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The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Interview with Donovan Germain 25 Years Penthouse Records
Interview with Donovan Germain 25 Years Penthouse Records 02/19/2014 by Angus Taylor Jamaican super-producer Donovan Germain recently celebrated 25 years of his Penthouse label with the two-disc compilation Penthouse 25 on VP Records. But Germain’s contribution to reggae and dancehall actually spans closer to four decades since his beginnings at a record shop in New York. The word “Germane” means relevant or pertinent – something Donovan has tried to remain through his whole career - and certainly every reply in this discussion with Angus Taylor was on point. He was particularly on the money about the Reggae Grammy, saying what has long needed to be said when perennial complaining about the Grammy has become as comfortable and predictable as the awards themselves. How did you come to migrate to the USA in early 70s? My mother migrated earlier and I came and joined her in the States. I guess in the sixties it was for economic reasons. There weren’t as many jobs in Jamaica as there are today so people migrated to greener pastures. I had no choice. I was a foolish child, my mum wanted me to come so I had to come! What was New York like for reggae then? Very little reggae was being played in New York. Truth be told Ken Williams was a person who was very instrumental in the outbreak of the music in New York. Certain radio stations would play the music in the grave yard hours of the night. You could hear the music at half past one, two o’clock. -
Dennis Brown ARTIST: Dennis Brown TITLE: The
DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr. -
Modes of Address in the Jamaican Order of Precedence
MODES OF ADDRESS IN THE JAMAICAN ORDER OF PRECEDENCE 1 CONTENTS The Head of State -------------------------------------------------------------------------------------------3-5 The Queen The Governor-General The Head of Government -------------------------------------------------------------------------------------6 The Prime Minister Ministers of Government -----------------------------------------------------------------------------------8-9 The Deputy Prime Minister Cabinet Ministers Ministers of State The Leader of the Opposition -------------------------------------------------------------------------------10 The Senate--------------------------------------------------------------------------------------------------11-12 The President of the Senate Members of the Senate Members of the House of Representatives ------------------------------------------------------------13-15 The Speaker of the House of Representatives Deputy Speaker of the House of Representatives The Attorney General Former Governors-General --------------------------------------------------------------------------------16 Former Prime Ministers --------------------------------------------------------------------------------17-18 The Judiciary--------------------------------------------------------------------------------------------19-21 The Chief Justice The President of the Court of Appeal Judges of the Court of Appeal, Supreme Court and Parish Courts Members of the Privy Council President of the Jamaica Council of Churches----------------------------------------------------------22 -
The Dub Issue 29 October 2018
1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited. -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates. -
Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base. -
An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style. -
The National Honours and Awards Act — 1969
Hons & Awards Gl 2021 .qxp_Layout 1 05/08/2021 2:41 PM Page 1 National Honours and Awards (The National Honours and Awards Act — 1969) On the occasion of the 59th Anniversary of Independence, His Excellency The Governor-General, the Most Honourable Sir Patrick Linton Allen, ON, GCMG, CD, KSt.J, acting in accordance with the Regulations made under Section 7 of the National Honours and Awards Act, and on the advice of the Prime Minister, the Most Honourable Andrew Michael Holness, ON, PC, MP, is pleased to make the following appointments to the Orders of the Societies of Honour and to award the Badges of Honour, with effect from Independence Day, Friday, 6th August 2021, in respect of the undermentioned: ORDER OF MERIT (OM) THE ORDER OF DISTINCTION IN THE THE ORDER OF DISTINCTION IN THE For appointment as a Member of the Order of Merit RANK OF COMMANDER (CD) (cont’d) RANK OF OFFICER (OD) (cont’d) Professor Donald Jasper HARRIS Honourable Robert St. Aubyn MONTAGUE, MP Lieutenant Colonel (Ret’d) Linton Percival GORDON For outstanding contribution to National Development For contribution to Public Service and Political Administration For service to the Jamaica Defence Force ORDER OF JAMAICA (OJ) Mr Ainsley Hugh POWELL Mr Patrick Livingston GORDON For contribution to Tax Administration and Revenue Collection For service in the field of Engineering For appointment as Members of the Order of Jamaica Systems Mr Pearnel Patroe CHARLES, CD, JP Ms Jacqueline Fedalis PUSEY Mr Donald Anthony GRIZZLE For distinguished Public Service For contribution to Sports, in particular the Jamaica Athletics For service to the Tourism Sector, especially in the promotion Programme of Negril as a Tourism destination Mr Ian Kent LEVY, CD For outstanding contribution to business and philanthropy Mr Walter Horatio SCOTT Mr Lloyd Leicester HYDE in Jamaica For contribution to the Jamaican Diaspora in Illinois and For outstanding Public Service in the field of Law Adjoining States in the Midwest as an Honorary Consul Dr. -
