DOCSLIB.ORG

Jitastman SCHOOL of MUSIC

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jitastman SCHOOL of MUSIC c extra duties that fall his way as some­ iF ,.. times photographer for the Review, LLJ en :t which, as readers may recall, had to i .... < do with teaching young ladies the a ~ 0::: DI NGBATS 0:: proper pose to assume while being lIJ 0 0 0 ~ kissed. en < This time the Associate Editor has :::::> ci insisted on having her say. As she tags en lIJ lIJ along on photographic junkets gather­ DOOHtCKIES « ~ ~ ing material for captions, she finds as time passes that she has assumed a new • The majority rules! By a four to one is Associate Editor Margaret Bond. role, as a sort of Photographer's Devil: plurality the title of this pasticcio of a Since it is traditional for women to a useful pole from which to hang cam­ column remains as stated above. Har­ have the last word, her tale of woe and eras and light meters, sufficiently auto­ riet Van Horne had raised a question travail appears at the end of this col­ mated to dispense flash bulbs on com­ as to the propriety of the label attached umn. mand. to this melange; in fact, she threatened This is fine, but occasionally, as in • Mid year exam week is a time of to tear up her diploma if a substitute the photographic essay on the student concentrated study and little sleep. It nurse, new duties are addeo. The Edi­ were not found. The matter was thrust is also a time of great frustration; a into the hands of our readers. The let­ tor believes in Realism, and in almost group of River Campus students found all of the photographs of the student ter that follows was the first received their emotional release by hanging an and its sentiments were echoed by at work in the hospital she was ac­ effigy from the portico between Latti­ tually performing the tasks shown. In those that followed. rriore and Morey. Effigy hanging, while Dear Editor: a couple of instances, however, it was it does not rank with other collegiate undesirable or unnecessary to photo­ Before you capitulate to the unfavor­ fads such as telephone booth stuffing, able opinion of one reader, please give graph a real patient and the Photog­ is usually confined to football coaches rapher's Devil was utilized. those of us who like the title of your and their ilk. However, the UR effigy column a chance to be counted. The first time it happened, the Edi­ was obviously a member of the aca­ tor wanted a picture of the student As an irregular but admiring reader demic faculty, and anonymous at that. of Miss Van Horne's newspaper col­ taking the pulse of a bed-ridden pa­ What the students seemed to be saying tient, and he insisted that a picture of umn, I feel duty-bound to express my was, "If the shoe fits ..." respect for her opinion in these mat­ a bed-ridden pulse would be realistic ters. But I have come to a different • For several years now we have been only if its owner were in bed also. conclusion: I like the title. hearing how and why the UR is gain­ While echoes from the distant corners It's obviously unusual enough to elic­ ing stature as a national institution. of the room were still saying, "But it comments and maybe there are those The criteria of rank among the im­ that's not the sort of work I was hired who read the column because they've portant universities of this country are to do," the Associate Editor was in­ been attracted by the distinctive title. many, but we would like to add this stalled in bed, covers pulled high to Besides if we're going to start calling letter from a Long Island youngster hide her street clothes. names, what's more execrable than (printed here as he wrote it) to the The expression of acute pain on her "execrable"? growing evidence that the UR has face, by intent far out of camera range, Fight for your rights, man. '''arrived.'' was not the result of Method acting. Sincerely, Dear Sirs: The pain, which was cause~ by the in­ GEORGE L. DISCHINGER, '49 I am doing a report on Rochester for tense glare of the flood lamps, was School and your university is one of allayed by the loan of the Editor's out­ • Now that the name of this column my areas. For my report I need the sized sunglasses, and the Associate Edi­ has been settled, it is time to pass out background such as: When was it dis­ tor learned that the only other thing two of our fanciest, most deluxe kudos. covered, by whom, what for and other she was required to do was to provide The picture story on the student nurse things of this sort. PLEASE SEND the means of reflecting a more benevo­ that appears in this issue is one of the PICTURES AND PHAMPLETSI lent light on the nurse's head. This she most ambitious projects the Review Please Hurry! did by using her idle left hand-the one has ever essayed. It would not have P.S. Please send a lot of pictures I not pinned down by the pulse-taking been possible without the aid of two need them most of all nurse-to suspend a heavy piece of very special people. Mary Wemett, cardboard at a point just short of '57N, Instructor in Nursing, was our • Department of Vital Statistics: In a physical impossibility: considerably technical.adviser as well as coordinator January the alumni records office proc­ above and beyond her right shoulder and guide. She also gets one small essed 564 address changes. If the pat­ and the call of duty also, for that dingbat for being so adroit at staying tern established in 1962 holds this year, matter. out of camera range. Our other kudos half again as many alumni will have It was while the Associate Editor goes to Linda Dellinger, '6SN, who as moved by the end of February. Again was announcing what she would do if our model stayed cheerful and cooper­ we ask that you let us know when you anybody, absolutely anybody, walked ative while over 400 photographs were change address. in the door of the room that her next taken of her. • In this column in the last issue the assignment was born: the simulation of Another person indispensible to this Editor adopted a tone of determinedly the withdrawal symptoms of an emo­ story (as well as this entire magazine) cheerful martyrdom in discussing the tionally disturbed patient. ROCHESTER REVIEW. VOLUME XXV, NUMBER 3 • JANUARY/FEBRUARY, 1963 • EDITOR-LEE D. ALD.ERMAN, '47; ASSOCIATE EDITOR-MARGARET BOND, '47; CLASSNOTES EDITOR­ DORIS WASHINGTON, '58; CONSULTING EDITOR, CHARLES F. COLE, '25 • PUBLICATIONS COMMITTEE: JANET P. FORBES (CHAIRMAN), '40; EDWARD BECKER, '28; DR, PRISCILLA L. CUMMINGS, '38GM, '43M; GLADYS V. HAMMOND, '23: JOHN W, HANDY, '44: GILES F. HOBIN, 'SIE; MILDRED NEWHALL, '43, '46G: CLIFFORD SERTL, 'S2U; HELEN G, WARREN, '39N; DR, NORMAN J. ASHENBURG, '38, '40GM, 'SIM • PUBLISHED BY THE UNIVERSITY OF ROCHESTER FIVE TIMES A YEAR IN SEPTEMBER/OCTOBER NOVEM8ER/DECEMBER, JANUARY/FEBRUARY, MARCH/APRIL, MAY/JUNE, AND IS MAILED WITHOUT CHARGE TO ALL ALUMNI. EDITORIAL OFFICE: 107 ADM INISTRATION BUILDING, ROCHESTER 27, NEW YORK. SECOND CLASS POSTAGE PAID AT ROCHESTER, NEW YORK. 2 Anderson Hill Rhees Valentine de Kiewiet Wallis 1854 1889 1900 1935 1951 1963 ANOTHER MILESTONE The Inauguration of W. Allen Wallis as the University's Sixth President-May 17 NLY FIVE TIMES previously in its 113-year ing tradition, will take place at the Eastman Thea­ history has the University of Rochester tre at 10 o'clock the following morning. Several Oformally installed a president. It will mark honorary degrees, it is expected, will be award.ed another milestone on Friday morning, May 17, during the ceremony. with the inauguration of the sixth man to hold its A luncheon for the inaugural participants and highest executive office, W. Allen Wallis. the special guests will conclude 'the two-day pro­ Heading the list of distinguished guests who will gram. attend the two-day program of Faculty representatives to the inaugural events will be former inaugural committee are the President Dwight D. Eisenhow­ University's marshal, Dr. Arthur er. Mr. Wallis was a special as­ J. May, professor of history; sistant to President Eisenhower Dean John W. Graham, Jr., Col­ from March, 1959, to January, lege of Engineering; Dr. Allen 1961, as executive vice-chairman I. McHose, associate director of of the President's Cabinet Com­ the Eastman School of Music; mittee on Price Stability for Eco­ and Dr. Robert L. Berg, chair­ nomic Growth. man of the Medical School's de­ The University provost, Dr. partment ofpreventive medicine McCrea Hazlett, is chairman of and community health. the inaugural committee repre­ The Board of Trustees is re­ senting faculty, administration, presented by its chairman, Jos­ and trustees. According to the eph C. Wilson, and Edward P. committee's preliminary plans, The principals in this photographic sou­ Curtis, Marion B. Folsom, and the program will open on Thurs­ venir of Mr. Wallis's White House serv­ Sol M. Linowitz. day, May 16, with a luncheon ice will reenact the scene-at a different Representing the administra­ time and a different place-when they for special guests, followed by a meet again at Mr. Wallis's inauguration tion of the University are Donald series of seminars in the after­ in May. "Mr. Wallis is one of the out­ E. Smith, vice president for Uni­ standing economists in the United noon, an inaugural dinner, and States," General Eisenhower has said.
Load more

Recommended publications
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • HOWARD HANSON COLLECTION Accession No
    HOWARD HANSON COLLECTION Accession no. 997.12 RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER The initial intellectual arrangement and physical arrangement of these papers imposed by personnel employed by the Howard Hanson Institute for American Music at the Eastman School of Music, ?1993-1997; revisions to same under the supervision of David Peter Coppen, 2017; description revised by David Peter Coppen, 2018-19. Howard Hanson, accession no. 997.12 Director Howard Hanson at his desk, ca. 1920s. Photograph from ESPA 2-14 (8x10). Howard Hanson at the piano, ca. 1960s. Photograph from Howard Hanson Collection (Accession no. 2005/3/25), Box 61, Folder 53. 2 Howard Hanson, accession no. 997.12 TABLE OF CONTENTS Description of the Collection . 5 Description of Series . 8 INVENTORY Series 1: Addresses, essays, articles, and publicity . 14 Series 2: Correspondence . 64 Sub-series A: Inside Eastman . 64 Sub-sub-series i: Offices, departments, and budget . 64 Sub-sub-series ii: Projects, endeavors, and initiatives , , 66 Sub-sub-series iii: Programmed events . 70 Sub-series B: Outside Eastman: endeavors and initiatives . 73 Sub-series C: University of Rochester River Campus . 83 Sub-sub-series i: Reports and correspondence . 83 Sub-sub-series ii: Endeavors and initiatives . 84 Sub-series D: Hanson’s original works . 85 Series 3: Manuscripts . 86 Sub-series A: Original compositions . 86 Sub-series B: Arrangements of music by other composers . 147 Sub-series C: Other writings . 150 Sub-sub-series i: Harmonic Materials of Modern Music . 150 Sub-sub-series ii: Sketches . 151 Sub-series D: Oversized manuscripts .
    [Show full text]
  • JOHN POZDRO Third Symphony Oklahoma City Symphony Orchestra Guy Fraser Harrison, Conductor
    JOHN POZDRO Third Symphony Oklahoma City Symphony Orchestra Guy Fraser Harrison, conductor WHAT IS INDIGENOUS to American music — a much debated issue—will be solved when its fabric is completely unraveled. From all the strands that have been combined with European harmonic tradition will come the definition of America’s contribution to the international development of music. Our regional contributions will also emerge with greater clarity. This recording, a product of the Midwestern United States, will be a part of such an examination. Musical activity in America rapidly reaches toward maturity. Of the new foci of cultural advancement outside metropolitan areas, Oklahoma City itself has taken a notable place. Two well- known examples, if recalled, suffice to show the achievement of this locale: the city’s symphony orchestra, which in recent years has been heard on national broadcasts; and the University of Oklahoma Press, whose sphere of influence has spread to many lands. Nor is it insignificant that the second oldest orchestra in the United States is in neighboring St. Louis. The music on this recording was commissioned and first performed by the Oklahoma City Symphony Orchestra, and conducted by its Music Director, Guy Fraser Harrison. Faith in the musical maturity of the Midwest could scarcely be better exemplified than in the commissioning of these composers, both of whom were born, educated for the most part, and have been professionally active in this area. JOHN POZDRO was born in 1923 in Chicago, and there received his early musical training. Service in the Military Intelligence Division during World War II postponed his formal education for a while, but it was later resumed at Northwestern University, with the late Robert Mills Delaney.
    [Show full text]
  • AMERICAN SYMPHONIES Composers
    AMERICAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Composers P-Z JOHN KNOWLES PAINE (1839-1906) Born in Portland, Maine. He studied organ, piano, harmony and counterpoint with Hermann Krotzschmar as well as organ with Carl August Haupt and orchestration and composition with Wilhelm Wieprecht in Berlin, Germany. He then toured in Europe for three years. After returning to the U.S. and settling in Boston, he became a member of the faculty of Harvard where he remained for over 4 decades teaching composition to a whole generation of American composers. His catalogue includes operas, incidental music, orchestral, chamber and choral works. Symphony No. 1 in C minor, Op. 23 (1875) JoAnn Falletta/ulster Orchestra ( + The Tempest and As You Like It Overture) NAXOS 8.559747 (2013) Karl Krueger/American Arts Orchestra SOCIETY FOR THE PRESERVATION OF THE AMERICAN MUSICAL HERITAGE MIA-103 (LP) (1959) Zubin Mehta/New York Philharmonic ( + As You Like It Overture) NEW WORLD RECORDS NW 374-2 (1989) Symphony No. 2 in A major, Op. 34 "In Spring" (1879) JoAnn Faletta/Ulster Orchestra ( + Oedipus Tyrannus: Prelude and Poseidon and Amphitrite) NAXOS 8.559748 (2015) Karl Krueger/Royal Philharmonic Orchestra SOCIETY FOR THE PRESERVATION OF THE AMERICAN MUSICAL HERITAGE MIA-120 (LP) (1965) Zubin Mehta/New York Philharmonic NEW WORLD RECORDS NW 350-2 (1987) THOMAS PASATIERI (b. 1945) Born in New York City. He began composing at age 10 and, as a teenager, studied with Nadia Boulanger., before entering the Juilliard School at age 16. He has taught composition at the Juilliard School, the Manhattan School of Music, and the Cincinnati College-Conservatory of Music.
    [Show full text]
  • Carillon Festival and Composers Forum
    Midwest International Carillon Festival and Composers Forum Featuring Karel Keldermans, Artistic Director Richard Strauss Peter Langberg Stefano Colletti Laura Ellis Wednesday – Friday, October 12-14, 2016 UNI Campus – Campanile and Russell Hall FESTIVAL SCHEDULE Wednesday October 12, 2016 9:00-9:15 a.m. Opening remarks and welcome Randall Harlow, Chair, UNI RSL 121 Keyboard Division, and Karel Keldermans, Festival Artistic Director 9:15-9:50 a.m. The Origins of North American Carillon Music RSL 121 Richard Strauss, Oakland, California 10:00-10:50 a.m. Break 11:00-11:50 a.m. French Carillon Composer’s and Their Music RSL 157 Stefano Colletti, Douai, France 12:00 p.m. Carillon Concert by Laura Ellis, Gainesville, Florida Campanile 1:15-2:30 p.m. Lunch Piazza Dining Center, Redeker Center 2:45-3:15 p.m. Break 3:30-4:30 p.m. Students at the carillon keyboard Campanile Instructor: Peter Langberg, Logumkloster, Denmark 5:00-5:50 p.m. Dinner Piazza Dining Center, Redeker Center 6:00 p.m. Carillon Concert by Richard Strauss, Oakland, California Campanile Thursday, October 13, 2016 9:00-9:50 a.m. The Origins of North American Carillon Music Part II RSL 121 Richard Strauss, Oakland, California 10:00-10:50 a.m. Break 11:00-11:50 a.m. “Scandinavian Carillon Art” RSL 157 Peter Langberg, Logumkloster, Denmark 12:00 p.m. Carillon Concert by Karel Keldermans, St. Louis, Missouri Campanile 1:15-2:00 p.m. Lunch Piazza Dining Center, Redeker Center 2:00-2:50 p.m. “Compositional Landscapes: the Carillon Works of John Pozdro” RSL 159 Laura Ellis, Gainesville, Florida 3:30-4:30 p.m.
