Incontri #9 | 1

Total Page:16

File Type:pdf, Size:1020Kb

Incontri #9 | 1 INCONTRI #9 | 1 INCONTRI #9 IDM FILM CONFERENCE 2019 FOCUS! 2 | INCONTRI #9 INCONTRI #9 IDM FILM CONFERENCE FOCUS! March 13 – 15, 2019 Schenna Resort, Schenna / Scena South Tyrol incontri.idm-suedtirol.com With friendly support of 2 | INCONTRI #9 INCONTRI #9 | 3 CONTENT WELCOME ........................................... 4 AGENDA ............................................. 6 PARTICIPANTS . 10 TEAM .............................................. 102 NOTES ............................................ 103 IMPRINT .......................................... 110 4 | INCONTRI #9 INCONTRI #9 | 5 WELCOME TO SCENA! AND WELCOME TO INCONTRI #9! We are meeting again for our annual think-tank conference – at a If you know how to leverage your assets, that is. And here is where moment in time when the many different facets of disruption could INCONTRI comes into play. Our mission has always been to provide not be visible more clearly. 2018 was probably the year that brought next-level intel for you to master your necessary shift to tomorrow’s more change to the audiovisual industries than all the ones before success. By putting you in touch with the driving forces of the on- since the inception of INCONTRI. And 2019, quite frankly, does not demand content ecosystem. By candidly sharing and debating both look like any slowdown. chances and challenges that lie ahead for our industries. By curating exemplary best-practice cases to inspire you. That said, we are Nonlinear consumption of video content is gaining traction at an immensely happy that Netflix, for the second time after 2016, chose enormous speed, upending many legacy business models that INCONTRI as one of their go-to networking places for an in-depth seemed so cozy for decades. For the first time in history, more exchange with lots of awesome producers. premium video output globally is housed by paid-content than by ad-funded platforms. Television broadcasters all over Europe strive From Deloitte’s media and entertainment team you will hear about to increase their over-the-top businesses to become less dependent four different scenarios how the audiovisual landscape might on their linear feeds. develop by 2030. Will you be ‘lost in diversity’ or hit by the ‘revenge of the broadcasters’? Will you be part of a ‘universal supermarket’ Netflix has a dozen or so original series in production per country or win the ‘content endgame’? Stick around and find out, only at and is ramping up a substantial local movie line-up as well. In INCONTRI #9. the months to come, direct-to-consumer giants Apple, Disney, WarnerMedia and Comcast NBC Universal will launch their new streaming services which all enter the marketplace with no less than global ambitions. At the same time, cinema attendance hit an all- RENATE BIRGIT time low in Germany and the worst in a decade in Italy. RANZI OBERKOFLER Head of Film Location Head of Film Fund & There are two easy conclusions: If you are in the business of Development Commission IDM distributing content by means of your owned and operated networks & Creative Industries IDM or theaters – well, then you probably have to think harder than ever before how to keep revenues flowing. However, if you happen to be BARBARA TORSTEN in the business of creating, developing and packaging content, you WEITHALER ZARGES are literally in the midst of the proverbial New Golden Age. Owning Film Location Development ALESSANDRA DE LUCA, and controlling IP makes you king and queen of a system in which Manager IDM Program Coordinators access to pipes is no longer a gatekeeper’s privilege and in which the Conference Coordinator INCONTRI vast demand for unique, differentiating top content clearly creates a INCONTRI supply-driven market. 