DOCSLIB.ORG

Download Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Booklet ALSO AVAILABLE BY PAMELA THORBY ON LINN RECORDS 291 CKD Baroque Recorder Concertos Handel Recorder Sonatas CKD 217 CKD 223 Discover the world of Linn Records Download at www.linnrecords.com Now you can explore Linn music on-line with even greater ease by using our innovative download facility. Linn albums and tracks are available to download at studio master and CD quality – the quality you desire to achieve the best possible sound. MP3 downloads are also available. linnrecords.com is a multi-format music delivery system that delivers music on vinyl, CD and download. Register online today at www.linnrecords.com to keep up to date about our latest releases and to find out more about our artists. LINN RECORDS, GLASGOW ROAD, WATERFOOT, GLASGOW G76 0EQ UK t: +44 (0)141 303 5027/9 f: +44 (0)141 303 5007 e: [email protected] pages 16 | 1 GARDEN OF EARLY DELIGHTS für Alte Musik, Bremen, and the Escuela Superior de Musica de Catalunya in Barcelona. PAMELA THORBY recorder In 1994 Andrew Lawrence-King formed his own ensemble, The Harp ANDREW LAWRENCE-KING harp, psaltery Consort, with whom he has made an extensive collection of award-winning In 1993, as a recent music graduate, I found myself being shown around recordings, from medieval drama and O’Carolan, to Bach, Vivaldi, a Mexican the high-end audio equipment manufacturer, Linn Products, hidden away mass and South American opera. His solo CDs include dances by Lully, suites in the depths of the Scottish countryside. Here I met Philip Hobbs, sound by Bach and melancholy by Dowland. His direction of Handel’s first opera, engineer / producer extraordinaire, the manager of the then-fledgling label Almira, won the American Handel Society prize for CD of the year. Linn Records. With his expertise and patience, the Palladian Ensemble (of Andrew Lawrence-King conducted a staged production of Peri’s Euridice which I was proud to be a member between 1991 and 2007) began a long at the Los Angeles Getty Centre for the 400th anniversary of the earliest opera, and fruitful relationship with Linn Records, which resulted in many award- and in summer 2008 directed the first UK performance of Hidalgo’s Celos aun winning albums. I could not have imagined that 15 years later, I would still del aire matan (1660). His work on 17th-century dances with Steven Player & have the good fortune to be associated with the same company and to have The Harp Consort has won the ensemble an unparalleled reputation for stylish had the opportunity to record the rare and unusual, as well as more familiar and entertaining stage shows, and his duo album with Paul Hillier was chosen repertoire. by Elvis Costello as record of the year in Rolling Stone magazine. He has been To coax an instrumenttosing, to breathecolour and sophisticated awarded an honorary doctorate by Sheffield University for his achievements nuancewithout mannerismintoamusicalline is an intricate challenge in baroque opera. and one which this repertoire certainly demands of the performer. With Andrew Lawrence-King now divides his time between solo recitals, regard to theinstruments on this recording, thehistoricalcopies Ihave tours with The Harp Consort, and appearances as guest director for orchestras, chosen could be variously described as ‘renaissance’, ‘ganassi’ or ‘transi- choirs and baroque operas in Europe, Scandinavia and the Americas, tional’models. Ihaveusedarticulations that arementioned in historical interspersed with worldwide performances of Luz y norte and Missa Mexicana. sources and found these particularly necessary in the quicksilver flights He is Principal Guest Director of Concerto Copenhagen (Scandinavia’s of demi-semiquaver runs; to achieve something more than just machine- leading baroque orchestra), and the Florentine ensemble, L’Homme Armé gun precision, a fluent, expressive line at high speed demands an array of (specialising in baroque opera and oratorio). He is a regular guest teacher at flexible articulation possibilities. The ‘fruity’ temperament serves to Sibelius Academy & Helsinki Stadia (Finland) and has been awarded a three- heighten the delicious moments of – sometimes intentionally uncomfort- year Research Fellowship by the UK Arts and Humanities Research Council to able – tension and release. research Spanish baroque music-drama. 