Transformations of Authorial Representation
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Sideless Surcoats and Gates of Hell: an Overview of Historical Garments and Their Construction by Sabrina De La Bere
Sideless Surcoats and Gates of Hell: an Overview of Historical Garments and their Construction by Sabrina de la Bere Some were sleeve- less and some not. Menʼs came in vary- ing lengths and may be split for riding. In the 14th C womenʼs had a very long and wide skirt. Herjolfsnes 37 (right) is thought to be a mans surcoat from the 14th C. It has relatively small arm holes. Below is a page from the Luttrell Psalter showing Sir Geoffrey Luttrell being attend- ed by his wife Agnes de Sutton and daugh- ter in law Beatrice le Scrope. Both are wearing sideless sur- Source: Time Life pg. 79 coats that bear their Many myths have grown up around the sideless sur- Herjolfsnes 37 heraldic arms. There coat. This class will look at what is known and what is http://www.forest.gen.nz/Medieval/ is great debate in cos- articles/garments/H37/H37.html speculation. We will look at how the surcoat evolved t u m i n g in its 200 years of use by men and women. Lastly we circles, as will discuss how to construct one of each of the major to whether styles. This handout is designed to be used in the con- such he- text of the class. raldic sur- Cloaks and overtunics of various designs exist from coats ex- earliest history. Where the sleeveless surcoat originates isted and, is unknown, but it begins its known popularity in the if they did, 12th Century. were they In the picture above, a knight on Crusade has an over a limited tunic. -
Lothar Voetz, Der Codex Manesse. Die Berühmteste Liederhandschrift Des Mittelalters, Darmstadt (Wissenschaftliche Buchgesellschaft) 2015, 176 S., 123 Farb
Francia-Recensio 2017/1 Mittelalter ± Moyen Âge (500±1500) Lothar Voetz, Der Codex Manesse. Die berühmteste Liederhandschrift des Mittelalters, Darmstadt (Wissenschaftliche Buchgesellschaft) 2015, 176 S., 123 farb. Abb., ISBN 978-3-650-40042-0, EUR 69,95. rezensiert von/compte rendu rédigé par Elmar Mittler, Berlin Der »Codex Manesse« erscheint in seiner klaren Abfolge von groûformatigen Bildern und gleichartig in zwei Kolumnen geschriebenen Texten in der Ordnung der mittelalterlichen Standesgesellschaft als klar und logisch gegliedert; erst eine genauere Betrachtung zeigt, wie verwirrend uneinheitlich und komplex das Werk ist. Bei dieser Publikation der Wissenschaftlichen Buchgesellschaft (in der Buchhandelsausgabe unter dem der WBG gehörenden Lambert Schneider firmierend) geht es einem umgekehrt. Die oft unmotivierte grafische Gestaltung mit einer Abfolge von unterschiedlich verkleinerten Bildern, die nicht immer logischen Gesetzen zu folgen scheint, verwirrt oft mehr als sie erläutert; erst beim genaueren Hinsehen merkt man, welch klar gegliedertes Konzept der Text dagegen bietet. Zur Überraschung mancher Leserin und manchen Lesers nennt das einleitende Kapitel den sicher weithin bekanntesten deutschsprachigen Codex des Mittelalters ein Buch mit sieben Siegeln. In »Vom Kaiser zum Bettelmann« folgt nicht eine inhaltliche Charakterisierung, sondern ein Traktat über Einrichtung und Anlage der Handschrift. Auch das »Zürcher Anfänge« betitelte dritte Kapitel ist stark auf die Entstehung der Handschrift ausgerichtet, die dann im vierten Abschnitt in den Kreis anderer Lyrikhandschriften des (deutschen) Mittelalters eingeordnet wird. Das Abschlusskapitel »Seltsame Wege« unterrichtet über Geschichte und Erschlieûung der Handschrift. Der Anhang gibt vor allem Hinweise auf die Literatur. Wer die Dichtung kennenzulernen sucht, wird sich über die zwischen die Kapitel eingestreuten Porträts freuen, die mit Kaiser Heinrich beginnen und mit Heinrich von Veldeke (Blatt 30v) fortgesetzt werden. -
Abstracts Massimiliano Bampi
