The Case of the Doctor-Patient Relationship
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Trafalgar Square Publishing Spring 2016 Don’T Miss Contents
Trafalgar Square Publishing Spring 2016 Don’t Miss Contents Animals/Pets .....................................................................120, 122–124, 134–135 28 Planting Design Architecture .................................................................................... 4–7, 173–174 for Dry Gardens Art .......................................................8–9, 10, 12, 18, 25–26 132, 153, 278, 288 Autobiography/Biography ..............37–38, 41, 105–106, 108–113, 124, 162–169, 179–181, 183, 186, 191, 198, 214, 216, 218, 253, 258–259, 261, 263–264, 267, 289, 304 Body, Mind, Spirit ....................................................................................... 33–34 Business ................................................................................................... 254–256 Classics ....................................................................................43–45, 47–48, 292 Cooking ......................................................1, 11, 14–15, 222–227, 229–230–248 Crafts & Hobbies .............................................................................21–24, 26–27 85 The Looking Design ......................................................................................................... 19–20 Glass House Erotica .................................................................................................... 102–103 Essays .............................................................................................................. 292 Fiction ...............................................42, -
Universi^ Mickxilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Oxford's Waterfield's
Queries & Adverts: 01865 241133 (Mon-Fri 9-5) JOBS OFFERED HOUSES & FLATS TO LET or via www.dailyinfo.co.uk Snail mail: 5 Standingford House, Cave St, Oxford OX4 1BA Oxford’s Email: [email protected] Calling all ASSISTANT TO Part of Line ads @ 40p/wd. (min. 10) + VAT Maths, Chemistry & Physics students! Student Property Release 08/09 Display boxes @ £10/cm. (min. 3cm) + VAT THE SCHOOL NORTH OXFORD DAILY Are you an Undergraduate or Postgraduate or do PROPERTY SERVICES 28th November 9.00am you have a good A - level in one of these subjects? ADMINISTRATOR www.dailyinfo.co.uk We would like to hear from you if you feel Magdalen Required from 1st January 2008 47 Walton Street Properties Available In All Areas to provide secretarial help and INFO Next issue: Tue 12th November you can make a difference to the learning of C o l l e g e Oxford OX2 6AD administrative support to the School Don’t Miss Out !!! Deadline: 10am, Mon 11th November secondary school pupils. S c h o o l 01865 311745 Issue No. 7853 Administrator. O x f o r d Sat 10th - Mon 11th November 2007 (5th - 6th Weeks) £600 bursary The post is almost entirely within the HMC Boys 7-18 school’s normal term-times, and the CARDWELL CRESCENT (OX3 7QE): 1 ROOM AVAILABLE Northway, Headington. 1 bedroom ground for 15 days in school observing and floor apartment, close to good transport links. hours will broadly follow those of the Room in a shared house, close to Brookes University. -
Real-Time Detection of P300 Brain Events: Brain-Computer Interfaces for EEG-Based Communication Aids
Real-time Detection of P300 Brain Events: Brain-computer Interfaces for EEG-based Communication Aids Rehab Mahdi Alkhater A thesis submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Creative Technologies (MCT) 2012 Faculty of Design and Creative Technologies Interdisciplinary Unit of Creative Technologies and School of Computing and Mathematical Science Table of Contents Attention of Authorship ………………………………………………………………….xi Acknowledgment ………………………………………..……………………………….xii Abstract ………………………………………………………………………………….xiv Chapter 1: Introduction …………………………….…………………………………….1 1.1. Motivation …………………………………………..…………………………………2 1.2. Research Scope and Focus ……………………………...……………………………..3 1.3. Research Questions ………………………………………..…………………………..4 1.4. Contributions of the Study ……………………….……………………………………4 1.5. Study structure …………………………………………………………………………5 Chapter 2: Literature Review of BCIs ………………………..…………………………7 2.1. Introduction …………………………………………………..……………………….7 2.2. Introduction to the Human Brain ……………………………….…………………….8 2.3. Framework of a BCI system …………………………………….…………………..10 2.3.1. Data Acquisition ………………………………………….…………………11 2.3.2. Signal Pre-processing ………………………………………...……………..11 2.3.3. Data Classification ………………………………………….………………12 2.3.4. Biofeedback ……………………………………………………..…………..13 2.4.BCI Developments and Key Principles …………………………………..………….14 2.4.1. Control Signals in BCIs ………………………………………..……………14 2.4.2. Types of BCIs ………..…………………………………………...…………15 2.4.3. BCI Applications ……………………………………………………………16 -
M a G a Z I N
