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Kleber Mendonça Filho Y Juliano Dornelles MAYO 2020 Nº93 (144) www.caimanediciones.es EDICIÓN DIGITAL 3,49 EUROS KLEBER MENDONÇA FILHO Y JULIANO DORNELLES UN COUTEAU DANS LE COEUR / MANNY FARBER / PODCASTS DE SERIES TV / ESPECIAL BANDAS SONORAS SUMARIO MAYO 2020 NO 93 (144) 46. CRÍTICAS Hollywood Ryan Murphy e Ian Brennan Mi vida con Amanda Mikhaël Hers La unidad IRA SACHS Dani de la Orden Devs Alex Garland FRANKIE Un blanco, blanco día Hlynur Pálmason 6. RÁFAGAS Algunas bestias Reportajes / Festivales / Ciclos / Breves Jorge Riquelme Proyecto Residencias / Academia de Cine Jara Yáñez Hacer cine durante la pandemia Andrea Morán Ferrés Dragged Across Concrete S. Craig Zahler Firmas Los buenos modales 11. La poesía nos salvará Stephanie Zacharek Juliana Rojas y Marco Dutra 13. El amor en tiempos del coronavirus Jean-Michel Frodon Carelia: internacional 18. FOCOS con monumento FRANKIE Andrés Duque Crítica Jaime Pena La chaqueta de piel Todo comenzó por el fin Enric Albero de ciervo Quentin Dupieux UN COUTEAU DANS LE COEUR (Knife + Heart) Crítica Carlos Losilla Descubriendo a Anna Cinefilia y deseo Felipe Rodríguez Torres Frank. Historias paralelas Sabina Fedeli y Anna Migotto BACURAU Entrevista Kleber Mendonça Filho Violeta Kovacsics Emma Autumn de Wilde 31. LO VIEJO Y LO NUEVO Hijos de la ultraderecha El cero y el infinito Santos Zunzunegui Ulaa Salim 32. HISTORIA(S) DEL CINE El incendio (T1) Daisy Coulam y Lynsey Miller GRANDES NOMBRES DE LA CRÍTICA (8) Manny Farber Carlos Losilla Keep Going Joachim Lafosse ITINERARIOS POR LA HISTORIA DEL CINE (1) El cine africano Javier H. Estrada Natalie Wood: entre bambalinas WOMEN MAKE FILM Violeta Kovacsics Laurent Bouzereau 44. INFORMES Picard (T1) M. Chabon, A. Goldsman, Andrea Morán Ferrés Podcasts de series TV K. Beyer, A. Kurtzman 64. MEDIATECA Pullman DVD / Blu-ray Toni Bestard Libros Run (T1) OTRA Vicky Jones 66. ESPECIAL BANDAS SONORAS ENTREVISTA Seberg: más allá del cine Hollywood: el relevo de los maestros Jonay Armas Dani de la Torre Benedict Andrews Reseñas Unorthodox (T1) 72. AGENDA Maria Schrader y Anna Winger 74. THE END SUSCRIPCIÓN El amor es extraño Javier Rueda pág. 55 CAIMÁN CUADERNOS DE CINE MAYO 2020 3 El Máster de Crítica Cinematográfica organizado por la ECAM (Escuela de Cine y del Audiovisual de la Comunidad de Madrid) y Caimán Cuadernos de Cine, bajo la dirección académica de Carlos F. Heredero, ofrece una formación integral que se desarrolla en tres ámbitos: dentro del primero se abordarán los fundamentos del lenguaje cinematográfico, la lectura de la historia del cine, los principales criterios para el análisis de las imágenes, así como las diferentes escuelas de crítica. En el segundo ámbito se desarrollará un exhaustivo taller práctico en el que los alumnos se familiarizarán con la escritura de la crítica bajo la supervisión personalizada de tutores profesionales. Y el tercero ofrecerá una cualificada orientación profesional y laboral. ¡INSCRIPCIÓN ABIERTA! 