BBC Fair Trading: Consolidated Group Trading Manual
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BBC Member for England Role Specification
BBC Member for England The BBC’s mission is defined by Royal Charter: to act in the public interest, serving all audiences through the provision of impartial, high-quality and distinctive output and services which inform, educate and entertain. The BBC is required to do this through delivering five public purposes: 1. To provide impartial news and information to help people understand and engage with the world around them; 2. To support learning for people of all ages; 3. To show the most creative, highest quality and distinctive output and services; 4. To reflect, represent and serve the diverse communities of all of the United Kingdom’s nations and regions and, in doing so, support the creative economy across the United Kingdom; and, 5. To reflect the United Kingdom, its culture and values to the world. The BBC is a public corporation, independent in all matters concerning the fulfilment of its mission and the promotion of the public purposes. It is funded primarily by the licence fee and has a subsidiary commercial operation, which supports the delivery of the Corporation’s mission and public purposes. Each year the BBC is required to publish an Annual Plan, setting out details of its creative remit for the forthcoming year, and an Annual Report and Accounts, reporting back on performance in the previous year. Copies of these can be found here and here. The BBC’s activities and services The BBC Board is responsible for the operation of the entirety of the BBC Group, which includes both the public service broadcasting responsibilities as well as its commercial operations, both in the UK and around the world. -
Scottish Affairs Committee Oral Evidence: Public Broadcasting in Scotland, HC 574
Scottish Affairs Committee Oral evidence: Public broadcasting in Scotland, HC 574 Tuesday 20 July 2021 Ordered by the House of Commons to be published on 20 July 2021. Watch the meeting Members present: Pete Wishart (Chair); Mhairi Black; Andrew Bowie; Deidre Brock; Wendy Chamberlain; Alberto Costa; John Lamont; Douglas Ross. Questions 1-72 Witnesses I: Steve Carson, Director, BBC Scotland, Gary Smith, Head of News and Current Affairs, BBC Scotland, and Louise Thornton, Head of Multiplatform Commissioning, BBC Scotland. Examination of witnesses Witnesses: Steve Carson, Gary Smith and Louise Thornton. Q1 Chair: Welcome to the Scottish Affairs Committee for this one-off session with BBC Scotland, in which we will explore some of the pressing issues which are engaging us just now. Before we get started with the questions, I will let our colleagues introduce themselves. Mr Carson, please tell us anything by way of a short introductory statement, and please introduce your colleagues while you’re there. Steve Carson: Good morning Chair and members of the Committee. BBC Scotland last appeared at the Scottish Affairs Committee in December 2018, a few months before the launch of our BBC Scotland channel. Since then, I am delighted to say that that service has become the most- watched digital channel in Scotland, with a higher reach and higher share than some long-established household names. Over the past year and a half, the landscape has been dominated by covid and, like all other industries in Scotland, public broadcasting has adapted and changed its speed to meet the needs of our audiences during this time. -
RFI20200347 Response
British Broadcasting Corporation Room BC2 A4 Broadcast Centre White City Wood Lane London W12 7TP Telephone 020 8008 2882 Email [email protected] Information Rights bbc.co.uk/foi bbc.co.uk/privacy Emily [email protected] 9 July 2020 Dear Emily, Freedom of Information request – RFI20200915 Thank you for your request to the BBC of 6 July 2020 seeking the following information under the Freedom of Information (FOI) Act 2000: I intend to apply for a permanent job currently available in BBC Children's, that states it is Band B. Can you please tell me the current pay bracket for this band, for this area of the BBC. In response to your request, all our Public Service Broadcasting (PSB) jobs fall into a broad band career level from A-F and each level has a pay range. The bands are the same for both inside and outside of London; however those within London are entitled to London Weighting. In addition to Bands A-F there is also a senior leader (SL) Band. There are no set salary ranges for staff at this level. Please note the bands below do not cover BBC Orchestras, BBC subsidiaries including BBC Studios, BBC Studios & Post Production Ltd, UKTV, BBC Global News Ltd and BBC Worldwide Ltd; as well as the charities BBC Media Action and BBC Children in Need. The broad band pay ranges effective 1st August 2019 are the following: Band Band Pay Range 2019 A £20,536 - £30,804 B £23,103 - £37,992 C £25,670 - £50,313 D £36,195 - £64,688 E £48,516 - £82,144 F £61,608 - £112,948 As set out in section 6(1)(b)(ii) of the Act, our subsidiaries (including BBC Studioworks Limited, UKTV, BBC Global News Ltd and BBC Studios Ltd), as well as the charities BBC Media Action and BBC Children in Need, are not subject to the Act. -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
