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Thepeninsulaaugust022014
ISO 9001:2008 CERTIFIED NEWSPAPER ON SATURDAY OFFENCES ONLINE Death toll past 1,600 as Gaza truce collapses GAZA CITY: A humanitarian truce in Gaza collapsed hours after it began yesterday amid a new wave of violence and the apparent capture by Hamas of an Israeli soldier. US Secretary of State John Kerry called on Turkey and Qatar to use their influence to secure the sol- dier’s release. In Gaza, 160 people were killed or died of their wounds yesterday, taking the Palestinian death toll to 1,600, mostly civilians. Sixty-six Israelis, three of them civilians, have died. The Custodian of the Two Holy Mosques King Abdullah bin Abdulaziz of Saudi Arabia denounced “inexcusable” world silence over Israel’s “war crimes” in Gaza. See also page 5 South Sudan peace talks to restart on August 4 ADDIS ABABA: South Sudan’s warring leaders will resume peace talks on Monday, mediators said yesterday, amid warnings of famine within weeks if fighting continues. Mediators from the East African IGAD bloc said in statement that the resumption of talks had been delayed by “extended holidays”. Talks between President Salva Kiir and his former deputy Riek Machar stalled in June with each side blaming the other for the failure. Sisi to skip Obama’s Africa summit WASHINGTON: Egyptian President Abdel Fattah Al Sisi will not attend an unprece- dented gathering of African leaders here next week, after he was given a belated invitation. Morocco’s King Mohamed VI will also be a no-show at next week’s gathering to be hosted by President Barack Obama. -
The State of Integration 2018
The State of Integration 2018 PAGE 3 THE ENDURING IMPACT OF LEADERSHIP It is an extraordinary spectacle, this attempted erasure of the progress made during the Obama administration toward a more inclusive and equitable society. This administration-wide campaign is also reflected in Secretary DeVos’s Department of Education, with the withdrawal of school integration guidance and grant commitments that the National Coalition on School Diversity worked hard to secure (see “Rollback of Obama-Era Progress” herein). In spite of these reversals, the school integration movement seems to be alive and well. The support we received from the Obama administration energized and empowered the movement in a way that cannot be undone. The same growing grassroots constituency that gave federal leaders the support they needed to act has had the baton handed back to them, and they will not be silenced. This interplay between leadership and the grassroots is nowhere more evident than in New York City, where the new school Chancellor has been able to stake out strong pro-integration positions in spite of the usual outcry from the privileged classes. A mixture of student and adult activists, including ongoing organizing and advocacy of IntegrateNYC students and a citywide school integration coalition, has helped to create a strong constituency for integration. These efforts have also helped to expand the discourse about school integration to encompass resource allocation, school discipline and climate, curriculum, and educator diversity. The Chancellor’s leadership has, in turn, helped to further ignite grassroots support for school integration. The report that follows is a compilation of essays by the National Coalition on School Diversity’s staff and members. -
Limiting Law: Art in the Street and Street in the Art
Linda Mulcahy and Tatiana Flessas Limiting law: art in the street and street in the art Article (Accepted version) (Refereed) Original citation: Mulcahy, Linda and Flessas, Tatiana (2015) Limiting law: art in the street and street in the art. Law Culture and Humanities . ISSN 1743-8721 (In Press) © 2015 The Authors This version available at: http://eprints.lse.ac.uk/64564/ Available in LSE Research Online: December 2015 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Limiting Law: Art in the Street and Street in the Art To be published in Law Culture and Humanities. Linda Mulcahy London School of Economics and Political Science, London, UK Tatiana Flessas London School of Economics and Political Science, London, UK Abstract Conventional legal responses to street art have tended to characterize it as a problem that is best dealt with through criminal law sanctions. -
14/01586/LBC OFFICER: Mr Martin Chandler
