2000-2001 Born in the USA-The Faculty's Choice
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H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: Lawrence H
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #148 [Closing: Noon, Central Daylight Time; Tuesday, July 18th, 2017] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #148! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Dayight Time; Tuesday, July 18th, 2017. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
Lynn Freeman Olson Collection Cassette
LYNN FREEMAN OLSON COLLECTION CASSETTE RECORDINGS LIST Beethoven 9 Symphonien Ouverturen (6 tape boxed set)- Karajan Berliner Philharmonikar Vivaldi: Two Concertos for Two Violins / Two Sonatas for Two Violins and Continuo - Aston Magna Vivaldi: Concerti E Sinfonie - I Solisti Veneti/Claudio Scimone Mahler: Symphony No. 10 - Philadelphia Orchestra / James Levine (2 cassettes) Mahler: Symphony So, 1 - London Philharmonic - Klaus Tennstedt Debussy: 3 Nocturnes Ravel: Pavane & Bolero - Moscow Radio Large Symphony Orchestra / Yevgeni Svetlanov Debussy: La Mer, Nocturnes - Cleveland Orchestra/ Lorin Maazel Rachmaninoff: Symphony No. 2 - Royal Philharmonic Orchestra / Yuri Temirkanov Rachmaninoff: Symphony Mo. 3 Shostakovich: Symphony No. 6 - London Symphony Orchestra / Andre Previn Rachmaninoff: Second Piano Concerto - Balakirev Islamey, Julius Katchen - London Symphony Orchestra / Sir Georg Solti Rachmaninoff: Piano Concerto No. 3 - Vladimir Ashkenazy - The London Symphony / Anatola Fistoulari Rachmaninoff: Piano Concertos 2 & 4 -Vladimir Ashkenazy - Concertgebouw Orchestra / Bernard Haitink Shostakovich: Symphony No. 11 ("1905") - Houston Symphony Orchestra / Leopold Stokowski Shostakovich: Symphony No. 6 / The Age of Gold (Ballet Suite) - Chicago Symphony / Leopold Stokowski Shostakovich: Symphony No. 7 ("Leningrad") - Bournemouth Symphony Orchestra / Paavo Berglund Shostakovich: Symphony No. 10 e minor Op, 93 - Austrian Broadcast Symphony Orchestra / Milan Horvat (2 cassette set) LYNN FREEMAN OLSON REFERENCE COLLECTION OF RECORDED SOUND -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
FRIENDS of CHAMBER MUSIC Concerts
Long Theatre, UOP Campus - Stockton, California - Sunday, April 21, 1985 - 3 p.m. 'J'riend5g-~ CtJAMBEI-', MUSIC in cooperation with San Joaquin Delta College and University of the Pacific present The KaLichstein-Laredo-Robinson Trio Joseph Kalichstein, Piano Jaime Laredo, Violin Sharon Robinson, Cello PROGRAM Trio in E Major, Hob.XV:28 Franz Joseph Haydn (1732-1809) Allegro moderato Allegretto Finale: Allegro Trio in A Minor Maurice Ravel (1875-1937) Moder!! Pantoum(assez vite) Passacaille (tr~s large) Finale: anim~ INTERMISSION Trio in E Flat Major, Op. 100 (D 922) Franz Schubert (1797-1828) Allegro Andante con moto Scherzando: Allegro moderato Allegro moderato ********* Frank Salomon Associates, 201 West 54th Street, New York, N.Y. 10019 THE KALICHSTEIN-LAREDO-ROBINSON TRIO The Ka1ichstein-Laredo-Robinson Trio brings together three internationally lcc A me ar 1S S W 0 a e 1me rom e1r ~c ve so 0 careers eac se~son 0 per form the great literature for piano trio, offering a rare combination of virtuosity, musicianship, and the sheer joy of making music together that has established them as one of today's most exciting ensembles. The Trio has delighted audiences in coast-to-coast tours, performi ng in such major centers as New York, Los Angeles, Montreal, Detroit, Chicago, Toronto, and New Orleans and will soon be reaching yet a wider public with the release of their first recording, the Mendelssohn Trios on Vox Cum Laude. The Trio formed as a result of an ongoing relationship between the three artists developed through a series of performances on the YM-YWHA's acclaimed "Chamber Music at the Y" series, which is directed by Jaime Laredo. -
