24.9.2018 Pastebin.Com - Printed Paste ID
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Under the Radar’ Provides a Concise Overview and Thoughtful Analysis of Critical Stories Currentlysummary Being &Overlooked
Under TheThe RadarLabour Leadership While the media landscape is preoccupiedContest by COVID-19, 2020 politics and business grinds on. ‘Under the Radar’ provides a concise overview and thoughtful analysis of critical stories currentlySummary being &overlooked. Analysis May Day Revolts at And while much of the debate so far has concerned hate speech, political Amazon advertising and illegal content, the latest developments show that regulators are awakening to concerns over physical What happened? goods too. Tim Bray, Amazon’s top engineer as well This is likely to be too little too late as one of its Vice Presidents, resigned for the brick and mortar shops who from the company over its “chickenshit” for years have been undercut by their - his word - treatment of employees. under-regulated digital competitors. But Bray stressed that this goes beyond the politicians and regulators will be under company’s treatment of employees during pressure to heed the call of Tim Bray and COVID-19 and extended his criticism to ensure that new competition laws are at how Amazon treats humans as “fungible least paired with stronger employment units of pick-and-pack potential”. regulations too. As Bray pointed out in his resignation blog post, recent And Amazon’s bad news day did not conditions in Amazon warehouses have end there. The EU’s largest consumer only magnified a pre-existing problem group, Beuc, accused online platforms – Amazon’s pursuit of relentless growth like Amazon of selling a wide range has produced an inherent blind spot to its of goods that do not comply with EU human costs. -
Towards Decolonial Futures: New Media, Digital Infrastructures, and Imagined Geographies of Palestine
Towards Decolonial Futures: New Media, Digital Infrastructures, and Imagined Geographies of Palestine by Meryem Kamil A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2019 Doctoral Committee: Associate Professor Evelyn Alsultany, Co-Chair Professor Lisa Nakamura, Co-Chair Assistant Professor Anna Watkins Fisher Professor Nadine Naber, University of Illinois, Chicago Meryem Kamil [email protected] ORCID iD: 0000-0003-2355-2839 © Meryem Kamil 2019 Acknowledgements This dissertation could not have been completed without the support and guidance of many, particularly my family and Kajol. The staff at the American Culture Department at the University of Michigan have also worked tirelessly to make sure I was funded, healthy, and happy, particularly Mary Freiman, Judith Gray, Marlene Moore, and Tammy Zill. My committee members Evelyn Alsultany, Anna Watkins Fisher, Nadine Naber, and Lisa Nakamura have provided the gentle but firm push to complete this project and succeed in academia while demonstrating a commitment to justice outside of the ivory tower. Various additional faculty have also provided kind words and care, including Charlotte Karem Albrecht, Irina Aristarkhova, Steph Berrey, William Calvo-Quiros, Amy Sara Carroll, Maria Cotera, Matthew Countryman, Manan Desai, Colin Gunckel, Silvia Lindtner, Richard Meisler, Victor Mendoza, Dahlia Petrus, and Matthew Stiffler. My cohort of Dominic Garzonio, Joseph Gaudet, Peggy Lee, Michael -
Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian
Case Western Reserve Journal of International Law Volume 39 Issue 1 2006-2007 2007 Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal Simone Monasebian Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Recommended Citation Simone Monasebian, Media Matters: Reflections of a Former War Crimes Prosecutor Covering the Iraqi Tribunal, 39 Case W. Res. J. Int'l L. 305 (2007) Available at: https://scholarlycommons.law.case.edu/jil/vol39/iss1/13 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. MEDIA MATTERS: REFLECTIONS OF A FORMER WAR CRIMES PROSECUTOR COVERING THE IRAQI TRIBUNAL Simone Monasebian* Publicity is the very soul ofjustice. It is the keenest spur to exertion, and the surest of all guards against improbity. It keeps the judge himself, while trying, under trial. Jeremy Bentham (1748-1832) The Revolution Will Not Be Televised. Gil Scott Heron, Flying Dutchmen Records (1974) I. THE ROAD TO SADDAM After some four years prosecuting genocidaires in East Africa, and almost a year of working on fair trial rights for those accused of war crimes in West Africa, I was getting homesick. Longing for New York, but not yet over my love jones with the world of international criminal courts and tri- bunals, I drafted a reality television series proposal on the life and work of war crimes prosecutors and defence attorneys. -
Endowments and Funds As of June 30, 2010
2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J. -
Mkt in the News (14851)
