Popular Event Repertoire 2018

Total Page：16

File Type：pdf, Size：1020Kb

Popular Event Repertoire 2018 elizabethsteinerharp.com | [email protected] | 206-295-8113 All I Ask Of You; Andrew Lloyd Weber Moonlight In Vermont; John Blackburn All of Me; John Legend Moon River; Henry Mancini All The Things You Are; Jerome Kern My Favorite Things; Rodgers & Hammerstein At Last; Etta James Autumn Leaves; Kosma Never Enough from The Greatest Showman Night And Day; Cole Porter Beauty And The Beast; Alan Menken Blackbird; Lennon & McCartney One Hand, One Heart; Leonard Bernstein Body And Soul; Green Only Time; Enya But Not For Me; Gershwin Ordinary People; John Legend Can't Help Falling In Love; Elvis Passionfruit; Drake City of Stars; La La Land Pie Jesu from Requiem Pure Imagination; Bricusse & Newly Danny Boy; Traditional Day in the Life of a Fool; Luiz Bonfa Ribbon in the Sky; Stevie Wonder Days Of Wine And Roses; Henry Mancini River Flows in You; Yiruma Diamonds and Pearls; Prince Disney Favorites - Selections Secret Love; Sammy Fain Don't Cry For Me Argentina; Webber Send In The Clowns; Webber Don't Get Around Much Anymore; Ellington Shadow Of Your Smile; Johnny Mandel Skyfall from 007; Adele Ebb Tide; Robert Maxwell Smile; Charlie Chaplin Embraceable You; Gershwin Smoke Gets In Your Eyes; Jerome Kern Everybody Loves Somebody; Coslow Softly, As In A Morning Sunrise; Romberg Some Enchanted Evening; Rodgers & Hammerstein Fields of Gold; Sting Somebody Loves Me; Gershwin Fools Rush In; Bloom Someone To Watch Over Me; Gershwin Somewhere In Time; John Barry Game of Thrones; Ramin Djiwadi Somewhere Over the Rainbow; Harold Arlen Georgia On My Mind; Hoagy Carmichael Sound Of Music; Rodgers & Hammerstein Stardust; Hoagy Carmichael Hallelujah; Leonard Cohen Sunrise, Sunset from Fiddler on the Roof Hello; Adele Hotline Bling; Drake Tea For Two; Vincent Youmans Haunt Me; Sade Tenderly; Walter Gross Thinkin’ Bout You; Frank Ocean I Don't Know How to Love Him; Webber Thinking Out Loud; Ed Sheeran If It’s Magic; Stevie Wonder A Thousand Years; Christina Perri Time After Time; Sammy Cahn Killing Me Softly; Charles Fox Unchained Melody; Alex North La Vie en Rose; Edith Piaf Unforgettable; Irving Gordon Lovesong; Adele Video Games; Lana Del Rey Make You Feel My Love; Bob Dylan Million Years Ago; Adele The Way You Look Tonight; Jerome Kern Misty; Erroll Garner What a Wonderful World; Weiss Moonlight In Vermont; John Blackburn When You Wish Upon A Star; Harline & Washington Moon River; Henry Mancini Wind Beneath My Wings; Henley My Favorite Things; Rodgers & Hammerstein You'll Never Walk Alone; Rodgers & Hammerstein .

Copy Link

Recommended publications

Mancini Sample.Indd
Prologue n a trip to Pennsylvania in 1988 to conduct the Pittsburgh OSymphony Orchestra, Henry Mancini felt an unmistak- able tug luring him back to West Aliquippa, the town where he’d grown up. It had been decades since Henry had been back to see what had become of the place where his life and musical journey began. The musician friends traveling with him from Los Angeles were happy to accompany their beloved bandleader on the impromptu roots trip. Henry shared some of his personal history with his com- panions on the drive. He told them how West Aliquippa was once a thriving steel town where the Jones and Laughlin Steel Company employed the majority of the town’s residents, includ- ing his father. It was not unlike other Rust Belt towns of that era, filled with hard-working immigrant families. As they pulled into what was left of the town, it was clear that Henry had not prepared himself for the level of economic devastation that had befallen West Aliquippa, which seemed to have been reduced to dust and broken glass. There were no people on the street—just a feral cat that darted out in front of their car. They drove around until Henry was able to trace his steps back to Beaver Avenue, which took longer than it should have because things were not all where they used to be. As they turned a corner, he felt a bit disoriented as he searched for numbers on the houses. Then he finally found it: 401, his childhood home.
