Jovino Santos Neto Photo by Daniel Sheehan NOTES EARSHOT JAZZ a Mirror and Focus for the Jazz Community
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The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Genre, De Muziekstijl, Stemming Van De Muziek En De Instrumentatie Die Een Bepaalde Artiest Uitoefende
Een Sociaal Netwerk Onder Muziekartiesten: Een analyse van het sociaal netwerk van muzikanten en daaraan verbonden muzikale kenmerken Gegevens student B.J.G.M. Kuppens Corporate Communication & Digital Media Universiteit van Tilburg [email protected] Begeleiding dr. J. J. Paijmans Faculteit Geesteswetenschappen dpt. Comm.‐ Infor.wetensch [email protected] 1 Abstract Dit onderzoek verdiept zich in de structuur van het sociaal netwerk van muziekartiesten. Wat onderzocht wordt, is of er binnen dit sociaal netwerk een zogenaamde power law verdeling te ontdekken valt. Dit is interessant vanwege de maatschappelijke relevantie van power law structuren in de samenleving. Om dit vast te stellen is er gekeken naar wie de meest invloedrijke artiesten zijn en van wie er de meeste nummers gecoverd zijn. De verwachting is dat er relatief weinig artiesten zijn met relatief veel invloed op medeartiesten, en overeenkomstig staan veel artiesten die weinig invloed hebben op hun medeartiesten. Hetzelfde fenomeen wordt verwacht bevestigd te worden voor gecoverde nummers. Nadat is gebleken dat de structuur van het sociaal netwerk onder muziekartiesten daadwerkelijk de kenmerken vertoont van een power law verdeling, is er vervolgens nog gekeken naar een viertal muzikale kenmerken van de meest invloedrijke artiesten gevonden tijdens dit onderzoek. Het betreft het genre, de muziekstijl, stemming van de muziek en de instrumentatie die een bepaalde artiest uitoefende. Ook van deze variabelen is er een frequentieverdeling gemaakt en is er gekeken of er op een power law gelijkende verdeling is. Dit bleek alleen bij de variabelen genre en instrumentatie het geval te zijn. Muziekstijl in mindere mate en wat stemming betreft zijn er geen dominante items gevonden. -
Sport-Scan Daily Brief
SPORT-SCAN DAILY BRIEF NHL 6/13/2020 Boston Bruins Montreal Canadiens 1186230 Bruins report that they had a player test positive for 1186258 Hickey on Hockey: Odds are stacked against NHL's coronavirus playoff plan 1186231 Cave’s AHL teammate writes tribute song for memorial 1186259 Stu on Sports: Canadiens' Jeff Petry is using Pilates to fund stay in shape 1186232 Bruins player tests positive for coronavirus 1186233 Bruins' positive COVID test a reminder of how challenging New Jersey Devils NHL return will be 1186260 Mets’ Jeff Wilpon says ‘4 or 5’ suitors looking to buy the 1186234 Boston Bruins player tested positive for COVID-19, team club, but won’t dish on potential bidders announces 1186261 Devils’ Cory Schneider, Travis Zajac chime in on MLB’s 1186235 Bruins player’s positive test for COVID-19 underscores money fight | ‘If they don’t come back, it’s good for h NHL’s balancing act 1186262 Will Devils dump Alain Nasreddine for coach with better 1186236 The backbones of the Bruins: Finding their 10 best resume? Cory Schneider, Travis Zajac weigh in seasons by defensemen New York Islanders Buffalo Sabres 1186263 Isles' Lou Lamoriello says new Belmont arena will have 1186237 Sabres goalie Linus Ullmark says on Instagram, 'It's time 'Coliseum atmosphere' to end racism' New York Rangers Calgary Flames 1186264 Rangers' 1994 Stanley Cup run receives NHL Network 1186238 'You feel like a kid again': Handful of Flames return to ice spotlight for first time since COVID lockdown 1186265 As another Cup anniversary arrives, Mike Keenan reflects -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
An Operating Manual for the University of Michigan
An Operating Manual for the University of Michigan James and Anne Duderstadt © 2018 The Millennium Project, The University of Michigan All rights reserved. The Millennium Project The University of Michigan 2001 Duderstadt Center 2281 Bonisteel Boulevard Ann Arbor, MI 48109-2094 http://milproj.dc.umich.edu i Preface The University of Michigan clearly qualifies for on a firm belief that great things happen because of the inclusion in the small group of institutions that have ability, creativity, and commitment of great students, shaped American higher education. Michigan has faculty, and staff at the grassroots level. Put another long defined the model of the large, comprehensive, way, Michigan long ago discarded a top-down culture, public research university, with a serious commitment in which leaders tossed ideas out to be embraced and to scholarship and service. It has been distinguished implemented by the community. Instead, great ideas by unusual breadth, a rich diversity of academic and achievements at Michigan bubble up from the