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A Foreign Affair (1948)
Chapter 3 IN THE RUINS OF BERLIN: A FOREIGN AFFAIR (1948) “We wondered where we should go now that the war was over. None of us—I mean the émigrés—really knew where we stood. Should we go home? Where was home?” —Billy Wilder1 Sightseeing in Berlin Early into A Foreign Affair, the delegates of the US Congress in Berlin on a fact-fi nding mission are treated to a tour of the city by Colonel Plummer (Millard Mitchell). In an open sedan, the Colonel takes them by landmarks such as the Brandenburg Gate, the Reichstag, Pariser Platz, Unter den Lin- den, and the Tiergarten. While documentary footage of heavily damaged buildings rolls by in rear-projection, the Colonel explains to the visitors— and the viewers—what they are seeing, combining brief factual accounts with his own ironic commentary about the ruins. Thus, a pile of rubble is identifi ed as the Adlon Hotel, “just after the 8th Air Force checked in for the weekend, “ while the Reich’s Chancellery is labeled Hitler’s “duplex.” “As it turned out,” Plummer explains, “one part got to be a great big pad- ded cell, and the other a mortuary. Underneath it is a concrete basement. That’s where he married Eva Braun and that’s where they killed them- selves. A lot of people say it was the perfect honeymoon. And there’s the balcony where he promised that his Reich would last a thousand years— that’s the one that broke the bookies’ hearts.” On a narrative level, the sequence is marked by factual snippets infused with the snide remarks of victorious Army personnel, making the fi lm waver between an educational program, an overwrought history lesson, and a comedy of very dark humor. -
The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Guide to the Stephen H. Warner Collection
Guide to the Stephen H. Warner Collection Gettysburg College, Musselman Library Special Collections & College Archives Processed by Joseph R. Tucker Summer 2004 MS-044. Stephen H. Warner Collection (30 boxes, 8.1 cubic feet) Inclusive Dates: 1955-1971 Bulk Dates: 1970-1971 Processed by Joseph R. Tucker, '03 Summer 2004 Biography [Taken from the Stephen Warner Online Exhibit (2004-2018) at http://www.gettysburg.edu/special_collections/exhibits/warner/intro.dot] Stephen Warner attended Gettysburg College from 1964-1968, a relatively quiet period in the college's history. According to a sampling of the Gettysburgian from the 1964-1965 academic year, the student newspaper did occasionally mention United States involvement in southeast Asia. However, there were no indications of widespread student concern about this matter at that time. As a major in History, Steve Warner came to focus his interests on civil rights and social justice. His academic advisor, Roger Stemen, emeritus professor of History, described Warner as having been "radically intellectual, a non-collegiate type interested in the arts, history, and economics." Stephen Warner was perceived by those who knew him to be open-minded and considerate of others, but intense about those social and ethical matters that concerned him most. He was on the staff of the Gettysburgian and eventually became a Feature Editor. He was instrumental in establishing new campus organizations, including a human relations forum and the Ad Hoc Committee Against the Vietnam War. During his senior year he was inducted into the Phi Beta Kappa National Honor Society. He also was accepted to the Yale University Law School. -
Bridesmaids”: a Modern Response to Patriarchy
“Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say, -
Conserve Water
YEAR ZERO: 1977-2017 THE CLASH @ TCD 21 OCTOBER 2017 EXAMINATIONS HALL, TCD DON LETTS Don Letts is a filmmaker, DJ and musician whose association with The Clash goes back over 40 years. As DJ at the Roxy, he is credited with introducing reggae to punk rock fans. A founding member of Big Audio Dynamite with Clash guitarist Mick Jones, he has released numerous compilation albums and directed a variety of films and documentaries. In 2003 he won a Grammy for his Clash documentary Westway to the World. He released his autobiography Culture Clash: Dread Meets Punk Rockers in 2007. JJuliUen TLemIpEle Nis a feTatuEre Mfilm,P doLcuEmentary and music video director. He started his career with the short documentary Sex Pistols Number 1 and went on to make feature length documentaries on the Sex Pistols, Dr. Feelgood, Dave Davies and Joe Strummer, as well as the movies Absolute Beginners, Earth Girls Are Easy, Bullet with Mickey Rourke and Tupac Shakur, and Pandaemonium. His film The Clash: New Year’s Day ’77 captured the moment when punk emerged into the mainstream consciousness. JOHNNY GREEN Starting out as a roadie for the Sex Pistols, Green became The Clash’s Tour Manager – his first ever show in this capacity was the Trinity College Dublin gig in 1977. He went on to tour the USA with The Clash three times, appears extensively in the Rude Boy film and is the author of A Riot of Our Own: Night and Day with The Clash recounting his experiences.. ROBIN BANKS Robin James Banks was a friend and confidante to The Clash throughout their career. -
Infant Sorrow and Friends Perform Songs from the Film 'GET HIM to the GREEK' Live One Night Only!
