Attila Issue 9 1971

Total Page:16

File Type:pdf, Size:1020Kb

Attila Issue 9 1971 55 ,.. ...... f • .,.- -- . .,.-..... / c:o ' · 57 ATTILA SATURDAY, 3 JULY 1971. OF POT & PORN •••••• "The time has come," the Walrus said, ( ' "to speak of pot & porn " 11 of England's Parliament of Fools 11 & ho\v its Clowns are born "Are they created like sweet Heath "beneath the humble cabbage leaf "without a mind, without a sex "with sense at sea on slippery decks? J) "why do they writhe, why do they squirm V "when driven to consider sperm '-__ 1\a.gd do they fancy Brit ish laws · "will banish pot to wild applause? "The tim~as come", the Walrus winked "for us fto vote our Fools extinct." bb (with acknowl~dgments to- Lewis CarrQll & Ogden Nash). Lambeth, which was previously famous only as the home of the \}ambeth Walk, today (Thursday) made history as the home of England'&silliest porn case t o date. Richard Handysides, the publiiher of the Little Red Schoolbook, was convicted of publishing an "obscene" book for gain and fined 25 pounds on each count with either 100 or 110 pounds costs awarded against him. (Depending on which paper you read it in.) As far as is known the L~ttle Rea Schoolbook contained only about 8 pages which, in any way" referred to sex. The ·re­ maining 200 pages were concerned with otner ways in which teenagers might be encouraged to think for themselves. , Although the prosecution was cunningly disguised as being against "obscene!' books it was clearly political. After all, if everybody in this democracy was to s·tart thinking for himself, we'd have Anarchy. Echoes of Henry Ford, ...--...___ another great democrat ••••• "You can have any color car that you want •••• as long as it's black." In this case," that egua{s ••• "You can thitlk, or read, or say whatever you want : •• • • as long as I (who the hell is this "I"?) approve. That's what demo<?racy is." Sounds just like the definition of dem9cracy recently adopted in Czechoslovakia. And in Germ8ny in the thirties ••••• "I'm sorry to have to tell you. this, Chicken Little;but l the sky is falling. Again." 7 1 58 2. THE WIZARD OF WAS ••• In the OZ case this week the usual things happened. Inspector General Knickers of the Flies Squ~d at t,he~ Yard foamed for ·a fulsome fifteen hours nonstop as he attempted, fruitlessly, to find words to express his disgust at the, Schoolkids issue. Not in all his fifty-seven years accepting bribes from the vice de ~ of Soho had he seen anything to equal it. E~ . Even in Whitehall , normally silent except for the sleeping majority of its official population, things were humming. Sheffield crafts­ men, specially flown in, were racing to have the guillotine~ ready .for Neville & his party. The weatherman has promised clear skies for Britain & the event promises to riv.al Ascot in its brilliance. ODDS Ladbrokes are quoting no odds on the Oz case at all. You have to, after all, have a chance before you can place a bet. §~~~~~~~~~~~~~~~~~~~~~~~~~~=~§~~~~ MARY'S BOOK..... ~ Financial contributions are earnestly solicited toward the pub­ lication of Mary's Book. · A sort of follm'l-up to the poetry of Mrs. Mary Wislon. Send to UNICORN vrho will forward them on to needy recipient. 120 pounds needed in all. QUICK!!!!!!!!!!!! 0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0=0,. FESTIVALS.... This was writ'ten by a body in Brighton, but the spirit is still at Glastonbury. For 5t days the outside world seemed as if it belonged to a diff­ erent century. People actually lived in peace and harmony. Al­ right, there wer~ still a number of Rip-Off artists; but they did not really mar what must rate as the Festival of Festivals. For a non-organization thing it was a real success. The toilets, though crude, were effective. The pyramidal stage an a9solute brainwave. And~ast, but not least, the amazing Sid Rawle & his free DiggErs' Kitchen. The music, which was for once only a secondary thing, was truly beautiful. (No itemized list because ~t is not needed.) v People, may you all gain at least a little of the Glastonbury spirit and find that peace can exist. v The next stop was Reading (Oh, help!) The minute you get there you know e tly what a heavy police state we live in. Searches and total repressions took place from Friday to Sunday.· Nothing was really done for the people who mattered (not even adequate crashing space.) Free enterprise was almost non-existent. Food; which unless you ate Macro, · was available from only one concession. It was bad and overcharged. (Continued top of page 3.) ' .. 