Gulliver's Travels
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Politics in Jonathan Swift's Literature
CORE Metadata, citation and similar papers at core.ac.uk Provided by Repositorio Documental de la Universidad de Valladolid FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO Politics in Jonathan Swift’s Literature Rebeca Carravilla Izquierdo Tutora: Ana Sáez Hidalgo 4º Grado en Estudios Ingleses 2 Abstract Jonathan Swift has been considered one of the most skillful authors of the eighteenth century due to his harsh and accomplished satirist style of writing, and the polemic that it caused in the society of the time. His masterpiece, Gulliver’s Travels, an apparently simple travel book - among many others of the time- seems to camouflage, nevertheless, a brilliant satire that does not differ too much from the political essays and pamphlets published by the same author. In those writings, he harshly criticized the situation of his country by not only blaming Irish politicians and the British government, but also the own population and the stupidity of the human race. In this dissertation, I intend to find out about the author’s ideology through the study of the ideas captured in his literature. For this purpose, I have first analyzed four of Jonathan Swift’s political essays. Then, I have examined Gulliver’s Travels from the perspective of the conclusions reached through these first readings in order to expose the connection between Swift’s political treatises and his fiction. Key words: Jonathan Swift, politics, corruption, Gulliver’s Travels, government, Ireland, England Jonathan Swift es considerado uno de los mejores autores del siglo dieciocho debido a su conseguido estilo satírico y por la polémica que causó en la sociedad de su tiempo. -
Language and Reality in Swift's a Tale of a Tub ?
Language and Reality in Swift's A Tale of a Tub ?. ill if pi p 1 J \ Language and Reality in Swift's A Tale of a Tub Frederik N. Smith OHIO STATE UNIVERSITY PRESS : COLUMBUS Frontispiece Giovanni Battista Piranesi, Le Carceri ("The Prisons") Plate VII, second state (ca. 1761) Copyright © 1979 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Smith, Frederik N 1940 Language and reality in Swift's A tale of a tub. Bibliography: p. Includes index. 1. Swift, Jonathan, 1667-1745. A tale of a tub. 2. Swift, Jonathan, 1667-1745—Style. I. Title. PR3724.T33S6 823'.5 79-15355 ISBN 0-8142-0294-2 To the memory of my mother and father Contents Preface ix Introduction 3 One Words and Things 9 Two Wordplay 27 Three Lexical Fields 49 Four Syntax and Rhythm 71 Five Language and Madness 93 Six Reality and the Limits of Mind 125 Glossary for A Tale of a Tub 145 Bibliography 165 Index 169 Preface The manuscript of a book may be written alone, but it is not revised without the opinions of others, nor does it reach publication without the assistance of still others. I owe a great debt to my friends Professor William B. Piper of Rice University and Professor Robert Wallace of Case Western Reserve University, both of whom read the entire manuscript and made innumerable, invaluable comments and criticisms—the majority of which I incorporated into the final draft. I wish also to thank my friends and former colleagues Professor Louis D. -
POLITICAL HISTORY in 18Th CENTURY of GULLIVER's
POLITICAL HISTORY IN 18th CENTURY OF GULLIVER’S TRAVELS BY JONATHAN SWIFT Lidya Puspitasari 1, Neisya 2 Universitas Bina Darma Jalan Jenderal Ahmad Yani No.3 Palembang Email : [email protected] 1, [email protected] 2 Abstract : This study objectives were to find out the influence of the England political history and how Swift used the symbol of satire to criticize political situation. Qualitative method with descriptive approach was used in this study. Techniques for collecting the data were done through following: reading and observing the novel of Gulliver’s Travels, scanning and finding the information of some history of English Literature books and history books, and looking for the information related to the study of the literary theory books to get theories and references as supporting research in this study. M.H. Abrams Theory was used in finding and analyzing this