DOCSLIB.ORG

2011Annual Report 2010/10-2011/09 Contents Board Chairperson’S Message

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2011Annual Report 2010/10-2011/09 Contents Board Chairperson’S Message 2011Annual Report 2010/10-2011/09 Contents Board Chairperson’s Message Spreading God’s Love to People in Need Dearest friends of World Vision Taiwan, As 2011 comes to an end, we wish you a happier, more wonderful, and more peaceful 2012. )RUXVDW:RUOG9LVLRQ7DLZDQZDVD\HDUÀOOHG with God’s grace. His grace gave us the strength to assist those in need throughout the world. This year, with your assistance, we completed many projects and, step-by- step, were able to unleash the power to transform lives. In 2011, the world experienced much suffering, which included the magnitude 9.0 earthquake and subsequent tsunami that crippled local industry and injured or killed scores along Japan’s northeastern coast. Eastern Africa experienced the most severe drought in sixty years. A total of 13 million people were affected, while 500,000 children struggled on the edge of life and death. Both in Taiwan and abroad, problems caused by poverty still deeply impacted every needy child, their families, and even their entire community. Around the world, many children still face risks that we may not even yet be aware of…In this era, crises, whether caused by natural disasters or uneven distribution of resources, have become ever more frequent. Not just property and lives are affected. These unsettling events bring about fear and unease in the world and in people’s hearts, which also distresses and saddens us. With the commitment and love for the world that you and many other caring people in Taiwan share, we are better able to provide effective relief and care. We have also been able to comfort many souls during a painful time. In this year’s annual report, you will read about instance after instance where assistance has helped to transform the lives of earthquake survivors in Japan, people facing hunger in Africa, and disadvantaged children right here in Taiwan. In addition, every year that we hold our 30 Hour Famine Hero Rally, we break new attendance records. In that ever higher number of participants, you can witness Taiwan’s hope. When more people devote themselves to FDULQJIRURWKHUV7DLZDQ·VORYHFDQKDYHJUHDWHULQÁXHQFHERWKKHUHDQGDURXQGWKHZRUOG First Corinthians states, “And now these three remain: faith, hope and love.” But the greatest of these is love. Each story of people receiving assistance from others is a miracle made possible by love. World Vision’s mission is to serve as a bridge between the giver and the recipient. We send IDLWKKRSHDQGEOHVVLQJVDQGVWDQGE\SHRSOHLQWKHLUWLPHRIQHHGWRÀQGWUXHSHDFH Thank you for standing together with World Vision Taiwan in the places that need our help most! To start out 2012 and thank you for all of your support over the past year, we have published this annual report to highlight the work you have enabled us to do. Through your continued participation and support, we can lend a helping hand to even more children. May our love reach 1 ever further! Victor Kung Chairperson, World Vision Taiwan Executive Director’s Message Remembrance, Appreciation, and the Road Ahead 2011 marked the 100th anniversary of the founding of the Republic of China and it truly was a year full of blessings! The Bible’s A Prayer of Moses entreats the Lord to “Teach us to number our days, that we may gain a heart of wisdom.” This prayer reminds us that numbering our days and wisdom are closely related. Moreover, it teaches us that wisdom does not just reside in the brain, but also in our hearts. As I reviewed this last year in my mind, I could not help but to count each and every day. Whether calm or stormy, day DIWHUGD\ZDVÀOOHGZLWKJUDFHDQGWKDQNIXOQHVV I must first thank each child sponsor who walks along with a needy child on his or her path to adulthood. Your love gives sponsored children, whether in Taiwan or overseas, the motivation to grow and overcome obstacles. Also, I would like to thank the countless people who have contributed financially to