APPLICATION NO: 14/01586/LBC OFFICER: Mr Martin Chandler DATE REGISTERED: 5th September 2014 DATE OF EXPIRY : 31st October 2014 WARD: All Saints PARISH: APPLICANT: Mr Hekmat Kaveh LOCATION: 159 Fairview Road, Cheltenham PROPOSAL: Installation of a Banksy mural on south east facing flank wall (incorporating the artwork and a communication dish) (Retrospective application) REPRESENTATIONS Number of contributors 28 Number of objections 5 Number of representations 0 Number of supporting 23 Redstart House Battledown Approach Cheltenham Gloucestershire GL52 6RE Comments: 24th September 2014 As a fairly local resident to Cheltenham's Banksy mural, I would love to see this artwork remain in situ. It is witty and eye catching, thoroughly apt in the context of the town and its connection to GCHQ and it brightens up a slightly dull corner. We have taken visitors from home and abroad to see it and it has caused much hilarity. The Banksy mural is a positive addition to the area and should be retained. Garden Flat 66 Hales Road Cheltenham Gloucestershire GL52 6SS Comments: 12th September 2014 I live in the locality and I support the application for retrospective listed building consent. I think the Banksy mural enhances the building and adds to the rich heritage of the area. 64 Little Herberts Road Charlton Kings Cheltenham Gloucestershire GL53 8LN Comments: 29th September 2014 I support this application. 128 Fairview Road Cheltenham Gloucestershire GL52 2EU Comments: 20th September 2014 I absolutely support this application. I think preservation of the Banksy would be fantastic for the local area and Cheltenham as a whole. I consider it a real gift to the town, and it would be such a missed opportunity to not do everything possible to protect it and keep it where it is. -
Banksy and the Stencil As Radical Graphic Form
DRTP 1 (1) pp. 97–117 Intellect Limited 2016 Drawing: Research, Theory, Practice Volume 1 Number 1 © 2016 Intellect Ltd Essays. English language. doi: 10.1386/drtp.1.1.97_3 Essays Paul GouGh RMIT University Existencillism: Banksy and the stencil as radical graphic form Keywords abstract subcultural graffiti Contemporary graffiti artists, or ‘writers’ as they are known, observe a strict hierarchy that self-ranks Banksy ambition, daring and calligraphic innovation. At the apex are those writers who create the imposing wildstyle Blek le Rat exhibition pieces, large-scale vivid inscriptions that require a high degree of graphic invention and daring. At street art the other extreme are the stencil-cutters, who by comparison are regarded within the peer community of the stencil subculture, as lesser writers, relying on craft skills that are held to be quaint, even fraudulent. This article stencilling explores the persistence and ubiquitous spread of the stencil as a vehicle for mass-produced street art, made especially popular through the iconic work of British street-artist Banksy. Exploring the origins of his work in stencil the article examines how he has both radicalized the genre, while still retaining its essential value 97 DRTP_1.1_Paul Gough_97-117.indd 97 10/1/15 2:26:48 PM Paul Gough as an industrial, utilitarian and iconic graphic. The article compares the deadpan, but hugely popular, drawn language of the stencil with the freehand calligraphy of the taggers, ‘kings’ and other exhibition ‘writers’, and closes with a set of questions, in particular: what is the future of drawing in countercultural expression? urban calligraphy Graffiti have to be seen as an assertion of something, a criticism of public reality […] [a] tide of indecipherable signatures of mutinous adolescents which has washed over and bitten into the facades of monuments and the surfaces of public vehicles in the city where I live: graffiti as an assertion of disrespect, yes, but most of all simply an assertion […] the powerless saying: I’m here too. -
Banksy. Urban Art in a Material World
Ulrich Blanché BANKSY Ulrich Blanché Banksy Urban Art in a Material World Translated from German by Rebekah Jonas and Ulrich Blanché Tectum Ulrich Blanché Banksy. Urban Art in a Material World Translated by Rebekah Jonas and Ulrich Blanché Proofread by Rebekah Jonas Tectum Verlag Marburg, 2016 ISBN 978-3-8288-6357-6 (Dieser Titel ist zugleich als gedrucktes Buch unter der ISBN 978-3-8288-3541-2 im Tectum Verlag erschienen.) Umschlagabbildung: Food Art made in 2008 by Prudence Emma Staite. Reprinted by kind permission of Nestlé and Prudence Emma Staite. Besuchen Sie uns im Internet www.tectum-verlag.de www.facebook.com/tectum.verlag Bibliografische Informationen der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.ddb.de abrufbar. Table of Content 1) Introduction 11 a) How Does Banksy Depict Consumerism? 11 b) How is the Term Consumer Culture Used in this Study? 15 c) Sources 17 2) Terms and Definitions 19 a) Consumerism and Consumption 19 i) The Term Consumption 19 ii) The Concept of Consumerism 20 b) Cultural Critique, Critique of Authority and Environmental Criticism 23 c) Consumer Society 23 i) Narrowing Down »Consumer Society« 24 ii) Emergence of Consumer Societies 25 d) Consumption and Religion 28 e) Consumption in Art History 31 i) Marcel Duchamp 32 ii) Andy Warhol 35 iii) Jeff Koons 39 f) Graffiti, Street Art, and Urban Art 43 i) Graffiti 43 ii) The Term Street Art 44 iii) Definition -