The Future of Public Service Broadcasting
House of Commons Digital, Culture, Media and Sport Committee The future of public service broadcasting Sixth Report of Session 2019–21 Report, together with formal minutes relating to the Report Ordered by the House of Commons to be printed 17 March 2021 HC 156 Published on 25 March 2021 by authority of the House of Commons The Digital, Culture, Media and Sport Committee The Digital, Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Digital, Culture, Media and Sport and its associated public bodies. Current membership Julian Knight MP (Conservative, Solihull) (Chair) Kevin Brennan MP (Labour, Cardiff West) Steve Brine MP (Conservative, Winchester) Alex Davies-Jones MP (Labour, Pontypridd) Clive Efford MP (Labour, Eltham) Julie Elliott MP (Labour, Sunderland Central) Rt Hon Damian Green MP (Conservative, Ashford) Rt Hon Damian Hinds MP (Conservative, East Hampshire) John Nicolson MP (Scottish National Party, Ochil and South Perthshire) Giles Watling MP (Conservative, Clacton) Heather Wheeler MP (Conservative, South Derbyshire) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No. 152. These are available on the internet via www.parliament.uk. Publication © Parliamentary Copyright House of Commons 2021. This publication may be reproduced under the terms of the Open Parliament Licence, which is published at www.parliament.uk/site-information/copyright-parliament/. Committee Reports are published on the Committee’s website at www.parliament.uk/dcmscom and in print by Order of the House. -
Research & Development White Paper
Research & Development White Paper WHP 293 April 2015 Automatic retrieval of closed captions for web clips from broadcast TV content Chris J. Hughes & Mike Armstrong BRITISH BROADCASTING CORPORATION White Paper WHP 293 Automatic retrieval of closed captions for web clips from broadcast TV content Chris J. Hughes & Mike Armstrong Abstract As broadcasters’ web sites become more media rich it would be prohibitively expensive to manually caption all of the videos provided. However, many of these videos have been clipped from broadcast television and would have been captioned at the point of broadcast. The recent FCC ruling requires all broadcasters to provide closed captions for all ‘straight lift’ video clips that have been broadcast on television from January 2016. From January 2017 captions will be required for ‘Montages’ which consist of multiple clips, and the requirement to caption clips from live or near-live television will apply from July 2017. This paper presents a method of automatically finding a match for a video clip from within a set of off-air television recordings. It then shows how the required set of captions can be autonomously identified, retimed and reformatted for use with IP-delivery. It also shows how captions can be retrieved for each sub-clip within a montage and combined to create a set of captions. Finally it describes how, with a modest amount of human intervention, live captions can be corrected for errors and timing to provide improved captions for video clips presented on the web. This document is based on one originally published at NAB 2015. Because it was written for an American audience it uses the word "captions" throughout in place of "subtitles". -
Stanhopeplc.Com Stanhope 2021 Stanhope 2021
2021 STANHOPEPLC.COM STANHOPE 2021 STANHOPE 2021 “Every project is different. We start with a blank canvas and our collective experience.” Stanhope are fortunate to have been involved in some of London’s major placemaking projects. We provide innovative responses to complex development opportunities and are known for delivering high quality developments within budget and time constraints. Stanhope’s overriding objective is to leave a legacy of sustainable improvement to the built environment. We aim to create memorable places for living, working and enjoyment that provide a range of uses supporting local communities and acting as a catalyst for further renewal. DAVID CAMP CEO 2 3 STANHOPE 2021 STANHOPE 2021 Trusted partners creating sustainable buildings and urban places Stanhope is a multi-skilled property