study. The result of the study showed that satire was used by Swift to criticize political and social situation. It was reflected in the story of Gulliver’s Travels. For example, Swift criticize the British government by using the Lilliputians. Keywords: Politics, Gulliver’s Travels, and Satire. Abstrak : Penelitian ini bertujuan untuk menemukan pengaruh keadaan politik Inggris dan bagaimana Swift menggunakan simbol dari satire untuk mengkritik situasi politik. Metode kualitatif dengan pendekatan deskriptif diterapkan dalam penelitian ini. Teknik untuk mengkoleksi data diadakan melalui beberapa tahapan: membaca dan mengobservasi novel Gulliver’s Travels, menemukan informasi mengenai sejarah dari buku-buku sastra, dan mencari informasi yang berhubungan dengan penelitian. Teori dari M.H. Abrams dipergunakan untuk menemukan dan menganalisa penelitian ini. -
Mary F:Rbaugh. Keep Co-Op, April 12 T 1970 of All the Imagery Available To
Mary F:rbaugh. Keep Co-op, April 12 t 1970 THE EI,mODYING H1AGE: A DESIGN FOR A OF DISTORTED BODY IHAGERY IN .;;;...;;:.=.;;:;;;.;;;:;...;.;::;;..::.:;..,.::~ .-;;.;:;;..:;;..;== Of all the imagery available to the writer the body's imagery is perhaps the most powerful and immediate" Using arms and legs and eyebroi'm in his work he insures himself of a bond with his reader, for each reader has his ovm arms and legs and eyebrows to identify with in his mind and experience. No one can read Swift· s terse sentence, II st w'eek I saw a woman flayed t and you will hardly believe how much it altered 1 her person for the worse,," without feeling a shudder of horror and sympathy in his own body. 'y!?~.§., is full of body images.. Gulliver himself is a very fleshly human being; he is primarily interested in the people he finds. We, the readers t are first entranced by ~:~~ because it tells us about people like ourselves only somehow different.. It is this likeness '\'iri th and difference from our- selves that makes the powerfully in~riguing book it is. The differences betitieen ourselves and the people in ,.;;;;.;:;:=,;:::. ver come ly in the distortions of their bodies: they are tvfelve t s as or as 1 as w'e are t have Erbaugh -- 2 eyes or are filthYt or are. to all superficial appearances, horses@ We are led from the familiarity of our own bodies to the strangeness of Swift- s creations, froIQ. experience (we '/ all lrnow people somewhat taller or shorter than ourselves, for, example) to the allegory of imaginqtion. -
Interpretation, Agency, Entropy: Rumbold, Valerie
Interpretation, agency, entropy: Rumbold, Valerie DOI: 10.3366/ijhac.2017.0191 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Rumbold, V 2017, 'Interpretation, agency, entropy: annotating Pope’s Dunciads', International Journal of Humanities and Arts Computing, vol. 11, no. 2, pp. 174-198. https://doi.org/10.3366/ijhac.2017.0191 Link to publication on Research at Birmingham portal Publisher Rights Statement: This article has been accepted for publication by Edinburgh University Press in the journal International Journal of Humanities and Arts Computing, http://www.euppublishing.com/doi/full/10.3366/ijhac.2017.0191, http://dx.doi.org/10.3366/ijhac.2017.0191. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Swift's Use of Satire in Gulliver's Travels Romana Rouf Chowdhury
Swift’s Use of Satire in Gulliver’s Travels Romana Rouf Chowdhury Student ID : 10203020 Department of English and Humanities April 2014 Swift’s Use of Satire in Gulliver’s Travels A Thesis Submitted to The Department of English and Humanities of BRACUniversity by Romana Rouf Chowdhury Student ID : 10203020 In Partial fulfillment of the Requirements for the Degree of Bachelor of Arts in English April 2014 Acknowledgements I would like to express my sincere appreciation to each member of the faculty of the Department of English and Humanities, BRAC University. I would like to give special thanks to Professor FirdousAzim for being the head of the committee and for giving me the support I needed at the early stages of the thesis and especially for the support at the end. I would also like to give special thanks to Ms. Mushira Habib for taking out time for me and to discuss the thesis as it was developing. I also thank J & J Book Shop for their assistance in printing the thesis for the committee members and for delivering copies to them. I would also like to thank my entire family for their unconditional support and encouragement to get my thesis done. Table of Contents Abstract ………………………………………………………………………………..01 Introduction …………..