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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
Film Essay for "7Th Heaven"
7th Heaven By Aubrey Solomon In the years between 1926 and 1928, Hollywood ex- perienced a maturation which blended art and indus- try to a new level of cinema. Influenced heavily by the experiments of foreign talents, largely German, new concepts of cinematography, lighting, set de- sign, and special effects known as “trick shots,” per- meated American film-making methods. The somber and sometimes morbid themes of German cinema also seeped into their films, often to the chagrin of American exhibitors who preferred their own exuber- ant optimism and happy endings. “7th Heaven” characterizes a perfect blend of opti- mistic romantic fantasy and German influenced pro- duction design. It also became one of the most pop- ular films of the late silent era. Its opening title card set the tone: “For those who will climb it, there is a ladder leading from the depths to the heights - from the sewer to the stars - the ladder of Courage.” Based on a hugely successful play by Austin Strong which ran at the Booth Theatre on Broadway from October 30, 1922, to May 21,1924 for a total of 685 performances, it portrayed the travails of young lov- An advertisement from a June 1927 edition of Motion ers who meet amidst the sordid gutters of pre-World Picture News. Courtesy Media History Digital Library. War I Paris. Happy-go-lucky street cleaner Chico saves waifish, homeless, Diane, a runaway from her abusive sister. Against Chico’s initial resistance, he Fox Films vice-president and general manager falls in love with Diane only to end up going to war Winfield Sheehan acknowledged audiences were and being declared dead in battle. -
Hollywood Movie Stars California History Section Display
CALIFORNIA STATE LIBRARY NOVEMBER-DECEMBER 2016 HOLLYWOOD MOVIE STARS CALIFORNIA HISTORY SECTION DISPLAY VISIT OUR CURRENT DISPLAY: MINING IN CALIFORNIA California History Section 900 N Street Room 200 9:30-4 Monday-Friday INTRODUCTION California has been a moviemaking powerhouse for over a century now! Get star- struck, and relive the glory days of yesteryear’s actors through our carefully curated selection of images, ephemera and books. If you want more infor- mation about our movie history resources, you can find them in the fol- lowing places: California State Library Catalog: Subject Searches: Motion picture actors and actresses California motion picture* Hollywood history California Information File II: Subject Searches: Motion picture actors and actresses California Motion picture* Hollywood history California Information File (In-house use): Subject Searches: Moving Pictures Counties: Los Angeles: Hollywood Drama: Actor Names California Image File (In-house use): Subject searches: Portraits: Actor Names Motion Pictures Contacting us: Web-form: Ask us a Question Email: [email protected] Enjoy our display! VISUALS Hoover, Art Company. 192AD. [Lena Basquette] (7 Views). Silent Movie Scene. 192AD. Hartsook, Photo. 192AD. Mary Pickford. VISUALS Blake, Orville T. 1929. Grauamaus [Sic] Chinese, Hollywood, CA. Graphic. Arthur Wenzel at Theater in Oakland. 1916. Graphic. Hoover, Art Company. 192AD. [Alice Terry] (2 Views). A Cecil B. DeMille Production: Fredric March in “The Buccaneer.” 1937. Graphic. VISUALS Farrell Collection. 1916. Mary Pickford in Hulda from Holland. Graphic. T&D. N.D. [Actor]. Graphic. Dobbins Collection. N.D. [Actress]. Graphic. VISUALS Portraits. N.D. Graphic. [Actors]. 1916. Graphic. Garrick Theater (Philadelphia, Penn.). c1913. [Advertisement]. Philadelphia: Garrick Theater. -
A Shavefail, Checks in at Drew Field
~Sfff;ft!~?- ~~<~~THE$ ~~ ~ . '"'q,(;';$PW~ • • ~~ ~ h. ............. -!.~...?. VOL. 2, NO.7 Published Exlusively in the Interest of the Personnel of Drew Field Friday, April 23, 1943 Cistern Twins Reunited New.Legi$laUon Provides for National Jeffrey Lynn, Now Service huura~ce Wiih@Mf Medica~ Exam AShavefail, Checks The ECHOES is calling to the used in making Class A Allot attention of Drew Field military ments from pay for premiums. In At Drew Field personnel the fact that new legis- Applications should specify insur- T he tall, handsome blue-eyed lation provides any person in ac- ance and AGO Form 29 should be shavetail, not long out of the Of tive servic eshall be granted Na- used in m aking Class N Allot- ficers Candidate School, Fort tiona] Service Life Insurance m ents from pay . for premiums. Monmouth, N. J., did not vary without medical examination and Applications should