DOCSLIB.ORG

Contemporary Israeli Cinema

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Contemporary Israeli Cinema History of Western Visual Arts: Perspectives through contemporary culture Romanticism and Realism in The Age of the Machine Metro Art History Spring 2020 Stan Misler <[email protected]> Guiding Questions 1. What is the guiding spirit (world view or Zeitgeist) of early Romanticism (first half of 19th century)? Who were the godfathers of Romanticism in the 18th century? How does Romanticism represent a clear break from Classicism? In what way does it Romanticism encompass realism? 2. How do we identify a picture of the Romantic movement? How do we identify architecture of the Romantic movement? 3. What literature that you are in one way or another familiar with represent a height of Romanticism 4. How does music of the Romantic era represent a break from say Mozart and Haydn? 5. How does the 19th Century represent the hey-day of opera? 6. What is the subject matter of realism? Motivation The 19th Century = A Time of Amazing Change in Artistic Style Monet, The Arrival of the Normandy Train David, Napoleon Coronation Impressionism Neo-Classical Realism A. Romanticism has been described as the birth of expressive freedom for the artist, now free from pleasing the patron. 1. Freedom to express what? Wider Range of artistic forms Range of emotions, especially of love Varieties of Nature, from gentle beauty to ferocity Oddness in human forms and exotic cultures Ghosts and other apparitions Dreams and inner thought 2. Also described as a time of transition from: Reason -> feeling; calculation to intuition; objective nature to subjective emotion including the “sublime”, feeling of awe mixed with terror 3. Key Themes of Romanticism to Remember a. Individualism b. Emotionalism c. Worship of nature d. Exoticism e. Nationalism f. Disillusionment with man ever returning to a natural and noble existence. Aside: Top 19th Century Machines Steam engine Telegraph Rifle Locomotive Camera and photograph Iron-clad ship Internal combustion engine Cotton gin Telephone Electric light bulb 4. Transition from Enlightenment to Romanticism a. Rousseau: father of Romanticism? i. “Confessions”: seeking one’s uniqueness (or original genius) through self-exploration provides basis for “aesthetic experience in art” “I am commencing an undertaking hitherto without precedent, and which will never find an imitator. I desire to set before my fellows the likeness of a man in all the truth of nature and that man is myself. “Myself alone! I know the feelings of my heart and I know men. I am not made like any of those I have seen; I venture to believe that I am not made like any of those who are in existence. If I am not better, at least I am different. “ b. Great sayings: • The world of reality has its limits; the world of imagination is boundless. • What wisdom can you find that is greater than kindness? • Nature never deceives us; it is we who deceive ourselves b. Goethe: The Sufferings of Young Werther (1774) Unable to come to terms of his unrequited love (frustrated passion) for Charlotte, he shoots himself. “Morbid melancholy and hypersensitivity could only find release in the language of intense passion” “My heart is melting, my breast pounding, my eyes weeping tears of ecstatic pain…I have been reading The Suffering of young Werther.. or should I say I’ve been devouring it? (Schubart) c. Voltaire (messages of Candide) • God gave us the gift of life; it is up to us to give ourselves the gift of living well. • Doubt is an uncomfortable condition, but certainty is a ridiculous one. • The art of medicine consists in amusing the patient while nature cures the disease • It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets. • Judge a man by his questions rather than his answers. • Optimism is the madness of insisting that all is well when we are miserable • Each player must accept the cards life deals him or her: but once they are in hand, he or she alone must decide how to play the cards in order to win the game 5. Zeitgeist of Romantic Era • Romanticism, which began in the Age of Enlightenment (Age of Reason), was a reaction to the scientific rationalization of Nature and emphasized emotional self- awareness and intuition over logic as a necessary pre-condition to improving society. Transition from focus on world “outside” (investigatable, controllable and improvable) (i.e., mechanized universe of terrestrial and celestial worlds that operate by same laws of nature) to the ability “soul within” to create its own worlg from “inside” out. Roots in philosophy of Rousseau and Kant. Kant’s theory of Transcendental Idealism posited that we do not directly see "things-in- themselves"; we only understand the world through our human point of view. • Arts of period emphasize imagination; beauty and mystery of nature; exoticism (strange people and far away places); and virtuosity (brilliant colors, musical