……………..……………………………………………….. 02 Chapter 1: A Voyage to Lilliput………………………………………………..............08 Chapter 2: A Voyage to Brobdingnag………………………………………………….15 Chapter 3: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan……23 Chapter 4: A Voyage to the Country of the Houyhnhnms……………………………. 31 Conclusion …………………………………………………..…………………………36 WorksCited ..……………………………………………..…………………………….39 Chowdhury 1 Abstract Most works of literature contain the writers' ideas; often including their social criticism. -
Gulliver's Travels Word List No.Word Clue/Definition 1
Teacher’s Pet Publications a unique educational resource company since 1989 To: Professional Language Arts Teachers From: Dr. James Scott, Teacher’s Pet Publications Subject: Teacher’s Pet Puzzle Packs Thank you for your interest in Teacher’s Pet Publications teaching resources. The sample pages from the Teacher’s Pet Puzzle Packs are enclosed. The goal of our Puzzle Packs is to give you title-specific, ready-to-use games and activities that are specifically designed to help your students learn to identify and define key vocabulary, quotations, and characters from the books they’re studying. Each book opens with a list of the vocabulary and characters to be studied throughout the book as well as their definitions or key clues about characters. Every book then includes the following activities and games: • Fill in the Blanks • Matching • Magic Squares • Word Search • Crossword • Bingo • Juggle Letters • Flash Cards In short, each Puzzle Pack is designed to give you a variety of fun games and activities that will help your students learn to understand the literature they’re reading and remember key vocabulary from the books you’re teaching. We hope that you like what you see in the enclosed sample. If you do, tell all of your colleagues. If you don’t, please let us know what we can do to improve our products. In either event, thank you for your interest in Teacher’s Pet resources. We look forward to being of service to you in the future. Sincerely yours, Jason Scott, CEO Teacher’s Pet Publications Toll-Free: 800-932-4593 Fax: 888-718-9333 TEACHER’S PET PUBLICATIONS PUZZLE PACK™ for Gulliver’s Travels based on the book by Jonathan Swift Written by William T. -
Gulliver's Travels - Wikipedia, the Free Encyclopedia
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The Politics of Gulliver's Travels
The Politics of Gulliver's Travels In his first three travels Gulliver never encounters primitive peoples. The only people he communicates with or spends time with are all members of highly developed societies. They are all political societies. From the beginning Gulliver's presence in Lilliput presents political problems and he becomes the focus of political intrigue: 'It seems that upon the first Moment I was discovered sleeping on the Ground after my Landing, the Emperor had early Notice of it by an Express: and determined in Council that I should be tyed in the Manner I have related ... ' (I.l; 10). The immediate notification of Gulliver's arrival to the King, the summoning of a council, stress the fact that Lilliput is from our first encounter with it to be envisaged as a political world. The political events and political practices of Lilliput have been related to the political history of England during 1708-1715 by Firth, Case and others. But the power of the book is not just restricted to these particular political allusions: the general satire of the methods of promotion to ministerial office in Lilli put is parodic of the attitude of mind behind and nature of such procedures in any political society. When a great Office is vacant, either by Death or Disgrace, (which often happens) five or six of those Candidates petition the Emperor to entertain his Majesty and the Court with a Dance on the Rope; and whoever jumps the highest without falling, succeeds in the Office. (1.3; 22) The absurdity and valuelessness of these methods, their total irrelevance to the requirements of public life and their inherent ridiculousness, are not restricted to any specific historical time or place. -