disciplines and professional schools, social and cultural academic programs at the department and school or activities, and intellectual pluralism. This unrelenting college level. commitment to academic excellence, broad student This ability to take risks, to experiment and access, and public service continues today. In virtually innovate, to explore various new directions in teaching, all national and international surveys, the university’s research, and service, defines Michigan’s unique role in programs rank among the very best, with most of its American higher education. In fact, beyond academic schools, colleges, and departments ranking in quality leadership, from time to time the University actually among the top ten nationally and with several regarded does something that changes the world! For example, as the leading programs in the nation. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Kenny Burrell
Kenny Burrell One of the leading exponents of straight-ahead jazz guitar, Kenny Burrell is a highly influential artist whose understated and melodic style, grounded in bebop and blues, made him in an in-demand sideman from the mid-'50s onward and a standard by which many jazz guitarists gauge themselves to this day. Born in Detroit in 1931, Burrell grew up in a musical family in which his mother played piano and sang in the Second Baptist Church choir and his father favored the banjo and ukulele. Burrell began playing guitar at age 12 and quickly fell under the influence of such artists as Charlie Christian, Django Reinhardt, Oscar Moore, T-Bone Walker, and Muddy Waters. Surrounded by the vibrant jazz and blues scene of Detroit, Burrell began to play gigs around town and counted among his friends and bandmates pianist Tommy Flanagan, saxophonists Pepper Adams and Yusef Lateef, drummer Elvin Jones, and others. In 1951, Burrell made his recording debut on a combo session that featured trumpeter Dizzy Gillespie as well as saxophonist John Coltrane, vibraphonist Milt Jackson, and bassist Percy Heath. Although his talent ranked among the best of the professional jazz players at the time, Burrell continued to study privately with renowned classical guitarist Joe Fava and enrolled in the music program at Wayne State University. Upon graduating in 1955 with a B.A. in music composition and theory, Burrell was hired for a six-month stint touring with pianist Oscar Peterson's trio. Then, in 1956, Burrell and Flanagan moved to New York City and immediately became two of the most sought-after sidemen in town, performing on gigs with such luminaries as singers Tony Bennett and Lena Horne, playing in Broadway pit orchestras, as well as recording with an array of legendary musicians including Coltrane, trumpeter Kenny Dorham, organist Jimmy Smith, vocalist Billie Holiday, and many others. -
Jeff Johnson Photo by Daniel Sheehan NOTES
A Mirror and Focus for the Jazz Community June 2012 Vol. 28, No. 6 EARSHOT JAZZSeattle, Washington Jeff Johnson Photo by Daniel Sheehan NOTES Eddie Creed Memorial Concert Submissions should include a recorded Roosevelt High Takes Second Join in a memorial get together for sample of a project that can be per- Place at Ellington Competition pianist Eddie Creed at the New Or- formed in a concert setting. Selected Taking place at New York City’s leans Creole Restaurant, Sunday June artists are scheduled for performances famed Avery Fisher Hall on May 6, the 10, 4pm-8pm. A veteran and lifelong on July 12, 19, 26. Artists are paid a final concert at the 17th Annual Essen- jazz pianist, Creed was born in 1935 competitive fee for the performance. tially Ellington High School Jazz Band and died from complications due to Please send questions and submissions Competition & Festival, presented by throat cancer. electronically to [email protected]; or Jazz at Lincoln Center, featured the by mail to Earshot Jazz, 3429 Fremont Call for Artists, Deadline June 4 three top-placing bands performing Place N., #309, Seattle, WA 98103. Call with a member of the Jazz at Lincoln The submissions deadline for the Jazz: (206) 547-6763 with questions. Center Orchestra as a soloist. At an The Second Century series is June 4. awards ceremony after the performanc- es, Wynton Marsalis presented prizes and cash awards to each of the 15 final- ist bands. Christopher Dorsey, Direc- tor of the Dillard Center for the Arts, accepted the 1st place trophy and an THE SECOND CENTURY award of $5,000. -
HANDPICKED July 30-August 4 • Blue Note