6 | INCONTRI #9 INCONTRI #9 | 7 AGENDA Wed, Mar 13 18:00 – 20:00 ARRIVAL CONFERENCE GUESTS 19:00 – 20:00 SUNSET APERITIVO Wed, Mar 13 20:00 – 22:00 WELCOME DINNER FOCUS! 13.00 – 14.30 FOCUS! NETWORKING LUNCH 14:30 – 14:40 OPENING / IDM Thu, Mar 14 Barbara Weithaler Film Location Development Manager & 08:00 – 09:30 BREAKFAST Project Coordinator INCONTRI 09:30 – 09:45 OPENING / IDM 14.40 – 15.50 ROUND TABLE Vera Leonardelli FILM FUNDING IN EUROPE: Head of Business Development Department OPPORTUNITIES, CHALLENGES Birgit Oberkofler AND A JOINT FUTURE STRATEGY? Head of Film Fund & Commission Renate Ranzi Alessia Sonaglioni Head of Film Location Development & Creative Industries Project Manager, Eurimages Kristin Holst Funding Consultant, FFA 09:45 – 10:45 KEYNOTE CONVERSATION Birgit Oberkofler THE NETFLIX STRATEGY – MOVIES AND SERIES, Head of Film Fund & Commission, IDM ORIGINALS AND CO-PROS Cristina Priarone CEO, Roma Lazio Film Commission Kai Finke Andrea Spagna Director Acquisitions & Co-Productions DACH, Netflix Marketing, Brand and Business Development, Cinecittà Luce 10:45 – 11:15 COFFEE BREAK 15:50 – 16:20 COFFEE BREAK 11:15 – 12:30 INDUSTRY DEBATE 16:20 – 17:30 CASE STUDY / THE GREAT COLD – SHOOTING WE’VE GOT NEW RULES – THE FUTURE ABEL FERRARA’S SIBERIA BETWEEN OF FILM DISTRIBUTION SOUTH TYROL AND BAVARIA Kai Finke Marta Donzelli Director Acquisitions & Co-Productions DACH, Netflix CEO & Producer, Vivo film Andrea Occhipinti Philipp Kreuzer CEO, Lucky Red CEO & Producer, maze pictures Dirk Schürhoff Managing Director, Beta Cinema Moderated by Alessandra De Luca. 8 | INCONTRI #9 INCONTRI #9 | 9 12:30 – 14:00 NETWORKING LUNCH Fri, Mar 15 14:00 – 14:45 FIRESIDE CHAT ON HER WAY TO OUTER SPACE – THE QUEST TO 08:00 – 09:30 BREAKFAST BECOME GERMANY’S FIRST FEMALE ASTRONAUT 09:30 – 10:30 KEYNOTE Dr. Suzanna Randall LOST IN DIVERSITY OR CONTENT ENDGAME? Scientist, ALMA Regional Centre, THE FUTURE OF THE TV AND VIDEO ESO European Southern Observatory LANDSCAPE BY 2030 Klaus Böhm 14:45 – 15:45 PRESENTATION / BEST OF RACCONTI #7 Director / Media & Entertainment Lead, Deloitte Consulting 14:45 – 15:15 TREELINE (WRITERS’ ROOM) 10:30 – 11:00 COFFEE BREAK Jana Burbach Headwriter Treeline 11:00 – 11:45 KEYNOTE CONVERSATION / Julia Rappold FROM PAGE TO SCREEN – Producer, Lieblingsfilm THE MIRACLE OF CREATIVE VISION Ivan Cotroneo 15:15 – 15:45 DIGITAL THINK TANK Screenwriter / Novelist / Director Kristian Costa-Zahn Director Creation & Innovation, Endemol Shine Beyond 11:45 – 12:45 INDUSTRY DEBATE Wiktor Piatkowski TIME IS MONEY IS QUALITY – WHAT NEEDS CEO, Bahama Films TO CHANGE IN SCRIPT DEVELOPMENT? Mathieu Van de Velde CEO, Black Sheep Films Alfonso Cometti Daniel A. Wunderer Executive Commissioning Producer - Drama, Mediaset Screenwriter / Director Social Murder Paola Malanga Deputy Director, Products Division, Rai Cinema Sabine de Mardt 15:45 – 17:00 SCAVENGER HUNT President, Gaumont Germany THE AMAZING INCONTRI RACE – Marianne Wendt WHICH TEAM WILL WIN? Screenwriter / Director / Dramaturg 19:30 – 20:00 APÉRO & AWARD CEREMONY 12:45 – 14:30 FAREWELL LUNCH 20:00 – 22:00 DINNER The conference will be moderated by Torsten Zarges (Managing Partner, Zarges I creative talent connection), Alessandra De Luca (Journalist, Ciak Magazine) and Hanspeter Siebenhaar (Journalist, Handelsblatt). 