developer. We deliver projects from inception to operation. Our multi-disciplinary in house team can offer the right experience at every stage of the development process. Originate Design Build Manage Defining the overall vision and brief Establishing the foundations to for the project make the project possible Managing the process to make the Delivering ongoing asset project a reality management and growth RESEARCH CONCEPTUAL DESIGN PROCUREMENT STRATEGY Site | Area | Trends | Uses Uses | Product | Massing Strategy | Implementation | Risk Objectives | Financials | Approach ACQUISITION PLANNING TECHNICAL DESIGN IMPLEMENTATION Appraisals | Legals | Risk Analysis Strategy | Consultation | Consents Buildability | Efficiency | Supply Chain -
BBC Fair Trading: BBC Studioworks Group Trading Manual
BBC Fair Trading: BBC Studioworks Group Trading Manual 20 December 2017 1 Introduction This document sets out the specific arrangements the BBC is implementing to set charges for the goods and services BBC Studioworks obtains from the BBC Public Service, and the services that BBC Studioworks sells to the BBC Public Service. Many of these arrangements, and supporting Service Level Agreements, are in place. The BBC expects that all of the arrangements described in this document will be fully implemented by the 2018-2019 financial year. Table 1 summarises the goods and services BBC Studioworks may use from the BBC Public Service, and for which there are arrangements in place. BBC Studioworks will not necessarily use all of these services on a regular basis. Table 2 summarises the goods and services that BBC Studioworks may sell back to the BBC Public Service. Tables 1 and 2 also describe the BBC’s approach to charging for these goods and services. The remainder of this document further describes these goods and services. The BBC has carried out an internal review to ensure that all services potentially traded between the BBC Public Service and BBC Studioworks have been covered by this Manual. This included: A review of activity from both BBC Studioworks and the BBC Public Service; A review of transfer prices from the prior BBC Trust Fair Trading regime; and An accounting review from the BBC’s finance team and a review of transactions from the BBC’s finance’s systems. The activity, service and finance reviews provide assurance that all significant costs are covered by the transfer pricing arrangements. -
Full Mobile Signal Coverage at BBC Studioworks
Full mobile signal coverage at BBC Studioworks JANUARY 5, 2020 FREQUENCY TELECOM 1 Full mobile coverage at BBC Studioworks at Television Centre Award-winning Cel-Fi Quatra provides great mobile coverage on all networks in the world-famous Television Centre in London Despite the central location of BBC Studioworks’ Television Centre studios in London, the in- building mobile coverage was poor on all floors. After unsuccessful attempts to resolve this, Studioworks found Cel-Fi mobile signal boosters – an OFCOM-compliant solution that caters for all mobile networks. 2 The Business BBC Studioworks is a commercial subsidiary of the BBC, providing studios and postproduction services to all the major TV broadcasters. Its studio facility in White City, London is home to some of the nation’s most watched and loved television shows, including The Graham Norton Show, Good Morning Britain, This Morning, Sunday Brunch and The Jonathan Ross Show. Television Centre has three fully equipped TV studios, ranging from 3,430 ft² to 10,800 ft² which are fitted with industry-leading technology. Other facilities include edit suites, apparatus rooms, dressing rooms, green rooms, and production offices. The Challenge The purpose-built production facility is soundproofed throughout and comprises thick concrete external and internal walls. While this creates ideal conditions to capture TV shows, it can severely hinder mobile signal from penetrating the building. 3 With the facility used by BBC Studioworks’ employees and freelancers, client production teams, on-screen talent and contributors, an in-building mobile coverage solution to cover all networks was required. Mindful of the problem, BBC Studioworks set about finding a solution that could provide adequate mobile coverage for the scale and complexity of the building. -
BBC Fair Trading: Consolidated Group Trading Manual