215 I have picked freely from our musical ‘Garden of Early Delights’ to form a mixed bouquet of diverse, joyous, unusual and eloquent pieces. The quixotic drama of the experimental sonatas ‘in stil moderno’ is countered withburstsofgoodhumourinourtreatmentofvanEyck’s popularvariations: the sensuous melancholy of Dowland’s fabulous melodies contrasts with the formality of diminutions on favourite madrigals. Having worked on previous Linn projects with continuo-players of the calibre of harpsichordist Richard Egarr and lutenist William Carter, I am delighted to be collaborating with the extraordinary harpist Andrew Lawrence-King on this project. The intention for this album is not to create a dry historical document, but simply that it becomes part of the ever evolving tradition of musicians discovering and bringing to life a repertoire full of surprise, beauty and delight. © Pamela Thorby, 2008 Pitch: A440 Tuning: quarter-comma meantone Pamela’s instruments: soprano ‘Ganassi’ recorder by Fred Morgan (on tracks 2, 3, 11, 13 and 16) g alto ‘Ganassi’ recorder by Michael Grinter (on tracks 1, 4, 5 and 9) and tenor recorder by Tom Prescott (on tracks 7 and 14) Andrew’s instruments: Baroque triple harp by Christopher Barlow after Italian models (on tracks 2, 5—16) Spanish double harp by Tim Hobrough after Zurberán (on track 1) Psaltery by Colin Booth after renaissance models (on track 4) 14 3 GARDEN OF EARLY DELIGHTS million-selling ‘Adiemus’ albums and on ‘Imagined Oceans’, which was written especially for her. She also appears on Dame Kiri te Kanawa’s EMI release ‘Kiri DIEGO ORTIZ (c.1510~1570) sings Karl’. Her appearances on these albums make her possibly the most 1. Recercada segunda de tenore – from ‘TraTTado de glosas’ (1553) listened to recorder player in the world. JACOB VAANN EYCK (1589/90~1657) Pamela began her career as a prize-winning student at the Guildhall 2. Wat zal men op den Avond doen School of Music and Drama (GSMD) in London and then received a prestigious 3. Derde, Doen Daphne d’over DAAD scholarship to study at the Sweelinck Conservatory in Amsterdam. 4. Boffons Within a few years of graduating she returned to the GSMD to teach the from ‘Der Flutyen Lust-hof’ (1644~c.1655) recorder as a principal instrument and is currently a visiting professor. www.PamelaThorby.com DARIO CASTELLO (fl. c.1620~1630) 5. Sonata seconda a soprano solo from ‘Sonate concertate in stil moderno, Libro secondo’ (1629) ANDREW LAWRENCE-KING Baroque-harp virtuoso and imaginative continuo-player, Andrew Lawrence- JOHN DOWLAND (1563~1626) King is one of the world’s leading performers of early music. A creative and 6. Sorrow, sorrow stay – from ‘Second Booke of Songes’ (1600) inspiring conductor who directs from one of several continuo instruments JOHANN SCHOP (1590~1664) after Dowland (including harp, organ, harpsichord and psaltery), he has led baroque operas 7. Lachrime Pavaen – from ‘T’UitnemenT Kabinet’ (1646) and oratorios at La Scala, Milan; Sydney Opera House; Casals Hall, Tokyo; Berlin Philharmonie; Vienna Konzerthaus; New York’s Carnegie Hall; and JOHN DOWLAND Mexico City’s Palacio de Bellas Artes. 