW. The concert begins at 8:30 p.m., and tickets will be $6.00 for FSGW members, $8.00 for non-members. W.F.F. BENEFIT DANCE MAY 24 On Saturday, May 24, in the historic Spanish Ballroom at Glen Echo Park, the Washington Swing Dance Committee, in cooperation with the Nation al Park Service, will present a special fund-raiser Swing 'n' Contra Dance in support of the 10th Annual Washington Folk Festival. -
Traditional Music of Scotland
Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Triskele Volume I.Pub
Volume I, Issue I A Newsletter of UWM’s Center for Celtic Studies Bealtaine, 2002 Failte! Croeso! Mannbet! Kroesan! Welcome! W elcome to the first edition of Triskele, our UWM Center for Celtic Studies newsletter! The Celtic world offers a wide and accessible curriculum of study—a laboratory where theories and experiences can be tested and explored: Students of all ages and backgrounds can encounter the human condition, from societies in the prehistoric past to political conflicts of the ever-changing present. Every- thing from the furniture of the kitchen to the furniture of the mind! Since our official launch last August by Irish Minister of State Mary Coughlan, T.D., and UWM Provost John Wanat, we have been very pleasantly surprised by the response from both campus and community. Our mission is to serve both. Our door Center for Celtic Studies staff members (left to right): Ina therefore is always open, so on behalf of Bettina, Ina, Nancy Kielley (program assistant), Bettina Arnold (co-director), and myself, Failte Isteach! Far Faa Ye! Croeso! Mannbet! John Gleeson (co-director), Nancy Walczyk (associate Kroesan! director) Celtic Popular Culture Conference October 12, 2002 popular culture been transformed The featured keynote speaker is What are the links between popular in its encounters with other, often Lawrence McCaffrey. The event culture and history, politics, econom- radically different societies, both in will be held atthe Irish Cultural and ics, language, and psychology in the America and elsewhere? What Heritage Center in Milwaukee, Celtic regions and those countries does the future of Celtic Studies and will include lively musical influenced by them? hold? and artistic performances. -
Farewell to a Man, and to an Era
September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M. -
Appalachian Studies Bibliography Cumulation 2013-June 2016 ______
Appalachian Studies Bibliography Cumulation 2013-June 2016 _____________________ CONTENTS Agriculture and Land Use ................................................................................................................3 Appalachian Studies.........................................................................................................................8 Archaeology and Physical Anthropology ......................................................................................14 Architecture, Historic Buildings, Historic Sites ............................................................................18 Arts and Crafts ..............................................................................................................................21 Biography .......................................................................................................................................27 Civil War, Military.........................................................................................................................29 Coal, Industry, Labor, Railroads, Transportation ..........................................................................37 Description and Travel, Recreation and Sports .............................................................................63 Economic Conditions, Economic Development, Economic Policy, Poverty ................................71 Education .......................................................................................................................................82 -
TUNE of the WEEK