10 | INCONTRI #9 INCONTRI #9 | 11 Paola Malanga Rai Cinema .............................55 PARTICIPANTS Robert Marciniak Lieblingsfilm ...........................56 Traudi Messini Mediaart ...............................57 Simon Messner Messner Mountain Movie ................58 Philipp Moravetz Giafatto Entertainment ..................59 Simone Gattoni KAVAC FILM ............................12 Oliver Neumann Freibeuter Film .........................60 Simon Amberger SUPERFILM ............................13 Birgit Oberkofler IDM Südtirol - Alto Adgie ................61 Heinrich Ambrosch Satel Film ..............................14 Andrea Occhipinti Lucky Red ..............................62 Marcus Ammon Sky Deutschland .......................15 Alberto Pasquale Consultant .............................63 Tommaso Arrighi Mood Film/Lucky Red ...................16 Thomas Perathoner 44 Productions .........................64 Wolf Bauer UFA ....................................18 Wiktor Piatkowski Bahama Films ..........................65 Wasiliki Bleser Starhaus Filmproduktion ................19 Jakob Pochlatko epo-film ...............................66 Thomas Blieninger Lieblingsfilm ...........................20 Giovanni Pompili Kino Produzioni ........................67 Lisa Blumenberg Letterbox Filmproduktion . 21 Enzo Porcelli Achab Film .............................68 Klaus Böhm Deloitte Consulting .....................22 Cristina Priarone Roma Lazio Film Commission ...........69 Annie Brunner Roxy Film ..............................23 Suzanna Randall Astronautin ............................70 Sandra Buchta Screenwriter ...........................24 Renate Ranzi IDM Südtirol - Alto Adgie ................71 Jana Burbach Screenwriter ...........................25 Julia Rappold Lieblingsfilm ...........................72 Marco Chimenz Cattleya ................................26 Annette Reeker all-in-production .......................73 Christina Christ Keshet Tresor Fiction ...................27 Loredana Rehekampff Samsara Film ..........................74 Helene Christanell Bolzano Film Festival Bozen .............28 Philipp Schall Tellux Film .............................75 Alfonso Cometti Mediaset ...............................29 Julia Schmölz FISA ...................................76 Kristian Costa-Zahn Endemol Shine Beyond .................30 Dirk Schürhoff Beta Cinema ...........................77 Ivan Cotroneo Screenwriter ...........................31 Hanspeter Siebenhaar Handelsblatt
Recommended publications
  • 2009 NATPE Buyers*
    2009 NATPE BUYERS* ANGOLA Blanca Ponce BRAZIL Jose Pedro CEO Claiton Fernandes General Manager Premium Media S.A. Director Acquisitions TV Zimbo California Films Analia Pollero Acquisitions Manager Vladimir Fernandes ARGENTINA Turner Broadcasting System President Martin Bonavetti Latin America California Films Canal 7 Argentina Roberto Buzzoni de Oliveira Ariel Taboada BELGIUM Director General Programming & Head of Programming & Production Christian Loiseau Acquisitions Claxson Head of Program BE TV S.A. Globo TV International Mariano Kon Paula Miranda General Manager International Division Boris Portnoy Director of International Programming Eyeworks Cuatro Cabezas President/CEO KNTV (Keynews Television) Globo TV International Patricia Daujotas Suzy Ubing Director of Programming & Valerie Lardinois Director/Contract Department Acquisitions Head of Acquisitions Globo TV International FOX Latin American Channel RTBF Claudia Macedo Gonzalo Fiure Luc Janssens Programming Research & Acquisitons VP Content Strategy Head of Acquisitions International Relations Fox Latin American Channel SRL VMMA Globosat Programadora Ltda Alfredo de la Torre BOLIVIA Alberto Pecegueiro Corporate Strategy Manager Fernando Perez CEO Grupo Clarin General Manager Globosat Programadora Ltda CANAL 4 - RDP Ronnie Amendolara Otelo Bettin Coltro Director Ernesto Monasterio Executive Vice President, Acquisitions Illusion Studios President Playarte Pictures Canal 9 TV (Ecor Ltda) - Unitel Gaston Cami R. Mari Kodama Head of Sales & Coprodutions Carlos Novaro Manager of Acquisitions
    [Show full text]
  • POLO+10 World 02/2020
    WOR L D POLO+10 WORLD – The Polo Magazine • Est. 2004 • Published Worldwide I I/ 2020, Volume 9 • No 25 100,00 AED 1.500,00 ARS 35,00 AUD 10,00 BHD 25,00 CHF 165,00 CNY 20,00 EUR 30,00 GBP 190,00 HKD 1.700,00 INR 2.700,00 JPY 90,00 QAR 1.600,00 RUB 35,00 SGD 25,00 USD 350,00 ZAR 1972 DPV + EDITORIAL POLO 10 WORLD II / 2020 3 D . V E . U E T S D C N H A ER RB POLO VE DEAR FRIENDS OF POLO+10, DEAR POLO FRIENDS, the Covid-19 pandemic and its consequences influence our everyday life during these weeks. The first concern of course is for our families and friends. Protecting their health and limiting the spread of the virus still is our grea- test common obligation. We are all asked to adapt to the current circumstances, follow the restrictions in our sport and the advice for per- sonal distancing where necessary. And we can see that in following official advice we are successfully fighting Covid-19. As a result in more and more countries the strict measures will be eased in the upcoming weeks, a return to limited training slowly is possible. Polo clubs and stables affected from the restric- tions have mastered the special challenges very well. Des- pite the sometimes limiting possibilities, the care for the horses was and is always upheld. And fortunately the good and close cooperation with the authorities has made it possible to quickly implement individual training plans.
    [Show full text]
  • IL RUGGITO DI MASSIMO Vita Da Strada Buona Lettura
    RADIOCORRIERE TV SETTIMANALE DELLA RAI RADIOTELEVISIONE ITALIANA numero 23 - anno 85 13 giugno 2016 Reg. Trib. n. 673 del 16 dicembre 1997 IL RUGGITO DI MASSIMO Amici miei, finalmente ci siamo. Una nuova estate sta per arrivare e, sperando che il tempo ci assista, cercheremo di trascorrere qualche giorno di riposo magari all’ombra di una palma in riva al mare o sdraiati sotto una pianta secolare in montagna. O più semplicemente su una comoda sdraio in campagna. L’importante è avere sempre a portata di mano un buon libro. Tornare a farsi cullare dal rumore dei fogli della carta che scivolano tra le mani. E proprio per questo ho pensato di presentarvi alcuni titoli, editi da RaiEri, che potrebbero farvi compagnia in vacanza. Qualora non aveste ancora scelto la località per trascorrere il vostro periodo estivo, vi consiglio di acquistare subito “L’Italia nascosta”, il nuovo libro di Osvaldo Bevilacqua che da oltre quarant’anni, con la sua trasmissione televisiva “Sereno Variabile”, ci accompagna tra le eccellenze del nostro Paese. Potreste riscoprire un’Italia avventurosa e inattesa, ricca di tesori di arte e natura, di tradizioni e divertimento, di enogastronomia. Perché noi italiani, si sa, siamo legati alla cucina da una relazione speciale e assaggiare un piatto con il gusto del vino può rivelarsi un’esperienza indimenticabile. Soprattutto quando l’uno completa l’altro. Sapori nuovi e inaspettati anche nel libro di Fede e Tinto, “Sommelier…ma non troppo. Ad ogni cibo il suo vino. Gli abbinamenti di vinocult”, pronto a regalarci un pezzo del nostro cuore tricolore. Quel tricolore che sventola nel ricordo di uno dei programmi Rai che ha cambiato la televisione: il Rischiattutto.
    [Show full text]
  • ABC Kids/ABC TV Plus Program Guide: Week 10 Index
    1 | P a g e ABC Kids/ABC TV Plus Program Guide: Week 10 Index Index Sunday, 28 February 2021 .................................................................................................................................... 3 Monday, 1 March 2021 ......................................................................................................................................... 9 Tuesday, 2 March 2021 ....................................................................................................................................... 15 Wednesday, 3 March 2021 ................................................................................................................................. 21 Thursday, 4 March 2021 ..................................................................................................................................... 27 Friday, 5 March 2021 .......................................................................................................................................... 33 Saturday, 6 March 2021 ...................................................................................................................................... 38 NOTE: Program times may differ in some states if viewing on VAST or Foxtel. More information can be found at ABC Help. 2 | P a g e ABC Kids/ABC TV Plus Program Guide: Week 10 Sunday, 28 February 2021 Program Guide Sunday, 28 February 2021 5:00am The Day Henry Met (Repeat,G) 5:05am Little Princess (CC,Repeat,G) 5:20am Sarah And Duck (Repeat,G) 5:25am Hoot Hoot Go! (CC,Repeat,G)
    [Show full text]
  • Filming in Croatia 2020 1 Filming in Croatia 2020
    Filming in Croatia 2020 1 Filming in Croatia 2020 Production Guide cover photo: Game of Thrones s8, Helen Sloan/hbo, courtesy of Embassy Films 2 Filming in Croatia 2020 Contents Introduction · 4 Permits and Equipment · 94 Location Permits · 97 Filming in Croatia · 8 Shooting with Unmanned Aircraft The Incentive Programme · 12 Systems (drones) · 99 Selective Co-Production Funding · 20 Visas · 102 Testimonials · 24 Work Permits for Foreign Nationals · 103 Customs Regulations · 105 Local Film Commissions · 38 Temporary Import of Professional Equipment · 107 Locations · 46 Country at a Glance · 50 Made in Croatia · 108 Istria · 52 Kvarner and the Highlands · 56 Dalmatia · 60 Slavonia · 64 Central Croatia · 68 Crews and Services · 72 Production Know-How · 75 Production Companies · 80 Crews · 81 Facilities and Technical Equipment · 83 Costumes and Props · 85 Hotels and Amenities · 88 Airports and Sea Transport · 89 Buses and Railways · 91 Traffic and Roads · 93 Zagreb, J. Duval, Zagreb Tourist Board Filming in Croatia 2020 5 Introduction Star Wars: The Last Jedi, John Wilson/Lucasfilm © 2018 Lucasfilm Ltd. All Rights Reserved Croatia offers an ideal combination Dubrovnik as the setting for King’s Landing, the fortress of Klis as the city of Meereen, and locations in Šibenik and Kaštilac of filming conditions. It is a small, for the city of Braavos. Numerous locations throughout Croatia hosted the bbc One’s McMafia, awarded best drama series at yet diverse country, with breath- the International Emmy Awards. hbo’s Succession season 2 taking locations; its landscapes finale took the luxurious cruise down the Dalmatian coast before scoring Golden Globe for Best Television Series – Drama.
    [Show full text]
  • 43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
    43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine.
    [Show full text]
  • Nobuyoshi ARAKI
    Nobuyoshi ARAKI 1940 Born in Tokyo 1963 Graduated from the Engineering Department of Chiba University, majoring photography and film-making Lives and works in Tokyo SOLO EXHIBITIONS 2019 “Gekko Shashin”, art space AM, Tokyo, Japan “Flower Rondeau”, SHOP Taka Ishii Gallery, Hong Kong “ARAKI TELLER SHISEI”, art space AM, Tokyo, Japan “LIFE BY FILM by Nobuyoshi ARAKI”, Leica Gallery Bangkok, Bangkok, Thailand “SHIMEN AIKA”, art space AM, Tokyo, Japan “Effetto Araki”, Santa Maria Della Scala, Siena, Italy “SUMMER HAPPINESS”, art space AM, Tokyo, Japan Art Bridge 798 Art District, Beijing, China “Umegaoka Elegy”, Taka Ishii Gallery, Tokyo, Japan [Cat.] “Reian Toushun”, art space AM, Tokyo, Japan “Summer Xu”, art space AM, Tokyo, Japan 2018 “nehan shoujo”, art space AM, Tokyo, Japan “Impossible Love – Vintage Phoroagphs”, C/O Berlin, Berlin, Germany [Cat.] “AI ELEGY, art space AM, Tokyo, Japan “KATA-ME”, Rat Hole Gallery, Tokyo, Japan [Cat.] “78 sai no shamanatsu”, art space AM, Tokyo, Japan “Shikimou Rojin P”, art space AM, Tokyo, Japan “Love-Dream, Love-Nothing”, Taka Ishii Gallery, Tokyo [Cat.] “Qing Se Hua Fu”, Light Society, Beijing "HANA JINSEI (FLOWER - LIFE)", Over The Influence, Los Angeles, CA, USA “VINTAGE PRINTS”, Taka Ishii Gallery New York, NY, USA [Cat.] “The Passport to the Paraside”, art space AM, Tokyo, Japan “The Incomplete Araki: Sex, Life, and Death”, Museum of Sex, New York, NY, USA “ASHARA”, art space AM, Tokyo, Japan 2017 “Nobuyoshi Araki-I, Photography”, Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan [Cat.] “IMPOSSIBLE LOVE”, C/O Berlin, Berlin, Germany “Clouds, Flowers & Nudes Photographs 1975-2005”, GALERIE JOHANNES FABER, Vienna, Austria “27th Month of Photography November 2017 Bratislava”, Bratislava, Slovakia “Bunka Shashin”, art space AM, Tokyo, Japan “ARAKI.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • VIENNA Cushman & Wakefield Global Cities Retail Guide
    VIENNA Cushman & Wakefield Global Cities Retail Guide Cushman & Wakefield | 2019 0 Vienna’s historic role as the centre of the Austro-Hungarian Empire has left the nation with an overly large capital city, where a fifth of the population of the country resides. As a consequence of its proximity to Bratislava (Slovakia) and Brno (Czech Republic) Vienna benefits from shopping tourism. On Christmas season weekends, up to 200,000 shopping tourists from neighbouring countries come to Vienna. In 2018, as in the past 8 years, Vienna ranks at the top of a leading international comparative study on the quality of living in different cities, and scores highly in many other rankings. Tourism is extremely strong in Vienna and is relatively unaffected by seasonal fluctuations. In 2018 the number of overnight stays hit a new record high of 16.48 million, and the number of tourists with high purchasing power, in particular from Asia, is increasing. The principal tourist attractions in the city are within the central ring road and surround the prime retail area. Living costs are relatively high in Vienna and this is reflected in the above-average wage levels among those employed there. It is not a place for cheap shopping but does offer numerous elegant shops and quality products. There is an increasing concentration of new luxury brands and flagship stores in the city centre. Some shopping VIENNA streets have risen in attractiveness. City shopping centres have been developed at railway stations, although the city centre is facing more competition from retail parks and OVERVIEW shopping centres on the periphery.
    [Show full text]
  • Online News Coverage of the Eurozone Crisis: Discussion in Italy
    Online news coverage of the Eurozone crisis: discussion in Italy and Spain Autor(es): Albertini, Marta Publicado por: Imprensa da Universidade de Coimbra URL persistente: URI:http://hdl.handle.net/10316.2/38255 DOI: DOI:http://dx.doi.org/10.14195/1647-8622_15_6 Accessed : 29-Sep-2021 15:26:56 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. impactum.uc.pt digitalis.uc.pt Online news coverage of the Eurozone crisis: discussion in Italy and Spain Marta Albertini Marta Albertini, Master in Science in Communication Studies in Vrije
    [Show full text]
  • 3 Tage in Quiberon
