DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 105, 1985-1986

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 105, 1985-1986 ^^mi^.:.'- •-vm>/.^*<V Hi i^v Boston Symphony Orchestra SEIJI OZAWA, Music Directoi H 1985-86 Qutttf the wood comes the TTvgniMmciiiiiiiihnrMn of the world's first - 'IB barrel-blended 12 year-old u^Teti: Canadian whisky. *r, i<* « ^ K11" Barrel-Blending is the final process of blending selected whiskies as they are poured into oak barrels to marry prior to bottling. Imported in bottle by Hiram Walker Importers Inc., Detroit Ml © 1985. Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President J.P Barger, Vice-Chairman Mrs. John M. Bradley, Vice-Chairman George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman Vernon R. Alden Archie C. Epps Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar George H.A. Clowes, Jr. Francis W Hatch, Jr. Thomas D. Perry, Jr. William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. John T. Noonan Allen G. Barry Edward M. Kennedy Irving W. Rabb Richard P. Chapman Edward G. Murray Paul C. Reardon Abram T. Collier Albert L. Nickerson Sidney Stoneman Mrs. Harris Fahnestock John L. Thorndike Officers of the Corporation Thomas W Morris, Vice-President, Special Projects and Planning John Ex Rodgers, Assistant Treasurer Theodore A. Vlahos, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Mary Glenn Goldman, Assistant Clerk Administration of the Boston Symphony Orchestra, Inc. Daniel R. Gustin, Acting General Manager Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. Vlahos, Director of Business Affairs Arlene Germain, Financial Analyst Marc Mandel, Publications Coordinator Charles Gilroy, Chief Accountant Richard Ortner, Administrator of Vera Gold, Assistant Director of Promotion Tanglewood Music Center Patricia Halligan, Personnel Administrator Charles Rawson, Manager of Box Office Nancy A. Kay, Director of Sales Eric Sanders, Director of Corporate John M. Keenum, Director of Development Foundation Support Joyce M. Serwitz, Assistant Director Nancy Knutsen, Production Manager of Development Anita R. Kurland, Administrator of Diane Greer Smart, Director of Volunteers Youth Activities Nancy E. Tanen, Media/Special Projects Steven Ledbetter, Musicologist & Administrator Program Annotator Programs copyright ©1986 Boston Symphony Orchestra, Inc. Cover photo by Christian Steiner Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman Chairman Avram J. Goldberg Mrs. Carl Koch Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary John Q. Adams Mrs. Thomas Gardiner Vincent M. O'Reilly Mrs. Weston W. Adams Mrs. James G. Garivaltis Stephen Paine, Sr. Martin Allen Mrs. Ray A. Goldberg John A. Perkins Mrs. David Bakalar Jordan L. Golding Peter C. Read 1 Bruce A. Beal Joseph M. Henson Robert E. Remis Peter A. Brooke Arnold Hiatt Mrs. Peter van S. Rice Mary Louise Cabot Mrs. Richard D. Hill David Rockefeller, Jr. Mrs. C. Thomas Clagett, Jr. Susan M. Hilles John Ex Rodgers James F. Cleary Glen H. Hiner Mrs. Jerome Rosenfeld John F. Cogan, Jr. Mrs. Marilyn Brachman Hoffman Mrs. William C. Rousseau Mrs. Nat King Cole Mrs. Bela T. Kalman Mrs. William H. Ryan William H. Congleton Mrs. S. Charles Kasdon Gene Shalit i i Arthur P. Contas Richard L. Kaye Mark L. Selkowitz Mrs. A. Werk Cook Robert D. King Malcolm L. Sherman Phyllis Curtin John Kittredge W Davies Sohier, Jr. A.V. d'Arbeloff Robert K. Kraft Ralph Z. Sorenson , Mrs. Michael H. Davis John P. LaWare Mrs. Arthur I. Strang Mrs. Eugene B. Doggett Mrs. James F. Lawrence William F. Thompson Harriett Eckstein Laurence Lesser Luise Vosgerchian Mrs. Alexander Ellis R. Willis Leith, Jr. Mrs. An Wang Katherine Fanning Mrs. Charles P. Lyman Roger D. Wellington John A. Fibiger Mrs. Harry L. Marks Mrs. Thomas H.P Whitney Kenneth G. Fisher Hanae Mori Mrs. Donald B. Wilson Gerhard M. Freche Richard P. Morse John J. Wilson Peter H.B. Frelinghuysen Mrs. Thomas S. Morse Brunetta Wolfman Mrs. Thomas J. Galligan