72 ------ --· ......_ ____ ._ ----·------ ______ .,.,...- --... _..... --.---·- 59 (Festivals, cont.) Music, which here was the prime mover, was teriible apart from three or four bands. The kids here must wake up and realise that they must get up and do things for themselves unless they are content to be used as mindless machines. Get it together. ,. I kn0\'1 the two reports seem like a contradiction in attitude, but I _____ / lived through both. We all know that you c-an adapt to any situation, but please let peace rule your decisions and find a non-violent way to life. · %:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:%:% PUBLIC HOUSE •••• Richard's Public House will open in about 3 \-leeks. - Among other good things he brought back from the s·tates is \-!hole Earth Catalog supplement.. %=%=%=%=%=%=%=%=%=%=%=%=%=%=%-:::PJ,=%=%=%=%=%-:::PJ,-:::PJ,=%=%-:::PJ,=%=%-:::Pj,::!'j,-:::!'j,:%=%-:::PJ,=% IDEA I get the impression that people think that to write for a magazine, paper, etc., one should have a command of the language in question. This is a myth as ·far as I am concerned, it is one of the many hangover ideas from education past & present, \'lhich I find hard t"i)'-­ accept. Words make sounds, sounds make music, either in private or public reading; these theh-make images, which was the first intention, and the only was to achieve this is to do it. Not night or day school~ because this can only give one complexes about "should I do th"'is, can I do that, is it wrong or right," thereby makiag the person too tight. For ~ aven's sake let go of all concepts of writing, painting, music ~tc. Lay out yourselves. Praise and help others in their good times and bad, ~d write how you like on what .you like. F~r no one has ever pleased everybody ••••• ever. No one ever will, so what the 'hell, iggle, piggle, miggly, my. P.S. There is a rumour that sonie people like double images. Idea. A wooden chair with glass legs. J k.f. _ 1 • &=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=& ASK ALICE ACIQ e;·••••• In response to great .popular demand (mine) a new column will begin in the next issue of Attila. To be called ASK ALICE ACID. Neil's done a real fine l9go for the thing ••• a spitting likeness . of the old dear if I do say so, meself. If you got nny questions, on anytning at all, just drop her a line care of ATTILA, she'll be ·r pal glad to help out. (She's a right_ nosy old bitch. ed.) 1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1-1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1-1.1-1.1-1.1.1.1.~1.1-1.1.1.1.• • 73 PUBLICATIONS FROM SHOOTHIE •••••• ' I " tiU 4. THE BAIL SURVEY As you probably rend in the l a st two i~sues of Attila, the N.C.C. ~ has been conducting a bail survey nt the Brighton Magistrates Court this week. In view of the fact that it's only just finished, it's a· bit too soon to make commen~s on the actual bail scenes, but there are a ·few things I noticed about the court itself. Firstly, I have alot less \'lorries · about ever having to appear as a defendant . If you spend any length of time in the courts, you begin to realise that the mngistra~es are not really worthy of the titles "Your Horships" - they are just people. If it is neccesary to ha,ve courts at all, then they should not be arranged in such n way as t o overawe anyone brought before them . When the majority of people see the members of the bench, they correctly identify them as "them", and accept the proceedings as inevitable . If no-2ne mentions bail, then you dare not a sk, for fear of bringing the wrath of "the nobs" down on your head. The same goe~ for legal aid. How many people plead guilty because they give up the idea of a fai+ trial, we shall never know. I 1m not saying they'll get a · fair trial, but court officials rarely help the defendant to get his rights - do they really think that the majority of people are quite happy to be remanded in custody, and be unrepresented in serious cases? ,, Also, two examples of. " justice" that I witnessed.· A man was asking that he s hould not be deprived of his driving licence, .although he pleaded guilty to speeding , and this was his third speeding offence in three years.
Recommended publications
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
    KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev.
    [Show full text]
  • Book Proposal 3
    Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.