United Reggae Magazine #7
MAGAZINE #12 - October 2011 Queen Ifrica INTERVIEW FRANZ JOB SOLO BANTON DAWEH CONGO JOHNNY CLARKE JUNIOR MURVIN DON CORLEON, PRESSURE AND PROTOJE Sugar Minott - Dennis Brown - Peter Tosh - Tony Rebel J-Boog - Ce’Cile - Ruff Scott - I-Wayne - Yabass - Raging Fyah Bunny Lee and The Agrovators - Sly and Robbie - Junior Reid United Reggae Magazine #12 - October 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Don Corleon, Pressure and Protoje 16 • Solo Banton 18 • Johnny Clarke 23 • Daweh Congo 25 • Queen Ifrica 29 • Franz Job 32 • Junior Murvin 35 3/ REVIEWS • The Upsessions - Below The Belt 41 • J-Boog - Backyard Boogie 42 • CeCile - Jamaicanization 44 Discover new music • Ruff Scott - Roots And Culture 45 • I-Wayne - Life Teachings 46 In the heydays of music magazines in the 90’s and early 2000’s getting a complimentary • Yabass - Back A Yard Dub 47 music CD was a regular pleasure. I for one found several new artists and groups due to • Bunny Lee and The Agrovators - Dub Will Change Your Mind 48 this promotional tool. Since then the music and publishing businesses have radically • Raging Fyah - Judgement Day 49 changed. Consumers have taken their reading and listening habits online and this has • The Bristol Reggae Explosion 2: The 1980s 50 lead to a dramatic decrease in sold physical units. -
Jamaica National Heritage Trust (JNHT), Jamaica Archive and Gordon, Ms
AtlAs of CulturAl HeritAge AND iNfrAstruCture of tHe Americas JAMAICA luis Alberto moreno President Board of trustees Honourable General Coordinator liliana melo de sada olivia grange m. P. Alfonso Castellanos Ribot ChairPerson of the Board Minister ● ● ● national liaison Trustees mr. robert martin Marcela Diez teresa Aguirre lanari de Bulgheroni PerManent seCretary ● sandra Arosemena de Parra ● national teaM Adriana Cisneros de griffin senator Warren Newby Desmin Sutherland-Leslie (Coordinator) gonzalo Córdoba mallarino Halcyee Anderson Andrés faucher Minister of state marcello Hallake Shemicka Crawford enrique V. iglesias ● Christine martínez V-s de Holzer ProGraMMers eric l. motley, PhD A Alfonso Flores (Coordinator) rodolfo Paiz Andrade Eduardo González López marina ramírez steinvorth directories Alba M. Denisse Morales Álvarez Julia salvi ● Ana maría sosa de Brillembourg Diego de la torre editorial Coordination ● Alfonso Castellanos Ribot sari Bermúdez ● Ceo editorial desiGn raúl Jaime Zorrilla Juan Arroyo and Luz María Zamitiz dePuty Ceo Editorial Sestante, S.A. de C.V. Atlas of Cultural Heritage and Printed and made in Mexico Infrastructure of the Americas: Jamaica isBN (colection:) 978-607-00-4877-7 Primera edición, 2011 isBN (Jamaica Atlas) 978-607-00-4910-1 first edition, 2011 © C. r. inter American Culture and Development foundation, ministry of Youth, sports and Culture, Jamaica. Acknowledgements Institute of Jamaica on behalf of the Cultural Atlas team, we would like to thank the following organisations provided fundamental information the following persons were instrumental in the creation minister olivia grange, m.P. minister of Youth, sports and Culture and support that enabled the publication of the Atlas: of the Atlas: for partnering with the inter-American Cultural foundation (iCDf) to facilitate the creation of the Atlas of Cultural Heritage institute of Jamaica (IOJ), National library of Jamaica (NlJ), ms. -
Edinburgh Research Explorer
Edinburgh Research Explorer Tubby's dub style Citation for published version: Williams, S 2012, Tubby's dub style: The live art of record production. in The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate popular and folk music series, Ashgate Publishing, pp. 235-246. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Art of Record Production Publisher Rights Statement: © Williams, S. (2012). Tubby's dub style: The live art of record production. In The Art of Record Production: An Introductory Reader for a New Academic Field. (pp. 235-246). (Ashgate popular and folk music series). Ashgate. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 1 CHAPTER FIFTEEN Tubby's Dub Style: The Live Art Of Record Production Sean Williams University of Edinburgh [email protected] Abstract This paper is a material analysis of the tools and techniques used by King Tubby and his apprentices at his 18 Dromilly Avenue Studio in the key period from 1972 when the dub style developed until the late 1970s.