    [Show full text]
  • Carillon News No. 81
    No. 81 April 2009 CarillonNews www.gcna.org Newsletter of the Guild of Carillonneurs in North America Welcome to the Noted Composer Features Brandywine Valley: John Pozdro Dies Longwood Gardens GCNA Congress at by th Longwood Gardens . .1 Hosts the 67 John Gouwens GCNA Congress ohn Pozdro, Board Nominations . 4 Jage 85, by Emily Moody passed away at Summer Recital his home on January 1, 2009 Series . 10 ongwood Gardens hosts the 67th Con- after an extended illness. He is survived by gress of the Guild of Carillonneurs in L his wife, Shirley, as well as his son and North America held June 22–25, 2009, in Carillon Mechanics daughter, and four grandchildren. Dr. Poz- the beautiful Brandywine Valley. We hope and Technique . .13 dro taught composition at the University of you will join us for an exciting week of Kansas from 1950 until his retirement in guest recitals, presentations, trips, and spe- 1993. Pozdro was one of the first composers Composer Profile: cial events designed to highlight the theme to be encouraged by Ronald Barnes (then LaSalle Spier. .14 of “accessibility.” We also invite you to take University Carillonneur at Kansas) to write time to enjoy Longwood Gardens. There are for the instrument. Pozdro’s students at 1,050 acres of beautiful gardens to explore Plus Kansas included Gary White, and his col- and enjoy, and your registration name tag leagues at the time also included piano pro- will act as your ticket into the gardens. Calendar . 3 fessor Roy Hamlin Johnson – all key people We are thrilled to announce the perform- in what is sometimes termed the “Kansas ers for the 67th Congress.
    [Show full text]
  • Summerbooklet18.Pdf
    The Yale University Guild of Carillonneurs is proud to present the 2018 Summer Carillon Concert Series. Our concerts feature carillonneurs from all over the world, and include some of our Yale Guild alumni and current members. We are honored to have these guest carillonneurs participate in this year’s series, and we hope that you enjoy the sweet music of the Harkness bells! Performances happen every Friday from 7:00pm-8:00pm, with gates opening at 6:30pm. Admission is free to the public. The Summer Carillon Concert Series is a great opportunity to invite family and friends to enjoy an evening picnic. If you require any assistance or simply have questions about the carillon or the performances, please do not hesitate to ask any of our Guild members. You can email us at [email protected] or visit our website at www.yalecarillon.org. On the following page is the schedule for all of the concerts this summer. Enjoy! June 15 Ellen Dickinson ’97 Yale University June 29 Tiffany Ng ’05 Ann Arbor, Michigan July 6 Pamela Ruiter-Feenstra Ann Arbor, Michigan July 13 Tom Gurin ’18 Philadelphia, Pennsylvania July 20 John Mori ’20 Paul Stelben ’21 Yale Summer Carillonneurs July 27 Kevin Wang ’17 Jonathan Shao ’17 New Haven, Connecticut August 3 Laura Ellis Gainesville, Florida August 10 Margaret Pan Boston, Massachusetts Ellen Dickinson Friday, June 15th, 2018 Roister-Doister John Knox (b. 1932) Legends Leyenda, Opus 232 Isaac Albeniz Trans. Marcel Siebers Legend in Romantic Style John Courter (1941-2010) Songs of Hope: A Tapestry of African-American Spirituals Ellen Dickinson (b.
