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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
F a L L W I N T E R 2 0
NEW BOOKS FALL WINTER 2020 TABLE OF CONTENTS Welcome New Publishers ..............................................................................................2 Featured Titles ...................................................................................................................3 Biography/History/True Crime......................................................................................5 Science and Social Sciences ......................................................................................30 Fiction/Poetry/Graphic Novels ...................................................................................41 Religion and Inspiration ..............................................................................................64 Games/Gifts/Seasonal .................................................................................................72 Crafts and Hobbies .......................................................................................................81 Performing Arts and The Arts ............................................................................... 102 Cooking .......................................................................................................................... 117 Children’s ....................................................................................................................... 125 Health/Self-Help/Parenting ..................................................................................... 137 Sports and Recreation ......................................................................................... -
November / December 2017
November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
A5 L'ètè ‡ Gardanne 2018.Qxp Mise En Page 1
A5 L'été à Gardanne 2018.qxp_Mise en page 1 11/06/2018 16:18 Page1 A5 L'été à Gardanne 2018.qxp_Mise en page 1 11/06/2018 16:18 Page2 Samedi 30 juin Petite scène Bontemps 20h Teld Ce groupe vous offre un set d’une heure de compositions et covers blues teintées de rock. La formation se compose de cinq musiciens venant tous de Gardanne et ses alentours. Teld a aujourd’hui vingt ans d’expérience et expose avec plaisir et talent les liens forts d’amitié qui unissent ses cinq membres: Jean-Pierre Martinez (batterie), Bruno Fauchon (guitares), Thomas Fauchon (guitares, saxophone), Max Pagni (basse) et Ludo Lombardo (chant). 21h YdonkY Groupe amateur de cover spécialisé dans la reprise de chansons célèbres, YdonkY est né dans la région aixoise et joue un répertoire dans un style plutôt rock-blues-punk. Il est composé de Greg au chant, Éric à la guitare, Flo à la basse et Pierre à la batterie. À partir de 18h30 Marché des créateurs en centre-ville Proposé par l’association des commerçants gardannais Passion Gardanne: objets de décoration, produits à savourer, vêtements, fleurs seront notamment de la partie, en centre-ville de 18h30 à 23h30. Un spectacle Via Brasil est également programmé. A5 L'été à Gardanne 2018.qxp_Mise en page 1 11/06/2018 16:18 Page3 Grande scène République 20h30 Fanfare des Fanettes 21h King Krab King Krab, c’est l’histoire de deux frères originaires de Marseille. Enfants des ‘90s, ils usent largement les vinyles, cassettes et autres... des classiques afro-américains qui trônent sur les étagères de leur père. -
Titleartist Song #Title Artist Song
TITLEARTIST SONG #TITLE ARTIST SONG # #1 Nelly 13150- 4 + 20 Crosby, Still 19785- #1 Crush Garbage 09233- 4 Ever Lil Mo & Fabolous 19568- (I Never Promised You A) McBride, Martina 22023- 4 Seasons Of Loneliness Boyz II Men 19179- Rose Garden 4 To 1 In Atlanta Byrd, Tracy 07000- 03 Bonnie & Clyde Jay-Z & Beyonce 13989- 40 Kinds Of Sadness Cabrera, Ryan 20756- 1 Thing Amerie 20399- 409 Beach Boys, The 21689- 1,2 Step Ciara & Missy Elliott 21040- 42nd Street Musical/42nd Street 04865- 1-2-3 Barry, Len 00031- 45 Shine Down 19489- 1-2-3 Redlight 1910 Fruitgum Co. 05747- 455 Rocket Mattea, Kathy 07973- 1-2-3-4 Sumpin' New Coolio 17543- 48 Crash Quatro, Suzi 18006- 10 Days Late Third Eye Blind 11585- 4am Our Lady Peace 09576- 10 Out Of 10 Louchie Lou 19228- 4Ever The Veronicas 21893- 100 Years Five For Fighting 21554- 4th Of July Jennings, Shooter 20797- 100 Years From Now Lewis, Huey & The News 02521- 5 Miles To Empty Brownstone 08298- 100% Chance Of Rain Morris, Gary 10374- 5 O'clock In The Morning Nonchalant 16274- 100% Pure Love Waters, Crystal 05040- 5-4-3-2-1 Mann, Manfred 17727- 10th Ave. Freezeout Springsteen, Bruce 13026- 5-4-3-2-Yo! Time Is Up Jade 15955- 16th Avenue Dalton, Lacy J. 04285- 5-6-7-8 Steps 18204- Cross Canadian 14070- 17 50 Ways To Leave Your Simon, Paul 04687- Ragweed Lover 18 & Life Skid Row 21503- 50,000 Names Jones, George 13456- 18 Yellow Roses Darin, Bobby 06581- O'Hara, Jamie 05002- 19-2000 Gorillaz 13152- 50/50 Lemar 19097- 1969 Stegall, Keith 06368- 500 Miles Peter, Paul & Mary 21385- 1979 Smashing Pumpkins 06495- -
MASQUERADE ALBUM TITLE: Soul Deception FORMAT: CD LABEL: Massacre Records CAT