sp'ecify ins·ur- much in appearance from any of without medical history sl atement a nee is to be effective immediate- the countless second lieutenants upon application made in writing ly , and be mailed directly to Chief who check in at Drew Field. The within 120 days from April 12, of Finance, War Department, new officer registered for assign- 1943. upon payment of the prem- Washington. D. C. ment in the Army's aircraft warn iums. All military personnel who have ing training units at the large This right. accorciing to the War less than $10,000 Government Army air base. Department, can be exercised not- Life Insurance will be informed Tru2, he was a bit older than: withsta.nding rejection of any immediately of their current right the average shavetail, being 34; prior application for such insur- to apply without statement of j and the name that ..he · penned on e>.nce on any ~ound wha1ev:er. -
The Globe Players in Balboa Park Darlene Gould Davies
The Globe Players in Balboa Park Darlene Gould Davies I acted in the first play at the Old Globe as a permanent theater in 1937 (after the closing of the Exposition of 1935-36). I was an actor in 1937-38, but I was also a stage manager, helped with sets and props—I lived at the theatre! Then when the Globe’s director was called up by the Navy, I was chosen to be producing director—a job which I did, basically, for the next 65 years…(though my title changed). Craig Noel in 20051 Seventy-five years have passed since the 1935 California Pacific International Exposition in Balboa Park and the first appearance of the Globe Players in the newly built Old Globe Theatre.3 The Globe Players moved to San Diego from Chicago where they had performed edited versions of Shakespeare’s plays in an Elizabethan- themed “Merrie England” exhibit at the 1933-34 A Century of Progress Interna- tional Exposition in Chicago. Word of their popularity reached San Diegans who were busily planning an exposition to open the next year. According to theatre critic Welton Jones, “the operators of the 1935 California Pacific International Exposition in San Diego lured them to Balboa Park hoping to duplicate their success.”4 Abbreviated Shakespeare productions fit nicely with a great array of attrac- tions in Balboa Park. The purpose of the The Globe Players performed edited versions of Shakespeare’s plays at the 1935 California Pacific exposition was purely commercial--to International Exposition in Balboa Park. This market San Diego to the world as a tour- postcard, signed by Rhys Williams, was collected as ist attraction and a place to do business. -
The Rochester Sentinel 1981
The Rochester Sentinel 1981 Friday, January 2, 1981 Beth A. Bowen Indianapolis (AP) - Funeral services for Beth A. BOWEN, 62, wife of Indiana’s governor, will be Sunday in Bremen. The popular wife of Gov. Otis R. BOWEN had suffered a chronic bone marriw disease since 1977. She died Thursday. Mrs. Bowen had been hospitalized since Oct. 11, but left briefly Dec. 12, to make her last public appearance at a tribute to the Bowens. The governor is completing his second term in office, prohibited by statute from serving a third term. The governor and the Bowen’s four children were at her side when she died. One of her last wishes was granted just recently when she asked about the possibility of seeing her younges son, Rob, 28, sworn in as a Marshall County judge. Bowen researched the matter and found he could legally hold the swearing-in ceremony in his wife’s hospital room. For the past several weeks, the tovernor has been either at his wife’s bedside or at his official duties. “The last nine or 10 months have been heartbreaking,” he said a few days before his wife’s death. “We were together 42 years.” A veteran campaigner for her husband, a country doctor from Bremen, she was there through Otis Ray BOWEN’s 14 years in the Indiana House of Representatives. Often she was in the House gallery, listening and knitting as Bowen, the House speaker, ran things in the chamber below. “Growing up in a small Indiana town where I lived across from the courthouse and knew everyone, and being a doctor’s wife at Bremen were good training for the wife of a politician. -
Here Are a Number of Recognizable Singers Who Are Noted As Prominent Contributors to the Songbook Genre