3 (2011) (Poesia del Medioevo Tedesco / Medieval German Poetry) Comitato di Redazione / Editorial Board Fabrizio D. Raschellà (Università di Siena) – Direttore responsabile / Editor-in-chief Fulvio Ferrari (Università di Trento) – Presidente dell’AIFG Lucia Sinisi (Università di Bari) – Consigliere dell’AIFG Alessandro Zironi (Università di Bologna) – Consigliere dell’AIFG Comitato Scientifico / Scientific Committee Maria Grazia Saibene (Università di Pavia) – Coordinatore / Coordinator Maria Grazia Cammarota (Università di Bergamo) Christoph Huber (Eberhard-Karls-Universität Tübingen) Maria Vittoria Molinari (Università di Bergamo) Verio Santoro (Università di Salerno) ABSTRACTS MASSIMILIANO BAMPI, ‘Ein heiden was der erste man / den got machen began: der narrative Aufbau des Toleranz-Begriffs im Willehalm Wolframs von Eschenbach’, Filologia Germanica – Germanic Philology 3 (2011), pp. 1-22. ‘EIN HEIDEN WAS DER ERSTE MAN / DEN GOT MACHEN BEGAN’: THE NARRATIVE CONSTRUCTION OF THE CONCEPT OF TOLERANCE IN WOLFRAM VON ESCHENBACH’S ‘WILLEHALM’. Over the past few years, scholars have been devoting increasingly more attention to Wolfram’s Willehalm, primarily because of Gyburg’s so-called Toleranzrede and its theological implications. The aim of the present paper is to analyse the narrative construction of the concept of tolerance by examining how the figure of Gyburg and its interaction with other narrative instances (i.e. the narrator and other characters) in Wolfram’s work are constructed on the diegetic level to articulate a complex discourse on religious alterity from different standpoints, both within and outside the Christian world. MARIA GRAZIA CAMMAROTA, ‘L’alterità religiosa in Die Heidin’, Filologia Germanica – Germanic Philology 3 (2011), pp. 23-46. RELIGIOUS OTHERNESS IN ‘DIE HEIDIN’. In the age of the Crusades the antagonistic encounter between Christian Europe and the Muslim Near East gave rise to a wealth of literary production in which the image of the ‘pagans’ oscillates from demonization to idealization. -
Uses of the Past in Twelfth-Century Germany: the Case of the Middle High German Kaiserchronik Mark Chinca and Christopher Young
Uses of the Past in Twelfth-Century Germany: The Case of the Middle High German Kaiserchronik Mark Chinca and Christopher Young Abstract: Despite its broad transmission and its influence on vernacular chronicle writing in the German Middle Ages, the Kaiserchronik has not received the attention from historians that it deserves. This article describes some of the ideological, historical, and literary contexts that shaped the original composition of the chronicle in the middle of the twelfth century: Christian salvation history, the revival of interest in the Roman past, the consolidation of a vernacular literature of knowledge, and the emergence of a practice of writing history as “serious entertainment” by authors such as Geoffrey of Monmouth and Godfrey of Viterbo. Placed in these multiple contexts, which have a European as well as a specifically German dimension, the Kaiserchronik emerges as an important document of the uses of the past in fostering a sense of German identity among secular and ecclesiastical elites in the high Middle Ages. The Kaiserchronik, completed probably in Regensburg ca.1150, is a seminal work.1 Monumental in scale, it comprises over seventeen thousand lines of Middle High German verse and is the first verse chronicle in any European language. Through a grand narrative of the reigns of thirty-six Roman and nineteen German emperors filling a timespan of twelve centuries, it throws the spotlight on ethnicity, religion and cultural identity, and on the relationship between church and empire, as these issues play out on the various stages of Rome, Germany and their territorial outposts in the Mediterranean basin.2 The Kaiserchronik has several claims to uniqueness. -
The Fables of Ulrich Bonerius (Ca