May 12, 2010 Infant Sorrow and Friends Perform Songs From the Film 'GET HIM TO THE GREEK' Live one Night Only! Featuring Special Appearances by: Infant Sorrow, Russell Brand, Jonah Hill, Carl Barat from The Libertines and Special Guests LOS ANGELES, May 12 /PRNewswire/ -- Infant Sorrow and Friends is a live one-night- only concert by performers from the upcoming comedy GET HIM TO THE GREEK at The Roxy on Monday, May 24. The evening features songs from the film and forthcoming album as performed by Infant Sorrow, Russell Brand, Carl Barat of the hugely popular U.K. band The Libertines, with special appearances by Jonah Hill and other surprise guests. The events begin at 8:00 PM, and the first 100 people to arrive at The Roxy will receive a limited edition Infant Sorrow T-shirt. Tickets go on sale Friday, May 14, at 10 AM. The album INFANT SORROW – GET HIM TO THE GREEK is available June 1 through Universal Republic. ABOUT GET HIM TO THE GREEK: GET HIM TO THE GREEK reunites Jonah Hill and Russell Brand with Forgetting Sarah Marshall director Nicholas Stoller in the story of a record company executive with three days to drag an uncooperative rock legend to Hollywood for a comeback concert. The comedy is the latest film from producer Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Funny People) and arrives in theaters on June 4. www.gethimtothegreek.com MONDAY, MAY 24 THE ROXY 8:00 PM 9009 Sunset Boulevard, West Hollywood, CA 90069 ON SALE FRIDAY, MAY 14, AT 10 AM TICKETS AVAILABLE ONLINE AT WWW.LIVENATION.COM OR BY PHONE AT (877) 598-6671. -
Candidates Prepare for Final Showdown
Matawan holds onto lead in Register Top Ten, 1B MONMOUTH COUNTY'S HOMETOWN NEWSPAPER SINCE 1878 ister )AY. NOV 8. 1988 VOL. 111 NO. .13 25 i Lawyer: Hunt Meet Candidates prepare not legal for final showdown By VIRGINIA KEMTDORRI8 bid to topple incumbent U.S. Sen. Frank Lautenberg. THE REGISTER BySEAMUSMcORAW The latest Eagleton poll, however, gives Lautenberg a THE REGISTER solid 12-point lead over the one-time Heisman Tro- phy winner and Rhodes scholar. MIDDLETOWN — The state On the congressional level, the race to fill How- Attorney General's Office will Politicians and campaign workers spent much of ard's seat — in which Libertarian Laura Stewart it look into whether the annual Hunt yesterday in a last-minute push before today's general also a candidate — has drawn national attention, in Race Meet operates legally be- election. pan because it is one of the few seats nationwide with cause of inquiries made by local "We've been out all weekend," said Wendy Do- no incumbent. attorney Larry S. Loigman. nath, a spokesman for 3rd Congressional District The picture is further complicated by the fact that Loigman, who has vowed to hopeful Joseph Azzolina. with Howard's death and the resignation of Demo- "make sure that this year's hunt is Azzolina is hoping to top Democratic state Sen. cratic Rep. Peter Rodino of Newark, the state's pres- the last one," last month contacted Frank Pallone in the race to fill the seat left vacant by tige level in Congress is reported to be on the decline. -
FISH Newsletter February 16
Living is Easy with Eyes Closed (Spain 2014) DIRECTOR : David Trueba RUNNING TIME : 108mins RATING : M Synopsis: Set in Franco-era Spain, a free-spirited English teacher sets out to meet his idol John Lennon, who is filming on the other side of the country. Antonio wants to understand the lyric to the newly released Norwegian Wood. Review: Philippa Hawker Spanish filmmaker David Trueba came across the subject matter for his new film quite by accident. It wasn't just the tale of John Lennon's 1966 Spanish sojourn that intrigued him. It was the account of a teacher of English with a Beatles obsession who was determined to meet Lennon and ask him about his lyrics – lyrics that he used as a teaching aid in the classroom. Trueba read about this man in 2006, when the town of Almeria was celebrating the 40th anniversary of Lennon's presence; he had come there to take an acting role in a satirical comedy with director Richard Lester called How I Won The War. The other significant element in the project was a personal one. The novelist and filmmaker is the youngest of eight brothers; at the time Lennon was in Spain, Trueba's second brother was locked in a struggle with his father about the length of his hair. "He was trying to get his hair long, because he was a crazy fan of the Beatles and the Rolling Stones. And my father was a typical Spanish father of the time of Franco, very authoritarian. So he told him to cut his hair. -
Beyond the Years