Mrs. Robert B. Newman Nicholas T. Zervas Mrs. Hiroshi Nishino Overseers Emeriti Mrs. Frank G. Allen Paul Fromm Mrs. Stephen V.C. Morris I'l ' Hazen H. Ayer Mrs. Louis I. Kane David R. Pokross David W Bernstein Leonard Kaplan Mrs. Richard H. Thompson Benjamin H. Lacy Symphony Hall Operations Cheryl Silvia Tribbett, Function Manager James E. Whitaker, House Manager Earl G. Buker, Chief Engineer Cleveland Morrison, Stage Manager Franklin Smith, Supervisor of House Crew Wilmoth A. Griffiths, Assistant Supervisor of House Crew William D. McDonnell, Chief Steward 1 1 2 i Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President Mrs. R. Douglas Hall III Mrs. Carl Koch Executive Vice-President Treasurer Mrs. Harry F. Sweitzer, Jr. Mrs. Gilman W. Conant Secretary Nominating Chairman Vice-Presidents Mrs. Eugene B. Doggett, Development Services Mrs. BelaT. Kalman, Youth Activities Ms. Phyllis Dohanian, Fundraising Projects Mrs. Hart D. Leavitt, Regions Mrs. Craig W. Fisher, Tanglewood Mrs. August R. Meyer, Membership Mrs. Mark Selkowitz, Tanglewood Ms. Ellen M. Massey, Public Relations Chairmen of Regions Mrs. Thomas M. Berger Ms. Prudence A. Law Mrs. F.L. Whitney Mrs. Charles A. Hubbard Mrs. Robert B. Newman Mrs. Thomas H.P. Whitney Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Norman Wilson Mrs. Thomas Walker cCl ce ^ GvJ r\e^ . iXo \0 man of this year's "Salute to Symphony," Susan D. Hall (24 and 25 January), newly appointed Tanglewood Music Center faculty chairman, pianist Gilbert Kalish (31 January BSO and 1 February), and mezzo-soprano Jan DeGaetani (7 and 8 February). Pierre Boulez and the Ensemble Intercontemporain at BSO Members in Concert Symphony Hall The Melisande Trio—Susan Miron, harp, In addition to their two subscription concerts Fenwick Smith, flute, and Burton Fine, while the BSO is touring Japan, Pierre Boulez viola—are joined by BSO violinist Gerald his internationally acclaimed Ensemble and Elias and principal clarinetist Harold Wright will present the Intercontemporain Boston for Ravel's Introduction and Allegro for harp, premiere of Boulez's Repons in two non-sub- flute, clarinet, and string quartet, Ravel's scription concerts, Monday and Tuesday, 24 Mother Goose arranged for trio, and quintets 25 February at 8 p.m. Repons was com- and by Schmidt and Ropartz at the Gardener posed for three distinct elements: an instru- Museum on Sunday, 26 January at 3 p.m. mental group of 24 musicians, a group of six Admission is free. solo instruments, and a 4X digital signal pro- With BSO violinist Joel Smirnoff and cellist cessor. Since the first performance in 1981, Sato Knudsen, the Melisande Trio performs the work has been revised and refined under music of Beethoven, Schmidt, and Ropartz at the auspices of (the Institute de IRCAM the First Parish Church in Duxbury, Route 3A Recherche et Coordination Acoustique/ at Depot Street, on Sunday, 26 January at Musique). Because of the spatial demands of 7 p.m. Admission is $8 ($5 for students and Repons, more than half of Symphony Hall's seniors). For further information, call seats will be removed to accommodate plat- 1-934-2378. forms, speakers, and the solo instruments, The Boston Artists Ensemble, founded in thus reducing the seating capacity to only 1980 by its director, BSO cellist Jonathan 1300 for each performance. Tickets, priced at Miller, begins its 1986 concert season with $5 and $10, will go on sale at the Symphony Mozart's A minor Flute Quartet, K.298, the Hall box office on Monday, 27 January. Faure Piano Quartet in G minor, Op. 45, and the Brahms C minor Piano Quartet, Op. 60, on Sunday, 26 January at 7 p.m. at Ellsworth Special Parking for Hall at Pine Manor College in Brookline. This BSO Subscribers is the first concert of a five-concert subscrip- tion season; tickets are $7 per concert or $30 Guaranteed pre-paid parking is available to for the series. For further information, please Boston Symphony Orchestra subscribers at call 266-2322. the