pyrotechnics). Artistic imagination is idealized as the selection and combination of recalled natural elements to yield one more beautiful than “classical proportions” seen in nature. • Important Romantic writers included Goethe (1749 - 1832), Blake (1757 - 1827), Wordsworth (1770 - 1850), Byron (1788 - 1824), Shelley (1792 - 1822), Heine and Hugo (1802 - 1885). Important composers included Beethoven (1770 - 1827), Schubert (1797 - 1828), Berlioz (1803 - 1869), Chopin (1810 - 1849), Schumann (1810 - 1856), Liszt (1811 - 1886), and Tchaikovsky (1840 - 1893). • Important visual artists included Constable (1776 - 1837), Turner (1775 - 1851), Delacroix (1798 - 1863); Friedrich; Goya. Focus of painting shifts from saints, statesman and warriors to masses, private scenes and artist himself. Emergence of landscapes B. Romanticism (vs. Classicism) in painting “If a picture leaves response of beholder cold and the heart untouched then how exemplary it might otherwise be it can lay no claim to being authentic art” Caspar Friedrich’s Winter (1810) Classical picture: Wicar’s Virgil Man against reading the Aeneid to Augustus mysterious forces. (1790) Theme of isolation and solitude: “The artist’s feeling is his law” Kersting: Caspar Friedrich in his studio (1810). Painting from “inwardism” does not need view of outside world Classical subject matter with Roman costumes, gestures, motifs C. Early Romanticism: 1. Fuseli, The Nightmare (1782); 2. Blake, Ancient of Days (1794) An icon of horror designed to shock and intrigue, it draws on folklore, science and classical art to create a new kind of sexually-charged image. It may even be a complicated visual pun on the word "nightmare". Shows a sleeping woman - Blake’s personal mythology. draped helplessly over the end of her bed - as well as the Urizen, an old, but strong white haired, beard content of her "nightmare" an ape-like incubus squatting on man standing on top of an orange sphere (the top of her. Does Image of a horse protruding from the sun surrounded by dark clouds) with a shining a shadows refer to second meaning, i.e., "night-mare". Demon may represent a "mara”, a spirit sent to torment beam of light emanating from his hand. The and/or suffocate innocent sleepers. measurement tools represents creation of world 3. Caspar David Friedrich: Romanticism’s Artistic Poster Child Gruesomeness 4. Gericault, Raft of Medusa 5. Delacriox, Death of Sardanapalus Assyrian leader of Nineveh who spent his life in self- indulgence. Wrote in his own epitaph, that physical gratification Horror story of a shipwreck and attempt to save is the only purpose of life. His lifestyle caused dissatisfaction passengers by unloading them to an and inspired conspiracies against him to develop. overloaded, unseaworthy raft on which many He managed to withstand a long siege, but eventually heavy die of dehydration/starvation or cannabalism or rains lead to collapse of one of the defensive walls of city. To fall overboard. Here, depicting moment when avoid falling prisoner, Sardanapalus had a huge they see an approaching ship. funeral pyre built piled "all his gold, silver and royal apparel". Construction based on two pyramids He had his eunuchs and concubines boxed in inside the pyre, burning himself and them to death.[1] 6. Goya: Ugliness of Spanish Royal Family and Civil War Antithesis of glorification of battle here slowing resignation or defiance in massacre of common people D. Architecture: Celebrating Gothic (Parliament, London) and Exotic (Royal Pavilion, Brighton) E. Related Arts: Literature 1. German Romantic Poetry (Goethe, Heine) often depicts the journey of the unrequited lover from hopefulness to despair Heine’s Dichterliebe (poet’s love) was set to music by Robert Schumann 2. Mary Shelley: Frankenstein and his monster. Plot line: Frankenstein studies basic science in medical school. Armed with the knowledge he has long been seeking, Victor spends months feverishly and obsessively fashioning a creature out of old body parts. One night, in the secrecy of his apartment, he brings his creation to life. When he looks at this monstrosity he is horrified. After a fitful night of sleep, interrupted by the specter of the monster, he runs into the streets, eventually finding his friend Victor, who has come to study at the university. He takes his friend back to his apartment but the monster is gone. Victor hurries home to Geneva after learning that his brother has been strangled and the house maid has been accused. However, while passing through the woods where William was strangled, he catches sight of the monster and becomes convinced that the monster is his brother’s murderer. Hoping to ease his grief, Victor takes a vacation to the mountains. While he is alone the monster approaches him, admits to the murder of William but begs for understanding. Lonely, shunned, and forlorn, he says that he struck out at William in a desperate attempt to injure Victor, his cruel creator.