BBC Fair Trading: Consolidated Group Trading Manual 15 September 2020 Version 4.0 1 Introduction This document sets out the specific arrangements the BBC has implemented to set charges for the goods and services that the BBC commercial subsidiaries (BBC Global News, BBC Studios and BBC Studioworks) obtain from the BBC, and the goods and services the subsidiaries provide to the BBC. It also includes details of goods and services that the BBC provides to third parties outside the BBC Group, and material services that the BBC provides exclusively to third parties. This document – the Consolidated Group Trading Manual – is issued as an update to the Consolidated Group Trading Manual published in July 2019. It includes the following sections for relevant transactions in the 2019/20 financial year: • Table 1: Summary of the BBC’s transfer pricing arrangements with its commercial subsidiaries (and third parties where a good or service is provided to commercial subsidiaries and third parties); • Table 2: Summary of the goods and services of material value the BBC sells to third parties, but not to its commercial subsidiaries; • Table 3: Summary of BBC Commercial Subsidiaries’ transfer pricing with the BBC; • Table 4: Summary of BBC Global News and the BBC‘s content supply arrangements; and • Table 5: Summary of the BBC’s rights licensing to BBC Studios and third parties. The BBC has in place separate processes and procedures for commissioning which apply to BBC Studios’ production division as well as third party producers; 1 these arrangements are not included in this document. Commissioning procedures are subject to Ofcom regulation, which apply to how we treat both third parties and the subsidiaries. -
A Study of R&D in Media
POLITECNICO DI TORINO MASTER OF SCIENCE IN ENGINEERING AND MANAGEMENT MASTER’s DEGREE THESIS A STUDY OF R&D IN MEDIA: A QUALITATIVE CASE STUDY OF BBC R&D AND CRITS Candidate Academic Supervisor Taha Hodroj Marco Cantamessa Academic Year 2018/2019 1 ACKNOWLEDGMENT Education has planted eternal seeds in my heart and mind, I dedicate this thesis to every teacher and professor, who have helped me reach this path; To my first teacher who taught me how to use a pen; to my internship supervisor, Sabino Metta; and to my academic supervisor Marco Cantamessa. I would also like to thank my family and friends, I would have never been able to reach this point in my life if it was not for your support and care. 2 “Open books, Open minds” … 3 ABSTRACT R&D was once done in extensive research laboratories, under the hands of brilliant scientists and engineers. Not anymore. The costs of creating and developing technologies have risen, while profits have declined and innovation life-cycle are shortened. Media companies are now innovating in technology clusters with a joint- effort from lead users. This thesis provides a brief synopsis on the impact of convergence to market scenarios and innovation conditions. It finds that, as media converges, R&D in media will remain important, but must adapt to networked-based innovations. Further on, the thesis empirically studies BBC's R&D and CRITS (Rai) activity and analyses their respective managerial, operational and organisational practices before and after convergence. The case study finds that BBC R&D transitioned its innovation approach towards open innovation, while CRITS is locked in its own competencies due to strong path dependency. -
Think Tanks, Television News and Impartiality
Journalism Studies ISSN: 1461-670X (Print) 1469-9699 (Online) Journal homepage: http://www.tandfonline.com/loi/rjos20 Think Tanks, Television News and Impartiality Justin Lewis & Stephen Cushion To cite this article: Justin Lewis & Stephen Cushion (2017): Think Tanks, Television News and Impartiality, Journalism Studies, DOI: 10.1080/1461670X.2017.1389295 To link to this article: https://doi.org/10.1080/1461670X.2017.1389295 © 2017 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 26 Oct 2017. Submit your article to this journal Article views: 605 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjos20 THINK TANKS, TELEVISION NEWS AND IMPARTIALITY The ideological balance of sources in BBC programming Justin Lewis and Stephen Cushion Is the use of think tanks ideologically balanced in BBC news and current affairs programming? This study answers this question empirically by establishing which think tanks are referenced in different BBC programming in 2009 and 2015, and then classifying them according to their ideological aims (either left, right, centrist or non-partisan). We draw on a sample size of over 30,000 BBC news and current affairs programmes in 2009 and 2015 to measure how often these think tanks were men- tioned or quoted. Overall, BBC news reveals a clear preference for non-partisan or centrist think tanks. However, when the Labour Party was in power in 2009, left and right-leaning think tanks received similar levels of coverage, but in 2015, when the Conservative Party was in government, right-leaning think tanks outnumbered left-leaning think tanks by around two to one.