    [Show full text]
  • The Bells of Summer SUNDAYS at 5 PM
    2018 | THE 53RD SEASON The Bells of Summer SUNDAYS AT 5 PM JUNE 24 THROUGH AUGUST 19 Harper Court Campus North Parking ROCKEFELLER MEMORIAL CHAPEL Medical Campus Parking B THE BELLS OF SUMMER | THE 53RD SEASON SUNDAY JUNE 24 SUNDAY JULY 1 SUNDAY JULY 8 SUE BERGREN CAROL ANNE TAYLOR EDDY MARIËN Millennium Carillon, Cathedral Santuario de Guadalupe, Royal Carillon School, Naperville Dallas Mechelen, Belgium PAGE 4 PAGE 6 PAGE 8 SUNDAY JULY 15 SUNDAY JULY 22 SUNDAY JULY 29 JOANNA STROZ LAURA ELLIS MARGARET PAN Frederiksberg, University of Florida Boston Denmark PAGE 10 PAGE 12 PAGE 14 SUNDAY AUGUST 5 SUNDAY AUGUST 12 SUNDAY AUGUST 19 BOB VAN DER LINDE STEVEN KARP JOEY BRINK Zwolle, University of Michigan University of Chicago The Netherlands PAGE 16 PAGE 18 PAGE 20 WELCOME TO THE BELLS OF SUMMER! E. 58TH You are encouraged to bring your summer picnic and blanket or picnic chairs to the east lawn, and enjoy the beautiful sound of the bells, Medical Campus played by virtuoso carillonneurs from around Parking A the world. In the event of inclement weather, you are welcome to take your picnic indoors, S. WOODLAWN and to listen to the recital broadcast into S. UNIVERSITY the Chapel (with both audio and video link). Another lovely place from which to listen is the E. 5 9 TH Booth School of Business courtyard, on the other side of Woodlawn Avenue. This 53rd season of The Bells of Summer is made possible by your generous up the spiral stoneMIDWAY staircase PLAISANCEis taken at a leisurely NORTH pace and is not and ongoing donations.
    [Show full text]
  • Annual Commencement / Northwestern University
    Northwestern University Ninety-First Annual Commencement Monday, June ij, ig^g CAMPUS MEADOW, EVANSTON, ILLINOIS THE PLEDGE Traditionally Taken By Northwestern Graduates on Receiving Their Degrees With a solemn sense of my responsibility I PLEDGE myself to hold my degree as a sacred trust, WITH untarnished HONOR TO MYSELF, IN GENEROUS LOYALTY TO ALMA MATER, AND WITH FIDELITY TO MY COUNTRY, MY FELLOW MEN, AND MY GOD. The Program PROCESSIONAL THE NATIONAL ANTHEM (The first stanza) (The audience will please remain standing until the Invocation has been pronounced) INVOCATION The Reverend James C. McLeod University Chaplain AWARDING OF CITATIONS TO FACULTY MEMBERS WHO WILL RETIRE FROM ACTIVE SERVICE ON 31 AUGUST 1949 Professor Leslie B. Arey Secretary of The University Senate Ethel Vaughan, Assistant Professor of Romance Languages Ernst Hellinger, Professor of Mathematics Alexander A. Day, Professor of Bacteriology Robert E. Blackwell, Professor of Operative Dentistry George B. Denton, Professor of Dental History and Literature Louie W. Webb, Professor of Education AWARDING OF CERTIFICATES Franklyn B. Snyder AND CONFERRING OF DEGREES President of the University CHARGE TO THE GRADUATING CLASS The President of the University CONFERRING OF HONORARY DEGREES HYMN: AMERICA (The first and last stanzas) DELIVERY OF DIPLOMAS The Deans of the Schools BENEDICTION The University Chaplain I 1 I I The Honorary Degrees Doctor of Sacred Theology — Louis Leopold Mann Rabbi of Chicago Sinai Congregation for more than quarter of a century; eminent scholar in Oriental languages; a founder of the Hillel Foundations in American Universities; long a champion of just causes and voice for the inarticulate and exploited; author, lecturer, pastor and counselor, he has admirably served his fellowmen and his God.