[Show full text]
Royal Umd 0117E 18974.Pdf (465.4Kb)
ABSTRACT Title of Dissertation: SELECTED WORKS OF COMPOSERS ASSOCIATED WITH HOWARD UNIVERSITY Guericke Christopher Royal, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Chris Gekker School of Music Throughout its over 100 year history, Howard University has produced and attracted many talented composers of many musical genres. Limiting this project to any one genre or focus would have lessened the overall impact of the music they created and the inspiration that has been a lauded part of the institution. The project will demonstrate the various harmonic, melodic, rhythmic and emotional contributions of the selected composers through interpretation of their music on the trumpet. Composers have been connected to the university in three general ways: as students, alumni and faculty; as commissioned artists; and through the performance of their works by notable performers associated with Howard. The pieces selected for this project exemplify a wide range of musical expressions and compositional techniques, and hopefully have been presented in a way that allows the emotional impact of each piece to resonate in a unique fashion. The selected works tended to fall into the categories of A. Trumpet and Brass Works B. Spirituals/ Meditational/ Religious Works C. Popular and Jazz Pieces D. Organ or other Instrumental Works E. Works of Historical Reference or Significance In some cases, certain pieces may be categorized across multiple categories (e.g. an organ piece based on religious material). As this was also a recording project, great care was taken during the recording process to capture as much emotional content as possible through stereo microphone techniques and the use of high quality equipment.
[Show full text]
SEPTEMBER-OCTOBER 2017 Memo: Thumbnails Are .87” Wide PSTOS AGO Programs Coming Events American Guild of Organists Presents… Vol
Volume 28, Nos. 9-10 • Sept.-Oct. 2017 www.pstos.org • www.facebook.com/pstos An enjoyable afternoon of wonderful music! 2017 Series THEATRE ORGAN POPS Toe-tapping tunes from the 1920s, ’30s, ’40s & more From California JERRY NAGANO plays the 3-manual 25-rank Kimball-Wurlitzer Theatre Pipe Organ Sat., Oct. 14, 2:00 PM Calvary Christian Assembly 6801 Roosevelt Way NE Easy on/off I-5 Seattle Easy entry–no steps Accessible facilities Lots of free parking ADMISSION (for those who are not series subscribers) NEWS FLASH! PSTOS members $20 • Non-members $25 Jerry received the prestigious 2017 American Theatre Organ Society Age 16 and under FREE with adult “Organist of the Year” award in July! Congratulations, Jerry! Tickets at the door or online at www.pstos.org/events/ticketing/TOP2017/TOP2017.htm Jerry Nagano began playing the theatre organ early in life and studied with Gaylord Carter, Gordon Kibbee, and IMPORTANT! The Calvary parking lot is operated by Diamond, but Tom Hazleton. He has concertized throughout the U.S. and served as resident organist at Pasadena’s Civic Auditorium. parking is free for those attending this event For nine years he was featured artist at the famous “Ye Olde Drive Directions Pizza Joynt” in the Bay Area, home of the “Wurlitzer in the SOUTHBOUND I-5—Take exit 171 toward NE 71st St/NE 65th St, merge Pizza Parlor” concept. onto 6th Ave NE. Take a slight left at NE 71st St, continue onto NE 70th He regularly plays for intermissions at Palo Alto’s Stanford St .
[Show full text]
Henry Mancini Fellowship Official Award Rules
The ASCAP Foundation Henry Mancini Music Fellowship The specific rules and requirements of The ASCAP Foundation Henry Mancini Music Fellowship (the “Award”), including but not limited to, eligibility, winner selection process, and award criteria, are set forth below (the “Award Requirements”). These Award Requirements are supplemented by the general rules and regulations attached as Schedule A (the “General Terms” and collectively with the “Award Requirements”, the “Official Rules”), which are incorporated by reference. By participating in the Award process, all entrants agree to be bound by these Official Rules and the decisions of The ASCAP Foundation (the “Foundation”) and the American Society of Composers, Authors and Publishers (“ASCAP”), which are final and binding in all respects. To the extent not specifically defined below, all capitalized terms have the meaning set forth in the General Terms. About the Award Named for Henry Mancini, whose credits include acclaimed soundtracks such as Days of Wine and Roses and Breakfast at Tiffany's, this fellowship is generously funded by Ginny Mancini to honor the memory of her husband. This fellowship provides support for a composer, arranger, orchestrator who demonstrates talent and exceptional career potential participating in the ASCAP/Columbia University Film Scoring Workshop. The Award will be presented to one (1) aspiring film composer who will be participating in the 2020 ASCAP Columbia University Film Scoring Workshop, to be conducted during the Spring 2020 semester at Columbia University, New York City (the “Composers’ Workshop”). The recipient selected by the ASCAP Creative Services Executives in consultation with industry executives. Workshop meets once per week from late January until mid-April.