TUNE of the WEEK Standard Notation and Mandolin Tablature TUNE of the WEEK TUNE of the WEEK CONTENTS 1: Cenneag Mhor ..................................... 1 2: Mo Chaillein Dileas Donn .................. 1 3: Johnny Murray of Lochee ................... 2 4: Ray’s Classic ....................................... 2 5: Joan’s Jig ............................................ 3 6: Little Diamond ................................... 3 7: Jenny Lind Polka ................................4 8: Cro Cinn T-Saile ..................................4 9: Cavehill ............................................... 5 10: Banbury Bill ..................................... 5 11: My Beautiful Mandolin Friend ..........6 12: Wi My Dog and Gun .......................... 7 13: Pretty Little Cat .................................8 14: Periwig, The ......................................8 15: Drummond Castle .............................9 16: Yow Cam to Wir Door Yarmin ..........9 17: New Five Cents, The ........................ 10 18a: Hoch Hey Johnnie Lad ...................11 18b: Lord Drummond ............................11 19: Wistfulness at Wiston ..................... 12 20: I Bhi Ada ......................................... 12 Nigel Gatherer’s Tune of the Week, Book 1 • First published January 2012 Compiled, designed and produced by Nigel Gatherer All transcriptions by Nigel Gatherer, © Nigel Gatherer 2012 TUNE of the WEEK 1: Cenneag Mhor (traditional) I transcribed this tune from my record collection, from one of my favourite Scottish dance bands, Addie Harper’s Wick SCD Band. I don’t really know anything about the tune, but I like it. It’s in a D pentatonic key, and fairly lilts along. 2: Mo Chaillein Dileas Donn (traditional) I learned this slow air from a recording by the folk group Ossian from Glasgow. It’s a fairly well known Gaelic song TUNE of the WEEK 1 3: Johnny Murray of Lochee (unknown) I learned this tune from fiddler Clare McLaughlin of Deaf Shepherd. I think it’s a variant of a bagpipe tune. -
BRT Past Schedule 2004
Join Our Mailing List! 2004 Past Schedule current schedule 2012 past schedule 2011 past schedule 2010 past schedule 2009 past schedule 2008 past schedule 2007 past schedule 2006 past schedule Partial programming support provided by the John H. Chafee Blackstone River Valley National Heritage Corridor Commission JANUARY Saturday, January 10, 8 PM, $12.00 Atwater-Donnelly Aubrey Atwater and Elwood Donnelly return to present an enthralling concert of traditional American and Celtic American folk songs, a cappella pieces, hymns, dance tunes, and original works. Elwood and Aubrey blend unusual harmonies and play guitar, Appalachian mountain dulcimer, Irish tin whistle, harmonica, banjo, bones, spoons and other musical surprises. Their performance is appealing to all ages, and with humor, audience participation, and a highly relaxed stage presence, Aubrey and Elwood explain song origins to give more relevance to the material. Aubrey and Elwood met as volunteers at the Stone Soup Coffeehouse in Providence and formed a duo in the fall of 1987. They perform widely in the Northeast and other parts of the United States and Great Britain and their recordings receive international airplay. Atwater and Donnelly have performed and researched folk music extensively in New England, Ireland, England, Prince Edward Island, the Ozarks, and Appalachia. They recently released a new recording called "And Then I'm Going Home: Atwater- Donnelly Live," which was recorded at the Blackstone River Theatre and other R.I. coffeehouses in 2000. Sunday, January 11, 2-5 PM, $6.00 Irish Ceili and Set Dance Partial support provided by the Rhode Island State Council on the Arts. -
Celtic Airs CD Liner
Lyric masterpieces from Scotland, Ireland, and Wales, Timothy Seaman: Dusty Strings D600 hammered dulcimer played on hammered dulcimer, flutes and whistles, and Celtic harp. (1999) • Bert Berry mountain dulcimer (2001) • James Jones bowed and plucked psalteries (1990) • Gemeinhardt 3SSB flute (1978) • Sigma D18 guitar (1991) • Chieftain, Shaw, & Susato whistles • Woodsong & Suzhou bamboo flutes • Glenluce bodhran & other percussion • Hohner melodicas & harmonica • Roland keyboard • vocalizing Ardie Boggs: John Yule Celtic harp Ann Robinson: Dusty Strings Celtic harp • Ken Bloom bass bowed dulcimer Robin Jester: piano Bill Gurley: fiddle • guitar • high-strung guitar Peter Budnikas: Highland pipes Henry Smith: keyboards • bass guitar • electric violin Howard Nilsen: accordion Arrangements by Timothy Seaman & the musicians. Recorded by Timothy Seaman at Pine Wind Studios & Grace Covenant Presbyterian Church (piano & bagpipe) (www.gracecovpca.org), and by Henry Smith at Outback Studio (www.theoutbackstudio.net) Instrument photography: Timothy