    [Show full text]
  • SLAP Supporting Local Arts & Performers
    Issue 41 SLAP Supporting Local Arts & Performers Fuel presents Fiction Conceived by David Rosenberg and Glen Neath Written by Glen Neath Directed by David Rosenberg Music & Sound by Ben & Max Ringham 14 October, 7 & 9pm Fuel Ticket Offers Buy one ticket to a Fuel show Malvern Theatres & get the second half price! Quote the code FUELHALF. Grange Road, Malvern WR14 3HB Come to all three shows & get one Tickets: £16/14/£8 show free. Quote the code FUELFREE. 01684 892277 Offers can only be used when booking by telephone or in person, malvern-theatres.co.uk subject to availability. fueltheatre.com Fiction, commissioned by the Cambridge Festival of Ideas, Cambridge Junction and Bournemouth Arts by the Sea Festival. Funded by Arts Council England and a Wellcome Trust Arts Award. New Theatre In Your Neighbourhood is funded by Arts Council England and the Esmée Fairbairn Foundation. Welcome to the October issue of SLAP Magazine which marks the end of a glorious summer of festivals for us. In fact I write my editorial from the Forest of Dean, home to the wonderful Something else in the Dean festival - sadly the last of the season. We take a snapshot view of this years hugely successful Worcester Music Festival with Andy O’Hare, surely the busiest man of the whole weekend. Talking of snapshots, we bring you the judges top three from the WMF photo Oct 2014 competition. If you’re quick you can see all 25 finalists on display at the Arts Workshop until Saturday 5th October following the presentation which took place as we went to press.
    [Show full text]
  • The British Underground Press, 1965-1974: the London Provincial Relationship, and Representations of the Urban and the Rural
    THE BRITISH UNDERGROUND PRESS, 1965-1974: THE LONDON­ PROVINCIAL RELATIONSHIP, AND REPRESENTATIONS OF THE URBAN AND THE RURAL. Rich�d Deakin r Presented as part of the requirement forthe award of the MA Degree in Cultural, Literary, andHistorical Studies within the Postgraduate Modular Scheme at Cheltenham and Gloucester College of Higher Education June 1999 11 DECLARATIONS This.Dissertation is the product of my own work and is. not the result of anything done in collaboration. I agreethat this. Dissertationmay be available forreference and photocopying,. at the discretion of the College. Richard Deakin 111 ABSTRACT Whateverperspective one takes, contradictions in the relationship between the capital and the provinces have always been evident to some extent, and the British undergroundpress of the late 1960s and early 1970s is no exception. The introductoryfirst chapter will definethe meaning of the term 'underground' in this context, and outline some of thesources used and the methodologies employed. Chapter Two will show how the British underground press developed froman alternative coterie of writers, poets, and artists - often sympathisers of the Campaign forNuclear Disarmament movement. It will also show how having developed from roots that were arguably provincial the undergroundadopted London as its base. The third chapter will take a more detailed look at the background of some London and provincial underground publications andwill attempt to see what extent the London undergroundpress portrayed the provinces, and vice-versa. In Chapter Four actual aspects of lifein urbanand rural settings, such as communes, squats, and pop festivals,will be examined in relation to the adoption of these lifestylesby the wider counterculture and how they were adapted to particular environments as part of an envisioned alternativesociety.
    [Show full text]
  • Rock and Roll Music
    Rock & Roll Michael Hardaker, HRDMIC006 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts specialising in Creative Writing Faculty of the Humanities University of Cape Town 2017 This work has not been previously submitted in whole, or in part, for the award of Universityany degree. It is my ownof work.CapeEach significant Town contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: 2017-08-21 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT Through unfolding, fragmentary memoirs, the disconnected odyssey of Nick Numbers, a rock music critic working in London and LA through the 1970s into the early 1980s, Rock & Roll explores the multiple realities that exist between documentary, documentable fact and supposedly pure fiction. Real people and verifiable occurrences are interwoven with invented characters and situations in a way that blurs any clear distinction between the two. The book also sees how the power of additions such as images and footnotes can add, or perhaps undermine, authority and credibility to a story. Meanwhile, stories connect the twin musical and lyrical strands, black rhythm and blues and the writings of the Beat generation, that somehow merged in the mid-1960s to produce rock music.
