Techno-Politics and Technologies of Time in the 19Th Century US Economy”
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From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K
From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) W2835 WATCHMEN (USA, 2009) Credits: director, Zack Snyder ; writers, David Hayter, Alex Tse ; graphic novel, Alan Moore, Dave Gibbons. Cast: Malin Akerman, Billy Crudup, Matthew Goode, Jackie Earle Haley, Jeffrey Dean Morgan, Patrick Wilson, Carla Gugino. Summary: Science fiction/superhero film based on the graphic novel written by Alan Moore and illustrated by Dave Gibbons. Set in an alternative 1985 US governed by Richard Nixon with occasional flashbacks to prior events. Masked superheroes were a normal part of American life through the 1960s. In Vietnam, the Comedian (Morgan) wields a flame thrower and engages in ground combat operations until the radioactive blue giant Dr. Manhattan (Crudup) arrives, at the behest of President Nixon, and ends the war in a matter of weeks. A formation of surrendering Viet Cong bow down to the Dr. like a god. In a Saigon bar shortly thereafter, the Comedian is confronted by his pregnant Vietnamese mistress about the future of their unborn child and he calmly shoots her. After Vietnam, masked superheroes were forced into retirement. However, as Cold War tensions between the US and the Soviet Union begin to rise, a washed up but no less determined masked vigilante named Rorschach (Haley) discovers a plot to kill and discredit all past and present superheroes. As Rorschach and his small group of retired superheroes investigate, they discover a deeper conspiracy with links to their shared past and catastrophic consequences for the future. -
A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels. -
My Beloved Is a Bass Line: Musical, De-Colonial Interventions in Song Criticism and Sacred Erotic Discourse
THE BIBLE & CRITICAL THEORY My Beloved is a Bass Line: Musical, De-colonial Interventions in Song Criticism and Sacred Erotic Discourse Heidi Epstein, University of Saskatchewan Abstract How might musical settings of the Song of Songs provide critical interventions in the politics of love? This case study builds a womanist intertextual matrix for the Song such that its amatory and horticultural language can be reinterpreted as irreducibly “de-colonial.” Reread through Chela Sandoval’s model of love, Alice Walker’s search for her foremothers’ and foresisters’ gardens, and Toni Morrison’s “commentary” on the Song (Beloved), the biblical text circulates de-colonial energies. And, given that music figures centrally in these womanists’ genealogies of love, a de-colonial reading of the Song mandates deconstruction of a subaltern musical archive within the Eurocentric discourse of sacred eroticism, a discourse that the Song sustains as an Ur-text. If the biblical female protagonist’s longing and seeking are reread as de-colonial and trickster-esque, she begets a subaltern musical family tree—audible today in the “Shulammitic” bass playing and protest singing of Meshell Ndegeocello. Key words Meshell Ndegeocello; Song of Songs; Bible and music; love; de-colonial theory; Toni Morrison; Alice Walker Introduction What meanings might be produced from the Song of Song’s amatory and horticultural language if it is read with a sense of love as irreducibly “de-colonial”? Some of these meanings shall emerge over the course of this article as I re-read the Song of Song’s imagery and its musicality in four phases through womanist intertexts by Chela Sandoval, Toni Morrison, Alice Walker, and Meshell Ndegeocello. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Alan Moore and Dave Gibbons's Watchmen