Emerson String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the EMERSON STRING QUARTET EUGENE DRUCKER, VIOLIN (1st in Aitken & Schubert) PHILIP SETZER, VIOLIN (1st in Beethoven & Barber) .. LAWRENCE DUTTON, VIOLA DAVID FINCKEL, CELLO MONDAY -,. APRIL 28, 2003 8:00 P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY THIS PROJECT IS FUNDED IN PART BY THE CITY OF HOUSTON AND TIIE T EXAS COMMISSION ON THE ARTS THROUGH THE CULTURAL ARTS COUNCIL OF HOUSTON/HARRIS COUNTY. EMERSON STRING QUARTET -PROGRAM- LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro HUGH AITKEN (b.1924) Laura Goes to India (1998) SAMUEL BARBER (1910-1981) A . Adagio for String Quartet, Op. 11 (1936) -INTERMISSION- FRANZ SCHUBERT (1797-1828) Quartet in D Minor, D. 810, "Death and the Maiden" (1824) Allegro Andante con moto Scherzo: Allegro molto Presto -.. The Emerson String Quartet appears by arrangement with IMC Artists and records exclusively for Deutsche Grammophon. www.emersonquartet.com LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) ·.1 Beethoven wrote the Opus 18 Quartets during his first years in Vienna. He had arrived from Germany in 1792 by permission of the Elector of Bonn, shortly before his twenty-second birthday, in high spirits and carrying with him introductions to some of the most prominent members of music-loving Viennese nobility, who welcomed him into their substantial musical lives. At the end of his first four years in Vienna he had established himself as a pianist of major importance and a composer of the utmost promise; he had published, among other things, a set of three Piano Trios, Op.l, three Trios for Strings, Op. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D. -
2004-2005 Chopin Birthday Concert
The Lynn University Conservatory of Music attracts some of the world's most talented young musicians. Here, these student CHOPIN BIRTHDAY CONCERT artists, who hail from more than a dozen countries, pursue their degrees in instru mental performance, preparing to join the Tuesday, February 22 2005 at 7:30 p.m. world's leading symphony orchestras and Amarnick-Goldstein Concert Hall most prestigious graduate music programs. Lynn University, Boca Raton To build upon our excellence, we need your help. You may support the Conservatory of PROGRAM Music by contributing to scholarships, the development of new programs or other Nocturne in F, Op. 15 No. 1 Frederic Chopin student needs. You may assist the conser From Camava/, Op. 9, "Chopin" Robert Schumann vatory the following ways: Fantasia-Impromptu inc-sharp minor, Op. 66 Frederic Chopin Oliver Salonga, piano THE ANNUAL FUND Polonaise in A-flat, Op. 53 Frederic Chopin A gift to the Annual Fund can be designated Karl Richards, piano for scholarships, various studios, special con certs or to the General Conservatory Fund . Sonata in g minor, Op. 65 for cello and piano Frederic Chopin Allegro moderato ESTATE GIFT Scherzo: Allegro con brio An estate gift will provide for the conservatory Largo in perpetuity. Your estate gift may be made as a Finale: Allegro gift of appreciated stock, real estate or cash. Johanna Perron, cello Tao Lin, piano FRIENDS OF THE CONSERVATORY As a member of the Friends of the Conservatory, INTERMISSION you will be involved in an organization that seeks to address the needs of the students and Nocturne inc-sharp minor, Op. -
2000-2001 the Lynn University Philharmonia
The Lynn University Philharmonia Arthur Weisberg, conductbr with special guest Ray Still, oboe and Phillip Evans, piano Paul Green, clarinet Mark Hetzler, trombone Ying Huang, piano Claudio Jaffe, cello Gregory Miller, french horn Johanne Perron, cello Roberta Rust, piano Sergiu Schwartz, violin Arthur Weisberg, bassoon Laura Wilcox, viola 7:30 p.m. November 10, 2000 Spanish River Church PROGRAM Concerto for 3 Keyboards and Orchestra ........... J. S. Bach Allegro (1685-1750) AJagio AUegro Roberta Rwt, piano Phillip Evans, piano Ymg Huang, piano Adagio & Allegro Moho ................................... M. Haydn (for french horn, trombone, iind orchestra) ( 1737-1806) Gregory Miller, french horn Mark Hetzler, trombone Sinfonia Concertante for winds and orchestra .... W. A. Mozart A//egro (1756-1791) AJagio Antlantino con varizioni Ray Still, guest oboist Paul Green, clarinet Arthur Weisberg, bassoon Gregory Miller, french horn INTERMISSION