The Fables of Ulrich Bonerius (ca. 1350) The Fables of Ulrich Bonerius (ca. 1350): Masterwork of Late Medieval Didactic Literature Translated by Albrecht Classen The Fables of Ulrich Bonerius (ca. 1350): Masterwork of Late Medieval Didactic Literature Translated by Albrecht Classen This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Albrecht Classen All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5955-6 ISBN (13): 978-1-5275-5955-4 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Introduction ............................................................................................... ix Acknowledgements ............................................................................... xxxi Translation .................................................................................................. 1 Bibliography ........................................................................................... 249 Index ....................................................................................................... 259 LIST OF -
Eça De Queiroz E a Cozinha Burguesa Literatura E Alimentação
UNIVERSIDADE FEDERAL DO RIO GRANDE DO NORTE CENTRO DE CIÊNCIAS HUMANAS, LETRAS E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS SOCIAIS MICHELLE CRISTINE MEDEIROS DA SILVA EÇA DE QUEIROZ E A COZINHA BURGUESA LITERATURA E ALIMENTAÇÃO NATAL-RN 2012 MICHELLE CRISTINE MEDEIROS DA SILVA EÇA DE QUEIROZ E A COZINHA BURGUESA LITERATURA E ALIMENTAÇÃO Dissertação apresentada ao Programa de pós- graduação em Ciências Sociais, como exigência parcial à obtenção do título de Mestre em Ciências Sociais, sob a orientação do professor Dr. Alexsandro Galeno Araújo Dantas. NATAL-RN 2012 MICHELLE CRISTINE MEDEIROS DA SILVA EÇA DE QUEIROZ E A COZINHA BURGUESA. LITERATURA E ALIMENTAÇÃO. Dissertação apresentada ao Programa de pós-graduação em Ciências Sociais, da Universidade Federal do Rio Grande do Norte, como exigência parcial à obtenção do título de Mestre em Ciências Sociais. BANCA EXAMINADORA ______________________________________________ Prof. Dr. Alexsandro Galeno Araújo Dantas Orientador ______________________________________________ Prof. Dr. Hermano Machado Ferreira Lima Membro externo - UECE ______________________________________________ Profa. Dra. Maria da Conceição Xavier de Almeida Membro interno - UFRN ______________________________________________ Profa. Dra. Norma Missae Takeuti Suplente - UFRN Natal, 01 de agosto de 2012. Aos amantes das ocupações livres, das tarefas sem importância, dos simulacros que de nada adiantam. AGRADECIMENTOS A Alex Galeno pela zelosa orientação: leituras minuciosas, ideias criativas, sugestões de design e cultivo intelectual pleno de cuidado. Agradeço ainda pela disposição de alma em debruçar-se sobre um tema que aparentemente poderia parecer estranho. Obrigada pela aposta. E pela aposta maior: aquela de vida. Às mulheres das primeiras cozinhas que frequentei: minha mãe e avós. Obrigada pela educação que se fez em silêncio ao redor das caçarolas e por um amor que plantaram nos meus sentidos mesmo sem percebê-lo. -
Ernst Toch Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft0z09n428 No online items Ernst Toch papers, ca. 1835-1988 Finding aid prepared by UCLA Library Special Collections staff and Kendra Wittreich; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2008 The Regents of the University of California. All rights reserved. Ernst Toch papers, ca. 1835-1988 PASC-M 1 1 Title: Ernst Toch papers Collection number: PASC-M 1 Contributing Institution: UCLA Library Special Collections Language of Material: German Physical Description: 44.0 linear ft.(88 boxes) Date (inclusive): ca. 1835-1988 Abstract: The Collection consists of materials relating to the Austrian-American composer, Ernst Toch. Included are music manuscripts and scores, books of his personal library, manuscripts, biographical material, correspondence, articles, essays, speeches, lectures, programs, clippings, photographs, sound recordings, financial records, and memorabilia. Also included are manuscripts and published works of other composers, as well as Lilly Toch's letters and lectures. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Toch, Ernst 1887-1964 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. -