APRIL VOLUME 20 2020 MAGAZINE ® ISSUE 2 Where everyone goes for scripts and writers™ Round Table Discussion with InkTip Writers of 5th Ward PAGE 16 Q&A with TV’s 5th Ward Creator Greg Carter PAGE 22 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 FIND YOUR Feature Scripts – SCRIPTS FAST Grouped by Genre ON INKTIP! 6 Roundtable with 5th Ward Writers 16 INKTIP OFFERS: • Listings of Scripts and Writers Updated Daily Q&A with Greg Carter, Creator • Mandates Catered to Your Needs of the Urban Drama 5th Ward • Newsletters of the Latest Scripts and Writers 22 • Personalized Customer Service • Comprehensive Film Commissions Directory Scripts Represented by Agents/Managers 43 Teleplays 44 You will find what you need on InkTip Sign up at InkTip.com! Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. -
Behind Blue Eyes: a Memoir of Childhood Who Am I?: a Collection of Essays
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2006 Behind blue eyes: A memoir of childhood who am I?: A collection of essays Glyn Parry Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Creative Writing Commons Recommended Citation Parry, G. (2006). Behind blue eyes: A memoir of childhood who am I?: A collection of essays. https://ro.ecu.edu.au/theses/87 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/87 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2006 Behind Blue Eyes: A Memoir of Childhood Who Am I?: A Collection of Essays Glyn Parry Edith Cowan University Recommended Citation Parry, G. (2006). Behind Blue Eyes: A Memoir of Childhood Who Am I?: A Collection of Essays. Retrieved from http://ro.ecu.edu.au/ theses/87 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/87 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
A Companion to Michael Haneke
A Companion to Michael Haneke Edited by Roy Grundmann A John Wiley & Sons, Ltd., Publication A Companion to Michael Haneke Wiley-Blackwell Companions to Film Directors The Wiley-Blackwell Companions to Film Directors survey key directors whose work together constitutes what we refer to as the Hollywood and world cinema canons. Whether Haneke or Hitchcock, Bigelow or Bergmann, Capra or the Coen brothers, each volume, comprised of 25 or more newly commissioned essays writ- ten by leading experts, explores a canonical, contemporary and/or controversial auteur in a sophisticated, authoritative, and multi-dimensional capacity. Individual volumes interrogate any number of subjects – the director’s oeuvre; dominant themes, well-known, worthy, and under-rated films; stars, collaborators, and key influences; reception, reputation, and above all, the director’s intellectual currency in the scholarly world. 1 A Companion to Michael Haneke, edited by Roy Grundmann 2 A Companion to Alfred Hitchcock, edited by Leland Poague and Thomas Leitch 3 A Companion to Rainer Fassbinder, edited by Brigitte Peucker 4 A Companion to Werner Herzog, edited by Brad Prager 5 A Companion to François Truffaut, edited by Dudley Andrew and Anne Gillian 6 A Companion to Pedro Almódovar, edited by Marvin D’Lugo and Kathleen Vernon 7 A Companion to John Ford, edited by Peter Lehman 8 A Companion to Jean Renoir, edited by Alistair Phillips and Ginette Vincendeau 9 A Companion to Louis Buñuel, edited by Robert Stone and Julian Daniel Gutierrez-Albilla 10 A Companion to Martin Scorsese, edited by Peter J. Bailey and Sam B. Girgus 11 A Companion to Woody Allen, edited by Aaron Baker A Companion to Michael Haneke Edited by Roy Grundmann A John Wiley & Sons, Ltd., Publication This edition first published 2010 © 2010 Blackwell Publishing Ltd except for editorial material and organization © 2010 Roy Grundmann Blackwell Publishing was acquired by John Wiley & Sons in February 2007. -
Literariness.Org-Beatrix-Hesse-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground- breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true- crime exposé, police procedural and post- colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER- HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian -
NARRATIVA AD INFINITUM La Narrativa Transmedia De Doctor Who
NARRATIVA AD INFINITUM La narrativa transmedia de Doctor Who | Título de trabajo Narrativa ad infinitum: La narrativa transmedia de Doctor Who | Estudios Comunicación Audiovisual | Tutor/a Dra. Inmaculada Gordillo Álvarez Firma con el visto bueno del tutor | Agradecimientos | La elaboración de este estudio no habría sido posible sin el apoyo de aquellos que me han ayudado a sacarlo adelante, bien con consejos o correcciones, bien con paciencia; pero sobre todo, con la ayuda desinteresada y la confianza que en más de una ocasión ha sido necesaria. Estoy en deuda con Juanma Asencio, mi “portavoz” en la Universidad de Sevilla mientras estaba de intercambio SICUE en la Pompeu Fabra, y quien ha hecho posible la entrega de este documento, entre otros quebraderos de cabeza que le habré causado. Gracias también a Rafa Cabeza, siempre dispuesto a escuchar mis problemas y a darles una solución optimista. Que el triángulo Draper-Olson-Holloway sea infinito donde la serie no pudo serlo. También en deuda con Sofia Izquierdo, cuyo inmenso conocimiento sobre Doctor Who ha sido clave para este trabajo. Agradecerle además sus lecturas desinteresadas y su apoyo en todo momento. Gracias a Raquel Crisóstomo por confiar en mi trabajo incondicionalmente, así como por las charlas tan enriquecedoras en las que las dudas no lo eran tanto; a Cristina Aguilera por estar ahí siempre, apostando por un trabajo que uno mismo olvida valorar; a Manu Montes por ser el apoyo moral que todo SICUE necesita, ese hombro virtual en el que apoyarse (o físico, después de muchas horas de Valencia en Fallas); a Carlos Scolari, por sus pequeñas masterclass ante cualquier duda; y a Alba Rosillo, por sus consejos y ayuda con el diseño gráfico de la presentación. -