underground parking facilities of The The contemporary music ensemble Collage, First Church of Christ, Scientist, directly founded by BSO percussionist Frank Epstein, across from Symphony Hall on Massachusetts performs music of William Doppmann, Ellen Avenue. This benefit is available for the Zwilich, Will Ogden, and Gunther Schuller on remainder of their series only to subscribers Monday, 27 January at 8 p.m. at Pick- who attend performances on Tuesday, Thurs- Edward man Hall at the Longy School of Music in day, and Saturday evenings. For further infor- Cambridge. The guest artists are Gunther mation, please call Symphony Hall at Schuller, conductor, and Lucy Shelton, 266-1492 and ask for "Parking soprano. Reservations." For complete program and ticket information, call 437-0231. BSO violist Michael Zaretsky will perform music of Handel, Reger, Bach-Kodaly, BSO Guests on WGBH-FM-89.7 Milhaud, Britten, and Shostakovich on The featured guests with Ron Delia Chiesa Friday, 7 February at 8 p.m. at the Longy during the intermissions of upcoming live School of Music, 1 Follen Street in Boston Symphony broadcasts will be chair- Cambridge. Admission is free. Performance Understanding Accountability Osterville/Wianno Restored Carriage House Seal Harbor, Maine Oceanfront Estate Water Views, Private Beach & Boat Mooring >.8 Ac. Peninsula, Main Residence, Guesthouse Boathouse, Dock Sandy Beach. Protected Pastoral Setting & Pond. $750,000 & $795,000 Additional Land Available Ledyard Farm - Wenham, Massachusetts The c.1748 Cabot-Endicott House Unique Opportunity for Magnificent Hilltop Site The Finest House in Salem Plus Carriage Abuts U.S.
Load more

Recommended publications
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Garrick Ohlsson
    bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 14 andris nelsons music director designate season sponsors Table of Contents | Week 14 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 old strains reawakened: the boston symphony’s historical instrument collection by douglas yeo 27 this week’s program Notes on the Program 28 The Program in Brief… 29 Richard Wagner 35 Witold Lutos´lawski 43 Dmitri Shostakovich 51 To Read and Hear More… Guest Artists 57 Andris Poga 59 Garrick Ohlsson 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information the friday preview talk on january 24 is given by harlow robinson of northeastern university. program copyright ©2014 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO principal bassoon Richard Svoboda by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1984, Tanglewood
    m~ p. - . i j- fjffii V .*& - "lli s -» «*: W . mr jrr~r *hi W **VtitH°** "Bk . Less than a mile from Tanglewood . White Pines offers all of the carefree convenience of condominium living in truly luxurious contemporary in- White teriors. The White Pines buildings, four-season swimming pool, Har-Tru tennis courts and private beach on Stockbridge Bowl are all set in the Pines magnificence of a traditional French Provincial country estate. $180,000 country estate and up. Our model is open seven days a week. condominiums at Stockbridge P. O. Box 949 Dept. T Hawthorne St. Stockbridge MA 01262 (413)637-1140 or Reinholt Realty. Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Third Season, 1983-84 Trustees of the Boston Symphony Orchestra, Inc. Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Mrs. Harris Fahnestock, Vice-President George H. Kidder, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. Michael H. Davis Thomas D. Perry, Jr. David B. Arnold, Jr. Archie C. Epps III William J. Poorvu J.R Barger Mrs. John H. Fitzpatrick Irving W. Rabb Mrs. John M. Bradley Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Norman L. Cahners E. James Morton Mrs. George Lee Sargent George H.A. Clowes, Jr. David G. Mugar William A. Selke Mrs. Lewis S. Dabney Albert L. Nickerson John Hoyt Stookey Trustees Emeriti Abram T. Collier, Chairman of the Board Emeritus Philip K. Allen E. Morton Jennings, Jr. Mrs.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