NACAE National Association of Comics Art Educators Reading Questions: Alan Moore and Dave Gibbons's Watchmen 1. What different themes does this book explore? Be as detailed and exhaustive as possible. 2. Pick a panel and analyze how Moore and Gibbons combine text and visuals to their utmost effect. 3. Pick a page and analyze its overall layout. How does the page as a whole make use of the comic book format to achieve meaning and impact. You might find it helpful to consider the larger themes of Watchmen. 4. Visual motifs are recurrent images that take on specific meanings relevant to a given work. What visual motifs appear throughout Watchmen and what meanings do they suggest? 5. How does the issue of crimefighting evolve over time in the world imagined in Watchmen? 6. Consider the names "Rorschach" and "Ozymandias." Why are these particularly appropriate names for these two characters? 7. Which character or characters do you sympathize with most? Why? 8. What does Chapter IV, "Watchmaker," reveal to us about Dr. Manhattan? How does he experience time? What are his interests? How would you summarize his view of existence? 9. How do Moore and Gibbons use the imagined history in Watchmen to comment on real events in 20th century America? 10. Look closely at Chapter V, "Fearful Symmetry." How does the idea of "symmetry" play out in this chapter in both form and content? 11. What are the worldviews of Dr. Manhattan, Rorschach, and Adrian Veidt? Where do these worldviews intersect? Where do they differ? 12. What does Watchmen suggest about masked crimefighters and their costumes? Which characters bring these ideas most clearly into focus? 13. -
The Power of Subtext and the Politics of Closure: an Examination of Self, Representation, and Audience in 3 Narrative Forms
THE POWER OF SUBTEXT AND THE POLITICS OF CLOSURE: AN EXAMINATION OF SELF, REPRESENTATION, AND AUDIENCE IN 3 NARRATIVE FORMS by Adam Berzak A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2010 ACKNOWLEDGEMENTS I would like to thank the members of my thesis committee—Dr. Youngberg, Dr. Barrios, and Dr. Berlatsky—for their patience and guidance throughout the development of this project. I would also like to express my gratitude towards Barri, Gary, Mookie, Quincy, and Lucy for their enduring love and support. Not least, thank you to Alissa Feffer for cherishing the ‘real’ me. iii ABSTRACT Author: Adam Berzak Title: The Power of Subtext and the Politics of Closure: An Examination of Self, Representation, and Audience in 3 Narrative Forms Institution: Florida Atlantic University Thesis Advisor: Quentin Youngberg Degree: Master of Arts Year: 2010 This thesis explores the ways that certain artists—including Joseph Conrad, Alan Moore, Richard Attenborough, and Francis Ford Coppola—break from their inherited traditions in order to speak from an alternative perspective to western discourse. Conventional narrative formulas prescribe that meaning will be revealed in a definitive end, but all of the texts discussed reveal other avenues through which it is discerned. In Heart of Darkness, the tension between two divergent narratives enables Conrad to speak beyond his social context and imperialist limitations to demonstrate that identity is socially constructed. In Watchmen, Moore breaks from comic convention to illustrate ways meaning may be ascertained despite the lack of plot ends. -
Commodity Master List
Commodity Master List 005 ABRASIVES 010 ACOUSTICAL TILE, INSULATING MATERIALS, AND SUPPLIES 015 ADDRESSING, COPYING, MIMEOGRAPH, AND SPIRIT DUPLICATING MACHINE SUPPLIES: CHEMICALS, INKS, PAPER, ETC. 019 AGRICULTURAL CROPS AND GRAINS INCLUDING FRUITS, MELONS, NUTS, AND VEGETABLES 020 AGRICULTURAL EQUIPMENT, IMPLEMENTS, AND ACCESSORIES (SEE CLASS 022 FOR PARTS) 022 AGRICULTURAL IMPLEMENT AND ACCESSORY PARTS 025 AIR COMPRESSORS AND ACCESSORIES 031 AIR CONDITIONING, HEATING, AND VENTILATING: EQUIPMENT, PARTS AND ACCESSORIES (SEE RELATED ITEMS IN CLASS 740) 035 AIRCRAFT AND AIRPORT, EQUIPMENT, PARTS, AND SUPPLIES 037 AMUSEMENT, DECORATIONS, ENTERTAINMENT, TOYS, ETC. 040 ANIMALS, BIRDS, MARINE LIFE, AND POULTRY, INCLUDING ACCESSORY ITEMS (LIVE) 045 APPLIANCES AND EQUIPMENT, HOUSEHOLD TYPE 050 ART EQUIPMENT AND SUPPLIES 052 ART OBJECTS 055 AUTOMOTIVE ACCESSORIES FOR AUTOMOBILES, BUSES, TRUCKS, ETC. 060 AUTOMOTIVE MAINTENANCE ITEMS AND REPAIR/REPLACEMENT PARTS 065 AUTOMOTIVE BODIES, ACCESSORIES, AND PARTS 070 AUTOMOTIVE VEHICLES AND RELATED TRANSPORTATION EQUIPMENT 075 AUTOMOTIVE SHOP EQUIPMENT AND SUPPLIES 080 BADGES, EMBLEMS, NAME TAGS AND PLATES, JEWELRY, ETC. 085 BAGS, BAGGING, TIES, AND EROSION CONTROL EQUIPMENT 090 BAKERY EQUIPMENT, COMMERCIAL 095 BARBER AND BEAUTY SHOP EQUIPMENT AND SUPPLIES 100 BARRELS, DRUMS, KEGS, AND CONTAINERS 105 BEARINGS (EXCEPT WHEEL BEARINGS AND SEALS -SEE CLASS 060) 110 BELTS AND BELTING: AUTOMOTIVE AND INDUSTRIAL 115 BIOCHEMICALS, RESEARCH 120 BOATS, MOTORS, AND MARINE AND WILDLIFE SUPPLIES 125 BOOKBINDING SUPPLIES -
Superhero Maths Mats Year 1