    [Show full text]
  • I Helped Carry William Burroughs to the Medical Tent Further Thoughts on the ‘Pirate’ Radio Stations of the 1960S
    Lobster 59 I helped carry William Burroughs to the medical tent Further thoughts on the ‘pirate’ radio stations of the 1960s Simon Matthews Lobster 58 published a piece that I had written about the odd career of Simon Dee. Inevitably there were many subsidiary areas of research, interesting facts and late arriving information that could not easily be included in it. These have now been assembled and are presented here. Broadly they cover three further areas of enquiry: To what extent were those in the UK who supported commercial radio in the 1950s and ‘60s actively seeking to change the economic and political environment in Britain? Did they oppose the post-1945 consensus around the welfare state and central government planning, and if they did by whom were they influenced? Was there an explicitly political agenda behind the various US-style offshore commercial radio stations that appeared in Europe from 1961 onwards; and, if so, was this in any way promoted by the US government? Did the various ‘counter culture’ activities of Ronan O’Rahilly in the 1960s and ‘70s have a deliberate political purpose? Beginnings A discussion of the origins and role of Radio Luxembourg – in its heyday the epitome of slick broadcasting – was omitted 34 Summer 2010 from the article in Lobster 58 but is worth setting out now in some detail as an example of the earliest exposure of the UK to commercial radio and an indication of how far back an interest in this subject can be traced amongst selected figures in the British establishment. The station came into being as a result of the enthusiasm of Leonard Plugge.
    [Show full text]
  • OZ 24 Richard Neville Editor
    University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 11-1969 OZ 24 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1969), OZ 24, OZ Publications Ink Limited, London,36p. http://ro.uow.edu.au/ozlondon/24 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 24 Description Contents: The Beautiful Freaks issue. Lee Heater cover (insert: Honeybunch Kaminski poster with anti-Oz articles from the People [7/9/69] and a rebuttal from the Guardian [10/9/69] on the reverse). ‘Welcome to the OZ Freak Show’ by Ian Channell. Danae on Rufus Collins & the Living Theatre. Marcia Herscovitz interviews herself. ‘Urological Nurturement’ by John Ivor Golding. Gilbert Shelton ‘Freak Brothers’ strip. Lee Heater. Anthony Haden-Guest on ‘Bruce’, a freak. ‘I Agree with your Tactics But I Don’t Know about Your Goals’ - extracts from Jerry Rubin’s Do It! 1p+ John & Yoko photomontage. Dr Hip Ocrates. ‘Mr Orgone’ - Interview with Ilse Reich about Wilhelm. Rolling Stones Through the Past, Darkly ad. ‘The aN vy Lark’. ‘Mozic and the Revolution’ by Germaine Greer. Harvest records ad. LP reviews: The Kinks, John Mayall and Steve Miller. ‘The Beatles Come Together’ - Abbey Road/John Lennon interview by Miles. Back cover ad (girl dancing in IOW festival crowd) for LP by Free. Publisher OZ Publications Ink Limited, London,36p Comments Please be advised: This collection has been made available due to its historical and research importance.
    [Show full text]
  • Tapemaster Main Copy for Linking
    Jeff Schechtman Interviews December 1995 to April 2020 2020 Kristin Hoganson The Heartland: An American History 4/30/20 Richard Rushfield The Ankler 4/29/20 Joel Simon Exec. Director: The Committee to Protect Journalists: Press Freedom and Covid-19 21 9/20 Deborah Wiles Kent State 4/28/20 Chad Seales Bono 4/27/20 Alex Gilbert Oil Markets 4/22/20 Betsy Leondar-Wright Staffing the Mission 4/21/20 Jesse Arrequin Mayor of Berkeley 4/16/20 Carl Nolte San Francisco Chronicle columnist 4/10/20 Chuck Collins COVID-19 and Billionaires 4/9/20 Kelsey Freeman No Option But North: The Migrant World and the Perilous Path Across the Border 4/8/20 Augustine Sedgewick Coffeeland: One Man’s Dark Empire and the Making of Our Favorite Drug 