8. Weep you no more – from ‘Third Booke of Songes’(1603) His musical career began as Head Chorister at the Cathedral and Parish Church of St Peter Port Guernsey, when he won an Organ Scholarship GIOVANNI BASSANO (c.1558~1617) after Lassus to Cambridge, completing his studies at the London Early Music Centre. He 9. Susanne ung jour rapidly established himself as a versatile continuo-player with Europe’s from ‘MoteTTe, madrigali et canzone francese’(1591) foremost specialist ensembles and in 1988 founded and co-directed the DIEGO ORTIZ continuo-group, Tragicomedia. He joined Jordi Savall’s Hesperion XX as harp 10. Recercada segunda de canto llano – from ‘TraTTado de glosas’ (1553) soloist, and was appointed Professor of Harp and Continuo at the Akademie 413 GIOVANNI BATTISTA FONTANA (died c.1630) 11. Sonata sesta – from ‘Sonate a 1. 2. 3. per il violino, o cornetto, fagoTTo, chitarone, violincino o simile altro istrumento’(1641) BIAGIO MARINI (1594 – 1663) 12. Passacalio – from ‘Per ogni sorte di strumento’ (1655) GIOVANNI BATTISTA FONTANA 13. Sonata seconda – from ‘Sonate a 1. 2. 3. per il violino, o cornetto, fagoTTo, chitarone, violincino o simile altro istrumento’(1641) JACOB VAN EYCK after Caccini 14. Amarilli mia bella from ‘Der Flutyen Lust-hof’(1644~c.1655) DIEGO ORTIZ after Sandrin 15. Recercada prima sobre doulce mémoire from ‘TraTTado de glosas’ (1553) GIOVANNI BASSANO after Clemens non Papa 16. Frais et gaillard from ‘MoteTTe, madrigali et canzone francese’(1591) Recorded at The National Centre for Early Music, York, UK from October 30th – November 1st 2006 Produced and engineered by Philip Hobbs Post-production by Julia Thomas Sleeve design by The Art Surgery Photos of Pamela by York Digital Image With thanks to Catherine Latham and to Dick and Jill Pyper. 12 5 nnocent joy in Eden; forbidden pleasures in Bosch’s famous Garden PAMELA THORBY of Earthly Delights; serenades, wit and sophisticated metaphors in Over thelastfew yearsPamela hasquietly established herself as one of IElizabethan drama; elegant formal design at European courts: the garden theworld’s leadingrecorderplayers.Her stylish virtuosity can be heard of the sixteenth and seventeenth centuries brought forth a rich harvest of on numerous recordings of music ranging from the medieval period to the symbolism and literary associations. In the shady groves of Italian madrigals present day. and early operas, pastoral shepherds enjoy the delights of love. In English, Pamela’s ‘Baroque Recorder Concertos’ disc (Linn CKD 217) received Spanish and Dutch plays, Romeo serenades Juliet in the orchard garden by outstanding reviews – “a world-class performeer”r” (Gramophone) – and was a moonlight.
Load more

Recommended publications
  • 2 Fifteenth Berkeley Festival & Exhibition 2
    2 FIFTEENTH BERKELEY FESTIVAL & EXHIBITION 2 june 3–10, 2018 Festival Advisory Committee, Board of Directors & Staff ...............................................................................................2 Festival Supporters ...........................................................................................................................................................3 Welcome ..........................................................................................................................................................................6 Festival Calendar .............................................................................................................................................................8 Main Stage Players Sunday, June 3 Seattle Historical Arts for Kids ...............................................................................................................................14 California Bach Society ..........................................................................................................................................17 Monday, June 4 Christine Brandes & Elizabeth Blumenstock ..........................................................................................................23 Tuesday, June 5 San Francisco Conservatory Baroque Ensemble Students and Alumni ...................................................................27 Davis Senior High School Baroque Ensemble ........................................................................................................30
    [Show full text]
  • CD DPS1 Compact Disc Booklet
    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD069 BLACK Job Title: Esperar SIGCD069 booklet Page Nos. SIGCD006 SIGCD007 SIGCD008 SIGCD009 Music for Philip of Spain Two upon a ground: Jupiter The Fitzwilliam Virginal Book and his four wives Duets and Divisions for two viols SIGCD018 SIGCD020 SIGCD026 Sacred Songs of Sorrow The Queen’s Goodnight Music for Gainsborough SIGCD032 SIGCD041 SIGCD042 SIGCD049 The Sultan and the Phoenix Modus Phantasticus Tallis 9 Harmonia Caelestis www.signumrecords.com www.charivari.co.uk Available through most record stores and at www.signumrecords.com. For more information call +44 (0) 20 8997 4000 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD069 BLACK Job Title: Esperar SIGCD069 booklet Page Nos. ESPERAR SENTIR MORIR Instrumentarium Songs and dances from the Hispanic Baroque Susanne Heinrich a treble viol (M.D. Attwood, 1993) after Henry Jaye (mid 17C) b bass viol (M.D. Attwood, 1999) after anon. 17C English original Kah-Ming Ng c chamber organ (V.Woodstock, 1996) d harpsichord (A. Garlick, 1977) after I. Ruckers 1638 1. Juan Hidalgo (c.1612–1685) / arr. K-M Ng Esperar, sentir, morir [b, c, e] [4.31] Constance Allanic e triple harp (C.H. Hüttel, 2002) after 17C Italian iconography 2. Kah-Ming Ng & Clara Sanabras Quiero, y no saben que quiero [b, e, h] [9.06] Richard Sweeney f 16-course theorbo (K. Jacobsen, 2002) after various 17C Italian models 3. Lucas Ruiz de Ribayaz (b. 1626) Españoletas [e] [4.58] g 6-course lute (A.
    [Show full text]
  • 03. Okt. 2010 Der, Welcher Wandert Diese Strasse Voll Beschwerden, Wird Rein Durch Feuer, Wasser, Luft Und Erden
    DieFestival Alte Musik Zürich Elemente23. Sept. – 03. Okt. 2010 Der, welcher wandert diese Strasse voll Beschwerden, wird rein durch Feuer, Wasser, Luft und Erden. Feuer, Wasser, Luft und Erde – Mozarts Zauberflöte nennt die vier Elemente der Natur und stellt das Wissen um sie als Weisheit aus alten Zeiten dar. Auch in der «Alten Musik» finden die Elemente sich sozusagen seit Urzeiten – oder genauer, seit Musik notiert und überliefert wird. Das Festival Alte Musik Zürich zeigt im Herbst 2010 die Elemente in Musik von Mittel- alter bis Romantik. Manchmal stehen sie für sich selbst, als menschliche Erfahrungen mit der Natur, manchmal erscheinen sie als literarische Allegorien, die zwar von der Natur sprechen, jedoch etwas ganz anderes meinen – vorzugsweise die Liebe. Star-Countertenor Andreas Scholl zeigt in zwei Konzerten gleich beides. In den Liedern des Minnesängers Oswald von Wolkenstein trillieren etwa die Vögel ganz klang- malerisch-echt; in den elisabethanischen Lute Songs wird weibliche Schönheit – und der Umgang mit ihr – gern in Naturbildern dargestellt. Die renommierten Singphoniker führen Franz Schubert und seine Freunde in die Natur – philosophische Naturbilder stehen neben intensiven Naturerfahrungen. Blockflötenvirtuose Maurice Steger zeigt die Natur «alla rustica» – oder so wie FESTIVAL ALTE MUSIK ZÜRICH • 23. September 2010 – 3. Oktober 2010 die Barockkomponisten sich das Landleben vorstellen mochten: mit Vogelgezwitscher und Meeressturm, nächtlichen Geistern und krachenden Sommergewittern, alles schön stilisiert. Meisterharfenist Andrew Lawrence-King sticht mit seinem Harp Consort vom heimatlichen Guernsey aus in See und lässt das Festivalthema vor allem mit Jean-Féry Rebels barocker Suite Les Elémens aufleben. Cyrill Schläpfer evoziert in seiner elektronischen Tondichtung Die Waldstätte eine Fahrt auf dem Vierwaldstättersee; und vor diesem elementaren Klanggemälde spielen DIE ELEMENTE Studierende der Zürcher Hochschule der Künste auf einem historischen Flügel romantische Klavierwerke.