Superhero Maths Mat 1 – Year 1 The superheroes have a meeting at 3 o’clock. Draw this time on the clock. + = + = – 7 = Iceman recovers all of this money! Circle the coin which is worth the most. www.masterthecurriculum.co.uk Batman and Batgirl have been locked up! Read the numbers and enter the code for them. £ three seven Apples keep the superheroes healthy! There are 6 apples. They share them equally. five Draw the amount of apples each superhero gets. www.masterthecurriculum.co.uk Superhero Maths Mat 1 – Year 1 Answers The superheroes have a meeting at 3 o’clock. Draw this time on the clock. + = 7 + = 7 – 7 = 7 Iceman recovers all of this money! Circle the coin which is worth the most. www.masterthecurriculum.co.uk Batman and Batgirl have been locked up! Read the numbers and enter the code for them. £ three seven 3 7 5 Apples keep the superheroes healthy! There are 6 apples. They share them equally. five Draw the amount of apples each superhero gets. www.masterthecurriculum.co.uk Superhero Maths Mat 1 – Year 1 The superheroes have a meeting half an hour + + = after 4 o’clock. Draw this time on the clock. + + = – 7 – 4 = Iceman recovers all of this money! Circle the coin which is worth the most. www.masterthecurriculum.co.uk Batman and Batgirl have been locked up! Read the numbers and enter the code for them. £1 £ twelve two eight Apples keep the superheroes healthy! There are 9 apples. They share them equally. How many apples will each superhero get? www.masterthecurriculum.co.uk Superhero Maths Mat 1 – Year 1 Answers The superheroes have a meeting half an hour + + = 12 after 4 o’clock. -
Report from Vienna November 2009
PETER STARBUCK REPORT FROM VIENNA NOVEMBER 2009 Abstract In Adventures of a Bystander (1979) Drucker’s only autobiographical book is divided into two collections of essays. The first section is titled “Report from Atlantis”. It is a collection of reflections on the people, and events in the Vienna of his youth. On 19 and 20 November 2009 The Peter F Drucker Society of Austria organised the first global ‘Peter F Drucker Forum’ in Vienna to celebrate the one hundredth anniversary of Drucker’s birth. The objective of the forum was to pay tribute to one of the great thinkers of our time, and to promote a deep dialogue about the future of management. Not only was one of the aims to bring Drucker’s ideas home to Vienna and Europe, where he spent the first twenty-eight years of his life, but also to examine the relevance of his holistic perspective, and wisdom, in a world that is becoming a more complex matrix of government, business, non-profit, and voluntary organisations. This paper follows the pattern of Report from Atlantis, and is a personal reflection on the experiences that the writer had at the forum. Introduction Management conferences are not a new idea but their relative success is variable as the follo- wing examples will illustrate. According to Drucker; “THE FIRST MANAGEMENT conference we know of was called in 1882 by The German Post Office. The topic – and only chief executive officers were invited – - was how not to be afraid of the telephone. Nobody showed up. The in- vitees were insulted. -
Where Would Superman Keep His Money? We Think He Would
SUMMER EDITION WHERE WOULD SUPERMAN KEEP HIS MONEY? WE THINK HE WOULD PICK A CREDIT UNION. he had a car—reportedly a Chevy—which he kept at a lot like that. One of our mottoes has always With all the excitement going around the Fortress of Solitude). Credit unions are the smart been “People Helping People. about the new Superman movie this summer and place that smart people put their money so they Superman’s 75th anniversary, we started thinking Of course, Superman/Clark Kent is a fictional don’t have to spend such a big part of it on fees and about how Superman and credit unions have a lot character; however, the ideas he represents high interest rates. in common. We also wondered if Superman (Clark are very real. He has been around for 75 years, Kent) would pick a credit union for all his banking Superman doesn’t charge anyone for his good changing and growing to meet the needs of needs. We certainly think he would. Now we realize deeds. He just shows up and saves the day. Credit planet earth. In the United States, credit unions that he wouldn’t need to put his money anywhere unions are like that in that we are “not for profit.” We have been around since 1909, changing and just for safe-guarding. He is, after all, Superman. aren’t in business to make money for stockholders, growing to meet the needs of our members. However, he is also smart and would want his but to provide the best rates to our members, and in Willis-Knighton Federal Credit Union is here for money to work for him. -