Hartmann Von Aue's Religious Attitude and Didacticism In
HARTMANN VON AUE'S RELIGIOUS ATTITUDE AND DIDACTICISM IN HIS GREGORIUS 0 APPRECIATE Hartmann von Aue's moral precept Tand his attitude toward Christianity, it is necessary first to review briefly Hartmam's own character, so far as we can glimpse it from internal evidence in his works. He was Herr Hartmann, a member of the courtly circle; he shows, accord- ingly, in his Erec and Iwein a familiarity with, and apprecia- tion of, the courtly life and tone, His protected life, devoid of hardship or struggle, reflects itself in a kindly and generous attitude, permeated with a sense of Treue as the word is used in the courtly epic, Treue is a funadmental trait of Hart- mann's character, implying a reciprocal loyalty to his over- lord, as evidenced by the poet's sincere lyrical laments over his loss. Treue of wife to husband in Erec, of husband to wife in Iwein, Treue as devotion of serf to superior in Der arme Heinrich-all these evidence the importance Hartmann attached to that quality. Such recognition shows Hartmann as a true and typical member of a courtly society that ac- cepted Treue in its various meanings as a required part of the economic and social make-up. Loyalty, fidelity, allegiance -however one may interpret the term-assured a fairly se- cure and smoothly running society, without any great one- sided struggle for existence. The serf provided the means of living in return for the responsibility which the aristocrat assumed on his behalf. Hartrnam as an aristocrat shows, accordingly, no great inner struggle and relatively little depth of philosophic insight. -
Prêmio Literário
Programa de Apoio à Tradução e à Publicação de Autores Brasileiros no Exterior Nº 1/2015 Support Program for the Translation and Publication of Brazilian Authors Abroad Nº 1/2015 Resultado – I Reunião de Avaliação Results – I Evaluation Meeting Projetos selecionados 1. Editora Ombra GVG, Livro “O enigma de Qaf”, Autor Alberto Mussa, País Albânia, Idioma albanês, Pontuação total 8, Bolsa aprovada no valor de US$ 3.000,00. 2. Editora Ibidem Verlag, Livro “Esaú e Jacó”, Autor Machado de Assis, País Alemanha, Idioma alemão, Pontuação total 9, Bolsa aprovada no valor de US$ 3.500,00. 3. Editora Manesse Verlag, Livro “Contos”, Autor Machado de Assis, País Alemanha, Idioma alemão, Pontuação total 10, Bolsa aprovada no valor de US$ 3.500,00. 4. Editora Nulú Bonsai, Livro “Paranoia”, Autor Roberto Piva, País Argentina, Idioma espanhol, Pontuação total 8, Bolsa aprovada no valor de US$ 1.500,00. 5. Editora Edhasa, Livro “O sonâmbulo amador”, Autor José Luiz Passos, País Argentina, Idioma espanhol, Pontuação total 9, Bolsa aprovada no valor de US$ 2.000,00. 6. Editora Edhasa, Livro “As miniaturas”, Autora Andrea Del Fuego, País Argentina, Idioma espanhol, Pontuação total 9, Bolsa aprovada no valor de US$ 1.500,00. 7. Editora Edhasa, Livro “Reprodução”, Autor Bernardo Carvalho, País Argentina, Idioma espanhol, Pontuação total 9, Bolsa aprovada no valor de US$ 1.500,00. 8. Editora Edhasa, Livro “Hanói”, Autora Adriana Lisboa, País Argentina, Idioma espanhol, Pontuação total 9, Bolsa aprovada no valor de US$ 1.800,00. 9. Editora Interzona/La Marca, Livro “O som e o sentido”, Autor José Miguel Wisnik, País Argentina, Idioma espanhol, Pontuação total 9, Bolsa aprovada no valor de US$ 2.000,00. -
Jahresabschluss 2012 Bertelsmann SE & Co. Kgaa
