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Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
NEWSLETTER April 2012 Number 52
Blank NEWSLETTER April 2012 Number 52 President CARY LEE BYERLEY [email protected] Review: LES VOILES DE ST. BARTH 2012 I’m dashing out the door…….on my way to Antigua Sailing Week, to once again race on the mighty catamaran, “Katzenellenbogen”. Hope to see you there! But before I head out, I must congratulate Antigua’s Shannon Falcone who is joining the PUMA’s Mar Mostro crew on leg 6, Itajai in Brazil to Miami on the Volvo Ocean Race. 2—7 April 2012—For the third consecutive year, the island Falcone: - “"I'm with ORACLE Racing for the 34th America's Cup so of St. Barth, in the French West Indies, provided an exceptional now we're getting up to crunch time for launching the 72 in San Fran- week of racing. It seems the consensus of the 700+ sailors cisco this summer. Literally it's pure luck and timing the Volvo ends racing there that in just three editions, Les Voiles de St. Barth before we launch the big boat. I can't really complain going from 30 has become a must-do event on the Caribbean race calendar. knots on a catamaran in San Francisco Bay to go 30 knots in the Organizers have announced the dates for the fourth edition: Atlantic Ocean in a Volvo Open 70. The only difference here is that I April 8 – 13, 2013. can't go back to a warm shower at the end of the day." By looking at the number of entrants in the first three editions of Les Voiles de St. -
Displays of Internal Beliefs and Perspectives
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 2020 Manifestations: Displays of Internal Beliefs and Perspectives Manuel Ferreira Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Anthropology Commons, and the Museum Studies Commons Manifestations: Displays of Internal Beliefs and Perspectives __________ A Thesis Presented to the Faculty of the College of Arts, Humanities and Social Sciences University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Manuel Ferreira June 2020 Advisor: Christina Kreps, Ph.D. ©Copyright by Manuel Ferreira 2020 All Rights Reserved Author: Manuel Ferreira Title: Manifestations: Displays of Internal Beliefs and Perspectives Advisor: Christina Kreps, Ph.D. Degree Date: June 2020 Abstract This thesis aims at better understanding and sharing the internal beliefs, influences, and insights of specific Field Museum staff in regard to exhibitions and the future of the Field Museum. It is people that make up museums and create exhibitions, and their beliefs not only influence and guide them, but also their institution and what they develop. Grounded in museum anthropology, and framed by new and critical museology, entanglement, contact zones, museum as method, and a queer mezclando (mixing) perspective, this research employs museum ethnography as a way of exploring relations and meanings among museum staff, beliefs, and manifestations. In the chapters to follow, I describe and share the internal beliefs of the Field Museum’s Anthropology and Exhibition Department staff on the future of the museum and the manifestations of these beliefs in exhibitions, as well as what this relationship may tell us about contemporary museum anthropology. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
2019-System-Blue-Catalog.Pdf
SYSTEM BLUE Excellence is in our DNA. Backed by over 100 years of experience and knowledge, System Blue proudly delivers the products and education many have only dared to imagine. Our team of designers has walked the very path you walk now. We are the same dedicated performers and educators that you are, and we’re turning our ideas into reality. We have stood in your shoes and marched the PROFESSIONAL PERCUSSION 2 same fields. We know you. We ARE you. You are CONCERT PERCUSSION 10 not alone, and you never were. System Blue ON2 PERCUSSION SLIPS 16 empowers us all to reach our greatest potential. STANDS & CARRIERS 18 DRUM STICKS & BAGS 20 TOGETHER, MALLETS, BAGS & HEADS 22 IT’S OUR TIME. PROFESSIONAL BRASS 24 TRADITIONAL BRASS 32 MOUTHPIECES 36 SOUND REINFORCEMENT 38 HEALTH & WELLNESS 40 DRILLMASTERS 41 SYSTEM BLUE EDUCATION 42 EDUCATIONAL EVENTS 44 DESIGN QUALITY & COMMITMENT 46 SYSTEM BLUE DESIGNERS 47 TESTIMONIALS 48 PROFESSIONAL PERCUSSION EVOLUTIONARY. System Blue Professional Marching Percussion Series is like no other product on the market. These drums are lightweight, built for speed with the player’s health and wellness in mind. The rich, smooth, and resonant voices blend and project in any venue. Each instrument is aesthetically beautiful, eye-catching, and, in a word — elegant. While there have been evolutions in marching percussion in the last 50 years, there has never been design and innovation like the System Blue Professional Marching Percussion Series. We’ve fine-tuned and streamlined every detail, and the results are extraordinary. 2 SYSTEM BLUE • 2017 systemblue.org 3 PROFESSIONAL PERCUSSION It’s the LIGHTEST marching snare on the market.. -
Please Read Before Loading Card Into
