B. the Modern City
B. THE MODERN CITY CASABLANCA: THE CITY IN THE ISLAMIC WORLD Jean-Louis Cohen Casablanca lies outside the polygon of centres in which Morocco’s destiny was played out up to the nineteenth century. Places of trade like Tangier, Tétouan, or Mogador, and imperial cities like Fez, Marrakesh, Rabat, or Meknès, formed a network whose confi guration and hierarchy were transformed by the rise of Casablanca. The meeting of populations and the fruitful cooperation of businessmen, speculators, professionals and enlightened bureaucrats made it the melting pot of a modern cul- ture. At the same time, it has remained a constant theatre of confl ict between national groups, social classes, and political forces. Casablanca shows the contradictions of its position as the main port of modern Morocco, the luxury and refi nement of its bourgeoisie existing side by side with the wretchedness of those transplanted from the countryside. It has remained the cradle of insurrections and popular movements, just as it was during the struggles for Independence, and control of it is the subject of sharp political confrontations. It is the centre of mass culture, beginning with its written and audio-visual media. In the fi eld of contemporary architecture—and despite the vigour of the scenes in Rabat or Marrakesh—it is the recipient of the abundant production to which industries, banks, and private promotion give rise. The very name of the city preserves the legendary resonances of the fi rst times of the French conquest. A city of adventures—“strange and troubling,” according to a popular song, and almost disreputable in lit- erature—colonial propaganda marked it down as a place of innovation.
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