[Show full text]
Andrew Setlist
ANDREW'S SETLIST Here is a list of most the songs Andrew knows and can play live. This list is not everything, so feel free to reach out and check on a song if you have a special one in mind. He may already know it or be willing to learn it. We do charge a $50 song fee for the time spent learning a new song. Pop/Rock/Folk/Jazz: A Thousand Years - Christina Perri (Twilight Soundtrack) Adventure of a Lifetime - Coldplay Ain’t It Fun - Paramore All of Me - John Legend All The Small Things - Blink 182 All Will Be Well - Gabe Dixon (Parks and Recreation) All You Need Is Love - The Beatles At Last - Etta James A Sky Full of Stars - Coldplay Attention - Charlie Puth Baby Hold On - Eddie Money (Foo Fighters Acoustic Version) Best of You - Foo Fighters Better Together - Jack Johnson Billie Jean - Michael Jackson Blank Space - Taylor Swift Build Me Up Buttercup - The Foundations Can’t Feel My Face - The Weekend Can’t Help Falling In Love - Elvis Presley (Haley Reinhart Version) Can’t Stop The Feeling - Justin Timberlake Circles - Post Malone Closer - The Chainsmokers Counting Stars - One Republic Count On Me - Bruno Mars Crazy Love - Michael Buble Do You Feel - The Rocket Summer Don’t Let Me Down - Chainsmokers Don't Stop Believin' - Journey Drag Me Down - One Direction Everlong - Foo Fighters Face Down - The Red Jumpsuit Apparatus Fight Song - Rachel Platten First Date - Blink 182 Fix You - Coldplay Forever - Chris Brown Friends - Justin Bieber Georgia On My Mind - Ray Charles Grenade - Bruno Mars Guardian Angel - Red Jumpsuit Apparatus Hallelujah
[Show full text]
History Through Stories | University of Winchester
09/28/21 History through stories | University of Winchester History through stories View Online These stories relate to a general historical theme, such as change through time, or they are set in a specific historical time period. The selection reflects National Curriculum recommendations for KS1 and KS2. This list can be accessed on the Library catalogue by entering the phrase ‘History through stories’ in the keyword search screen, where additional titles can also be found. The list is available online from the EHSC Library News & Information page on the Learning Network. You can also search the catalogue directly for individual historical stories set in particular periods by combining “history through stories” and the topic. E.g. A search combining “history through stories” Victorians will give stories set in the Victorian period. 1. Blackwell, Moira & Nankivell, Liz. Binky in trouble. (Avenue, 2012). 2. Butler, Philippa & Smith, George. Pawprints in time. (Viking, 1998). 3. Cooling, W. Centuries of stories: new stories for a new millennium. (Collins, 1999). 4. Dunbar, James & Remphry, Martin. When I was young. vol. Wonderwise (Watts, 1999). 1/49 09/28/21 History through stories | University of Winchester 5. Fleischman, Paul & Ibatoulline, Bagram. The matchbox diary. (Walker Books, 2013). 6. Foreman, Michael. Angel and the box of time. (Andersen Press, 1997). 7. Foreman, Michael. Grandfather’s pencil and the room of stories. (Red Fox, 1995). 8. Francaviglia, R. & Sgarlata, M. My great-great-great-great-great grandfather-- was a warrior! (Siphano, 2002). 9. Daughters of time: an anthology from The History Girls. (Templar, 2014). 10. Kubick, Dana. Midnight teddies.