1 613,300,000+ Online Video Subscriptions in 2018 2 Streaming Wars Cut-throat race to secure content: Disney+, Amazon Prime, Hulu, HBO Max, Apple TV, Comcast Peacock 2-front war: acquiring classics and building successful original content Sights set on Netflix massive market share — 150+ million subscribers 3 Comcast. 4 I am here because I love to give presentations. You can find me at @username Welcome Comcast Peacock. Service announced last week — set to debut April 2020 Comcast pivoting to tarket Netflix market share — 150+ million subscribers Leveraging subsidiary NBC Universal 5 Applied Marketing Mix 6 Product “I’m not sure anybody else out there can do what we can do. We expect to have great content and a great product” — Bonnie Hammer, NBCUniversal Exec. - 15,000 hours of content - Major Classics: The Office, Parks and Recreation, Brooklyn Nine Nine - Exciting New Content: Seth Meyers, Jimmy Fallon, Alec Baldwin, Battlestar Galactica Reboot 7 Place Integrated into Comcast’s existing platforms ⬡ Smart TV Integration ⬡ Xbox, PS4 Applications ⬡ Laptop, Tablet, etc. Compatibility ⬡ Mobile Devices Online Platform Designed to be Accessible from Anywhere at Any Time ⬡ Online Instantaneous Streaming ⬡ Downloads for Offline Viewing 8 Price ⬡ Free for existing Comcast TV subscribers ⬡ TBD Price for New Subscribers ⬡ (Similar competitors range from anywhere between $4.99 and $14.99) 9 Promotion - Force loyal fans of classics to the platform ($500+ million deal for The Office) - Hiring legends: Fallon, Mike Schur (produced the Office), Lorne Michaels (SNL), Alec Baldwin - Hype Build (Released April 2020) 10 SWOT. Strengths: Weaknesses: ● Soon to reacquire extremely ● Platform is Untested, Widely popular classic shows Unknown ● Network of celebrities, ● Low Current Engagement actors, and writers to build with Comcast original content ● Leverage 22+ million active Threats: pay-TV subscribers ● Intense Competition and Industry Giants Make Up Opportunities: large Portion of Market ● Target new segment: OTT ● Streaming Services are sticky 11 Netflix. -
Why the Legal Strategy of Exploiting Immigrant Families Should Worry Us All
\\jciprod01\productn\H\HLP\14-1\HLP101.txt unknown Seq: 1 30-JAN-20 10:17 Why the Legal Strategy of Exploiting Immigrant Families Should Worry Us All Jamie R. Abrams* This article applies a family law lens to explore the systemic and traumatic effects of modern laws and policies on immigrant families. A family law lens widens the scope of individuals harmed by recent immigration laws and policies to show why all families are affected and harmed by shifts in state power, state action, and state rhetoric. The family law lens reveals a worrisome shift in intentionality that has moved the state from a by- stander to family-based immigration trauma to an incendiary agent perpetrating family trauma. Modern immigration laws and policies are deploying legal and political strategies that intentionally sever the parent-child relationship and demonize immigrant families. The family law lens brings into focus how the state is acting under the parens patriae power, which positions the state as the “parent of the nation.” For the state to intervene using its parens patriae power to perpetrate the exact kinds of harms that would be con- sidered abusive if deployed by a parent, suggests a deep dissonant injustice in the use of state power in certain families. This shift in intentionality exacerbates longstanding dif- ferences in government family interventions by race, class, and immigration status. Laws and policies that exploit the hardships of families as political pressure should worry all families under the law because we entrust the state to intervene to protect fami- lies. These political strategies threaten the constitutional norms that are the foundation of modern family law. -
Channels Near to CNBC Increases Viewership By
REDACTED FOR PUBLIC INSPECTION channels near to CNBC increases viewership by [[_]]9 When neighborhooded with CNBC, the hours BTV is watched per week increases [[_JJ, relative to average hours watched. 10 In fact, when BTV was simulcast in the morning by the USA Network from 2001-2003, which was prior to NBC's acquisition of USA Network, at which time carriage of BTV was dropped, BTV occasionally outdrew CNBC during the critical early morning "prime time" hours. II Similarly, BTV has significantly higher viewership when it is carried on cable systems in non-U.S. markets where its channel is neighborhooded with CNBC and similar news programming. [[ support its wide international viewership, Bloomberg TV broadcasts through Bloomberg Asia, Bloomberg Europe, and Bloomberg USA. I3 News bureaus in London, Hong Kong, and Beijing - to name only a few - broadcast internationally at varying times throughout the day. These international programs enjoy widespread success. Bloomberg has received numerous awards for BTV. 14 9 See Exhibit 3, Dr. Leslie M. Marx, Professor of Economics, Duke University and former Chief Economist, Federal Communications Commission, Economic Report on the Proposed Comcast NBC Universal Transaction at Appendix at 23 ("Marx Report"). to Marx Report Appendix at 23. II USA Weekly Report Spreadsheet. 12 [[ JJ 13 Bloomberg Television, http://www.bloomberg.com/medialtv/ (last visited June 4,2010). 14 Bloomberg Television, About Bloomberg, News Awards, http://about.bloomberg.com/news_awards.html (last visited June 4, 2010). 7 5103307.02 REDACffiD FOR PUBLIC INSPECTION II. BLOOMBERG HAS STANDING TO PETITION TO DENY THE APPLICATION Bloomberg has standing to petition the Commission to deny the Application in the 15 Comcast-NBCU merger as a party in interest in that it has both "competitor" standing16 and "listener" standing. -