    TANGLEWOOD Festival of Contemporary American Music August 14, 15, 16, 17, 18, 1966 Sponsored by the Berkshire Music Center In Cooperation with the Fromm Music Foundation I " STMVINSKY tt.VlOW agon vam 7/re Boston Symphony SCHULLER 7 STUDIES ox THEMES of PAUL KLEE BOSTON SYMPHONY ORCHESTRA/ERICH lEINSDORf under Leinsdorf Leinsdorf expresses with great power the vivid colors of Schuller's Seven Studies on Themes of Paul Kiee and, in the same album, Stravinsky's ballet music from Agon. Forthe majorsinging roles in Menotti's dramatic cantata, The Death of the Bishop of Brindisi. Leinsdorf astutely selected George London, and Lili Chookasian, of whom the Chicago Daily Tribune has written, "Her voice has the Boston symphony ecich teinsooof / luminous tonal sheath that makes listening luxurious. menotti Also hear Chookasian in this same album, in songs from the death op the Bishop op BRSndlSI Schbnberg's Gurre-Lieder. In Dynagroove sound. Qeonoe ionoon • tilt choolusun s<:b6notec,/ou*«*--l(eoeo. sooq of the wooo-6ove ac^acm rca Victor fa @ The most trusted name in sound ^V V BERKSHIRE MUSIC CENTER ERICH LeinsDORF, Director Joseph Silverstein, Chairman of the Faculty Aaron Copland, Chairman of the Faculty Emeritus Louis Speyer, Assistant Director Victor Babin, Chairman of the Tanglewood Institute Harry J. Kraut, Administrator FESTIVAL of CONTEMPORARY AMERICAN MUSIC presented in cooperation with THE FROMM MUSIC FOUNDATION Paul Fromm, President Alexander Schneider, Associate Director FELLOWSHIP PROGRAM Contemporary Music Activities Gunther Schuller, Head Roger Sessions, George Rochberg, and Donald Martino, Guest Teachers Paul Zukofsky, Fromm Teaching Fellow James Whitaker, Chief Coordinator Viola C Aliferis, Assistant Administrator The Berkshire Music Center is maintained for advanced study in music sponsored by the BOSTON SYMPHONY ORCHESTRA Erich Leinsdorf, Music Director Thomas D.
    [Show full text]
  • 2000-2001 the Lynn University Philharmonia
    The Lynn University Philharmonia Arthur Weisberg, conductbr with special guest Ray Still, oboe and Phillip Evans, piano Paul Green, clarinet Mark Hetzler, trombone Ying Huang, piano Claudio Jaffe, cello Gregory Miller, french horn Johanne Perron, cello Roberta Rust, piano Sergiu Schwartz, violin Arthur Weisberg, bassoon Laura Wilcox, viola 7:30 p.m. November 10, 2000 Spanish River Church PROGRAM Concerto for 3 Keyboards and Orchestra ........... J. S. Bach Allegro (1685-1750) AJagio AUegro Roberta Rwt, piano Phillip Evans, piano Ymg Huang, piano Adagio & Allegro Moho ................................... M. Haydn (for french horn, trombone, iind orchestra) ( 1737-1806) Gregory Miller, french horn Mark Hetzler, trombone Sinfonia Concertante for winds and orchestra .... W. A. Mozart A//egro (1756-1791) AJagio Antlantino con varizioni Ray Still, guest oboist Paul Green, clarinet Arthur Weisberg, bassoon Gregory Miller, french horn INTERMISSION Concerto for Two Cellos ................................... D. Ott Andante tspressivo Andante cantabile Alkgro con brio Johanne Perron, cello Claudio Jaffe, cello Sinfonia Concertante for strings and orchestra .... W. A. Mozart Allegro matstoso (1756-1791) Andante Presto Scrgiu Schwartz, violin laura Wilcox, viola ARTHUR WEISBERG Conductor I Bassoon Arthur Weisberg is considered to be among the world's leading bassoonists. He has played with the Houston, Baltimore, and Cleveland Orchestras, as well as with the Symphony of the Air and the New York Woodwind Quimet. As a music director, Mr. Weisberg has worked with the New Chamber Orchestra of Westchester, Orchestra da Camera (of Long Island, New York}, Contemporary Chamber Ensemble, Orchestra of rhe 20th Century, Stony Brook Symphony, Iceland Symphony, and Ensemble 21. With these various ensembles, he has toured around the world, performing over 100 world premieres and making numerous recordings.