World Vision Taiwan. No matter if the donation went towards education programs for disadvantaged children, assistance for disaster survivors, or child protection programs, your thoughtful contribution helped to ignite a spark of hope. Our gratitude also goes out to our corporate partners for your unwavering support and assistance. We did not only receive your help, but also learned so much from you. Thanks also to our volunteers for \RXUVXSSRUW:KHWKHU\RXFRPHLQWRWKHRIÀFHHDFKZHHNWRKHOSRXW or have assisted on a certain project or program, we appreciate for your faithful help. Without your participation, many of our programs just would not succeed. Thank you to our many church partners for your support of our programs and advocacy work. Your prayers and blessings are the source RIRXUFRQÀGHQFH Furthermore, I would like to thank our many media partners, school partners, spokespersons, and the government agencies that supervise and support us. Over this past year, \RXULQYROYHPHQWJUDQWHGXVWKHFRXUDJHWRRYHUFRPHGLIÀFXOWLHVDQGWKHVWUHQJWKWRDFKLHYH our mission! In 2012, with your support and blessings, we will continue to adhere to our core values and expand our horizons as we move intrepidly forward. We will extend the reach of the 30 Hour Famine and launch the new “Global Citizenship” platform to invite more participation from compassionate members of the public. We will improve connections in our Child Sponsorship Program through a pilot project using a new digital media platform that will bring sponsored children and their sponsors closer together. World Vision Taiwan will continue to use every opportunity to forge close connections with our partners as we work together towards a better society and to impact the entire world. With the well-being of the world’s children as our ultimate goal, we will continue to provide the most fundamental work with an open heart and ears, listening to your opinions and guidance to improve quality and meet our commitment 2 and responsibility to you and those we assist. 0D\HYHU\GD\RI\RXUQHZ\HDUEHÀOOHGZLWKJUDFHDQGEOHVVLQJV Hank Du Executive Director, World Vision Taiwan We envision all the world’s children leading life in fullness. World Vision does our utmost to enable children around the world, especially the most disadvantaged, to enjoy good health, basic education, care and protection, and to experience love from the world. Children’s Lives Are Changed Because Of You -- Ensuring the Well-being of Children around the World Over this past year, with your support and encouragement, World Vision Taiwan has worked to achieve this goal. During the year to come, we will continue to join hands with you, together striving to improve child well-being around the world! Domestic Services Domestic Services Domestic Ministry Expenditures Item/Ministry Type Amount (NT$) Child Sponsorship 554,340,572 Emergency Relief 635,016,554 Non-sponsorship Development 258,690,731 Government Commissioned Services 258,082,423 Indirect Ministry Expenditure 22,805,353 Gifts-in-kind Expenditure 12,456,916 Total 1,741,392,549 From October 1, 2010 to September 30, 2011 Source: Finance Division 4 Domestic Services ★ Where We Work 2EXMSREP3J½GI8EMTIM Domestic Services Map ■ %VIE3J½GIW 2SVXL%VIE3J½GI ;IWX%VIE3J½GI 'IRXVEP%VIE3J½GI 'LERKLYE=YRPMR'LME]M%VIE3J½GI 7SYXL%VIE3J½GI )EWX%VIE3J½GI ◎ 'LMPH=SYXLERH;SQIR4VSXIGXMSR'IRXIV 8EMTIM*EQMP]ERH*SWXIV'EVI7IVZMGIW'IRXIV 'LMPH =SYXL7LSVXXIVQ)QIVKIRG]7LIPXIV ●Keelung 8EMTIM,MKLVMWO*EQMP]7IVZMGI Taipei High-risk Family Service◎ National Office Taipei★ ◎Child & Youth Short-term Emergency Shelter ● Banqiao● ◎Taipei Family and Foster Care Services Center 8EMTIM /IIPYRK &ERUMES <MRHMER North Area Office■ ●Taipei 8ES]YER *Y\MRK ,WMRGLY ;YNMER ◎113 Child, Youth and Women Protection Center ●Taoyuan 1MESPM 8EMGLYRK ●Xindian Urban Family Service Center West Area Office ■ ●Fuxing ●Hsinchu >LSRKFMR ,STMRK 2ERXSY 6IREM ●YilanⅠ.