JAHRESABSCHLUSS ZUM 31. DEZEMBER 2012 UND LAGEBERICHT BERTELSMANN SE & CO. KGaA, GÜTERSLOH Jahresabschluss 2012 Inhalt Bilanz Gewinn- und Verlustrechnung Anhang Anlage zum Anhang Liste des Anteilsbesitzes gemäß § 285 Nr. 11 HGB Lagebericht Bestätigungsvermerk Versicherung der gesetzlichen Vertreter 2 Jahresabschluss 2012 Bertelsmann SE & Co. KGaA (bis 20. August 2012: Bertelsmann AG) Bilanz zum 31. Dezember 2012 Aktiva 31.12.2012 Vorjahr Anhang € € Mio. € Anlagevermögen Immaterielle Vermögensgegenstände (1) 983.668,00 1 Sachanlagen (2) 236.573.537,26 219 Finanzanlagen (3) 11.404.553.137,90 11.344 11.642.110.343,16 11.564 Umlaufvermögen Forderungen und Sonstige Vermögensgegenstände (4) 912.497.227,01 1.153 Wertpapiere (5) 24,00 46 Flüssige Mittel (6) 1.612.408.533,43 668 2.524.905.784,44 1.867 Rechnungsabgrenzungsposten (7) 14.637.906,06 7 14.181.654.033,66 13.438 Passiva 31.12.2012 Vorjahr Anhang € € Mio. € Eigenkapital Gezeichnetes Kapital (8) 1.000.000.000,00 1.000 Genusskapital - 413 Kapitalrücklage 2.600.000.000,00 2.600 Gewinnrücklagen (9) 2.462.000.000,00 2.062 Bilanzgewinn 861.834.000,00 1.283 6.923.834.000,00 7.358 Rückstellungen Pensionen und ähnliche Verpflichtungen (10) 235.493.973,00 227 Übrige Rückstellungen (11) 98.905.443,08 102 334.399.416,08 329 Finanzschulden (12) 3.789.654.666,89 3.057 Andere Verbindlichkeiten (13) 3.131.976.793,24 2.691 Rechnungsabgrenzungsposten (14) 1.789.157,45 3 14.181.654.033,66 13.438 3 Jahresabschluss 2012 Bertelsmann SE & Co. KGaA (bis 20. August 2012: Bertelsmann AG) Gewinn- und Verlustrechnung für das Geschäftsjahr vom 1. -
Mouvance and Authorship in Heinrich Von Morungen
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Songs of the Self: Authorship and Mastery in Minnesang Permalink https://escholarship.org/uc/item/87n0t2tm Author Fockele, Kenneth Elswick Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Niklaus Largier, chair Professor Elaine Tennant Professor Frank Bezner Fall 2016 Songs of the Self: Authorship and Mastery in Minnesang © 2016 by Kenneth Elswick Fockele Abstract Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele Doctor of Philosophy in German and Medieval Studies University of California, Berkeley Professor Niklaus Largier, Chair Despite the centrality of medieval courtly love lyric, or Minnesang, to the canon of German literature, its interpretation has been shaped in large degree by what is not known about it—that is, the lack of information about its authors. This has led on the one hand to functional approaches that treat the authors as a class subject to sociological analysis, and on the other to approaches that emphasize the fictionality of Minnesang as a form of role- playing in which genre conventions supersede individual contributions. I argue that the men who composed and performed these songs at court were, in fact, using them to create and curate individual profiles for themselves. -
Ann-Kathrin Deininger and Jasmin Leuchtenberg
STRATEGIC IMAGINATIONS Women and the Gender of Sovereignty in European Culture STRATEGIC IMAGINATIONS WOMEN AND THE GENDER OF SOVEREIGNTY IN EUROPEAN CULTURE EDITED BY ANKE GILLEIR AND AUDE DEFURNE Leuven University Press This book was published with the support of KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). Selection and editorial matter © Anke Gilleir and Aude Defurne, 2020 Individual chapters © The respective authors, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. Attribution should include the following information: Anke Gilleir and Aude Defurne (eds.), Strategic Imaginations: Women and the Gender of Sovereignty in European Culture. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) ISBN 978 94 6270 247 9 (Paperback) ISBN 978 94 6166 350 4 (ePDF) ISBN 978 94 6166 351 1 (ePUB) https://doi.org/10.11116/9789461663504 D/2020/1869/55 NUR: 694 Layout: Coco Bookmedia, Amersfoort Cover design: Daniel Benneworth-Gray Cover illustration: Marcel Dzama The queen [La reina], 2011 Polyester resin, fiberglass, plaster, steel, and motor 104 1/2 x 38 inches 265.4 x 96.5 cm © Marcel Dzama. Courtesy the artist and David Zwirner TABLE OF CONTENTS ON GENDER, SOVEREIGNTY AND IMAGINATION 7 An Introduction Anke Gilleir PART 1: REPRESENTATIONS OF FEMALE SOVEREIGNTY 27 CAMILLA AND CANDACIS 29 Literary Imaginations of Female Sovereignty in German Romances