4/8/20 Charlotte Dennent The Crash of Flight 3804: A Lost Spy, A Daughter’s Quest and the Deadly Politics of the Game of Oil 4/3/20 Eric Eyre Death in Mud Lick: A coal Country Fight Against the Drug Companies 4/2/20 Randy Shaw Housing in San Francisco 4/2/20 Dr. Jessica Mega Verily / Google re Coronavirus testing 4/1/20 Jim McKelevy The Innovation Stack: Building an Unbeatable Business One Crazy Idea at a Time 3/26/20 Thomas Kostigen Hacking Planet Earth: How Geoengineering Can Help Us reimagine the Future 3/26/20 Cara Brook Miller Postdoctoral Fellow, UC Berkeley 3/25/20 Katherine Stewart The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism 3/25/20 Dan Walters Cal Matters Columnist 3/24/20 Tim Bakken The Cost of Loyalty: Dishonesty, Hubris and Failure in the US Military 3/18/20 Andrea Bernstein American
    [Show full text]
  • Melody-Maker-1969-06
    Blind Faith at Hyde Park CENTRE PAGES ALSO IN THIS WEEK'S MM ... -~~ WHAT -~ KENNY . :TL;:: ,ii, ~~: ,~_. WHEELER f;, BEATLES' ';fl✓ MANFRED ? ~ IN .,.. BALLAD PAGE 9 ~1,;\. :~E S~ENE PAGE 7 THE first public appearance of the "new" Rolling Stones Mick Taylor replaces -with former John Mayall guitarist Mick Brian Jones after split T a y I o r replacing SURMAN Brian Jones-is plan­ Brian Jones was re­ Jan Poll wlnMr ned to take place at placed with Mick Tay­ the famous Rome lor at the weekend. The Colosseum on June 25 split was reported to and 26. be " amicable " and due Surman to difference of opinion o v e r musical policy. FILM Jones said: " The music plans Mick Jagger and Keith Mick Jagger told MM Richard h a v e been at presstime: " I have writing has progressed just made arrangements at a tangent as far as to quit for the new Stones to my own taste is con­ appear at the Colos· cerned." seum in Rome." He said he " doubted " if there Britain would be any charge to FROST SHDClt__ .,.......,- ., 111o __ - see the group in action ..... ,. and the concerts would ,_....,._- Jones was a founder ..... be filmed for world­ member of the aroup. plautoqul&_Sara...,., __... wide distribution. He is negO'tiatlng w i th an The Stone• pr-. NIIIJ-"•--~ officer Leslie Perrin told a-. ............. -. Italian film man to at .. •111---.• direct the film. MM at preatlme that .._,.,Jell......... __•'a __ _ on Monday (18) the _.,. ,.,._ new S11ones would tape ..
    [Show full text]
  • Heavy Metal the Music and Its Culture, Revised Edition
    Deena Weinstein Contents I I I Appreciation Acknowledgments 1 Studying Metal: The Bricolage of Culture 1 2 Heavy Metal: The Beast that Refuses to Die 1 3 Making the Music: Metal Gods 4 Digging the Music: Proud Pariahs 5 Transmitting the Music: Metal Media ( 6 The Concert: Metal Epiphany 7 Maligning the Music: Metal Detractors 8 Metal in the '90s I Appendix A: Suggested Hearings: 100 Definitive Metal Albums 295 Appendix 3: Gender Preferences for Metal Subgenres 299 Appendix C: Proportion of Heavy Metal Albums in Billboard's Top 100 301 About the Author 353 Appreciation Iam greatly indebted to a multitude of generous people who helped to make this book possible in both its original version and in this new revised edition. They have come from all corners of the metal and academic worlds-musicians, fans, and mediators. Much gratitude goes to the legions of metalheads of all ages, genders, and races, from a variety of educational and religious backgrounds, who have shared their insight and pleasure with me. A shout out to those who have gone beyond the call of duty: Denis Chayakovsky, Jim DeRogatis, Joey DiMaio, Natalie DiPietro, Bill Eikost, Paula Hogan, Randy Kertz, Michael Mazur, Paul Natkin, Patrik Nicolic, Rodney Pawlak, Jeff 1 Piek, Kira Schlecter, and Tony7Tavano, E i E 1 Acknowledgments Grateful acknowledgment is made to the following publishers for permission to quote from their work: Straight Arrow Publishers, Inc.: Excerpts from "Money for Nothing and the Chicks for Free," by David Handelman, Rolling Stone, August 13, 1989. By Straight Arrow Publishers, Inc. Copyright 1989.
    [Show full text]