NEW THIS WEEK from DC... Doomsday Clock #12 (Of 12) Batman Last Knight on Earth #3 (Of 3) Batman #85 Legion of Super Heroes #2 B
NEW THIS WEEK FROM DC... Doomsday Clock #12 (of 12) Batman Last Knight on Earth #3 (of 3) Batman #85 Legion of Super Heroes #2 Batman Superman #5 Flash Forward #4 (of 6) Justice League #38 Suicide Squad #1 Year of the Villain Hell Arisen #1 (of 4) Wonder Woman Dead Earth #1 (of 4) Joker Killer Smile #2 (of 3) Basketful of Heads #3 (of 7) Harleen #3 (of 3) Nightwing #67 Low Low Woods #1 (of 6) Teen Titans #37 Wonder Woman #83 Aquaman #55 Catwoman #18 Infected the Commissioner #1 Metal Men #3 (of 12) He Man and the Masters of the Multiverse #2 (of 6) John Constantine Hellblazer #2 Superman's Pal Jimmy Olsen #6 (of 12) Shazam #9 Last God #3 Superman Smashes the Klan #2 (of 3) Wonder Woman Giant #2 Lucifer #15 Dollar Comics The Flash #164 Batman Vol. 11 GN Green Lantern Intergalactic Lawman Vol. 1 GN Aquaman Unspoken Water Vol. 1 GN Watchmen Companion HC Batman The Animated Series Mr. Freeze Action Figure NEW THIS WEEK FROM MARVEL... Amazing Spider-Man #36 Spider-Man #3 (of 5) King Thor #4 (of 4) Excalibur #4 Avengers #28 Daredevil #15 Fallen Angels #4 Marauders #4 New Mutants #4 X-Force #4 Guardians of the Galaxy #12 History of Marvel Universe #6 (of 6) Revenge of Cosmic Ghost Rider #1 (of 5) Annihilation Scourge Omega Ghost-Spider #5 Tony Stark Iron Man #19 2099 Omega Conan Serpent War #2 (of 4) Future Foundation #5 Invaders #12 Star Wars Empire Ascendant #1 Star Wars Rise Kylo Ren #1 (of 4) Gwenpool Strikes Back #5 (of 5) Runaways #28 Black Panther #19 Agents of Atlas #5 (of 5) Scream Curse of Carnage #2 Spider-Man Velocity #5 (of 5) Marvel Tales Annihilation Eternals Secrets from Marvel Universe Eternals #1 Facsimile Edition True Believers Annihilation Mantis True Believers Annihilation Moondragon True Believers Annihilation Odinpower True Believers Annihilation Super-Adaptoid True Believers Annihilation Super-Skrull Unbeatable Squirrel Girl GN Avengers Defenders War GN (new printing) Iron Man Invincible Origins GN Marvel Studios Complete Avengers Guide NEW THIS WEEK FROM IMAGE.. -
Frank and Lillian Gilbreth Collection
FINDING AID TO THE GILBRETH LIBRARY OF MANAGEMENT PAPERS PURDUE UNIVERSITY LIBRARIES ARCHIVES AND SPECIAL COLLECTIONS http://www.lib.purdue.edu/spcol © 2006 Purdue University Libraries. All rights reserved. Revised: March 22, 2021 Compiled By: Joanne Mendes, Mary Sego TABLE OF CONTENTS Page(s) 1. Descriptive Summary…………………………………………….3 2. Administrative Information………………………………………3 3. Related Materials…………………………………………………4 4. Subject Headings……………………….…………………………5-7 5. Biographical Sketch.......................……………………………….8-9 6. Scope and Content Note……….………………………………….10 7. Inventory of the Papers……………………………………………11-69 N-file……...……………...11-59 N-file Oversized………….60 N-file Photographs……….60-65 N-file Blueprints………….66-69 8. N-file Addendum …........................................................................70 2 Descriptive Summary Creator Information Gilbreth, Frank B., 1868 – 1924 Gilbreth, Lillian M., 1878-1972 Title Gilbreth Library of Management Research and Professional papers Collection Identifier MSP 8 Date Span 1845-1959 [bulk dates 1906-1924] Abstract The Gilbreth Library of Management consists of the working papers of Frank and Lillian Gilbreth which covers their research in the fields of time management and motion study. These files are typically referred to as the “N-file.” Materials in the N-file include photographs, manuscripts, correspondence, notes, blueprints, newspaper clippings, reports, and research materials collected by the Gilbreths. Extent 100 cubic feet (193 boxes) Finding Aid Author Joanne Mendes, 2006; additions by Mary Sego 2009 Languages English Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition Information: Donated by Dr. Lillian M. Gilbreth, 1939 Custodial History: Dr. Lillian Gilbreth donated the collection to Purdue University in 1939.