    Presseheft 3 TAGE IN QUIBERON Ein Film von Emily Atef Mit Marie Bäumer, Birgit Minichmayr, Robert Gwisdek, Charly Hübner Kinostart: 12. April 2018 Deutschland 2018, Länge 115 Min. Pressematerial erhältlich unter: www.prokino.medianetworx.de VERLEIH PROKINO Widenmayerstr. 38 80538 München Tel.: (089) 210 114 - 0 Fax: (089) 210 114 - 11 E-Mail: [email protected] PRESSEBETREUUNG VERMIETUNG lindenfels_public relations Twentieth Century Fox Reisingerstraße 6 Darmstädter Landstraße 114 80337 München 60598 Frankfurt am Main FON (089) 130 10 06-10 FON (069) 9613630 FAX (089) 130 10 06-2 E-MAIL [email protected] 1 INHALT BESETZUNG 3 STAB 3 KURZINHALT UND PRESSENOTIZ 4 LANGINHALT 5 HINTERGRUND 8 BIOGRAPHIE ROMY SCHNEIDER 9 INTERVIEW MIT AUTORIN UND REGISSEURIN EMILY ATEF 12 INTERVIEW MIT DER HAUPTDARSTELLERIN MARIE BÄUMER 17 DIE SCHAUSPIELER MARIE BÄUMER 19 BIRGIT MINICHMAYR 20 CHARLY HÜBNER 21 ROBERT GWISDEK 22 DIE CREW EMILY ATEF 24 (DREHBUCH & REGIE) KARSTEN STÖTER (PRODUZENT) 24 THOMAS W. KIENNAST (KAMERA) 25 HANSJÖRG WEISSBRICH (Schnitt) 25 MUSIK (Christoph Kaiser, Julian Maas, Amaury Bernier) 25 SILKE FISCHER (SZENENBILD) 26 JANINA AUDICK (KOSTÜME) 26 2 BESETZUNG Romy Schneider MARIE BÄUMER Hilde Fritsch BIRGIT MINICHMAYR Michael Jürgs ROBERT GWISDEK Robert Lebeck CHARLY HÜBNER Mann in Kneipe DENIS LAVANT STAB Drehbuch und Regie EMILY ATEF Produktion ROHFILM FACTORY (Deutschland) DOR FILM (Österreich) SOPHIE DULAC PRODUCTIONS (Frankreich) TITA B PRODUCTIONS (Frankreich) DEPARTURES FILMS (Deutschland) NDR/ARTE ORF Produzent KARSTEN STÖTER Koproduzenten DANNY KRAUSZ SOPHIE DULAC MICHEL ZANA FRED PREMEL UNDINE FILTER THOMAS KRÁL KURT STOCKER Kamera THOMAS KIENNAST Schnitt HANSJÖRG WEISSBRICH Szenenbild SILKE FISCHER Kostüme JANINA AUDICK 3 TAGE IN QUIBERON wurde produziert von Karsten Stöter (Rohfilm Factory) in Koproduktion mit Dor Film (Österreich), Sophie Dulac Productions (Frankreich), NDR, ARTE, ORF, Tita.B.
    [Show full text]
  • Centrope Location Marketing Brochure
    Invest in opportunities. Invest in centrope. Central European Region Located at the heart of the European Union, centrope is a booming intersection of four countries, crossing the borders of Austria, the Czech Republic, Slovakia and Hungary. The unique mixture of sustained economic growth and high quality of life in this area offers tremendous opportunities for investors looking for solid business. A stable, predictable political and economic situation. Attractive corporate tax rates. A highly qualified workforce at reasonable labour costs. World-class infrastruc- ture. A rich cultural life based on shared history. Beautiful landscapes including several national parks. And much more. The centrope region meets all expectations. meet opportunities. meet centrope. Vibrant Region Roughly six and a half million people live in the Central European Region centrope. The position of this region at the intersection of four countries and four languages is reflected in the great variety of its constituent sub-regions and cities. The two capitals Bratislava and Vienna, whose agglomerations – the “twin cities” – are situated at only 60 kilometres from each other, Brno and Győr as additional cities of supra-regional importance as well as numerous other towns are the driving forces of an economically and culturally expanding European region. In combination with attractive landscapes and outdoor leisure opportunities, centrope is one of Europe’s most vibrant areas to live and work in. Population (in thousands) Area (in sq km) Absolute % of centrope Absolute % of centrope South Moravia 1,151.7 17.4 7,196 16.2 Győr-Moson-Sopron 448.4 6.8 4,208 9.5 Vas 259.4 3.9 3,336 7.5 Burgenland 284.0 4.3 3,965 8.9 Lower Austria 1,608.0 24.3 19,178 43.1 Vienna 1,698.8 25.5 414 0.9 Bratislava Region 622.7 9.3 2,053 4.6 Trnava Region 561.5 8.5 4,147 9.3 centrope 6,634.5 44,500 EU-27 501,104.2 4,403,357 Source: Eurostat, population data of 2010.
    [Show full text]