    [Show full text]
  • 1974 Apr [Fredericka Foster]
    o ~ ") o ~ ~d- ~ c\ · o f7 ~ o .\J~ '{ , address correction non. prOlIi~ requested organlaatlan 1406 harvard ave. U.I. pOlta.. paid seattle, wal". 98122 I.attt., walh. return posta •• permit no. 9566 guaranteed O! KRAE IS ANON-PROFIT, NON-COMMERCIAL, LISTENER-SPONSORED RADIO STATION, BROADCASTING AT 45,000 WATTS ERP FROM OUR TOWER LOCATED ON COUGAR MTN. 187.7 ,. GUIDE EDITOR PAMf:LA JENNINGS GENERAL MANAGER HAL LEE OFFICE MANAGER PEGGY HELANDER ADMINISTRATIVE ASSISTANT CHUCK REINSCH PROGlf?-AMMING BOB FRIEDE NEWS JEFF MICHKA PUBLIC AFFAIRS DAVID MACDONALD SPOKEN ARTS PAMELA JENNINGS SCIENCE JON GALLANT MUSIC TOM BERGHAN ARCHIVES LEILA GORBMAN ENGINEERING GREG BROWN , BEN DAWSON, CONSTRUCTION JEFF JOHNSON BILL DAVIES 208 325 -5110 gel a frieoti Ii .subscribe " •• • IF A PATRON BUYS FROM AN ARTIST WHO NEEDS MONEY (NEEDS MONEY TO BUY TOOLS, TIME AND FOOD), THE PATRON THEN MAK.ES ' HIMSELF EQUAL TO THE ARTIST: HE IS BUILDING ART INTO THE WORLD; HE CREATES." I'VE BEEN LISTENING T0 THE OUDS, LUTES, ---EZRA ProND SAXOPHONES. POLYPHONES, POETRY, BIRDSONGS AND MICROPHONIC ODDITIES ON .nab-fm. I WANT TO SUPPORT THIS RADIO FREE SPIRIT BY BECOMING A PART OF OUR LIVING, BREATHING, PEOPLE! RHYMING, SINGING KRAB-FM COMMUNITY. Program Director; KRAE thanks you for your contrLlouthms th.~ough­ out our "mara than". Your money, nearly $40:;0, HERE'S MY TAX-OEOUCTIBLE CONTRIBUTION TO has secured our C.P.B. grant. Enclosed please find M.O. for one year THE NORTHWEST'S MOST VERSATILE NON-COMMERCIAL subscription extension. We sti II hold a letter from Nancy Keith (anyone remember RADIO STATION: Thank 1I0U also for putting up with our her?) dated 12/8/64 notifying me that my sub pi tche~ and our failure to p~cxluce a !larch was about to expire.