    [Show full text]
  • Music Inspired by Astronomy, Organized by Topic an Annotated Listing by Andrew Fraknoi
    Music Inspired by Astronomy, Organized by Topic An Annotated Listing by Andrew Fraknoi © copyright 2019 by Andrew Fraknoi. All rights reserved. Used with permission. Borresen: At Uranienborg Cage: Atlas Eclipticalis Glass: Orion Connections between astronomy and music have been proposed since the time of the ancient Greeks. This annotated listing of both classical and popular music inspired by astronomy restricts itself to music that has connections to real science -- not just an astronomical term or two in the title or lyrics. For example, we do not list Gustav Holst’s popular symphonic suite The Planets, because it draws its inspiration from the astrological, and not astronomical, characteristics of the worlds in the solar system. Similarly, songs like Soundgarden’s “Black Hole Sun” or the Beatles’ “Across the Universe” just don’t contain enough serious astronomy to make it into our guide. When possible, we give links to a CD and a YouTube recording or explanation for each piece. The music is arranged in categories by astronomical topic, from asteroids to Venus. Additions to this list are most welcome (as long as they follow the above guidelines); please send them to the author at: fraknoi {at} fhda {dot} edu Table of Contents Asteroids Meteors and Meteorites Astronomers Moon Astronomy in General Nebulae Black Holes Physics Related to Astronomy Calendar, Time, Seasons Planets (in General) Comets Pluto Constellations Saturn Cosmology SETI (Search for Intelligent Life Out There) Earth Sky Phenomena Eclipses Space Travel Einstein Star Clusters Exoplanets Stars and Stellar Evolution Galaxies and Quasars Sun History of Astronomy Telescopes and Observatories Jupiter Venus Mars 1 Asteroids Coates, Gloria Among the Asteroids on At Midnight (on Tzadik).
    [Show full text]
  • Samedi 25 Novembre Orchestre Philharmonique De Radio France
    NP REICH 25 novembre:REICH 25 novembre NY 17/11/06 15:39 Page 1 Jean-Philippe Billarant, Président du Conseil d’administration Laurent Bayle, Directeur général Samedi 25 novembre Orchestre Philharmonique de Radio France Dans le cadre du cycle New York | novembre 25 Samedi Du samedi 11 novembre au samedi 2 décembre 2006 Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.cite-musique.fr La librairie-boutique reste ouverte jusqu’à la fin de l’entracte. Un stand de vente est disponible dans le hall à l’issue du concert. Orchestre Philharmonique de Radio France France Philharmonique de Radio Orchestre NP REICH 25 novembre:REICH 25 novembre NY 17/11/06 15:39 Page 2 Cycle New York DU SAMEDI 11 NOVEMBRE AU SAMEDI 2 DECEMBRE New York, ville des contrastes, capitale du jazz, de la comédie musicale, SAMEDI 11 NOVEMBRE, 20H des avant-gardes minimalistes, des expériences éphémères ou durables… SALLE PLEYEL Né à New York en 1936, Steve Reich est l’un des principaux représentants du Samuel Barber courant dit minimaliste, qui vit le jour dans la mégalopole américaine au milieu Adagio pour cordes op. 11 des années soixante. Si Music for Eighteen Musicians (1976) est un classique George Gershwin du genre, sa musique se fait aussi le reflet du monde qui l’entoure, que ce soit Rhapsody in Blue avec les Daniel Variations, ancrées dans l’actualité politique des États-Unis, Charles Ives ou avec You are et Tehillim, qui évoquent l’importante communauté juive de Three Places in New England New York.