[Show full text]
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
[Show full text]
2010 Fall One Page Newsletter
The ASCAP Foundation Newsflash! ~ Newsflash! ~ Newsflash! Making Music Grow since 1975 Notations Fall/Winter 2010 Barbara and John LoFrumento Establish A Program to Assist Autistic Students ASCAP CEO John LoFrumento and his wife Barbara, have established The ASCAP Foundation Barbara and John LoFrumento Award to support music and music therapy programs for autistic learners. This award, which was recently presented to the Music Conservatory of Westchester Music Therapy Institute, will enable the Institute to expand its music therapy program and provide weekly music therapy sessions to special needs students in the Eastchester, NY school district. Students will have the opportunity to work with music educators on songwriting and instrumental instruction. Music therapy uses the power of music in a focused way to accomplish growth, learning, healing and change. Elements of music such as repetition, form, dynamics, tempo and rhythm specifically address the learning needs of children with autism creating an environment of attention, creativity and expression. The ASCAP Foundation Barbara and John LoFrumento Award will make it possible for the Institute to reach out to those in the community who might otherwise not have an opportunity to experience music and its healing abilities. For those children, music therapy will make a significant difference in Barbara and John LoFrumento their lives by addressing important areas including communication and language development, socialization, emotional development and self expression, as well as helping to develop their musical skills and talents. The ASCAP Foundation Joe Raposo Children’s Music Award To honor his legacy, the family of Joe Raposo has established The ASCAP Foundation Joe Raposo Children’s Music Award, which will support emerging talent in the area of children’s music.
[Show full text]
2018 ASCAP Jazz Awards Program Book
2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments.
[Show full text]
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras.
[Show full text]
Knowledge Organiser
Key Composers Purpose Bernard Hermann James Horner Music in a film is there to set the scene, enhance the AoS3 – Film Music mood, tell the audience things that the visuals cannot, or John Williams Danny Elfman manipulate their feelings. Sound effects are not music! John Barry Alan Silvestri Jerry Goldsmith Howard Shore Key terms Hans Zimmer Leitmotif – A theme for a character Mickey-mousing – When the music fits precisely with action Musical Elements & Common Associations (Musical Cliche’s) Underscore – where music is played at the same time as action Tempo Fast Excitement, action or fast-moving things (eg. A chase scene) Slow Contemplation, rest or slowing-moving things (eg. A funeral procession) Fanfare – short melodies from brass sections playing arpeggios and often accompanied with percussion Melody Ascending Upward movement, or a feeling of hope (eg. Climbing a mountain) Descending Downward movement, or feeling of despair (eg. Movement down a hill) Instruments and common associations (Musical Clichés) Large leaps Distorted or grotesque things (eg. a monster) Woodwind - Natural sounds such as bird song, animals, rivers Harmony Major Happiness, optimism, success Bassoons – Sometimes used for comic effect (i.e. a drunkard) Minor Sadness, seriousness (e.g. a character learns of a loved one’s death) Brass - Soldiers, war, royalty, ceremonial occasions Dissonant Scariness, pain, mental anguish (e.g. a murderer appears) Tuba – Large and slow moving things Rhythm Strong sense of pulse Purposefulness, action (e.g. preparations for a battle) & Metre Harp – Tenderness, love Dance-like rhythms Playfulness, dancing, partying (e.g. a medieval feast) Glockenspiel – Magic, music boxes, fairy tales Irregular rhythms Excitement, unpredictability (e.g.
[Show full text]
Hap, Hap, Happy Days for Songwriter Charles Fox - San Jose Mercury News
Hap, hap, happy days for songwriter Charles Fox - San Jose Mercury News http://www.mercurynews.com/peninsula/ci_19678966 SIGN IN | REGISTER | NEWSLETTERS Part of the Bay Area News Group Like 22k eEdition / Subscriber Services Mobile | Mobile Alerts | RSS News Business Tech Sports Entertainment Living Opinion Publications My Town HelpJobs Cars Real Estate Classifieds Shopping POWERED BY Site Web Search by YAHOO! Recommend Send Be the first of your friends to 0 Share 2 Tweet 7 recommend this. Hap, hap, happy days for songwriter Charles Fox By Paul Freeman For The Daily News Posted: 01/05/2012 12:07:51 AM PST Updated: 01/05/2012 12:07:51 AM PST It should come as no surprise that Charles Fox recently received recognition from the Smithsonian Institute. The award- winning composer is, himself, an American institution, having penned such pop classics as "Killing Me Softly," "Ready To Take A Chance Again" and "I Got A Name," such iconic TV themes as "Happy Days," "Laverne and Shirley" and "The Love Boat," and scores for many films. Fox's success is the result not only of rare talent, but of dedication to his craft. "You never know what the public is going to reach for," he said. "But I do know if I've written a good song and I do know if there's something unique about it. You just have to know, as a songwriter, when you've written something that's special, that says what you want to say. Until then, I'm not satisfied. You keep working on it, honing away.
[Show full text]