Ⅱ <MR]M 'LERKLYE =YRPMR 'LME]M ▲Zhudong 8EMRER <MR]MRK 0MYKYM /ESLWMYRK ●Wujian +ERKWLER 5MWLER 2EQE\ME 4MRKXYRK ●Miaoli 4MRKRER ,IRKGLYR 6MREVM 4IRKLY ▲Miaobin =MPER ,YEPMIR +YERKJY =YPM ;ERVSRK 8EMXYRK +YERWLER'LIRKKSRK ▲Dongshi ▲ ●Hoping ▲Xiulin ●Zhongbin >LYHSRK 1MESFMR (SRKWLM ;YWLI ■Central Area Office 7LYMPM ,Y[IM .MEFMR %PMWLER ●Taichung ▲Wushe ■East Area Office ●Urban Family Service Center 8EY]YER 5MQIM <MYPMR 7LSYJIRK ●Changhua ●HualienⅠ.Ⅱ *IRKFMR .MRPYR 0ER]Y ●Nantou ●Renai ▲Shoufeng ●Wanrong ●GuangfuⅠ.Ⅱ ▲Shuili ▲Fengbin ▲Huwei ●Xinyi ●Yunlin ●Penghu ■Changhua-Yunlin-Chiayi Area Office ●Chiayi ▲Alishan ●YuliⅠ.Ⅱ ▲Jiabin ●Namaxia ●Xinying ●Chenggong ▲Tauyuan ▲Qimei ●Guanshan ●Liugui ●Tainan ●Qishan ●Taitung ●Rinari ●Gangshan ●Pingtung South Area Office■ ●Kaohsiung ▲Jinlun 5 ●Pingnan ▲Lanyu ●Hengchun Domestic Services ach year, the tens of thousands of Taiwan’s children living in poverty face Eobstacles to achieving an education. Turning 21 this year, Xiao Jun has been a World Vision Taiwan sponsored child since she was in elementary school. On this GD\VKHVWDQGVFRQÀGHQWO\RQVWDJHVLQJLQJWUDGLWLRQDOVRQJVRIWKH3X\XPD7ULEH in her clear, resounding voice that enchants all in attendance. Youth, Do Not Give up! We Will Extend a Helping Hand Now in her senior year of college majoring in performing arts, Xiao Jun’s parents divorced when she was very young and she and her mother moved in with her grandfather. Her mother found work where she could get it, but she often turned to alcohol and EHFDPHYLROHQWEHFDXVHRIWKHLUGLUHÀQDQFLDOVLWXDWLRQVRKHUMRESURVSHFWVZHUH further limited. Xiao Jun said that when she was young, although it held little interest for her, she did perform as a way to make some extra income. Little did she know that her selection by the Composed Artistes In Taiwan Aborigines would open a whole new world. With the group, she went on Taiwan Visitors Association tours to perform in Malaysia, Singapore, and Hong Kong, which gave her a new, broader perspective and ignited a passion for performance. The opportunity literally gave her a stage upon which she could achieve her dreams…. Over these past ten years, World Vision Taiwan’s tuition aid and other forms of support helped her at every stage of her life. Xiao Jun is grateful to each and every person who helped her and stood by her side, because they gave her the power to keep going.
Load more

Recommended publications
  • Midsummer Taipei – Cool Mountain & Water Touring
    Jul. - Sep., 2016 No.4 Taipei Visitor Information Centers Taipei Main Station Add: 3, Beiping W. Rd., Taipei City (southwest area of Main Hall on 1F) Visitor Information Center Tel: (02) 2312-3256 Songshan Airport Add: 340-10, Dunhua N. Rd., Taipei City (Arrival Hall, Terminal 2) Visitor Information Center Tel: (02) 2546-4741 MRT Taipei 101 / World Trade Center Add: B1, 20, Sec. 5, Xinyi Rd., Taipei City (near Exit No. 5) Station Visitor Information Center Tel: (02) 2758-6593 MRT Ximen Station Add: B1, 32-1, Baoqing Rd., Taipei City (near Exit No. 5) Visitor Information Center Tel: (02) 2375-3096 MRT Jiantan Station Add: 65, Sec. 5, Zhongshan N. Rd., Taipei City (near Exit No. 1) Visitor Information Center Tel: (02) 2883-0313 MRT Beitou Station Add: 1, Guangming Rd., Taipei City (left side of station entrance) Visitor Information Center Tel: (02) 2894-6923 Miramar Entertainment Add: 20, Jingye 3rd Rd., Taipei City (in rear of fountain plaza, 1F) Park Visitor Center Tel: (02) 8501-2762 Add: 6, Zhongshan Rd., Taipei City (near the Beitou Garden Spa) Plum Garden Visitor Center Tel: (02) 2897-2647 Maokong Gondola Maokong Add: 35, Ln. 38, Sec. 3, Zhinan Rd., Taipei City (near exit of Maokong Station) Midsummer Taipei Station Visitor Center Tel: (02) 2937-8563 Add: 44, Sec. 1, Dihua St., Taipei City (inside URS44 Dadaocheng Story House) – Dadaocheng Visitor Center Cool Mountain & Water Touring Tel: (02) 2559-6802 Travel Information Services On July's blazing days, everyone gets busy looking for ways to beat the heat. Fortunately, Taipei Citizen Hotline: (Outside Taipei City, please dial ) 1999 02-2720-8889 Taipei offers many spots for visitors to cool down and experience the "refreshing" side of Taipei Travel Net: travel.taipei, Presents travel information on Taipei City in Chinese, English, Japanese, Korean, and city living.
    [Show full text]
  • New Kids on The
    14 發光的城市 A R O U N D T O W N FRIDAY, MARCH 6, 2009 • TAIPEI TIMES arch comes in like a lion, bringing with it spring, soon to be Spring Scream (春天吶喊), and the birth M PERFORMANCE NOTES: of all things new: leaves, flowers, baby animals — and brand new bands. Paul Gouriet, who goes by the SPACE FUNK with THE MONEY SHOT moniker Viba, was performing his live HORNS, 11pm tomorrow at VU Live House electronica in clubs when he decided to (地下絲絨), B1, 77, Wuchang St Sec 2, Taipei form a group: “Most people just thought City (台北市武昌街二段77號B1). NT$400 cover I was a DJ,” he said. “I got to know includes one drink musicians like Public Radio and saw the ong Kong singers HI-LIFE WEDDING, 9m March 13 at pull of live bands.” Jill Vidal (衛詩) Underworld (地下社會), B1, 45 Shida Rd, Taipei H He found bass player Justin Lewis and Kelvin Kwan (關楚耀) were City (台北市師大路45號B1). NT$300 cover (of Pan Africana and New Hong Kong arrested in Tokyo on Feb. 24 includes one drink Hair City) on Facebook, singer Claire over alleged possession of HI-LIFE WEDDING, 10pm March 20 at Bliss, Juan (阮筱芬) on MySpace, and drummer cannabis, according to a report 148, Xinyi Rd Sec 4, Taipei City (台北市信義路 Kyle Bajcer through a story in the Taipei in Sina.com earlier this week. 四段148號. NT$200 cover includes on drink Jay Chou might want to lay off the Times. They formed “funktronica” band The arrest allegedly came STOKED POKEY, 8pm April 11 at Gusto cake.
    [Show full text]
  • Spring Scream Tiger Is the Festival's 16Th Edition, and Features Some 200
    AROUND TOWN FRIDAY, APRIL 2, 2010 Guts and glory Spring Scream Tiger is the festival’s 16th edition, and features some 200 music, DJ and theater acts. Organizer and co-founder Jimi Moe tells the ‘Taipei Times’ how the annual showcase of the country’s best bands picks the lineup BY DAVid CHEN STAff REPORTER his year Spring Scream (春天吶喊) is sweet with a half-decent demo could land a spot at the choose and rank 20 of their favorite bands on the sixteen. The indie music festival has grown festival. This is no longer the case as Spring Scream Spring Scream Web site, which provided direct up to become an annual pilgrimage for the has grown in popularity and is now considered a links to the Indievox band pages. country’s college students, party-minded rite of passage for any aspiring rock ’n’ roll band in “We’re really trying to be democratic,” said T expats and music fans. Taiwan. Nowadays, an average of 500 performers Moe, who says the voting system helps Spring The Clippers. The event, which begins tonight and takes apply for the 200 stage slots available. Scream realize one of its ideals. “Since the very place at the Oluanpi Lighthouse National Park Performers are chosen with the help of a beginning, we’ve always said that the sponsors (鵝鑾鼻燈塔公園), features some of Taiwan’s rising seven-person “panel,” which includes Moe, Davis are the fans. The fans buy the tickets. And we’ve stars and best indie bands, with nearly 200 acts and friends and acquaintances representing really tried to empower them and give them PHOTO scheduled to perform on seven stages.