Load more

Recommended publications
  • An Operating Manual for the University of Michigan
    An Operating Manual for the University of Michigan James and Anne Duderstadt © 2018 The Millennium Project, The University of Michigan All rights reserved. The Millennium Project The University of Michigan 2001 Duderstadt Center 2281 Bonisteel Boulevard Ann Arbor, MI 48109-2094 http://milproj.dc.umich.edu i Preface The University of Michigan clearly qualifies for on a firm belief that great things happen because of the inclusion in the small group of institutions that have ability, creativity, and commitment of great students, shaped American higher education. Michigan has faculty, and staff at the grassroots level. Put another long defined the model of the large, comprehensive, way, Michigan long ago discarded a top-down culture, public research university, with a serious commitment in which leaders tossed ideas out to be embraced and to scholarship and service. It has been distinguished implemented by the community. Instead, great ideas by unusual breadth, a rich diversity of academic and achievements at Michigan bubble up from the disciplines and professional schools, social and cultural academic programs at the department and school or activities, and intellectual pluralism. This unrelenting college level. commitment to academic excellence, broad student This ability to take risks, to experiment and access, and public service continues today. In virtually innovate, to explore various new directions in teaching, all national and international surveys, the university’s research, and service, defines Michigan’s unique role in programs rank among the very best, with most of its American higher education. In fact, beyond academic schools, colleges, and departments ranking in quality leadership, from time to time the University actually among the top ten nationally and with several regarded does something that changes the world! For example, as the leading programs in the nation.
    [Show full text]
  • Kenny Burrell
    Kenny Burrell One of the leading exponents of straight-ahead jazz guitar, Kenny Burrell is a highly influential artist whose understated and melodic style, grounded in bebop and blues, made him in an in-demand sideman from the mid-'50s onward and a standard by which many jazz guitarists gauge themselves to this day. Born in Detroit in 1931, Burrell grew up in a musical family in which his mother played piano and sang in the Second Baptist Church choir and his father favored the banjo and ukulele. Burrell began playing guitar at age 12 and quickly fell under the influence of such artists as Charlie Christian, Django Reinhardt, Oscar Moore, T-Bone Walker, and Muddy Waters. Surrounded by the vibrant jazz and blues scene of Detroit, Burrell began to play gigs around town and counted among his friends and bandmates pianist Tommy Flanagan, saxophonists Pepper Adams and Yusef Lateef, drummer Elvin Jones, and others. In 1951, Burrell made his recording debut on a combo session that featured trumpeter Dizzy Gillespie as well as saxophonist John Coltrane, vibraphonist Milt Jackson, and bassist Percy Heath. Although his talent ranked among the best of the professional jazz players at the time, Burrell continued to study privately with renowned classical guitarist Joe Fava and enrolled in the music program at Wayne State University. Upon graduating in 1955 with a B.A. in music composition and theory, Burrell was hired for a six-month stint touring with pianist Oscar Peterson's trio. Then, in 1956, Burrell and Flanagan moved to New York City and immediately became two of the most sought-after sidemen in town, performing on gigs with such luminaries as singers Tony Bennett and Lena Horne, playing in Broadway pit orchestras, as well as recording with an array of legendary musicians including Coltrane, trumpeter Kenny Dorham, organist Jimmy Smith, vocalist Billie Holiday, and many others.