Top 50 Drummers V.I Expansion Pack a sound enhancing expansion pack for the Roland TD-20 Drum Module Owner’s Manual i End User License Agreement (EULA) This is a legal agreement ("this Agreement") between you and V Expressions LTD., ("V Expressions LTD."). This Agreement pertains to your use of the V Expressions LTD. expansion programming, documentation and updates which are provided to you by V Expressions LTD (collectively, the "Product"). By purchasing a V Expressions LTD. Product, you are consenting to the terms of this Agreement. This Agreement grants you a personal, exclusive, non-transferable, non-sub licensable right to use one copy of the V Expressions LTD. Product for your own personal use on a single computer and/or compatible drum module. V Expressions LTD. reserves all rights in the Product not expressly granted herein, including ownership and proprietary rights. This software may not, in whole or in any part, be copied, reproduced, resold, transmitted, translated (into any language, natural or computer), reduced to any electronic medium or machine readable format, or by any other form or means without prior consent, in writing, from V Expressions LTD. License Restrictions: You may not reproduce or distribute the Product. You may not copy the Product to any media, server or location for reproduction or distribution. You may not reverse engineer, de-compile or disassemble the Product or otherwise attempt to derive the source code for the Product, or without limitation, redistribute, sublicense, or otherwise transfer rights in the Product. This Product may not be rented, lent or leased. The restrictions contained herein apply equally to any updates that may be provided to you by V Expressions LTD. -
Save a Prayer Duran Duran
Save a Prayer Duran Duran Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes Moderato Intro Dm⁹ 5 Dm⁷ Fmaj⁷ B♭maj⁷ G⁷ Fmaj⁷ rit. A1 9 Dm F B♭ G F 2 a tempo You saw me stand ing by the wall cor ner of a main street 13 Dm F B♭ G C And the lights are flash ing on your win dow sill If you can you'll see the world in all his fire Dm F B♭ G F 17 5 5 5 1 All al one ain't much fun So you're look ing for the thrill Take a chance like all drea mers so you can't find an oth er way Duran Duran - Save A Prayer Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes 21 Dm F B♭ G C And you know just what it takes and where to go You don't have to dream it all just live a day B1,B2 25 Bm D G F♯m A Don't say a prayer for me now , Save it 'til the mor ning af add 29 Bm D ⁹ G To Coda F♯m A ter No, don't you say a prayer for me now, Save it 'til the mor ning af 33 Dm Fmaj⁷ B♭maj⁷ G⁷ Fmaj⁷ ter D.S. al Coda A2 37 Dm F B♭ G F I feel the bree ze deep on the in side , look you down in to the well. Duran Duran - Save A Prayer 2 Simon Le Bon, John Taylor, Roger Taylor, Andy Taylor, Nick Rhodes 41 F♯m A Bm D G Save it 'til the morn ing af ter 45 F♯m A Save it 'til the morn ing af Bridge 46 Dm F B♭ G rit. -
Sirius Satellite Radio to Roll out the Red Carpet for British Pop Icons Duran Duran
Sirius Satellite Radio To Roll Out The Red Carpet For British Pop Icons Duran Duran Duran Duran featured in November with exclusive programming, including a three day take-over of a SIRIUS music channel and the premiere, of the band’s new album “Red Carpet Massacre” NEW YORK - November 9, 2007- To celebrate the upcoming release of Duran Duran's latest album Red Carpet Massacre (November 13th), SIRIUS Satellite Radio (NASDAQ: SIRI) will hand over control of its Super Shuffle channel to the British pop band. Duran Duran's Red Carpet Radio will premiere on November 13th at 12 pm ET and feature shows hosted by band members Simon Le Bon, Nick Rhodes, John Taylor, and Roger Taylor. Exclusive features on the channel include members of Duran Duran playing and discussing their all-time favorite albums, backstage memories from the band's early years on the road, and punk and reggae specials hosted by the band. "Duran Duran continues to stand the test of time in fashion, music and culture." said Scott Greenstein, SIRIUS President of Entertainment and Sports. "We are thrilled to give fans this intimate, in-depth, exclusive experience with one of music's most enduring and exciting bands." In addition to the exclusive channel take-over, Duran Duran will also be featured on SIRIUS in November. Kicking it all off, band members Simon Le Bon and Nick Rhodes will premiere Red Carpet Massacre with an exclusive track-by-track discussion on The Pulse channel 9 on November 9th at 12 pm ET. Other features during the month will include Glam As You Can, a one hour introspective during which members of Duran Duran discuss some of the glam bands that influenced their music the most, on First Wave channel 22. -
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction ............................................. -
Duran Duran Thanksgiving Live at Pleasure Island Mp3, Flac, Wma
Duran Duran Thanksgiving Live At Pleasure Island mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Thanksgiving Live At Pleasure Island Country: US Released: 2017 Style: Pop Rock, Synth-pop MP3 version RAR size: 1453 mb FLAC version RAR size: 1655 mb WMA version RAR size: 1176 mb Rating: 4.5 Votes: 787 Other Formats: ASF RA APE ADX AIFF XM AUD Tracklist 1 Intro 1:06 2 Medazzaland 3:38 3 Big Bang Generation 5:13 4 Hungry Like The Wolf 2:58 5 Who Do You Think You Are 3:28 6 Electric Barbarella 4:57 7 View To Kill 3:38 8 Out Of My Mind 4:33 9 Save A Prayer 5:47 10 Be My Icon 5:29 11 Come Undone 4:39 12 Is There Anyone Out There? 3:53 13 Friends Of Mine 5:37 14 Careless Memories 3:36 15 Sekret Oktober 6:07 16 Ordinary World 5:50 17 Rio 5:58 Companies, etc. Phonographic Copyright (p) – Mountain Man Records Copyright (c) – Mountain Man Records Credits Bass Guitar – Wes Wehmiller Drums – Steve Alexander Guitar – Warren Cuccurullo Keyboards – Nick Rhodes Vocals – Simon Le Bon Written-By – Andy Taylor, John Taylor, James Bates*, Roger Taylor , Simon Le Bon Notes Live November 1997 High Definition Remastering 24-bit / 96 kHz This Is A HD CD with Vinyl LP Groove Design. Inner Paper Sleeve and OBI Misprint on OBI - Printed "Duran Duran Thanksgiving Live At Pleasure Island October 1998". The Show was recorded November 1997 Track names don't match the sleeve. Track names added as they really appear on the release.