    [Show full text]
  • DANIEL HOPE and FRIENDS AIR—A BAROQUE JOURNEY Thursday, October 25, 2018, at 7:30Pm Foellinger Great Hall PROGRAM DANIEL HOPE and FRIENDS AIR—A BAROQUE JOURNEY
    DANIEL HOPE AND FRIENDS AIR—A BAROQUE JOURNEY Thursday, October 25, 2018, at 7:30pm Foellinger Great Hall PROGRAM DANIEL HOPE AND FRIENDS AIR—A BAROQUE JOURNEY Daniel Hope, violin Simos Papanas, violin Nicola Mosca, cello Emanuele Forni, lute Naoki Kitaya, harpsichord Michael Metzler, percussion Diego Ortiz Ricercata segunda (1510-1570) Georg Friedrich Händel Sarabande HWV 437 (1685-1759) (arrangement Olivier Fourés) Andrea Falconieri La suave melodia (1585/6-1656) Johann Paul von Westhoff Imitazione delle campane (1656-1705) Nicola Matteis Diverse bizzarrie sopra la Veccia Sarabanda o pur Ciaccona (1650-après 1713) Antonio Vivaldi Sonata for 2 Violins, “La Follia” (1678-1741) 20-minute intermission 2 Andrea Falconieri Passacaglia à 3 (1585/6-1656) Johann Paul von Westhoff La guerra così nominata di sua maestà (1656-1705) Traditionnel Greensleeves Jean-Marie Leclair Le Tambourin (1697-1764) Marco Uccelini Aria Sopra la Bergamasca (1603 ou 1610-1680) Nicola Matteis Ground after the Scotch Humour (1650-après 1703) Johann Paul von Westhoff Imitazione del liuto (1656-1705) Andrea Falconieri Ciaccona (1585/6-1656) Johann Sebastian Bach Air (1685-1750) From soloists to quartets to chamber ensembles, the Classical Mix series creates a varied blend of outstanding musical experiences. The 2018-19 series includes Jupiter String Quartet and Jasper String Quartet with Michael Cameron, bass (October 4), Daniel Hope and Friends (October 25), Eroica Trio (November 13), Andersson Dance and Scottish Ensemble (April 2), and Canadian Brass (April 7). For more information about these events, please visit KrannertCenter.com/calendar. Daniel Hope appears by arrangement with: David Rowe Artists 24 Bessom Street, Suite 4 Marblehead, Massachusetts 01945 (781) 639.2442 3 THANK YOU FOR SPONSORING THIS PERFORMANCE With deep gratitude, Krannert Center thanks all 2018-19 Patron Sponsors and Corporate and Community Sponsors, and all those who have invested in Krannert Center.
    [Show full text]
  • 907317 Spanish For
    HMU 907317 LOS MILAGROS DE NUESTRA SEÑORA Poemas de alabanza a la Virgen escritos por Gauier de Coincy (1177-1236) y adaptados a canciones populares medievales “Había instrumentos de todas clases, y los músicos cantaban con voces potentes. Y sabían como interpretar bien todo tipo de canciones populares. Y con técnicas vocales excelentes, cantaban motetes y conductus.” – “Panthere d’Amors,” Nicole de Margival, siglo XIII 1 “¿Por qué debería el diablo tener toda la mejor música?” – Canción popular, Larry Norman, 1977 2 ientras los trovadores sembraban el viento del sur de Francia, por el año 1200 los troveros, sus primos del norte, cosechaban el torbellino. La nobleza altisonante de la lírica provenzal y M la sofisticación académica de los poetas de educación universitaria desciende a niveles más realistas gracias a la traviesa malicia de los coristas de la catedral y la notable decadencia de los estudiantes parisinos, por la energía vigorosa de los músicos de la clase obrera y los excesos paganos de celebraciones campesinas. La Obra de Daniel, hoy considerada uno de los más altos logros dentro del drama musical medieval, se escribió no para estimular la algarabía festiva, sino para controlar y limitar la tradicional parranda. Subdiáconos de la catedral de Beauvais utilizaron como pretexto la fiesta del Día de los Inocentes para permitir—dentro de la misma iglesia—la monta de burro, carcajadas, ruido y correteos, dar palmas, bailar y tocar instrumentos, salvaje tañer de las campanas de la catedral; fiesta, juegos de dados y adivinación de la fortuna en el altar, violencia y falta de respeto abierta hacia la jerarquía religiosa.