Munich's Galerie Kronsbein to Stage Banksy's First Solo Show in Germany
artnet artnet Auctions English Market Art World People Videos Topics Search ART WORLD Munich's Galerie Kronsbein to Stage Banksy's First Solo Show in Germany Henri Neuendorf, Tuesday, March 29, 2016 SHARE Banksy Kate, London (2005). Photo: Courtesy of Galerie Kronsbein, Munich. Presenting the first comprehensive survey of Banksy's work in Germany, Munich-based Galerie Kronsbein's upcoming exhibition "Banksy King of Urban Art" will showcase originals and editions by the mysterious and celebrated British street artist. Opening on April 14 and gathering over 40 works, the show will include highlights such as Banksy's Gangster Rat and Paparazzi Rat stencils, as well as his homage to the great street art pioneer Keith Haring. Also on view will be two original versions of Toxic Mary, which depict the Virgin Mary feeding baby Jesus with toxic fluid. Other well-known originals such as Balloon Girl and Heavy Weapons will also be on display at the exhibition in southern Germany, and visitors and collectors can also look forward to seeing Banksy's portrait of super model Kate Moss à la Andy Warhol in the flesh. Banksy Girl With Balloon (2004). Photo: Courtesy of Galerie Kronsbein, Munich. “Banksy is the Andy Warhol of urban art," gallery director Sarah Kronsbein told artnet News in a telephone conversation. “He's responsible for establishing urban art in art history. “We want to show a cross-section of his work, and show key pieces that guide the viewer through Banksy's world," she added. The Munich exhibition will be of particular interest to German collectors and street art enthusiasts, since Germany's last remaining Banksy mural was destroyed by vandals in Hamburg in February 2015. -
And the Law Won. Property Law V Art, Banksy's Spy Booth
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal Aberystwyth University Spy fought the law: and the law won. Property Law v Art, Banksy’s Spy Booth Huws, Catrin Fflur Publication date: 2017 Citation for published version (APA): Huws, C. F. (Author). (2017). Spy fought the law: and the law won. Property Law v Art, Banksy’s Spy Booth. Web publication/site, http://www.catrinfflurhuws.cymru/: . Retrieved from http://www.catrinfflurhuws.cymru/site/documents/spyfought.pdf Document License CC BY-NC-ND General rights Copyright and moral rights for the publications made accessible in the Aberystwyth Research Portal (the Institutional Repository) are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the Aberystwyth Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the Aberystwyth Research Portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. tel: +44 1970 62 2400 email: [email protected] Download date: 03. Oct. 2019 Spy fought the law: and the law won. Property Law v Art, Banksy’s Spy Booth Catrin Fflur Huws Spy fought the law: and the law won. -
MYTHS and HYMNS Chapter 1: Flight
A Theatrical Song Cycle in a Four-Part Digital Series CHAPTER 1 MYTHS and HYMNS Chapter 1: Flight Music and Lyrics by ADAM GUETTEL Additional Lyrics by Orchestration by Ellen Fitzhugh Don Sebesky and Jamie Lawrence New Choral Arrangements by Ted Sperling Production Conceived, Supervised, and Conducted by TED SPERLING Orchestra Chuck Wilson, Dan Willis, John Winder: woodwinds Larry Lunetta: trumpet Norbert Goldberg: drums Douglas Romoff: bass Todd Ellison: piano Steve Bargonetti: guitar Adam Guettel: guitar (Pegasus) Ted Sperling: conductor/violin/keyboard Production Team Derril Sellers/SpotCo, Editing and Production Jamie Lawrence, Audio Mixing and Mastering Andrew Feyer, Chorus Audio Engineer SpotCo, Advertising/Marketing/Social Strategy This performance is funded in part by the Doris Duke Charitable Foundation and The Roger Rees Fund for Musical Theater, as well as: FLIGHT Prometheus Anderson & Roe, Piano Duo (Anderson & Roe Underwritten by Susan and Elihu Rose) Greg Anderson, Arranger and Director Saturn Returns: The Flight Joshua Henry, Soloist MasterVoices Ted Sperling, Director Icarus Mykal Kilgore, Icarus Norm Lewis, Daedalus MasterVoices Sammi Cannold, Director (Ms. Cannold Underwritten by Ellen B. Nenner) Mary McGowan, Associate Director Xavier Clark, Associate Director Lucy Mackinnon, Designer Migratory V Julia Bullock, Soloist (Ms. Bullock Underwritten by Sarah Billinghurst Solomon) Renée Fleming, Soloist (Ms. Fleming Underwritten by Ellen F. Marcus and Bruce Horten & Aaron Lieber) Kelli O'Hara, Soloist (Ms. O’Hara Underwritten -
Provo Welcome Packet!
