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Magazine NMC Draft 4 Spring16.Indd 1 8/16/16 9:53 AM Vol 22, No
NEW MUSIC CONNOISSEUR THE BABBITT CENTENARY page 5 + LIVE PERFORMANCES Volume 22, No. 1 ++ ESSAYS Spring 2016 magazine NMC_Draft 4_Spring16.indd 1 8/16/16 9:53 AM Vol 22, No. 1–Spring 2016 New Music Connoisseur is a semi–annual periodical focusing on the work of the composers of our time. EDITOR–IN–CHIEF Michael Dellaira ART DIRECTION & DESIGN Russell Trakhtenberg ADVISORS Barry O’Neal Frank Oteri Kelley Rourke Eric Salzman Mark Zuckerman FOUNDING PUBLISHER & EDITOR, ASSOCIATE EDITOR Barry Cohen ADDRESS ALL CORRESPONDENCE TO: New Music Connoisseur Peck Slip Station P.O. Box 476. New York, NY 10038 Email: [email protected] Subscriptions are $24 for 2 years. $35 for 3 years. New subscription requests, change of address notifications and renewals should be submitted to [email protected] All material © New Music Connoisseur, 2015 2 | NEW MUSIC CONNOISSEUR magazine NMC_Draft 4_Spring16.indd 2 8/16/16 9:53 AM IN THIS ISSUE CONTRIBUTORS.....................................4 THE BABBITT CENTENARY “Milton Babbitt’s World” Program IV by Hubert Howe..........................................6 The Playful Babbitt by Anne Eisenberg.......................................8 Experiencing Milton by Judith Shatin..........................................9 A Quasi-Personal Reflection on Milton Babbitt’s Centenary and Its Celebrations by Benjamin Boretz......................................10 LIVE PERFORMANCES Jewish Music of Interwar Eastern Europe by Leonard Lehrman.....................................14 A Latin Latin Mass by Barry O’Neal.....................15 -
Faculty Recital the Webster Trio
) FACULTY RECITAL THE WEBSTER TRIO r1 LEONE BUYSE, flute ·~ MICHAEL WEBSTER, clarinet ROBERT MOEL/NG, piano Friday, September 19, 2003 8:00 p.m. Lillian H Duncan Recital Hall RICE UNNERSITY PROGRAM Dance Preludes Witold Lutoslawski . for clarinet and piano (1954) (1913-1994) Allegro molto ( Andantino " Allegro giocoso Andante Allegro molto Dolly, Op. 56 (1894-97) (transcribed for Gabriel Faure flute, clarinet, and piano by M. Webster) (1845-1924) Berceuse (Lullaby) Mi-a-ou Le Jardin de Dolly (Dolly's Garden) Ketty-Valse Tendresse (Tenderness) Le pas espagnol (Spanish Dance) .. Children of Light Richard Toensing ~ for flute, clarinet, and piano (2003, Premiere) (b. 1940) Dawn Processional Song ofthe Morning Stars The Robe of Light Silver Lightning, Golden Rain Phos Hilarion (Vesper Hymn) INTERMISSION Round Top Trio Anthony Brandt for flute, clarinet, and piano (2003) (b. 1961) Luminall Kurt Stallmann for solo flute (2002) (b. 1964) Eight Czech Sketches (1955) KarelHusa (transcribed for flute, clarinet, (b. 1921) and piano by M. Webster) Overture Rondeau Melancholy Song Solemn Procession Elegy Little Scherzo Evening Slovak Dance j PROGRAM NOTES Dance Preludes . Witold Lutoslawski Witold Lutoslawski was born in Warsaw in 1913 and became the Polish counterpart to Hunga,y's Bela Bart6k. Although he did not engage in the exhaustive study of his native folk song that Bart6k did, he followed Bart6k's lead in utilizing folk material in a highly individual, acerbic, yet tonal fash .. ion. The Dance Preludes, now almost fifty years old, appeared in two ver sions, one for clarinet, harp, piano, percussion, and strings, and the other for clarinet and piano. -
Boston Symphony Orchestra Concert Programs, Season 68, 1948
BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON SIXTY-EIGHTH SEASON 1948- 1949 Academy of Music, Brooklyn Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Sooety of Brooklyn Boston Symphony Orchestra [Sixty-eighth Season, 1948-1949] SERGE KOUSSEVITZKY, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin, Joseph de Pasquale Raymond Allard Concert-master Jean Cauhape Ernst Panenka Alfred Rrips Georges Fourel Ralph Masters Gaston Elcus Eugen Lehner Rolland Tapley Albert Bernard Contra-Bassoon Norbert Lauga Emil Kornsand Boaz Piller George Zazofsky George Humphrey " Horns Paul Cherkassky Louis Arti^res Harry Dubbs Charles Van Wynbergen Willem Valkenier James Stagliano Vladimir Resnikoff Hans Werner Principals Joseph Leibovici Jerome Lipson Harry Shapiro Siegfried Gerhardt Einar Hansen Harold Meek Daniel Eisler Violoncellos Paul Keaney Norman Carol Walter Macdonald Carlos Pinfield Samuel Mayes Osbourne McConathy Alfred Zighera Paul Fedorovsky Harry Dickson Jacobus Langendoen Trumpets Mischa Nieland Minot Beale Georges Mager Hippolyte Droeghmans Roger Voisin Karl Zeise Clarence Knudson Principals Pierre Mayer Josef Zimbler Marcel La fosse Manuel Zung Bernard Parronchi Harry Herforth Samuel Diamond Enrico Fabrizio Rene Voisin Leon Marjollet Victor Manusevitch Trombones James Nagy Flutes Jacob Raichman Leon Gorodelzky Georges Laurent Lucien Hansotte Raphael Del Sordo James Pappoutsakii John Coffey Melvin Bryant Phillip Kaplan Josef Orosz John -
2012 02 20 Programme Booklet FIN
COMPOSITION - EXPERIMENT - TRADITION: An experimental tradition. A compositional experiment. A traditional composition. An experimental composition. A traditional experiment. A compositional tradition. Orpheus Research Centre in Music [ORCiM] 22-23 February 2012, Orpheus Institute, Ghent Belgium The fourth International ORCiM Seminar organised at the Orpheus Institute offers an opportunity for an international group of contributors to explore specific aspects of ORCiM's research focus: Artistic Experimentation in Music. The theme of the conference is: Composition – Experiment – Tradition. This two-day international seminar aims at exploring the complex role of experimentation in the context of compositional practice and the artistic possibilities that its different approaches yield for practitioners and audiences. How these practices inform, or are informed by, historical, cultural, material and geographical contexts will be a recurring theme of this seminar. The seminar is particularly directed at composers and music practitioners working in areas of research linked to artistic experimentation. Organising Committee ORCiM Seminar 2012: William Brooks (U.K.), Kathleen Coessens (Belgium), Stefan Östersjö (Sweden), Juan Parra (Chile/Belgium) Orpheus Research Centre in Music [ORCiM] The Orpheus Research Centre in Music is based at the Orpheus Institute in Ghent, Belgium. ORCiM's mission is to produce and promote the highest quality research into music, and in particular into the processes of music- making and our understanding of them. ORCiM -
The Ten String Quartets of Ben Johnston, Written Between 1951 and 1995, Constitute No Less Than an Attempt to Revolutionize the Medium
The ten string quartets of Ben Johnston, written between 1951 and 1995, constitute no less than an attempt to revolutionize the medium. Of them, only the First Quartet limits itself to conventional tuning. The others, climaxing in the astonishing Seventh Quartet of 1984, add in further microtones from the harmonic series to the point that the music seems to float in a free pitch space, unmoored from the grid of the common twelve-pitch scale. In a way, this is a return to an older conception of string quartet practice, since players used to (and often still do) intuitively adjust their tuning for maximum sonority while listening to each other’s intonation. But Johnston has extended this practice in two dimensions: Rather than leave intonation to the performer’s ear and intuition, he has developed his own way to specify it in notation; and he has moved beyond the intervals of normal musical practice to incorporate increasingly fine distinctions, up to the 11th, 13th, and even 31st partials in the harmonic series. This recording by the indomitable Kepler Quartet completes the series of Johnston’s quartets, finally all recorded at last for the first time. Volume One presented Quartets 2, 3, 4, and 9; Volume Two 1, 5, and 10; and here we have Nos. 6, 7, and 8, plus a small piece for narrator and quartet titled Quietness. As Timothy Ernest Johnson has documented in his exhaustive dissertation on Johnston’s Seventh Quartet, Johnston’s string quartets explore extended tunings in three phases.1 Skipping over the more conventional (though serialist) First Quartet, the Second and Third expand the pitch spectrum merely by adding in so-called five-limit intervals (thirds, fourths, and fifths) perfectly in tune (which means unlike the imperfect, compromised way we tune them on the modern piano). -