7ª EDICIÓN MÁSTER DE CRÍTICA CINEMATOGRÁFICA 200 HORAS PROFESORADO Dirección académica: Caimán Cuadernos de Cine Carlos F. Heredero Àngel Quintana MATERIAS DE ESTUDIO FECHAS Carlos Losilla Introducción: 1 sesión / 3 horas Del 28 de septiembre de 2020, Andrea Morán Ferrés Módulo 1: Historia y teoría de la crítica al 15 de junio de 2021 Violeta Kovacsics (11 sesiones / 33 horas) LUGAR Fernando Lara Módulo 2: La lectura de las imágenes ECAM (Escuela de Cinematografía y del Lola Mayo (17 sesiones / 51 horas) Audiovisual de la Comunidad de Madrid) Jordi Costa Módulo 3: Aplicaciones Ciudad de la Imagen (Pozuelo de Alarcón) Javier Ocaña (15 sesiones / 45 horas) Luis Martínez Módulo 4: Taller práctico PRECIO DE LA MATRÍCULA (22 sesiones / 66 horas) Sergi Sánchez 1ª convocatoria Roberto Cueto PARA MÁS INFORMACIÓN (hasta el 5 de agosto, 2020): 2.400 euros Santos Zunzunegui SOBRE EL PROGRAMA O CUALQUIER 2ª convocatoria CONSULTA: (hasta el 21 de septiembre de 2020): 2.900 euros Domingo Sánchez-Mesa e-mail: [email protected] Javier H. Estrada www.ecam.es DOCUMENTACIÓN A PRESENTAR Jaime Pena www.caimanediciones.es l Formulario de inscripción cumplimentado José Enrique Monterde l Fotocopia DNI, pasaporte o documento Antonio Santamarina CLASES equivalente l Carlos Reviriego Días de la semana: Currículo Lunes y Martes, de 16,00h. a 19,00h. l Carta de motivación Asier Aranzubia Horas lectivas: 200 Ana Torres 66 sesiones de 3 horas Jara Yáñez + Juanma Ruiz Asistencia a pases de prensa y Luis E. Parés proyecciones especiales SE OFRECE A LOS ALUMNOS Jonay Armas l Una suscripción anual a la edición digital ALUMNADO Enric Albero de Caimán Cuadernos de Cine Máximo: 30 alumnos Felipe Rodríguez Torres l Una película en DVD / Blu-ray (la celebración del máster está condicionada a que se alcance un mínimo de 20 alumnos) l Diploma acreditativo Editorial CARLOS F. HEREDERO Director Carlos F. Heredero Coordinador en Cataluña: Àngel Quintana Consejo de redacción: Enric Albero, Manuel Asín, Fernando Bernal, Roberto Cueto, Javier H. Estrada, José Antonio Hurtado, Eulàlia Iglesias, Violeta Kovacsics, Carlos Losilla, Beatriz Martínez, José Enrique Monterde, Andrea Morán Ferrés, Luis E. Parés, Jaime Pena, Antonio Santamarina Redacción: Jara Yáñez Secretaria de redacción: Carmen Córdoba Consejo Editorial: Los alumnos de las Residencias de la Academia de Cine: trabajo online Jordi Balló, Jean-Michel Frodon, Leonardo García Tsao, Román Gubern, Adrian Martin, David Oubiña, Manuel Pérez Estremera, José María Prado, Jonathan Rosenbaum, Jenaro Talens, Santos Zunzunegui Colaboran en este número: Nadie se rinde Cristina Aparicio, Jonay Armas, Fernando Carmena, José Félix Collazos, Ignasi Franch, Jean- l presente número de Caimán CdC es el segundo, tras el del pasado mes Michel Frodon, Daniel Reigosa, de abril, que editamos exclusivamente en versión digital, disponible para Felipe Rodríguez Torres, Javier Rueda, Stephanie Zacharek, Santos nuestros lectores, al igual que el anterior, a través de Kiosko y Más al precio Zunzunegui habitual de 3,49 euros y también en nuestra propia página web. Dirección de arte y maquetación: Itala Spinetti El lector tiene ante sus ojos, por tanto, una revista que de nuevo se ha conce- Publicidad: bido, diseñado, escrito y maquetado mientras todos los que hemos intervenido en el proceso Pedro Medina E –igual que la inmensa mayoría de los ciudadanos españoles– permanecíamos confina- Coord. y