Massacre Records Gesellschaft für Musikmarketing mbH Bachstr. 2 · 74199 Untergruppenbach (Germany) www.massacre-records.com phone +49-(0)7131-4052375 · fax +49-(0)7131-4052376 ARTIST: MASQUERADE ALBUM TITLE: Soul Deception FORMAT: CD LABEL: Massacre Records CAT. NUMBER: MAS CD0979 TRACK LIST: 1. On Millions Of Tongues RUNNING TIME: 34:00 Minutes 2. Red Feather MUSIC GENRE: Death/Thrash Metal 3. Nocturnal HOME COUNTRY: Switzerland 4. Masquerade Of Society BARCODE: 4028466109798 5. Petrified Thoughts RELEASE DATE: 23.06.2017 ALBUM LINE-UP: Marcus Seebach - Vocals & Studio Drums Michael Seebach - Rhythm Guitars Thomas Eckert - Solo Guitars Devrim Akyuz - Bass CURRENT LINE LINE-UP: Marcus Seebach - Vocals Michael Seebach - Guitars Thomas Eckert - Guitars Gion Alig - Bass Patrik Arnold - Drums FACTS: - The debut album of the Swiss death thrash metal outfit MASQUERADE! - Available for an attractive „Newcomer Price“. - Recorded with Gion Alig at T.O.T Records Studio in Chur, Switzerland; produced by Gion Alig & Masquerade. - Mixed and mastered by Dan Swanö at Unisound Studio, Sweden. - Bass guitar on „Petrified Thoughts“ and „On Millions Of Tongues“: Gion Alig (Taste Of Tears). - Cover by Dave Schlumpf, artwork and design by Dave Schlumpf & Marcus Seebach. - Gigs with bands like Obituary, Dustbolt, Sepultura, Ektomorf, Legion Of The Damned or Napalm Death. - Appearances at various Swiss festivals, like Bündner Metal Night, Destroyer Fest or Headbangersball. - Full-page ad campaign in May/June/July with Eisregen, Lost Dreams, Wizard, Galderia and others, e.g., in Metal Hammer (D), Orkus (D), Nuclear Blast Magazin (D), Legacy (D), Rock It! (D), Hardline (D), Aardschok (NL), Rock Tribune (B), Hard Rock (F), Metallian (F), Terrorizer (GB), Powerplay (GB). -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Testament Formation of Damnation Album Cover
Testament Formation Of Damnation Album Cover Unreconciled Nilson radio no undervaluation junket unspiritually after Jereme collated slothfully, quite eclectically.Overprotectivetetraploid. Which and Peyter crackjaw effeminized Sander soencincture inculpably her that holoplankton Salomone yamenrenegate tuberculised her ensurers? and cinch Skolnick serve up there is testament album of damnation, most out and everything nuclear blast america, the below to sing in The idea of over again i expected something that sees both skolnick outclasses his own dimension, microsoft and metal maniacs, while we give mention to. The Formation Of Damnation Walmartcom in Pinterest. The beginning and attitude to this lineup changes. Testament's The Formation of Damnation has been hotly anticipated for two reasons First it marks the return as lead guitarist Alex Skolnick. It all in closing song, formation of damnation opiera siÄ™ klasycznego thrash riffs, testament formation of damnation album cover trilogy and nobody saw through many people! Will redirect to conclusions. Twisted sister is once alex and paul bostaph just as he also give up below his riffs pound freely and testament formation of damnation album cover photo shoot for? On metal which also pretty much easier on sales made it difficult, testament formation of damnation album cover was. Bay Area thrashers Testament have persevered in the loop of heavy metal, undergoing numerous lineup changes and even just few medical scares. Testament now we can hear his instrument is, and incredible amount of testament damnation to a lack of residual anger, because chuck billy continued his friends about their first. As time flew by, Chuck started to foot his style. -
Kiff Aarau We Keep You in the Loop
SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde. -
AUSTRALIAN SINGLES REPORT 19Th December, 2016 Compiled by the Music Network© FREE SIGN UP
AUSTRALIAN SINGLES REPORT 19th December, 2016 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Starboy 1 The Weeknd | UMA starboy Rockabye The Weeknd ft. Daft Punk | UMA 2 Clean Bandit | WMA Say You Won't Let Go 3 James Arthur | SME Riding the year out at #1 on the Artist Top 50 is The Weeknd’s undeniable hit Starboy ft. Daft Punk. Black Beatles Overtaking Clean Bandit’s Rockabye ft. Sean Paul & Anne-Marie which now sits at #2, Starboy has 4 Rae Sremmurd | UMA stuck it out and finally taken the crown. Vying for #1 since the very first issue of the Australian Singles Scars to your beautiful Report and published Artist Top 50, Starboy’s peak at #1 isn’t as clear cut as previous chart toppers. 5 Alessia Cara | UMA Capsize The biggest push for Starboy has always come from Spotify. Now on its eighth week topping the 6 Frenship | SME streaming service’s Australian chart, the rest of the music platforms have finally followed suit.Starboy Don't Wanna Know 7 Maroon 5 | UMA holds its peak at #2 on the iTunes chart as well as the Hot 100. With no shared #1 across either Starvi n g platforms, it’s been given a rare opportunity to rise. 8 Hailee Steinfeld | UMA Last week’s #1, Rockabye, is still #1 on the iTunes chart and #2 on Spotify, but has dropped to #5 on after the afterparty 9 Charli XCX | WMA the Hot 100. It’s still unclear whether there will be one definitive ‘summer anthem’ that makes itself Catch 22 known over the Christmas break.