Boston Symphony Orchestra Concert Programs, Summer, 1967-1968
' %j "V-TT-ni^iiii! 1 11 ?' *r* t i \%. i *:ies ;ai « t § i #% ^ '"•.'"' •'..' "'•- ; '- ". " At $9.40*a fifth, it ought to be called Sir Jonathan Walker B Lincoln Center, then to Joe's place for jazz. John Meyer woolens for autumn dates in town. Among the reasons : clear, strong, up-beat colorings and virtuoso tailoring—traditionally i w John Meyer. At discerning stores everywhere. ^ ven it this is all you know about woofers and tweete you can still get a great stereo. iiiiiip^ i§ii 5 ---V-V ''--•"•'*' aaSBssHS .v 111 i I You have almost all the stereo-judging equip- It also has a 23 all-silicon transistor amp ment you need right on your head. (Your ears.) with a full 66 watts of music power for i Armed with your ears, you'll probably end up channel. with a good stereo. Unfortunately, it won't be a Unfortunately, you can't read how go great stereo. Because there are certain things stereo sounds. So bring your head to your r your ears can't tell you. (Like what kind of equip- est Sony dealer. And let your ears do their s ment you'll need, etc.) Of t But now you can get a great stereo, no mat- yea ter how little you know. With the Sony HP-550 ing Compact Stereo System. of r It has a Garrard turntable. A 13-transistor amr FM /AM tuner. Dual airtight speakers with 10" woofers and 4" tweeters. (A woofer transmits bass and a tweeter transmits treble.) Funny Some people still think a Diners Club Card is just for beautiful meals* You can swing into Puerto Rico on a Diners than any other credit card. -
School of Music
School of Music WIND ENSEMBLE AND CONCERT BAND Gerard Morris and Judson Scott, conductors WEDNESDAY, APRIL 12, 2017 | SCHNEEBECK CONCERT HALL | 7:30 P.M. PROGRAM Concert Band Judson Scott, conductor Rhythm Stand ....................................Jennifer Higdon (b. 1962) For Angels, Slow Ascending ......................... Greg Simon ’07 (b. 1985) The Green Hill ....................................Bert Appermont (b. 1973) Zane Kistner ‘17, euphonium Melodious Thunk ..............................David Biedenbender (b. 1984) INTERMISSION Wind Ensemble Gerard Morris, conductor Forever Summer (Premiere) ...................... Michael Markowski (b. 1986) Variations on Mein junges Leben hat ein End ................Jan Pieterszoon Sweelinck (1562–1621) Ricker, trans. Music for Prague 1968 .............................. Karel Husa (1921–2016) I. Introduction and Fanfare II. Aria III. Interlude IV. Toccata and Chorale PROGRAM NOTES Concert Band notes complied by Judson Scott Wind Ensemble notes compiled by Gerard Morris Rhythm Stand (2004) ........................................... Higdon Rhythm Stand by Jennifer Higdon pays tribute to the constant presence of rhythm in our lives from the pulse of the world around us, celebrating the “regular order” we all experience, and incorporating traditional and nontraditional sounds within a 4/4-meter American-style swing. In the composer’s own words: “Since rhythm is everywhere, not just in music (ever listen to the lines of a car running across pavement, or a train on a railroad track?), I’ve incorporated sounds that come not from the instruments that you might find in a band, but from objects that sit nearby—music stands and pencils!” For Angels, Slow Ascending (2014) ................................. Simon The composer describes his inspiration and intention for the piece: In December 2013, we watched in silence and shock as a massacre at Sandy Hook Elementary School in Newtown, Conn., claimed the lives of 27 people, including 20 young children. -