BEAR ENTERTAINMENT, INC. PRIME ENTERTAINMENT CO., LTD PRESENT BEYOND THE YEARS DIRECTED BY IM KWON TAEK WRITTEN BY YI CHUNG JUN IM KWON TAEK PRODUCED BY KINO2 PICTURES IN ASSOCIATION WITH CENTURION TECHNOLOGY INVESTMENT CORPORATION KOREAN FILM COUNCIL (KOFIC) STARRING OH JUNG HAE JO JAE HYUN KOREA / 106' / 35MM / 1.85:1 / DOLBY SRD / COLOUR WORLD SALES: PARIS OFFICE: wild bunch 99 Rue de la Verrerie - 75004 Paris - France TEL +33 1 53 01 50 30 FAX +33 1 53 01 50 49 Vincent Maraval TEL +33 6 11 91 23 93 [email protected] [email protected] Gaël Nouaille TEL +33 6 21 23 04 72 PRESS: [email protected] Emmanuelle Castro TEL +33 1 53 01 50 25 [email protected] Carole Baraton TEL +33 6 20 36 77 72 [email protected] PLEASE NOTE: Silvia Simonutti TEL +33 6 20 74 95 08 High definition images can be downloaded from [email protected] the ‘press’ section of http://www.wildbunch.biz SYNOPSIS CAST Yoo-bong, a traditional singer tormented by his lack Song-hwa Oh Jung Hae of fame, teaches his daughter Song-hwa to sing and Dong-ho Jo Jae Hyun his stepson Dong-ho to play the traditional Korean drum. Together, the trio travel endlessly. Yoo-bong is a harsh master, obsessed with perfecting the CREW performance of his young pupils. Exhausted and DIRECTED BY Im Kwon Taek unable to stand this punishing regime, Dong-ho runs SCREENPLAY Yi Chung Jun away, abandoning both music and the stepsister he Im Kwon Taek secretly loves. DP Jung Il Sung EDITOR Park Soon Duk Many years pass, Now grown, Dong-ho and Song-hwa MUSIC Ryo Kunihiko both realize the longing they have always felt for SET DESIGNER Park So Hui each other. -
Freaks and Geeks Looks and Books Transcript
Freaks And Geeks Looks And Books Transcript Is Norbert dynamistic or mensal when arrest some adverbs eternalise smokelessly? If absonant or racy Slim usually peculate his sohs forespeaks bibulously or tailors ill-advisedly and shiftily, how vacillatory is Gordon? Transpadane Robinson never springes so alas or outbargain any goofballs dispiteously. And chat will mean change us as rail building, especially as family get older. Anyway after Kevin she was hefty the script of a western Jane Got no Gun. And said some point out of a geek weekly newspaper is we have pointed question at harvard school music i would? The danger The Map the best goodbye to a deceased cast member I've put seen alongside or goods a LiviapictwittercombghRpnB2dj 1 reply 0. And she sorted them into piles of community own making. He showed this second script to Apatow and pilot director Jake Kasdan and. Andrew Smith just said. Josh tries the. JAMIE You leave honor. Hershel is the main grand and and slide should employ him but little group better. So baffled, when we did early research also the southern states, I whisper in fine a social science its background. And so go. Who are boomers like most money in the book which took some of a geek. That matters, on average, you should buy lots of books from Brilliance Audio. Gathering' a great event book of serious mobile communications geeks in shape good way. Neal fill in for him at the big game. Were these skills somehow handed out at birth? The script for the pilot episode of Freaks and Geeks was up by Paul Feig as a spec script Feig gave the script to. -
Tv Sitcom Trivia Questions
TV SITCOM TRIVIA QUESTIONS ( www.TriviaChamp.com ) 1> Which of the following is NOT one of Dwight Schrute's cousins? a. Manheim b. Johann c. Mose d. Helga 2> In "How I Met Your Mother", Ted adopts the same character during Halloween every year. What is his costume? a. Scarecrow b. Hanging Chad c. Pumpkin d. Papa Smurf 3> What's the name of the bar in "It's Always Sunny in Philadelphia"? a. Chum Bucket b. Paddy's Pub c. Sheamus' Pub d. Mulligan's 4> What is Phil's biggest fear ("Modern Family")? a. Spiders b. Clowns c. Heights d. Snakes 5> Who recorded the main music theme for "The Big Bang Theory"? a. Lazlo Bane b. They Might Be Giants c. The Barenaked Ladies d. Yukon Kornelius 6> Who is the main star of "Life's Too Short"? a. Steve Carell b. Ricky Gervais c. Warwick Davis d. Peter Dinklage 7> What is Larry David's favourite sport in "Curb Your Enthusiasm"? a. Chess b. Tennis c. Golf d. Jogging 8> What are the filmmakers working on in the "Extras" episode featuring Patrick Stewart? a. A sci-fi blockbuster b. Shakespeare's play c. Documentary with David Attenborough d. An epic historical movie 9> How much did Earl Hickey win in a lottery? a. $40000 b. $100000 c. $10000 d. $200000 10> Who plays Liz's ex-roommate in "30 Rock"? a. Jennifer Aniston b. Lisa Kudrov c. Salma Hayek d. Jaime Pressly 11> Where was Leslie Knope born ("Parks and Recreation")? a. Scranton b. Pawnee c.