    [Show full text]
  • Muzieklijst Op Titel
    ID NR Artiest Titel 4961 4518 Mark Knopfler 38 Special 46 952 Knopfler, Mark 5 15 am 9302 8845 Wyclef Jean & Mary J Blige 911 10810 10220 BZN A Bar room In The Night 8305 7860 Elvis Presley A Big Hunk O' Love 655 480 Elvis Presley A big hunk of love 8656 8210 Prince A Case Of You 1232 1145 Mantovani A certain smile 1610 1621 Sam Cooke a change is gonna come 6968 6524 Otis Redding A Change Is Gonna Come 4702 4310 Amanda Strydom A Child in a Faraway Land 8994 8537 Hot Chocolate A Child's Prayer 4106 3714 The Beatles A day in the life 668 492 Enya A day without rain 5966 5523 Enya A Day Without Rain 6130 5687 Enya A Day Without Rain 1832 852 Jan Rietman A December night 793 626 George Michael A Different corner 11590 11590 Ennio Morricone A Fistful Of Dollars 8731 8285 London Starlight Orchestra A fistful of dynamite 11600 11600 Ennio Morricone A Fistful Of Dynamite 8721 8275 London Starlight Orchestra A fistfull of dollars 1065 935 Julio Iglesias A Flor De Piel 10427 9902 Andy Williams A Fool Never Learns 1013 881 Jim Reeves A fool such as i 8367 7922 Feargal Sharkey A Good Heart 8728 8282 London Starlight Orchestra A gun for Ringo 11597 11597 Ennio Morricone A Gun For Ringo 12611 12611 Trijntje Oosterhuis A House Is Not a Home 11610 11610 Queen A Kind of Magic 8415 7970 Shapplin, Emma À la frontière du rêve 9428 8971 Anita en Ed A la vie la mort (YT) 8323 7878 Elvis Presley A Little Less Conversation (JXL Radio Edit Remix) 9870 9345 Arthur Ebeling A Little Lovin' 8969 8512 Louis van dijk a little romance 5360 4917 Mark Knopfler A love Idea
    [Show full text]
  • Voice Ensemble
    Prairie View A&M University Henry Music Library 1/7/2013 VOCAL ENSEMBLE CD 11 African American Spirituals: The Concert Tradition There is a Balm in Gilead (William Dawson) We Shall Walk Through the Valley in Peace Roll, Jordon, Roll I’ve Been Buked and I’ve Been Scorned (William Dawson) Swing Low, Sweet Chariot Joshua Fit de Battle (J. Howard Montague) Wade in the Water (Patsy Ford Simms) Deep River (Harry T. Burleigh) Listen to the Lambs (R. Nathaniel Dett) Everytime I Feel the Spirit (William Dawson) Oh Freedom Gospel Train I’m a-Rolling Through an Unfriendly World Sometimes I Feel like a Motherless Child Steal Away Go in the Wilderness Ezekiel Saw the Wheel (William Dawson) Ain’t Got Time to Die (Hall Johnson) Wade in the Water (Howard Roberts) CD 84 Been in the Storm So Long Remember Me See God’s Ark A-Moving Ask the watchman How Long Meet Me in Galilee Talking ‘Bout a Good Time That’s All Right Jesus Knows All About My Trouble Esau Jenkins Talking Lay Down Body Welcome Table & Prayer Ezekial in the Valley Been in the Storm So Long Jack and Mary and The Three Dogs You Got to Move Moon Light in Glory Mary Rolled the Stone Away Down on Me Reborn Again Row Michael Row Johnny Cuckoo Old Lady from Booster Shoo Turkey Mr Postman Die Water My Flowers Rabbit and Partridge Improvised Blues Jack & Mary and the Devil CD 85 Bill Monroe and the Bluegrass Boys Watermelon hHnging on the Vine Roanoke (Bill Monroe/Uni Chappell) Brakeman’s Blues (Jimmie Rodgers) Close By (Bill Monroe/Van Winkle) Kentucky Waltz (Bill Monroe) Blue Grass Stomp (Bill Monroe/Uni Chappell) 2 Blue Moon of Kentucky (Bill Monroe) I’m Working on a Building (A.
    [Show full text]
  • Works Written As Ballets
    Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/dance Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946.