Gulliver's Travels
Jonathan Swift Gulliver's Travels Gulliver’s adventures in Lilliput) satirize the Whigs’ and Tories’ struggles BACKGROUND INFO against each other. EXTRA CREDIT AUTHOR BIO By Gulliver, About Gulliver. Although contemporary editions of Gulliver’s Full Name: Jonathan Swift Travels have Jonathan Swift’s name printed as author on the cover, Swift Pen Name: Lemuel Gulliver published the first edition under the pseudonym Lemuel Gulliver. Date of Birth: November 30, 1667 Instant Classic. Gulliver’s Travels was an immediate success upon its first publication in 1726. Since then, it has never been out of print. Place of Birth: Dublin, Ireland Date of Death: October 19, 1745 PLOT SUMMARY Brief Life Story: Jonathan Swift was born to a lawyer in Dublin in 1667 and attended Trinity College. He went on to be a politician’s secretary, a country Lemuel Gulliver is a married English surgeon who wants to see the world. He parson, and a chaplain, all of which provided material for his satires about the takes a job on a ship and ends up shipwrecked in the land of Lilliput where he is political and religious corruption of his society. During his brief time in captured by the miniscule Lilliputians and brought to the Lilliputian king. The England, Swift, Alexander Pope, and others formed the Scriblerus Club Lilliputians are astonished by Gulliver’s size but treat him gently, providing him resolving to write books satirizing modern knowledge. Gulliver’s Travels, Swift’s with lots of food and clothes. Gulliver is at first chained to a big abandoned most famous work, arose from that resolution. -
THE POSITION of JOHN ARBUTHNOT in EIGHTEENTH-CENTURY LITERATURE By- Pearl Gold Aldrich > a Thesis Submitted to the Faculty Of
The position of John Arbuthnot in eighteenth-century literature Item Type text; Thesis-Reproduction (electronic) Authors Aldrich, Pearl G. (Pearl Gold), 1922- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 17:01:14 Link to Item http://hdl.handle.net/10150/317987 THE POSITION OF JOHN ARBUTHNOT IN EIGHTEENTH-CENTURY LITERATURE by- Pearl Gold Aldrich > A Thesis Submitted to the Faculty of the ■ DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OE ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6? STATEMENT OF AUTHOR This thesis has been submitted in partial ful fillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for per mission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: GENE KOPPBIj Date Assistant Professor of English COPYRIGHTED BY PEARL GOLD ALDRICH .1967 . TABLE OF CONTENTS Page Abstract »o o©ooo © <> » oo ©o oo» « o.o *v* CHAPTER I. -
The Battle of the Books, by Jonathan Swift, 1
The Battle of the Books, by Jonathan Swift, 1 The Battle of the Books, by Jonathan Swift, The Project Gutenberg eBook, The Battle of the Books, by Jonathan Swift, Edited by Henry Morley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Battle of the Books and Other Short Pieces Author: Jonathan Swift Editor: Henry Morley Release Date: January 15, 2007 [eBook #623] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE BATTLE OF THE BOOKS*** Transcribed from the 1886 Cassell & Company edition by David Price, email [email protected] THE BATTLE OF THE BOOKS AND OTHER SHORT PIECES. BY JONATHAN SWIFT. The Battle of the Books, by Jonathan Swift, 2 CASSELL & COMPANY, LIMITED: LONDON, PARIS, NEW YORK & MELBOURNE. 1886. INTRODUCTION. Jonathan Swift was born in 1667, on the 30th of November. His father was a Jonathan Swift, sixth of the ten sons of the Rev. Thomas Swift, vicar of Goodrich, near Ross, in Herefordshire, who had married Elizabeth Dryden, niece to the poet Dryden's grandfather. Jonathan Swift married, at Leicester, Abigail Erick, or Herrick, who was of the family that had given to England Robert Herrick, the poet. As their eldest brother, Godwin, was prospering in Ireland, four other Swifts, Dryden, William, Jonathan, and Adam, all in turn found their way to Dublin.