Concerto for Two Cellos ................................... D. Ott Andante tspressivo Andante cantabile Alkgro con brio Johanne Perron, cello Claudio Jaffe, cello Sinfonia Concertante for strings and orchestra .... W. A. Mozart Allegro matstoso (1756-1791) Andante Presto Scrgiu Schwartz, violin laura Wilcox, viola ARTHUR WEISBERG Conductor I Bassoon Arthur Weisberg is considered to be among the world's leading bassoonists. He has played with the Houston, Baltimore, and Cleveland Orchestras, as well as with the Symphony of the Air and the New York Woodwind Quimet. As a music director, Mr. Weisberg has worked with the New Chamber Orchestra of Westchester, Orchestra da Camera (of Long Island, New York}, Contemporary Chamber Ensemble, Orchestra of rhe 20th Century, Stony Brook Symphony, Iceland Symphony, and Ensemble 21. With these various ensembles, he has toured around the world, performing over 100 world premieres and making numerous recordings. -
1974 Apr [Fredericka Foster]
o ~ ") o ~ ~d- ~ c\ · o f7 ~ o .\J~ '{ , address correction non. prOlIi~ requested organlaatlan 1406 harvard ave. U.I. pOlta.. paid seattle, wal". 98122 I.attt., walh. return posta •• permit no. 9566 guaranteed O! KRAE IS ANON-PROFIT, NON-COMMERCIAL, LISTENER-SPONSORED RADIO STATION, BROADCASTING AT 45,000 WATTS ERP FROM OUR TOWER LOCATED ON COUGAR MTN. 187.7 ,. GUIDE EDITOR PAMf:LA JENNINGS GENERAL MANAGER HAL LEE OFFICE MANAGER PEGGY HELANDER ADMINISTRATIVE ASSISTANT CHUCK REINSCH PROGlf?-AMMING BOB FRIEDE NEWS JEFF MICHKA PUBLIC AFFAIRS DAVID MACDONALD SPOKEN ARTS PAMELA JENNINGS SCIENCE JON GALLANT MUSIC TOM BERGHAN ARCHIVES LEILA GORBMAN ENGINEERING GREG BROWN , BEN DAWSON, CONSTRUCTION JEFF JOHNSON BILL DAVIES 208 325 -5110 gel a frieoti Ii .subscribe " •• • IF A PATRON BUYS FROM AN ARTIST WHO NEEDS MONEY (NEEDS MONEY TO BUY TOOLS, TIME AND FOOD), THE PATRON THEN MAK.ES ' HIMSELF EQUAL TO THE ARTIST: HE IS BUILDING ART INTO THE WORLD; HE CREATES." I'VE BEEN LISTENING T0 THE OUDS, LUTES, ---EZRA ProND SAXOPHONES. POLYPHONES, POETRY, BIRDSONGS AND MICROPHONIC ODDITIES ON .nab-fm. I WANT TO SUPPORT THIS RADIO FREE SPIRIT BY BECOMING A PART OF OUR LIVING, BREATHING, PEOPLE! RHYMING, SINGING KRAB-FM COMMUNITY. Program Director; KRAE thanks you for your contrLlouthms th.~ough out our "mara than". Your money, nearly $40:;0, HERE'S MY TAX-OEOUCTIBLE CONTRIBUTION TO has secured our C.P.B. grant. Enclosed please find M.O. for one year THE NORTHWEST'S MOST VERSATILE NON-COMMERCIAL subscription extension. We sti II hold a letter from Nancy Keith (anyone remember RADIO STATION: Thank 1I0U also for putting up with our her?) dated 12/8/64 notifying me that my sub pi tche~ and our failure to p~cxluce a !larch was about to expire. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Pictures at an Exhibition: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin : “Eccentric” vs. “Academic” Playing A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS (D.M.A.) In Piano Performance of the College-Conservatory of Music 2007 By David T. Sutanto B.M., The Boston Conservatory, 1995 M.M., Manhattan School of Music, 1997 Committee Chair: Prof. Frank Weinstock Abstract Vladimir Horowitz and Evgeny Kissin would certainly be included among the very few of the greatest pianists ever recorded. This document provides a detailed description of their interpretations of Modest Mussorgsky’s Pictures at an Exhibition based on their recordings. The document begins with brief biographical information about Mussorgsky and Victor Hartmann, which is then followed by a historical background of Pictures. Brief biographies of Horowitz and Kissin are included as well. The concluding chapter discusses whether or not it is important for pianists to follow Mussorgsky’s original intentions regarding the suite. Is it necessary for pianists to make some changes or improvisations to the suite—eccentric playing? Will Pictures still sound good and interesting if pianists faithfully follow the score—academic playing? Pianists Frank Weinstock and Jason Kwak offer their opinions in answering these questions.