2021 Matrix Awards
SPONSORSHIP OPPORTUNITIES 2021 MATRIX AWARDS VIRTUAL EVENT | MONDAY, OCTOBER 18, 2021 | 12:00 P.M. ET Combining the success of last year’s virtually produced event with the return to normalcy we’re all feeling, we are thrilled to offer a hybrid awards ceremony this year. A professionally produced event broadcast for all to attend coupled with an invitation-only VIP reception for honorees, their guests, and exclusive sponsors. PRESENTED BY HOSTED BY New York Women in Communications (NYWICI) celebrates the 51st Anniversary of its Matrix Awards in 2021 Since 1971, the Matrix Awards have been given annually to a group of outstanding women leaders who exemplify excellence, the courage to break boundaries and steadfast commitment to champion the next generation of trailblazers, creatives and communicators. But this year will be different, bigger and better. The 2021 Matrix Awards will be delivered as a virtual event, on Monday, October 18 at 12pm ET. This digital presentation offers many new exciting possibilities, breaking down barriers of time and geography to reach a wider audience and new communities. We’ll be able to expand the audience and influence of the usual in-person gathering several-fold. NYWICI will welcome back past winners and presenters, celebrate our scholarship winners and spotlight our longstanding and newly engaged partners who make this all possible. Over the past 50 years, we’ve celebrated some iconic women like Gloria Steinem, Padma Lakshmi, Norah O’Donnell, Halle Berry, Kirsten Gillibrand, Andrea Mitchell, Joanna Coles, Bonnie Hammer, Sheryl Sandberg and Tina Fey, among many more. This event is NYWICI’s largest fundraiser and we invite you to join us as an event sponsor, demonstrating your support of NYWICI, women in the communications field and the incredible class of 2021 Matrix honorees. -
Noah Cappe and 22-23 Our Top Suggested Programs Bids Farewell His Cast-Iron Stomach to Watch This Week!
DVD TOP PICKS FEUD: BETTE HERE COME AND JOAN THE BOSTON Susan Sarandon and Jessica Lange play other CELTICS! top actresses PLUS! TIME AFTER TIME SHADES OF BLUE MAKING HISTORY The chase across eras is continues to offer What two guys and on again as ‘Time After Jennifer Lopez new a duffel bag can Time’ becomes an ABC shades of acting accomplish series VAMPIRE DIARIES FOLIO SPECIAL INSERT Courtesy of Gracenote March 5 - 11, 2017 C What’s HOT this contents Week! YOURTVLINK STAFF PICK TOP STORIES 12-13 A movie with an enduring following becomes a series as H.G. Wells pursues Jack the Ripper to modern New York in “Time After Time,” premiering Sunday on ABC. Stars Freddie Stroma and Josh Bowman and executive producer Kevin Williamson tell Jay Bobbin about keeping certain aspects of the film while making the show its own project. 14-15 New police intrigue greets Jennifer Lopez as her NBC drama series “Shades of Blue” begins its second season Sunday. The actress-producer-singer and fellow star Ray Liotta tell Jay Bobbin about the fresh twists and turns 3 awaiting their characters in the show’s sophomore round. 17 In Fox’s “Making History,” Adam Pally stars as a professor The rivalry between two screen legends is dramatized by Susan who invents a device that allow him and his colleague to Sarandon and Jessica Lange in “Feud: Bette and Joan,” premiering go back in time and alter historical events – presumably to Sunday on FX. The Oscar winners and executive producer Ryan improve the present. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
5 Things We Learned from Adweek's Bonnie Hammer Profile
5 Things We Learned from AdWeek's Bonnie Hammer Profile 04.21.2014 ​AdWeek published a lengthy profile of the normally press-shy NBCU Cable Entertainment boss Bonnie Hammer on Monday, and it's packed with insight into the direction the executive has been moving her properties in the year since she being elevated to her current gig. If there's one thing that AdWeek's Sam Thielman stresses over and over again, it's Hammer's laser-focus on the brand identity of each of the properties under her command, and how those clearer identities have made the properties more lucrative for the company. Hammer oversees USA, SyFy, Bravo, E!, Oxygen, G4, and Sprout, among other networks. "She's given Syfy a real identity and an audience, and she's done the same for USA," NBCU Vice Chairman Ron Meyer told the magazine. "It could have been a potpourri of miscellaneous shows that had nothing in common." The entire piece is worth a read. But our five key takeaways: 1. Hammer knows Oxygen needs fixing. And she's on it. Her team realized there was a problem when they did some research that showed Oxygen's viewers were all over the demographic map. Some shows drew 12-year olds, while others skewed 55-plus. "From an ad-sales perspective, it was hard to sell," Hammer told AdWeek. So her team is forging a new brand identity for the female-centic network: aspirational twenty-somethings, just out of school or starting their adult lives. This group has some discretionary money, but not a lot, and are less secure in their positions. "They're a bit more authentic and real because they're coming out of the millennial world," she says. -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition.