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TANGLEWOOD TALES Some Rights Reserved Conditions and Terms of Use INTRODUCTORY NOTE Copyright © Heritage History 2009 TANGLEWOOD TALES Some rights reserved This text was produced and distributed by Heritage History, an organization Hawthorne's first "Wonder-Book" was so well received, dedicated to the preservation of classical juvenile history books, and to the that he was induced to undertake another within eighteen months promotion of the works of traditional history authors. from the time of finishing the first. To this new volume, made up in the same way of Greek myths retold with a modern, free, half The books which Heritage History republishes are in the public domain and realistic and half fanciful tone, he gave the name "Tanglewood are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. Tales." The previous series having been ostensibly narrated by one Eustace Bright, among the hills of Berkshire, these The text and pictures used to produce this version of the work, however, are additional stories in the like vein were represented as having the property of Heritage History and are licensed to individual users with some been brought by Eustace Bright to Hawthorne, at his new home, restrictions. These restrictions are imposed for the purpose of protecting the integrity The Wayside, in Concord. of the work itself, for preventing plagiarism, and for helping to assure that compromised or incomplete versions of the work are not widely disseminated. This place Hawthorne had bought and moved into, early in the summer of 1852, after finishing "The Blithedale In order to preserve information regarding the origin of this text, a copyright Romance" at West Newton, during the preceding winter. Some by the author, and a Heritage History distribution date are included at the foot of every page of text. We request all electronic and printed versions of this text include slight references to it are made in the Introduction headed "The these markings and that users adhere to the following restrictions. Wayside," where "my predecessor's little ruined, rustic summer- house, midway on the hill-side," is mentioned. The predecessor 1) This text may be reproduced for personal or educational purposes as long was Mr. A. Bronson Alcott, one of the so-called Transcendental as the original copyright and Heritage History version number are faithfully school of thinkers, the intimate friend of Ralph Waldo Emerson, reproduced. and the father of Miss Louisa M. Alcott, since become one of the 2) You may not alter this text or try to pass off all or any part of it as your own most popular of writers for children. This summer-house, work. therefore, becomes to the mind a sort of station between the new generation and the old, a link between Hawthorne in his capacity 3) You may not distribute copies of this text for commercial purposes unless of tale-teller to the little folks of America, and the woman who, you have the prior written consent of Heritage History. at that time a child, has in later years assembled from the young 4) This text is intended to be a faithful and complete copy of the original people a vast audience of her own. The romancer speaks of this document. However, typos, omissions, and other errors may have occurred rustic structure in a letter to George William Curtis, dated July during preparation, and Heritage History does not guarantee a perfectly 14, 1852:— reliable reproduction. "Mr. Alcott expended a good deal of taste and some Permission to use Heritage History documents or images for commercial money (to no great purpose) in forming the hill-side behind the purposes, or more information about our collection of traditional history resources house into terraces, and building arbors and summer-houses of can be obtained by contacting us at [email protected] rough stems and branches and trees, on a system of his own. Original Copyright 1853 by Nathaniel Hawthorne. 2 Distributed by Heritage History 2009 They must have been very pretty in their day, and are so still, THE WAYSIDE although much decayed, and shattered more and more by every breeze that blows." INTRODUCTORY No vestige of this sylvan edifice now remains. Prior to his return to Concord and installation at The A short time ago, I was favored with a flying visit from Wayside, Hawthorne had contemplated giving up that humble my young friend Eustace Bright, whom I had not before met abode at Lenox, which, in a letter to George William Curtis, he with since quitting the breezy mountains of Berkshire. It being had called "the ugliest little old red farm-house you ever saw," the winter vacation at his college, Eustace was allowing himself and renting the country-seat of Mrs. Fanny Kemble, in the same a little relaxation, in the hope, he told me, of repairing the vicinity. But as I have mentioned in the Introductory Note inroads which severe application to study had made upon his prefixed to the "Wonder-Book," he had already begun to health; and I was happy to conclude, from the excellent physical languish somewhat in the inland air of the Berkshire Valley; condition in which I saw him, that the remedy had already been added to which was the not altogether favorable influence of the attended with very desirable success. He had now run up from striking scenery in that picturesque mountain-district. In Boston by the noon train, partly impelled by the friendly regard October, 1851, he wrote from Lenox to a friend: "We shall leave with which he is pleased to honor me, and partly, as I soon here (with much joy) on the first day of December." found, on a matter of literary business. The sojourn at West Newton, however, served only to It delighted me to receive Mr. Bright, for the first time, occupy the interval between Lenox and his settlement at under a roof, though a very humble one, which I could really call Concord. After he had arrived at the latter place, he wrote to my own. Nor did I fail (as is the custom of landed proprietors all Horatio Bridge (October 13, 1852): "In a day or two I intend to about the world) to parade the poor fellow up and down over my begin a new romance, which, if possible, I intend to make more half a dozen acres; secretly rejoicing, nevertheless, that the genial than the last." The "last" was "The Blithedale Romance;" disarray of the inclement season, and particularly the six inches but of the newly projected work here mentioned we find no of snow then upon the ground, prevented him from observing the further trace, and it is impossible to conjecture what scheme for ragged neglect of soil and shrubbery into which the place had a fresh work of fiction was then occupying the author's mind. lapsed. It was idle, however, to imagine that an airy guest from The "campaign" Life of Franklin Pierce had already been Monument Mountain, Bald-Summit, and old Graylock, shaggy produced after his coming to The Wayside, and he was with primeval forests, could see anything to admire in my poor apparently free to turn his attention to this projected romance; little hill-side, with its growth of frail and insect-eaten locust- but instead of pursuing the design, whatever it may have been, trees. Eustace very frankly called the view from my hill-top he took up the composition of the "Tanglewood Tales," which tame; and so, no doubt, it was, after rough, broken, rugged, were completed in the early spring of 1853. On the 13th of headlong Berkshire, and especially the northern parts of the March, that year, he wrote the preface for them. Ten days later county, with which his college residence had made him familiar. his appointment to the consulate at Liverpool by President Pierce But to me there is a peculiar, quiet charm in these broad was confirmed by the Senate of the United States. meadows and gentle eminences. They are better than mountains, G. P. L. because they do not stamp and stereotype themselves into the brain, and thus grow wearisome with the same strong Original Copyright 1853 by Nathaniel Hawthorne. 3 Distributed by Heritage History 2009 impression, repeated day after day. A few summer weeks among have written out six of the new stories, and have brought them mountains, a lifetime among green meadows and placid slopes, for you to look over." with outlines forever new, because continually fading out of the "Are they as good as the first?" I inquired. memory,—such would be my sober choice. "Better chosen, and better handled," replied Eustace I doubt whether Eustace did not internally pronounce the Bright. "You will say so when you read them." whole thing a bore, until I led him to my predecessor's little ruined, rustic summer-house, midway on the hill-side. It is a "Possibly not," I remarked. "I know, from my own mere skeleton of slender, decaying tree-trunks, with neither experience, that an author's last work is always his best one, in walls nor a roof; nothing but a tracery of branches and twigs, his own estimate, until it quite loses the red heat of composition. which the next wintry blast will be very likely to scatter in After that, it falls into its true place, quietly enough. But let us fragments along the terrace. It looks, and is, as evanescent as a adjourn to my study, and examine these new stories. It would dream; and yet, in its rustic network of boughs, it has somehow hardly be doing yourself justice, were you to bring me enclosed a hint of spiritual beauty, and has become a true acquainted with them, sitting here on this snow- bank!" emblem of the subtile and ethereal mind that planned it.
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