Boston Symphony Orchestra Concert Programs, Season
Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P. -
Of the Bulletin
i .!y>A;pio-a^ -^rf^ h:3x> *"/;''>?' /r^^- ^\c'» »-^ u M •:^^.': r^-t.H '"^S ' >^>1^ >^-f?^ ^^r:v_^.'.,:'^ ^-x 7/ >i^ 'rfl^O-.^^ ^h ,^ " W ^^' ^ff^' :v,?^M|^ ^«^:l?^ %^n :0/i> v,^ ^f"^"^'?^ \ 1978*1979 BULLETIN OF WELLESLEY COLLEGE Volume 68, Number 1 The College reserves the right to make changes at its dis- cretion affecting policies, fees, curricula, or other matters announced in this Bulletin. Bulletin published nine times a year by Wellesley College, Green Hall, Wellesley, Massachusetts 02181. September, one; October, one; December, two; January, one; March, one; April, one; May, one; August, one. Contents Academic Calendar 1978-79 First Semester 4 Correspondence/Visitors Correspondence Visitors President We welcome visitors to the College. The General interests of the College administrative offices in Green Hall are open Monday through Friday, 8:30 a.m. to 4:30 Dean of the College p.m., and by appointment on Saturday morn- Academic policies and programs ings during term time. Special arrangements for greeting prospective students can also be Dean of Academic Programs made during vacation periods. Rooms for MIT cross-registration alumnae and for parents of students or pro- Exchange programs spective students are available on the cam- pus in the Wellesley College Club and may be Class Deans reserved by writing to the club manager. Individual students A prospective student who wishes to arrange Study abroad; students from abroad an interview with a member of the profes- sional staff of the Board of Admission should Director of Admission make an appointment well in advance. Admission of students Student guides provide tours for visitors with- Director of Financial Aid out previous appointment. -
Paul Taffanel Hagyatéka
Liszt Ferenc Zeneművészeti Egyetem 28. számú művészet- és művelődéstörténeti tudományok besorolású doktori iskola PAUL TAFFANEL HAGYATÉKA VÁMOSI-NAGY ZSUZSA TÉMAVEZETŐ: ITTZÉS GERGELY DLA DOKTORI ÉRTEKEZÉS 2014 I TARTALOMJEGYZÉK I. KÖSZÖNETNYILVÁNÍTÁS ....................................................................................... III II. BEVEZETÉS ................................................................................................................. IV 1. A FRANCIA FUVOLAISKOLA KIALAKULÁSÁNAK ÁTTEKINTÉSE .................. 1 1.1. Fuvolás zeneszerzők Franciaországban a XVII. századtól napjainkig .................... 1 1.1.1. A francia fuvolaiskola ...................................................................................... 1 1.1.2. A német fuvolaiskola ..................................................................................... 13 1.1.3. Alkotó fuvolások Európa más országaiban .................................................... 16 1.2. A párizsi Conservatoire .......................................................................................... 20 1.3. Böhm újításai és fogadtatásuk. A Böhm-Gordon per ............................................ 28 1.4. A Böhm-fuvolák fogadtatása német és francia földön és adaptálásuk a párizsi Conservatoire-ban .............................................................................................................. 33 2. PAUL TAFFANEL, A MODERN FRANCIA FUVOLAISKOLA MEGALAPOZÓJA . ...................................................................................................................................... -
John La Montaine Collection
JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature . -
Boston Symphony Orchestra Concert Programs, Summer, 1989
' I **- TanglewQDd 1989 E9¥»Km South Pond Farm. The standard of quality in the Berkshires. The lakefront location is perfect. The architecture elegant. The quality and craftsmanship superb. For information on our selection of condominium homes, call 413-443-3330. 1136 Barker Road (on the Pittsfield-Richmond line) Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood Michael G.