    [Show full text]
  • Tabela IV, Seznam Dogodkov (21.10.2020)
    Tabela IV 21.10.2020 Seznam dogodkov 1 2.8.1997 Brežice Aronova srednjeveška tržnica Aronove viteške igre in ognjemet 2 2.8.1997 Brežice Accademia Daniel Israel (IL) Bachove kantate 3 3.8.1997 Brežice Modus Vivendi (IL) Zlata doba Španije 4 5.8.1997 Brežice La scatola degli aghi (CH) Benetke in Neapelj iz časa poslikave Viteške dvorane 5 7.8.1997 Brežice Suonare e Cantare (FR) Monteverdi in njegov čas - Novi stil za naslednja tri stoletja 6 9.8.1997 Brežice Musica ad Rhenum (NL) Glasbeni posladek Sončnega kralja 7 10.8.1997 Brežice Romanesca (GB) Stile fantastico v Avstriji in Nemčiji 8 12.8.1997 Brežice Musica Antiqua Köln (DE) Bachova družina v južnonemškem kontekstu 9 14.8.1997 Brežice The Dufay Collective (GB) Johnny, Coch thy Beaver - Angleška glasba 17. stoletja z dvora in taverne 10 16.8.1997 Brežice Ensemble Cantilena Antiqua (IT) Ondas do mar - srednjeveška glasba Mediterana 11 15.7.1998 Bogenšperk Quincunx of Wizo (IL) 12 16.7.1998 Brestanica Quincunx of Wizo (IL) 13 17.7.1998 Novo mesto Quincunx of Wizo (IL) 14 18.7.1998 Brežice Aronova srednjeveška tržnica Aronove viteške igre 15 18.7.1998 Brežice Adel Singers (NO) Slovenski baročni skladatelj Isaac Posch, Harmonia Concertans 16 19.7.1998 Brežice Aronove viteške igre Aronove viteške igre 17 19.7.1998 Brežice Le Parlement de musique (FR) Montéclaire, Couperin, Händel 18 21.7.1998 Brežice Capella Savaria (HU) Muffat, Vivaldi, Telemann 19 22.7.1998 Bogenšperk Ensemble Mikado (AT) 20 23.7.1998 Brestanica Ensemble Mikado (AT) 21 23.7.1998 Brežice Musica Florea (CZ) Rosier, Biber,
    [Show full text]
  • N O V E M B E R 2 0
    november 2002 Published by the American Recorder Society, Vol. XLIII, No. 5 Vol. American Recorder Society, by the Published sheet music www.moeck-music.de recorders early music flauto penta modern music flauto 1 folk&pop flauto 1 plus methods/tutors worls school recorders books flauto rondo rottenburgh modern music steenbergen music cartoons stanesby periodicals hotteterre tibia. magazin für holzbläser kynseker zfs recorders music series renaissance-consort cds breukink walter van hauwe renaissance jeremias schwarzer krummhorn trio diritto cornamuse dulcian shawm shalmei flute cornetti baroque flute oboe rackett chalumeau sopran clarinet Sole agent for the USA: Tel: 1-860-364-5431 Magnamusic Distributors Inc., Fax: 1-860-364-5168 P.O. Box 338, [email protected] Sharon, CT 06069 www.magnamusic.com EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLIII, Number 5 November 2002 “This piece is harder than it looks.” FEATURES The comment came as our quartet was A Modern Recorder Player in Four Worlds . 6 assembling a short program, based loosely Pamela Thorby Interviewed on one that we had done for Play-the- by David Lasocki Recorder Month. We had come back to a It’s Not All Greek to Me. 10 piece that had been cut early in the prepa- A recorder player’s diary of her musical journey rations for that too-lengthy program. The 4 by Racheal Cogan piece seemed like it might be an easy one Arranging Traditional Melodies for Recorders. 14 to add back in, but it had turned out to The eighth in a series of articles by composers and arrangers have some surprises we hadn’t found in discussing how they write and arrange music for recorder, our initial readings.
    [Show full text]