    [Show full text]
  • John Prescott—Research Vita Education
    JOHN PRESCOTT—RESEARCH VITA Professor of Music Missouri State University (417) 836-5748 [email protected] EDUCATION Doctor of Musical Arts, Composition, University of Kansas, Lawrence, KS, 1986. Title of Dissertation, Symphony for Winds. Dissertation advisors, John Pozdro and James Barnes. Master of Music, Theory, Florida State University, Tallahassee, FL, 1983. Title of Thesis, The Treatment of the Cornet and Trumpet in the Symphonic Wind Band from 1900 to 1980. Thesis advisor, Jane Perry-Camp. Bachelor of Music, Composition, University of Kansas, Lawrence, KS, 1981. Principal teacher, John Pozdro. High School Diploma, Pine Crest Preparatory School, Fort Lauderdale, FL, 1977. STUDENT ACCOMPLISHMENTS (these students studied composition with me while writing the works described below except where indicated). Tyler Durham was one of three winners of the Orlando Symphony Orchestra Young Composer Competition for his work, Dreamcatchers, which resulted in performance of his work by that orchestra in 2012. Bryan Wise’s masters thesis composition, Journey to the West, was rehearsed and performed by the Qingdao University Chinese Orchestra in June of 2009. Bryan was able to travel to Qingdao to be part of this event due to a student grant from the Asian Arts and Letters Initiative. Jason Salazar’s Carnival Dances, for Woodwind Quintet was published by JPM Publications of Festus, Missouri in 2006. Ryan Woodhouse’s Passacaglia for Alto Saxophone and Piano was published by JPM Publications of Festus, Missouri in 2006. Original music by Reed Roye accompanied the video, The Dogwood Tree, directed by Dusty Hoye, first place in the 2005 Missouri Broadcast Education Association Competition, Video Drama Category.
    [Show full text]
  • View PDF Document
    \ > • Cover Design: John Berton and John Miller, graduate students in the Computer Graphics Program in the Department of Art Education at OSU. The image was produced by creating three-dimensional objects based on a section of the score for The Perfect Stranger by Frank Zappa. Berton and Miller used techniques developed at the Computer Graphics Research Group at OSU and at Cranston/ Csuri Productions, Inc. to overlay additional objects with textured surfaces based on the original background image. - - - - - THE AMERICAN SOCIETY OF UNIVERSITY COMPOSERS NINETEENTH ANNUAL FESTIVAL CONFERENCE THE OHIO STA TE UNIVERSITY COLLEGE OF THE ARTS SCHOOL OF MUSIC COLUMBUS, OHIO APRIL 4-8 I 1984 THE AMERICAN SOCIETY OF UNIVERSITY COMPOSERS NINETEENTH ANNUAL FESTIVAL CONFERENCE Gregory Proctor Thomas Wells CONFERENCE Co-CHAIRMEN Helen Brown David Butler Gregory Proctor Thomas Wells EXECUTIVE COMMITTEE Andrew Broekema Helen Brown David Butler Cindy Bylander David Meeker Gregory Proctor Rocky Reuter Dean Roush Thomas Wells Cheryl Wierman Neal Yocom PLANNING COMMITTEE Helen Brown David Butler David Garcia Henry Panion p APERS AND PRESENTATIONS Ann Blombach Cindy Bylander LOCAL ARRANGEMENTS Eric Lewandowski Robert Hare Richard Payne FINANCIAL ADVISORS Rocky Reuter CONCERT COORDINATOR Neal Yocom TECHNICAL COORDINATOR Dean Roush In Sook Choi COMPOSER/PERFORMER LIAISON Susan Jenkins PUBLICITY COORDINATOR Henry Panion FAWCETT CENTER COORDINATOR Brian Gaber TRANSPORTATION COORDINATOR Cheryl Wierman HOSPITALITY EVENTS AND TRADE SHOW COORDINATOR Evelyn Conti Yvonne
    [Show full text]