1 2 3 4 5 6 7 8 9 10 11 12 13 20/21 14 15 NYCDA THE DANCE NYCDA EXPERIENCE inspires THAT MOVES YOU WEL COME Dear Dance Friends, Executive Director Joe Lanteri Thanks for joining us – especially this particular season! Without a doubt, we have all been living through the most difficult times of our lives. We have General Manager experienced these challenges together. We will continue to get through them - Travis Fritsche TOGETHER! Programs Manager These weekend events remind each of us of the passion, creativity and Diane Rose community spirit that we all share. More importantly, right now, this an Production Manager opportunity to have a positive impact on the lives of these talented kids. Lionel Christian They are our dance warriors – demonstrating resilience, perseverance and determination through it all. Registration/Event Manager Katie Calder NEW YORK CITY DANCE ALLIANCE is committed to offering a supportive, creative and fun environment. Each season we welcome more dancers, Tour Event Manager parents, teachers, and studios into our special NYCDA family. We have Marika Matuszak earned our reputation: “Without a doubt, the best dance experience ever!” Office Manager NYCDA has set the standard of excellence within our industry. We are excited Vanessa Pereira to lead the way into the future. Our commitment and enthusiasm only gets stronger, while our professional affiliations and support continue to grow. We ONY Competition Manager hope to nurture each student, both as dancers and young people. We are able Michelle Schindledecker to offer the most unique and valuable learning experiences in our industry. -
Maureen Mswela
OWNERSHIP OF SOUTH AFRICAN STREET ART AND THE PROTECTION OF CULTURAL HERITAGE RESOURCES by SARAH RUTHERFORD SMITH submitted in accordance with the requirements for the degree of DOCTOR OF LAWS at the UNIVERSITY OF SOUTH AFRICA Supervisor: Prof M Wethmar-Lemmer Co-Supervisor: Prof C Roodt SEPTEMBER 2019 STATEMENT DECLARATION Name: Sarah Rutherford Smith ___________________________________ Student number: 33737193_______________________________________________ Degree: LLD____________________________________________________ Exact wording of the title of the thesis as appearing on the electronic copy submitted for examination: Ownership of South African Street Art and the Protection of Cultural Heritage Resources I declare that the above thesis is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. I further declare that I submitted the thesis to originality checking software and that it falls within the accepted requirements for originality. I further declare that I have not previously submitted this work, or part of it, for examination at Unisa for another qualification or at any other higher education institution. (The thesis will not be examined unless this statement has been submitted.) ________________________ _____________________ SIGNATURE DATE I have written Gandalf is here in signs that all can read from Rivendell to the mouths of Anduin. JRR Tolkien, The Lord of the Rings Mr Shine. Him diamond. Terry Pratchett, Thud! i ACKNOWLEDGMENTS Many people have contributed to this thesis in unique ways. I would like to specifically recognise the support of a few individuals: My husband, Gary. Any expression of gratitude is going to fall short of what you have done and continue to do for me. -
Nick Clegg, the Lonely Liberal the Truth About Self-Employment Nato Chief: “We Will Not Hesitate” the Death of the Shelf
Sol Campbell—is the World Cup worth it? ISSUE 219 | JUNE 2014 www.prospectmagazine.co.uk JUNE 2014 | £4.95 How to save the Union DAVID MARQUAND HOW TO SAVE THE UNION THE SAVE TO HOW Plus Nick Clegg, the lonely liberal EDWARD DOCX The truth about self-employment HAMISH MCRAE Nato chief: “we will not hesitate” BRONWEN MADDOX The death of the shelf WILL SELF Hand me the Booker prize LIONEL SHRIVER Also Clive James, George Packer, Ben Macintyre, Lydia Davis, Alexander McCall Smith Britain’s new E p14 classpoll divisions: results PROSPECT JUNE 2014 5 Foreword How to unite the kingdom 5th Floor, 23 Savile Row, London W1S 2ET Publishing 020 7255 1281 Editorial 020 7255 1344 Fax 020 7255 1279 Email [email protected] [email protected] Website www.prospectmagazine.co.uk Editorial Editor and Chief Executive Bronwen Maddox Editor-at-Large David Goodhart Deputy Editor Jay Elwes Is this the last summer of the United Kingdom? In three Managing Editor Jonathan Derbyshire Arts & Books Editor David Wolf months’ time, the UK may surrender half its territory, with Creative Director David Killen Production Editor Jessica Abrahams not even a whimper. It would be too generous to credit the Digital Editor Serena Kutchinsky Assistant Digital Editor Josh Lowe Better Together campaign, alternately complacent and Editorial Assistant Chris Oldfield tentative, with even that level of decibels; even its name Publishing President & co-founder Derek Coombs captures its diffidence (what was wrong with “Best Commercial Director Alex Stevenson Together”?). The television news will airbrush Scotland out Publishing Consultant David Hanger Finance Manager Pauline Joy of the nightly weather charts, as it comically now does for Circulation Marketing Director Yvonne Dwerryhouse the Republic of Ireland.