Music Take- Home Packet Inside About the Songbook Song Facts & Lyrics Music & Movement Additional Viewing YouTube playlist https://bit.ly/AllegraSongbookSongs This packet was created by Board-Certified Music Therapist, Allegra Hein (MT-BC) who consults with the Perfect Harmony program. About the Songbook The “Great American Songbook” is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy. Often referred to as "American Standards", the songs published during the Golden Age of this genre include those popular and enduring tunes from the 1920s to the 1950s that were created for Broadway theatre, musical theatre, and Hollywood musical film. The times in which much of this music was written were tumultuous ones for a rapidly growing and changing America. The music of the Great American Songbook offered hope of better days during the Great Depression, built morale during two world wars, helped build social bridges within our culture, and whistled beside us during unprecedented economic growth. About the Songbook We defended our country, raised families, and built a nation while singing these songs. There are a number of recognizable singers who are noted as prominent contributors to the Songbook genre. Ella Fitzgerald, Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis Jr., Judy Garland, Billie Holiday, Lena Horne, Al Jolson, Dean Martin, Frank Sinatra, Mel Tormé, Margaret Whiting, and Andy Williams are widely recognized for their performances and recordings which defined the genre. This is by no means an exhaustive list; there are countless others who are widely recognized for their performances of music from the Great American Songbook. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Selling Masculinity at Warner Bros.: William Powell, a Case Study
Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape. -
Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min
January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of April 25 - May 1, 2021 Alien (1979) Freeform Mon. 5:10 p.m. Aliens (1986) Freeform Mon. 7:50 p.m. Forrest Gump (1994) VH1 Fri. 9 p.m. VH1 Sat. 5 p.m. The Godfather, Part II (1974) TMC Sun. 2 p.m. Showtime Tues. 2:50 p.m. The Godfather (1972) TMC Sun. 11 a.m. Halloween (1978) AMC Fri. 7 p.m. AMC Sat. 4 p.m. The Little Mermaid (1989) Freeform Tues. 8 p.m. Mary Poppins (1964) Freeform Sun. 7 a.m. Freeform Sun. 5 p.m. Mrs. Miniver (1942) TCM Sun. 3:45 a.m. Platoon (1986) AXS Mon. 6 p.m. AXS Mon. 8:45 p.m. AXS Tues. 6 a.m. EPIX Tues. 6 p.m. Pulp Fiction (1994) IFC Sun. 5:30 p.m. IFC Sun. 9 p.m. AMC Thur. 9 a.m. The Shawshank Redemption (1994) FX Sun. 5 p.m. The Shining (1980) AMC Sat. 8:30 a.m. The Silence of the Lambs (1991) Showtime Sat. 2 p.m. Singin' in the Rain (1952) TCM Sun. 3 p.m. Sounder (1972) TCM Sun. 9 p.m. The Spirit of St. Louis (1957) TCM Mon. 2:30 a.m. Stagecoach (1939) TCM Mon. 11:15 a.m. A Star Is Born (1937) TCM Mon. 3 p.m. A Star Is Born (1954) TCM Mon. 5 p.m. Strangers on a Train (1951) TCM Tues. -
TORRANCE HERALD, » Art Drama I
THURSDAY. SEPTEMBER 10, TORRANCE HERALD, Torranoe, California PAGft 6-fc Cimema USIC Old West Goes In "Swing Time" Drama » Art ........ ..''••• . • J - • rf !...<.. J I •!- . ' II II • I . •' —— Bad Fire Starter WAVERLY, Ran. (U.P.) Mrs Bverett' drained a bucket o Quintuplet Film RHYTHM RIEJES THE BANGE "kerosene" from a barrel to start a fire. She had forgotten Team Plays Nursemaid to Prize Unparalleled As the kerosene had been replacec with gasoline. She escaped with In Cross Country Jaunt painful burns. ' Fine Amusement They haven't; gpt the Coyptes alhglhg 'Ml-Dl-Ho, but In almost every other In the picture that is the en WALT LINCH way the Old West has gone swing In tertalnment scoop of the year, 5»lng CrpBby's latest, ''Jlh.ythm on the Range," scheduled Darryl F. Zanuck makes movie tp open Sunday at the :ftlaza Theatre, Hawthorne, with star? of the first ran.k pf the Crpsby, Frances Farmer ai^d Bob Burns In central roles. world's front-page darlings, as "Rhythm On the Ra«ge" he presents the Dionnc Quin makes a cowman out of B4) tu,plets in their first full length and opens Its story. .When feature, "The .Country Doctor," Jean Harlow Is >yhich comes Sunday to the Tor- crooner buys a prize bull af a ranee Theatre for a three-day rodeo in New York's Madison Star In Famous run. Square Garden, then starts W^st Adapted from an original with the animal In a bo^ car. story by diaries ®- BHHe- &*1' In the reels that follow, a rol German Novel cago newspaper man, "The Country Poptoj" finds its drama licking romance Is punctuated Jean Harrow's newest starring by the bazooka-playing of in the ijife-and^deatft conflict that vehicle, "Silzy," in which the a' physician eternally wqges in Tp Ityake a Long Burns; swing music 'by Louis popular actress Is supported by the Canadian wilds in h|s unsel Prima's world-famed band, West fish work.