Seaman Cover landscape photography: Alastair Garrow Art design: Jonathan Hounshell www.timothyseaman.com 127 Winter E, Williamsburg, VA 23188 757-746-8899 prod master: sales order: acct mgr: artist: bus. rel.: Timothy Seaman contact: ofa date: 1. Carrickfergus (trad. Ireland) An 18th- Fraser. Fiddle, guitar, high-strung guitar: 11. I’ll Bid My Heart Be Still (trad. 15. Our Hero (Mo Ghile Mear) (trad. Century Ulstermen’s melody. This oldest town Bill Gurley. Scotland) / My Sweet Rowena in the Ireland, 17th Century) Eire’s lament for the in Antrim is on the Belfast Loch, not far from Glen (Timothy Seaman, 2008 Pine Wind exile of their cousin Bonnie Prince Charlie. C.S. Lewis’s childhood home. From the 6. Bonnie Bessie Logan (trad. -
The Center for Popular Music, Middle Tennessee State University, Murfreesboro, Tn
THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN TOM MORGAN COLLECTION 09-015 Creator: Morgan, Tom Type of Material: Manuscript Materials, Photographs, Performance Documents, Artifact Physical Description: 12 boxes, including contact lists, performance flyers and resources, sheet music, newspaper clippings, Tom Morgan’s career and performance documents, oversized articles, artifacts, photographs, contracts, and correspondence. Dates: circa 1970-2010 Abstract (Descriptive Summary): This is a collection of mostly papers and photographs related to Tom Morgan and his career. It also includes resources about renowned country and bluegrass artists whom Tom Morgan worked with and knew. Access/Restrictions: The collection is open for research use. All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: Tom Morgan, local bluegrass musician and luthier, gave the material in this collection to the Center for Popular Music in multiple installments, beginning in 2009. Accession numbers for Mr. Morgan’s collection include: 09-015, 12-018, 14-031, 14-035, 14-049, 14-066, 15-001, 15- 011, 15-039, and 15-040. Subjects/Index Terms: Fiddling--Southern States Old-time music Old-time music—Tennessee TOM MORGAN COLLECTION 09-015 Fiddler's Convention Fiddling—Competitions Banjo Guitar Mandolin Fiddle Folklife Festival – Smithsonian Chattanooga Audubon Society Chattanooga Historical Society Chattanooga (Tenn.) SIEM Bluegrass Country and western music Luthiers Tennessee Bluegrass unlimited--Indexes. Tennessee Banjo Institute Agency History/Biographical Sketch: Pioneer bluegrass musician, luthier, and educator, Tom Morgan, was born in Morgan Springs, Tennessee on April 19, 1932. -
Folklore Journal North Carolina
Folklore Journal North Carolina Carolina North 57.2 Fall-Winter 2010 Fall-Winter 57.2 North Carolina Folklore Journal Philip E. (Ted) Coyle, Editor Jared W. Gallamore, Assistant Editor The North Carolina Folklore Journal is published twice a year by the North Carolina Folklore Society with assistance from Western Carolina University, Appalachian State University, and a grant from the North Carolina Arts Council, an agency funded by the State of North Carolina and the National Endowment for the Arts. Editorial Advisory Board (2006-2010) Barbara Duncan, Museum of the Cherokee Indian Alan Jabbour, American Folklife Center (retired) Erica Abrams Locklear, University of North Carolina at Asheville Thomas McGowan, Appalachian State University Carmine Prioli, North Carolina State University Kim Turnage, Lenoir Community College The North Carolina Folklore Journal publishes studies of North Carolina folklore and folklife, analyses of folklore in Southern literature, and articles whose rigorous or innovative approach pertains to local folklife study. Manuscripts should conform to The MLA Style Manual. Quotations from oral narratives should be transcriptions of spoken texts and should be identified by informant, place, and date. For informa- tion regarding submissions, view our website (http:/paws.wcu.edu/ncfj), or contact: Dr. Philip E. Coyle Department of Anthropology and Sociology Western Carolina University Cullowhee, NC 28723 North Carolina Folklore Society 2010 Officers Barbara Lau, Durham, President Lora Smith, Pittsboro, 1st Vice President Shelia Wilson, Burlington, 2nd Vice President Steve Kruger, Hillsborough, 3rd Vice President Joy M. Salyers, Hillsborough, Secretary Janet Hoshour, Hillsborough, Treasurer North Carolina Folklore Society memberships are $20 per year for individuals; student memberships are $15.