    [Show full text]
  • Kenny Burrell: a Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Online
    1cdah [Download pdf ebook] Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Online [1cdah.ebook] Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Pdf Free Wolf Marshall, Kenny Burrell ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #866099 in Books Hal LeonardModel: 695830 2009-07-01 2009-07-01Original language:EnglishPDF # 1 12.00 x .36 x 9.00l, 1.06 #File Name: 0634074431128 pages | File size: 15.Mb Wolf Marshall, Kenny Burrell : Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) before purchasing it in order to gage whether or not it would be worth my time, and all praised Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks): 40 of 40 people found the following review helpful. Kenny Burrell - Lessons in Blues Based JazzBy D.R.L.~ This package, like all issues in the Hall Leonard "Signature Licks" series, contains informative introduction to the history, equipment, and style of Kenny Burrell, transcriptions and detailed analysis of each transcription (all by Wolf Marshall), and a CD by an in-house quintet that demonstrates the transcriptions.~ The transcriptions in regular musical notation as well as tab notation appear to be accurate and provide considerable insight into Kenny's chord voicing as well his single-note line development.~ Since some of the tunes are written by Kenny, the transcriptions also provide insight into his composing and arranging skills.~ Highly recommended to any intermediate or advanced guitarist who wants to gain insight into the improvisational melodic and chordal style of one of the best musicians to every play the guitar.~ The 126-page book/CD package contains the songs listed below.
    [Show full text]
  • Criminal Anarchy in the South at Fordham U
    CATHOLIC WORKER :Vol. XXVIII No. 10 Price lo .. .'~ .. Criminal Anarchy in the South '~Company Union'' Charge~ B:r EDGAR F ORAND One does not have to go to a gration literature to a young Negro Communist or Fascist country to jailed for his part in a student at Fordham U. find laws restricting basic free- anti-segregation boycott. The third What sort of ditliculties confront Robert Moser was hired by the Gossam, President of the Associa­ doms. Some of our Southern States was arrested for trespassing and men and women who work in non- Association as its attorney for the tion and an advocate of the AFL­ have been and are using extreme disturbing the peace during en ln­ profit institutions and who are not negotiation of the first contract. At CIO affiliation, was fired by the measures in order to curb racial tegratlon demonstration. a certain point during the negotia­ University on a charge of Insubor­ integration. One of their newest It should be kept in mind that covered by state or federal labor tions, . Moser called for a strike dination. Subsequently,. the Vfce­ means is Louisiana's latest device on Dec. 11, 1961, the U. S. Supreme laws, when they try to improve vote. The members voted for a President and Secretary of the As­ of charging advocates of civil rights Court held that peacefully seeking their workinir conditions? Such a strike. Then Moser was fired by sociation signed the contract with who run afoul of the law, with service · at a lunch counter cannot situation exists ·now at Fordham.
    [Show full text]
  • Keith Rowe New Traditionalism
    September 2011 | No. 113 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Keith Rowe New Traditionalism Hal Galper • The Necks • Rastascan • Event Calendar Only those living under rocks not bought during the housing bubble could be unaware of the recent debates going on in the nation’s capital about the country’s economic policies. Maybe some jazz musicians, who know how to stretch a dollar New York@Night and live with crushing financial insecurity, could have helped defuse the crisis. We 4 also have been reporting on the unilateral decision by the National Academy of Interview: Hal Galper Recording Arts and Sciences to remove Latin Jazz from its Grammy Award categories (along with a number of other ‘underperforming’ genres). There have 6 by Ken Dryden been protests, lawsuits and gestures in an attempt to have this policy reversed. Artist Feature: The Necks Though compared to a faltering multi-trillion dollar economy, the latter issue can seem a bit trivial but it still highlights how decisions are made that affect the by Martin Longley 7 populace with little concern for its input. We are curious to gauge our readers’ On The Cover: Keith Rowe opinions on the Grammy scandal. Send us your thoughts at feedback@ by Kurt Gottschalk nycjazzrecord.com and we’ll publish some of the more compelling comments so 9 the debate can have another voice. Encore: Lest We Forget: But back to more pleasant matters: Fall is upon us after a brutal summer 10 (comments on global warming, anyone?). As you emerge from your heat-induced George Barrow Jimmy Raney torpor, we have a full docket of features to transition into long-sleeve weather.