    [Show full text]
  • 2007, Senior Seminar, Symphonic Nationalism
    James Hepokoski Spring 2007 Office Hours (143 Elm, Room 202): Tue, 1:30-3:00 [email protected] Music 422: Symphonic Nationalism Senior Seminar: A consideration of selected musical idioms, ca. 1840-1925, associated with European “nationalism” and the construction of cultural memory and identity. The compositions to be considered include symphonic works, operatic excerpts, and a few other vocal pieces. The seminar centers on art music from three differing cultures: Russia—4 sessions (Glinka, Balakirev, Borodin, Musorgsky, Rimsky-Korsakov, and Tchaikovsky); Czech regions/Bohemia-- 4 sessions (Smetana and Dvořák), and Finland—4 sessions (Sibelius). Another session in the middle of the term will be devoted more exclusively to larger issues of nationalism, culture, and identity. Discussions of selected movements; interpretations of program and structure; background and contextual reading and listening. This course focuses on the role of symphonic and operatic music in the creation of cultural monuments, ca. 1850-1910—canonic works of music traditionally regarded as expressive of the aspirations of a nation, a people, or a culture that perceived itself as existing outside of the artistic hegemonies of Austria, Germany, France, and Italy. The central purpose of the seminar is to underscore the role of art music in the formation of national and cultural ideologies in the mid- and late-nineteenth century and at the beginning of the twentieth century. Pyotr Tchaikovsky Antonin Dvořák Jean Sibelius Required purchases: Antonin Dvořák: Symphonies Nos. 8 and 9 (“New World”) in Full Score (Dover). Jean Sibelius: Symphonies 1 and 2 in Full Score (Dover) Benedict Anderson: Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev.
    [Show full text]
  • 13895 Wagner News
    No: 218 July 2015 Wagner news Number 218 July 2015 CONTENTS 4 Report of the 2015 Wagner Society AGM Andrea Buchanan 5 From the Treasurer Neil King 6 RWVI Dessau Kongress Andrea Buchanan 7 Mythos und Utopie : The 2015 RWVI Kongress in Dessau Tom Empson 10 News of Young Artists Andrea Buchanan 12 Secret Opera: Die Walküre Katie Barnes 14 Die Walküre Act III in Cardiff Roger Lee 15 Die Walküre in Cardiff: A Wealth of Emotions Ann Massey 18 Parsifal in Berlin Peter Simpson 20 David Edwards / Mastersingers Event: Bayreuth or Bust Katie Barnes 22 Masterclasses with Dame Gwyneth Jones Katie Barnes 27 Parsifal in Birmingham Paul Dawson-Bowling 28 A Soprano’s Memories of Dame Gwyneth Jones Richard Hyland 30 A New Opera Guide to Die Meistersinger David Edwards 32 Longborough: Staging the Invisible Carmen Jakobi 34 Neal Cooper: Climbing Mount Tristan Roger Lee 37 Memories Dame Gwyneth Jones 40 Forthcoming Event: Time Becomes Space 41 Forthcoming Event: Wagner’s Shakespeare 42 Maria Radner and Oleg Bryjak Jeremy Rowe 44 Wagner Society Forthcoming Events Gillian Wyn-Thomas Cover picture: Dame Gwyneth Jones’ masterclass with Andrew Dickinson. Photo: Richard Carter Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 EDITOR’S NOTE Our cover story tells of Dame Gwyneth Jones’ masterclasses with Andrew Dickinson and Mae Heydorn, winners of The President’s Award at the 2014 Wagner Society Singing Competition. Following these coaching sessions Dame Gwyneth was prompted to recall some of her own experiences as a young singer on pages 37 to 39. News on page 10 of five of the young artists who have received support from the Wagner Society / Mastersingers collaboration includes that of the arrival of a contract from Deutsche Opera for the 2014 Competition Winner Andrew Dickinson.