WWW.JAZZINSIDEMAGAZINE.COM AUGUST 2013 Interviews Andrew Cyrille David Chesky Satoko Fujii Francisco Mela Dizzy’s Club, August 19 Roy Hargrove Big Band Blue Note, August 20-25 Marcus Strickland EARL Jazz Standard, August 13-14 Comprehensive Directory of NY Club Concert KLUGH & Event Listings HANDPICKED E view Section! July 30-August 4 • Blue Note xpanded CD Re The Jazz Music Dashboard — Smart Listening Experiences www.ConcordMusicGroup.com www.Chesky.com www.WhalingCitySound.com www.SatokoFujii.com The Stone August 20-25 Like Us facebook.com/JazzInsideMedia Follow Us twitter.com/JazzInsideMag Watch Us youtube.com/JazzInsideMedia TJC14_Ad_Jazz Inside.pdf 1 4/26/13 5:31 PM 13TH ANNUAL SAILING OF THE JAZZ CRUISE WHERE EVERY PERFORMANCE IS SPECIAL Ernie Adams Tony Kadleck John Allred Tom Kennedy Shelly Berg Joe LaBarbera MUSIC DIRECTOR Christoph Luty Alonzo Bodden COMEDIAN Dennis Mackrel Randy Brecker Manhattan Transfer Ann Hampton Callaway Marcus Miller Quartet Quartet Bill Charlap Trio Bob Mintzer Clayton Brothers Lewis Nash Trio Quintet Dick Oatts C Freddy Cole Trio M Ken Peplowski Kurt Elling Quartet SHOW HOST Y Robin Eubanks Houston Person CM Quartet John Fedchock MY BIG BAND DIRECTOR John Pizzarelli CY Quartet JAN. 26-FEB. 2 David Finck Gregory Porter Quartet CMY Chuck Findley 2014 K Poncho Sanchez Bruce Forman Arturo Sandoval Nnenna Freelon Trio Gary Smulyan Wycliffe Gordon GOSPEL SHOW HOST Cedar Walton Trio Jimmy Greene Jennifer Wharton Jeff Hamilton Niki Haris Antonio Hart Tamir Hendelman Dick Hyman Tommy Igoe Sextet Sean Jones TO L L -FREE US & C ANADA FT LAUDERDALE • TURKS & CAICOS • SAN JUAN 888.852.9987 ST. -
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Download Funk Keyboards: the Complete Method Free Ebook
FUNK KEYBOARDS: THE COMPLETE METHOD DOWNLOAD FREE BOOK Gail Johnson | 56 pages | 19 Apr 2000 | Hal Leonard Corporation | 9780793598700 | English | Milwaukee, United States Funk Keyboards: The Complete Method--A Contemporary Guide to Chords, Rhythms, and Licks (Book & CD) In that case, we can't Instead, Brown's music was overlaid with Funk Keyboards: The Complete Method, anthemic vocals" Funk Keyboards: The Complete Method on "extensive vamps" in which he also used his voice as "a percussive instrument with frequent rhythmic grunts and with rhythm- section patterns Favorite new teacher quote -- "You found the only possible wrong answer. Categories : Funk African-American culture African- American music African-American history American styles of music Popular music s in music s in music s fads and trends. Lists with This Book. The jazz books include some funk stuff. Cela fait plus de 30 ans que j ach te des m thodes de musique pour divers instruments et sans conteste celle ci est la meilleure que j ai jamais eu Tout ce qu il faut pour jouer du funk y est, que ce soit les voicings d accords sympas et comment construire pour les 7 9 11 Funk Keyboards: The Complete Method des formes m morisablesFunk Keyboards: The Complete Method travail rythmique, alternance main gauche main droite, les licks et m me un chapitre sur la modulation wheel des synthes Le tout est appliqu sur les diff rents types de claviers funk Rhodes, Cl [ Meanwhile, in Australia and New Zealand, bands playing the pub circuit, such as SupergrooveSkunkhour and the Truthpreserved a more instrumental form of funk. -
Kenny Burrell: a Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Online
1cdah [Download pdf ebook] Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Online [1cdah.ebook] Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) Pdf Free Wolf Marshall, Kenny Burrell ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #866099 in Books Hal LeonardModel: 695830 2009-07-01 2009-07-01Original language:EnglishPDF # 1 12.00 x .36 x 9.00l, 1.06 #File Name: 0634074431128 pages | File size: 15.Mb Wolf Marshall, Kenny Burrell : Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks) before purchasing it in order to gage whether or not it would be worth my time, and all praised Kenny Burrell: A Step-By-Step Breakdown of the Guitar Styles and Techniques of a Jazz Legend (Guitar Signature Licks): 40 of 40 people found the following review helpful. Kenny Burrell - Lessons in Blues Based JazzBy D.R.L.~ This package, like all issues in the Hall Leonard "Signature Licks" series, contains informative introduction to the history, equipment, and style of Kenny Burrell, transcriptions and detailed analysis of each transcription (all by Wolf Marshall), and a CD by an in-house quintet that demonstrates the transcriptions.~ The transcriptions in regular musical notation as well as tab notation appear to be accurate and provide considerable insight into Kenny's chord voicing as well his single-note line development.~ Since some of the tunes are written by Kenny, the transcriptions also provide insight into his composing and arranging skills.~ Highly recommended to any intermediate or advanced guitarist who wants to gain insight into the improvisational melodic and chordal style of one of the best musicians to every play the guitar.~ The 126-page book/CD package contains the songs listed below.