    [Show full text]
  • Herald of Holiness Volume 80 Number 05 (1991) Wesley D
    Olivet Nazarene University Digital Commons @ Olivet Herald of Holiness/Holiness Today Church of the Nazarene 5-1-1991 Herald of Holiness Volume 80 Number 05 (1991) Wesley D. Tracy (Editor) Nazarene Publishing House Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_hoh Part of the Christian Denominations and Sects Commons, Christianity Commons, History of Christianity Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Tracy, Wesley D. (Editor), "Herald of Holiness Volume 80 Number 05 (1991)" (1991). Herald of Holiness/Holiness Today. 89. https://digitalcommons.olivet.edu/cotn_hoh/89 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Herald of Holiness/Holiness Today by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. ■ MAY 1991 ^REPARATION FOR PENTECOST SUNDAY PASTORS’ WIVES: UNSUNG HEROES THE FAMILY ALTAR AND FAMILY ALTERING MANAGING THE MUSIC IN YOUR HOME AIDS— IN THE CRIB Pentecost Sunday is May 19. Come O Holy Spirit, Come! Come like Holy Fire and burn within us. Come like Holy Light and lead us. Come like Holy Truth and teach us. Come like Holy Love and enfold us. Come like Holy Power and enable us. Come as Abundant Life and F ill us, Convert us, Consecrate us, Until we are wholly thine. Come, Holy Spirit, Come! A Prayer of the Ancient Church Herald of Holiness CHURCH OF THE NAZARENE Volume 80, Number 5 FEATURE ARTICLES MAY 1991 24 28 Managing the Nazarene Pastors’ The Family Altar Music In Your Wives Care About and Family Home Family and Altering A n g e l a E.
    [Show full text]
  • CHAPTER NINE: “GOOD VIBRATIONS”: AMERICAN POP and the BRITISH INVASION, 1960S
    CHAPTER NINE: “GOOD VIBRATIONS”: AMERICAN POP AND THE BRITISH INVASION, 1960s Chapter Outline I. American Pop and the British Invasion, the1960s A. The decade of the 1960s was one of the most disruptive, controversial, and violent eras in American history. 1. Civil rights movement 2. Vietnam War 3. Assassinations of John F. Kennedy and the Reverend Martin Luther King Jr. 4. Popular music played an important role in defining the character and spirit of this decade. 5. The baby boom generation played a vital role in the major political and cultural events of this period. They were identified by their own popular music, rock ’n’ roll. 6. Rock ’n’ roll developed into “rock.” a) Outlet for expression of the political and cultural hopes and fears of a generation coming to terms with politics, racial issues, and the Vietnam War 1 CHAPTER NINE: “GOOD VIBRATIONS”: AMERICAN POP AND THE BRITISH INVASION, 1960s II. The Early 1960s: Dance Music and “Teenage Symphonies” A. Three important trends emerged in the early 1960s: 1. A new kind of social dancing developed, inspired by “The Twist” and other dance-oriented records. 2. Members of the first generation to grow up with rock ’n’ roll were beginning to assume influential positions in the music industry as writers and producers. 3. The Tin Pan Alley system was reinvented for the new music and new audiences. a) Brill Building in New York b) Gold Star Studios in Los Angeles c) Motown, headquartered in Detroit B. New stylistic possibilities for rock ’n’ roll emerged out of California, led by the Beach Boys and Brian Wilson, who established a model for many to follow by being an innovative performer, writer, and producer.