    [Show full text]
  • Der Fliegende Holländer
    July 16, 2020 – Wagner’s Der Fliegende Holländer On this week’s Thursday Night Opera House, we’re presenting an encore broadcast of Richard Wagner’s Der Fliegende Holländer (“The Flying Dutchman”), hosted by the late Al Ruocchio (1937-2007). Premiered in 1843 at the Königliches Hoftheater in Dresden (nowadays known as the Semper Opera House), its central theme is redemption through love. Wagner claimed in his 1870 autobiography that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in 1839. In his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the Dutchman’s legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski. In nineteenth-century Norway, the Dutchman (bass-baritone Norman Bailey), as punishment for having uttered a blasphemy, has been condemned to sail the seas forever, unless redeemed by the love of a woman faithful unto death. Allowed to come ashore once every seven years in search of such a woman, he lands in Norway and meets Daland (bass Martti Talvela), an old sea captain who, seduced by the Dutchman’s wealth, suggests marriage to his daughter Senta (soprano Janis Martin). Senta, loved by the simple huntsman Erik (tenor René Kollo), has long been obsessed with the legend of the Dutchman, and falls in love with him immediately. The Dutchman overhears her begging Erik to understand her feelings, mistakenly thinks her unfaithful and, distraught, immediately sails away. Senta throws herself off a cliff, calling to the Dutchman that she has been faithful to death.
    [Show full text]
  • Three Case Studies in Twentieth-Century Performance Practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Three case studies in twentieth-century performance practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Huettenrauch, Tina, "Three case studies in twentieth-century performance practice" (2012). LSU Doctoral Dissertations. 547. https://digitalcommons.lsu.edu/gradschool_dissertations/547 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THREE CASE STUDIES IN TWENTIETH-CENTURY PERFORMANCE PRACTICE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Tina Huettenrauch B.A., Millsaps College, 2005 M.M., Louisiana State University and Agricultural and Mechanical College, 2008 August 2012 ACKNOWLEDGEMENTS First and foremost I wish to express my deepest gratitude to my dissertation advisor, Jan Herlinger, for his tireless commitment to this project, unceasing encouragement, precise and careful editing of my writing, and many insightful suggestions and comments. His dedication to his students and the field of musicology has always been a tremendous inspiration and I am truly grateful to have had him to guide me on this journey. I wish to thank my committee, Brett Boutwell, Andreas Giger, Alison McFarland, Robert Peck, and John Pizer for their continuous support, meticulous reading of the chapter drafts, and ready willingness to help.
    [Show full text]
  • Pjotr Iljitsch Tschaikowski / Pyotr Ilyich Tchaikovsky (1840-1893) Sämtliche Werke / Complete Works in MP3-Format Details
    Pjotr Iljitsch Tschaikowski / Pyotr Ilyich Tchaikovsky (1840-1893) Sämtliche Werke / Complete works in MP3-Format Details P. I. Tchaikovsky (1840 – 1893) - Sämtliche Werke als MP3 / Complete works - Gesamtspielzeit / Time total 61:20:48 Titel/Title Zeit/Time Titel/Title Zeit/Time 1.Ballett /Ballet 6:13:12 op.20 Schwanensee / Swan Lake 2:26:50 Act 1 0:51:19 1 Scene 0:05:49 6 Pas d'action 0:02:24 2 Valse 0:07:33 7 Sujet 0:02:37 3 Scene 0:03:54 8 Danse des coupes 0:04:12 4 Pas de trois 0:10:24 9 Finale 0:03:31 5 Pas de deux 0:10:55 Act 2 0:33:13 10 Scene 0:03:23 13 Danses des cygnes 0:17:19 11 Scene 0:05:51 14 Scene. Moderato 0:03:11 12 Scene 0:03:29 Act 3 0:44:59 15 Danses de fantailles 0:02:46 20 Danse hongroise. Czardas 0:02:32 16 Danses du corps de ballet et des nains 0:02:24 21 Danse espagnole 0:02:25 17 Scene. Sortie des invites et valse 0:07:54 21a Danse russe 0:04:33 18 Scene 0:01:39 22 Danse napolitaine 0:01:55 19 Pas de six 0:05:46 23 Mazurka 0:04:12 19a Pas de six 0:05:17 24 Scene 0:03:36 Act 4 0:17:19 25 Entr'acte 0:01:53 29 Scene finale 0:09:13 26 Scene. Danses des petits cygnes 0:06:13 Montreal Symphony Orchestra - Charles Dutoit, 1990 op.66 Dornröschen / The Sleeping Beauty 2:18:22 Act 1 1:01:25 1.Introduction 0:02:58 3.
    [Show full text]