redes sociales: Juanma Ruiz dos dentro de nuestras casas. Confinadas están también, a fin de cuentas, las propias salas de cine (obligatoriamente vacías). Cofinadas permanecen todas las películas que REDACCIÓN C/ Soria, nº 9, 4º / 28005 Madrid aspiran a encontrar un hueco en la pantalla grande. Confinados están igualmente los (España) rodajes, todavía imposibles cuando cerramos este número de la revista. Confinadas Tel.: (+34) 91 468 58 35 Mail: están las escuelas de cine, con sus aulas sin alumnos. Y confinados están a su vez los [email protected] festivales, con todos los que tienen prevista su celebración habitual de aquí al otoño sin saber a qué atenerse y con una grave espada de Damocles sobre sus trabajos y pre- Dirección académica: Caimán Cuadernos de Cine parativos. Nadie tiene ninguna certeza sobre el horizonte inmediato (por más que la evolución actual de la pandemia, en este momento, empiece a dar algunos signos de esperanza), no se pueden hacer planes concretos cifrados en fechas seguras y, por tanto, resulta casi imposible planificar nada. Todo parece parado, e pur si muove..., como Director General Pedro Medina supuestamente dijo Galileo Galilei. Caimán Ediciones, S.L. En realidad, nadie permanece parece parado, porque nadie se ha rendido. Los cines C/ Soria, nº 9, 4º batallan para poder abrir lo antes posible. Productores y distribuidores siguen reorde- 28005 Madrid Tel.: (+34) 91 468 58 35 nando sus catálogos en busca de opciones para dar salida a sus películas. La industria se [email protected] moviliza para presentar al Ministerio planes que permitan volver a rodar lo antes posi- www.caimanediciones.es ble, a fin de evitar una catástrofe en el empleo del sector. Las escuelas de cine imparten PUBLICIDAD sus clases online y los alumnos siguen conectados con sus profesores. Las filmotecas [email protected] Tel.: 91 468 58 35 programan sesiones accesibles en Internet, cada vez más imaginativas y provechosas. En las plataformas se ve más cine que nunca. Los programadores de festivales siguen SUSCRIPCIONES [email protected] viendo películas sin cesar y estudian posibles alternativas... Tel.: 91 468 58 35 Y nosotros tampoco nos rendimos. En Caimán CdC, por responsabilidad y por com- DISTRIBUCIÓN: Sociedad General promiso con nuestros lectores, seguimos acompañando a la actualidad cinematográfica Española de Librería (SGEL). de este complejo presente. Por eso hablamos aquí de los documentalistas que trabajan IMPRESIÓN: www.LITOFINTER.com para dar cuenta de cómo el madito virus nos ha cambiado la vida a todos, de cómo la Depósito Legal: M-48464-2011 ISSN: 2253-7317 Academia de Cine sigue colaborando a distancia con los cineastas que desarrollan sus Las opiniones expresadas por los colaboradores proyectos en el programa de las Residencias, de los podcasts de series de televisión que no son compartidas necesariamente por Caimán Cuadernos de Cine. podemos escuchar sin salir de casa, de las bandas sonoras que están a nuestro alcance, Esta revista ha recibido una ayuda a la edición del Ministerio de Cultura y Deporte. de la programación de un festival de cine online (el D'A de Barcelona) y de muchas pelí- culas que
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