    [Show full text]
  • Look to the Mountain : an Ecology of Indigenous Education / Gregory Cajete ; Introduction by Vine Deloria, Jr
    DOCUMENT RESUME ED 375 993 RC 019 826 AUTHOR Cajete, Gregory TITLE Look to the Mountain: An Ecology of Indigenous Education. First Edition. REPORT NO ISBN-1-882308-65-4 PUB DATE 94 NOTE 244p. AVAILABLE FROMKivaki Press, 585 E. 31st St., Durango, CO 81301 ($16.95). PUB TYPE Books (010) Information Analyses (070) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS American Indian Culture; *American Indian Education; Art; Community Influence; *Cultural Context; *Educational Philosophy; Educational Principles; Elementary Secondary Education; Environmental Education; Ethnology; *Foundations of Education; *Holistic Approach; Mythology; Nonformal Education IDENTIFIERS *Culture Based Education; Environmental Ethic; *Indigenous Knowledge Systems; Spirituality ABSTRACT This book explores the nature of indigenous education, outlining key elements of American Indian perspectives on learning and teaching. It advocates dev.iloping a contemporary, culturally based, educational process fc,inded upon traditional tribal values, orientations, and principles, while simultaneously using the most appropriate concepts, technologies, and content of modern education. Environmental relationship, myth, visionary traditions, traditional arts, tribal community, and nature-centered spirituality have traditionally formed the foundations of American Indian life for discovering one's true face (character, potential, identity), one's heart (soul, creative self, true passion), and one's foundation (true work, vocation), all of which lead to the expression of a complete life. Indigenous education is a process of education grounded in the basics of human nature. It can provide new ways of educating for ecological thinking and environmental sustainability, and has the potential, not only for the transformation of what is misnamed "Indian education," but also for profound applications toward transforming modern American education.
    [Show full text]
  • Contemporary Label Discography [Document]
    Contemporary Label Discography Lester Koenig started the Good Time Jazz label in Los Angeles in 1951, it was located at 707 North Irving Boulevard. In 1953 they moved to 8481 Melrose Place. Vice President of the company was Bob Kirstein. Producers were Nesuhi Ertegun (later of Atlantic fame) and Bob Kirstein. The output of the label was jazz and folk music. Contemporary Records was formed as a subsidiary in 1952 or 1953. Contemporary was also located at 8481 Melrose Place. The output of Contemporary was jazz and classical music. The Society For Forgotten Music Label (SFM) subsidiary was formed in 1958. The SFM label released classical music. The California Label subsidiary was formed in 1958 and only released one known album. Contemporary formed a label called Stereo Records in 1958, and released stereo versions of albums released in monaural on California, Contemporary, Good Time Jazz and the Society for Forgotten Music. This separate label for stereo was used into 1959 and then abandoned and stereo releases were issued on the same label as the monaural releases. All of the Contemporary labels were purchased by Fantasy Records. This Discography includes the Contemporary Label, Good Time Jazz, California, Stereo and Society for Forgotten Music (SFM) Labels This Contemporary Label discography was compiled using Schwann catalogs from 1950 to 1982, Phonolog from 1963, The Complete Library of American Phonograph Recordings (1958-1968) by Jerry Osborne, The Jazz Discography Project Website (http://www.jazzdisco.org), The American Record Label Directory and Dating Guide, 1940-1959 by Galen Gart and my record collection. Tracks are listed in order they appear on the albums, when known and the double slash (//) is indication of the separation between sides.
    [Show full text]
  • Jovino Santos Neto Photo by Daniel Sheehan NOTES EARSHOT JAZZ a Mirror and Focus for the Jazz Community
    A Mirror and Focus for the Jazz Community March 2012 Vol. 28, No. 3 EARSHOT JAZZSeattle, Washington Jovino Santos Neto Photo by Daniel Sheehan NOTES EARSHOT JAZZ A Mirror and Focus for the Jazz Community Ballard, Mountlake Terrace and and youth, plus any parent, teacher, Roosevelt High School Jazz Bands family member or youth group leader Executive Director John Gilbreath at Ellington Competition accompanying them. Later on March Managing Director Karen Caropepe Seattle is once again well-represented 3 at 7:30pm, and also in the Nord- strom Recital Hall Sunday, and then Earshot Jazz Editor Danielle Bias at Jazz at Lincoln Center’s annual Es- Assistant Editor Schraepfer Harvey sentially Ellington High School Jazz again on March 4 at 3:00pm at the Band Competition & Festival in New Kirkland Performance Center, the Contributing Writers Steve Griggs, Peter York, taking place this year May 4-6. big band will present Benny Carter’s Monaghan Ballard and Roosevelt high schools Peaceful Warrior Suite, a tribute to Calendar Editor Schraepfer Harvey will face off against the neighboring Martin Luther King Jr., featuring Calendar Volunteer Tim Swetonic Mountlake Terrace High School band special guest vocalist Everett Greene. Photography Daniel Sheehan and twelve others from across the The Peaceful Warrior Suite is a five- Layout Karen Caropepe Mailing Lola Pedrini United States in a contest that rewards movement work composed in 1996 for outstanding soloists and sections and a Lincoln Center concert in tribute to Send Calendar Information to: provides a trophy and cash prizes to Dr. Martin Luther King and Coretta 3429 Fremont Place N, #309 the top three bands.