Module 3 Unit 9 Tasks
Module 3 Unit 9 Tasks _____________________________________________________________________________ Task 1: Multiple choice .................................................................. 2 Task 2 .......................................................................................... 4 Task 2: Handout ......................................................................... 6 Task 3 ........................................................................................ 15 Task 3: Handout 1 ..................................................................... 17 Task 3: Handout 2 ..................................................................... 27 Task 3: Handout 3 ..................................................................... 32 Module 3 Unit 9: Audio introductions Task 1: Multiple choice1 Question 1 An audio introduction is provided in order to… a) allow describers to demonstrate their writing skills. b) spoil surprises. c) create a framework by which to understand the piece. d) create cognitive overload. Question 2 How does pre-show information differ from pre-visit information? 2 a) Pre-show information creates the world of the piece. Pre-visit information supports the visit to the venue by persons with sight loss (PSL). b) Pre-show information supports the visit to the venue by PSL. Pre-visit information creates the world of the piece c) Pre-show information is very basic. Pre-visit information is much more complicated. d) Pre-show information is very short. Pre-visit information lasts much longer. 1 The responses -
Sf Commentary 84
SF COMMENTARY 84 November 2012 80 pages IN THIS ISSUE: Brian ALDISS Merv & Helena BINNS Russell BLACKFORD David BOUTLAND DITMAR (Dick JENSSEN) Bruce GILLESPIE Carol KEWLEY Tim MARION Mark PLUMMER Colin STEELE Ray WOOD Cover: Ditmar (Dick Jenssen) SF COMMENTARY 84 November 2012 80 pages SF COMMENTARY No. 84, November 2012, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3068, Australia. Phone: 61-3-9435 7786. Preferred means of distribution .PDF file from eFanzines.com at http://efanzines.com/SFC/SFC84P.PDF or from my email address: [email protected]. Front and back covers: Ditmar (Dick Jenssen): ‘The Aliens’ A version of the back cover first appeared as the front cover of SFC 80A, which did not have a print edition, and was posted only as a PDF file on eFanzines.com. At that time, Dick Jenssen gave it the title ‘The Alien’. It was based on an idea by Vida Weiss (Yvonne Rousseau’s daughter). She set the following problem: ‘If you stood at the centre of a (regular) pentagonal room with mirrored walls, how would your reflection appear?’ Dick answered this by using Vue 8 graphic mod- elling software. The result reminded Dick of Murray Leinster’s classic SF tale ‘The Aliens’. A full explanation of both the process involved in producing the graphics and the stories they suggest can be found in SF Commentary 80A, pp. 5–6. Graphics Grant Gittus (p. 9); Robert Mizerek (p. 11); Anders Sandberg (p. 12); Sheila White (p. 14); Carol Kewley (p. 26); Jack Kirby (p. -
Challenging Englishness: Rebranding and Rewriting National Identity in Contemporary English Fiction
Challenging Englishness: Rebranding and Rewriting National Identity in Contemporary English Fiction Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereiches 05 der Justus-Liebig-Universität Gießen im Rahmen eines Cotutelle-Vertrages mit der Universität Bergamo vorgelegt von Anna Katharina Böhme (geb. Rettberg) aus Kassel 2012 Dekan: Prof. Dr. Magnus Huber Erster Berichterstatter: Prof. Dr. Ansgar Nünning Zweite Berichterstatterin: Prof. Dr. Alessandra Marzola Tag der Disputation: 7. September 2012 Acknowledgements This thesis would not be what it is without several people to whom I am very grateful. First of all, I owe thanks to my supervisors Ansgar Nünning and Alessandra Marzola for their critical but extremely valuable suggestions and their support in all stages of my PhD. I am also very much indebted to Angela Locatelli and Elena Agazzi for their support, especially during my stay at the University of Bergamo. All the PhD students and professors who participated in the International Graduate Centre for the Study of Culture (GCSC) and the International PhD Programme (IPP) “Literary and Cultural Studies” at the University of Gießen contributed tremendously to improving my research. Discussions with the IPP group and the GCSC fellows helped me to reflect on what I was doing. Thank you for your productive suggestions and for being critical readers. I am glad to have had such fantastic colleagues who created a great atmosphere that was incredibly encouraging. The same goes for the PhDnet group, to which I am very much indebted. Our meetings in Helsinki, Lisbon, Stockholm, Bergamo and Gießen were immensely inspiring. In addition to my supervisors, Angela Locatelli and the PhD students, I would like to thank Isabel Capeloa Gil, Pirjo Lyytikäinen, Kai Sicks and Elisabeth Wåghäll Nivre for their valuable comments and suggestions during our PhDnet meetings.