    [Show full text]
  • Cabrillo Festival 2016.Pdf (7.46
    MARIN ALSOP 25TH & FAREWELL SEASON! PROGRAM GUIDE CABRILLO FESTIVAL OF CONTEMPORARY MUSIC • AUGUST 2016 • SANTA CRUZ CIVIC AUDITORIUM MUSIC • AUGUST 2016 SANTA OF CONTEMPORARY CABRILLO FESTIVAL Fill your summer with music! Explore the musical riches and unique settings of these allied festivals of the Western United States. California Colorado Oregon Cabrillo Festival of Aspen Music Festival Chamber Music Northwest Contemporary Music June 30 - August 21, 2016 Summer Festival July 31 - August 13, 2016 Aspen, CO June 25 - July 31, 2016 Santa Cruz, CA aspenmusicfestival.com Portland, OR cabrillomusic.org cmnw.org Bravo! Vail Carmel Bach Festival June 23 - August 6, 2016 July 16 - 30, 2016 Vail, CO Carmel, CA bravovail.org bachfestival.org Washington Strings Music Festival Seattle Chamber Music La Jolla Music Society June 25 - August 20, 2016 Society Summer Festival August 3 - 26, 2016 Steamboat Springs, CO July 5 - 30, 2016 La Jolla, CA stringsmusicfestival.com Seattle, WA ljms.org seattlechambermusic.org Mainly Mozart Festival June 2 - 18, 2016 San Diego, CA New Mexico mainlymozart.org Santa Fe Wyoming Chamber Music Festival Grand Teton Music Festival Music@Menlo July 17 - August 22, 2016 July 4 - August 20, 2016 July 15 - August 6 Santa Fe, NM Jackson Hole, WY Atherton, CA santafechambermusic.com gtmf.org musicatmenlo.org Ojai Music Festival June 9 - 12, 2016 Ojai, CA ojaifestival.org CLASSICAL MUSIC FESTIVALS OF THE WEST 2016 CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA JULY 31 - AUGUST 13, 2016 Contents 3 Calendar of Events
    [Show full text]
  • E W S L E T T E R
    Arid Lands Newsletter Vol. 36 (Fall/Winter 1994) Item Type text; Newsletter Authors University of Arizona. Office of Arid Lands Studies. Publisher Office of Arid Lands Studies, College of Agriculture, University of Arizona (Tucson, AZ) Download date 05/10/2021 18:50:36 Link to Item http://hdl.handle.net/10150/228231 Volume 36ARIDLANDS N E W S L E T T E R DESERTARCHITECTURE III: Building A Sustainable Future Office of Arid Lands Studies THE UNIVERSITY OF ARIZONA. John M. Bancroft EDITOR'S NOTE Styling this issue of the Arid Lands Newsletter "Desert Architecture II" was the Spring/ "Desert Architecture III" implies that it was Summer 1989 number of the Arid Lands preceded by "Desert Architecture I" and Newsletter (Vol. 28), edited by my predeces- "Desert Architecture II " -as, indeed, it was. sor, Emily E. Whitehead. Articles in that issue The first volume in this de facto series was a considered tower houses in Yemen and book published by the Office of Arid Lands courtyard houses all over the ancient and Studies in 1980 and titled Desert Housing: modern and world, among other topics. Balancing Experience and Technology for Dwelling in Hot Arid Climates. The book NEW ENERGY -EFFICIENT MATERIALS was edited by Kenneth N. Clark, who also contributes an article to "Desert Many of the principles advanced in this It is an axiom of the Architecture III," and by Patricia issue's predecessors remain constant and true, Paylore, the founding editor and of course, but the market has seen a number building process that guiding spirit of the Arid Lands of major innovations in materials and Newsletter.
    [Show full text]