    [Show full text]
  • Jay Chou's Zhongguo Feng: Songs and Identity
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Malaya Students Repository JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY SU ZEKAI CULTURE CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2018 JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY SU ZEKAI DESSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF PERFORMING ARTS (MUSIC) CULTURE CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2018 UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: SU ZEKAI (I.C/Passport No: G36371096 ) Registration/Matric No: RGI150018 Name of Degree: MASTER OF PERFORMING ARTS (MUSIC) Title of Project Paper/Research Report/Dissertation/Thesis (“this Work”): JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY Field of Study: Popular Music I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • Incorporated in July 2008 DATZENTERTAINMENT Was Born
    Incorporated in July 2008 DATZENTERTAINMENT 25 Tagore Lane #04-10 Suite 13 Singapore 787602 Company Registration: 53121109J DATZENTERTAINMENT was born from a dream of two entertainment industry veterans, each with over 10 years experience in the profession. To provide quality entertainment services to event organizers and artiste management. In the early 90s, ANGELA CHEONG started in the entertainment industry as a Customer Service Executive at the Singapore Indoor Stadium and from there, through her enthusiasm and perseverance, she went on to taking lead in a supervisory role at ushering duties and also assisting in venue security matters. Being keen in operations and logistics, Angela ventured into freelance work doing Show and Stage Management. Full time employment began in UnUsUaL Entertainments Pte Ltd in 2005 as a Marketing Executive where her responsibilities were concert ticketing, artiste meals, hotel and transport liaison. Including backstage management of artiste and crew rooms and requirements. Angela not only specializes in Operations and Logistic matters for shows in Singapore, but also for shows overseas, namely Cheng Du, China. Another partner in DATZENTERTAINMENT is VALERIE FONG who after 8 years of advertising background as an advertising Copywriter moved into entertainment starting with a job at the Singapore Indoor Stadium as a Marketing Executive, then an Operations Executive – planning venue seating, staging and concert and event set-up. After 3 years with venue experience, Valerie was offered a position at UnUsUaL Group of Companies with a job scope that included artiste management, sponsorship and technical set- up. From there her experience expanded and she went on to event consultancy for overseas shows in Cheng Du, China.
    [Show full text]
  • Final All Chapters Hard Copy
    Chi, Sheng-shih (2017) The role of popular music in the negotiation of Taiwanese identity. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/24331 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. The Role of Popular Music in the Negotiation of Taiwanese Identity By Sheng-shih Chi A Dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Music Department School of Oriental and African Studies University of London 2016 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
    [Show full text]
  • Performing Arts 55-61
    Contents Pages Foreword 1-4 Performance Pledges 5 Vision, Mission & Values 6-7 Leisure Services 8-53 Recreational and Sports Facilities 9-24 Recreational and Sports Programmes 25-33 Sports Subvention Scheme 34-36 The 4th Hong Kong Games 37-38 The 12th National Games 39 Sports Exchange and Co-operation Programmes 40 Horticulture and Amenities 41-45 Green Promotion 46-49 Licensing 50 Major Recreational & Sports Events 51-53 Cultural Services 54-151 Performing Arts 55-61 Cultural Presentations 62-65 Festivals 66-69 Arts Education and Audience-Building Programmes 70-73 Carnivals and Entertainment Programmes 74-75 Subvention to Hong Kong Arts Festival 76 Cultural Exchanges 77-83 Film Archive and Film and Media Arts Programmes 84-87 Music Office 88-89 Indoor Stadia 90-93 Urban Ticketing System (URBTIX) 94 Public Libraries 95-101 Museums 102-130 'My Culture' App 131 Conservation Office 132-134 Antiquities and Monuments Office (AMO) 135-136 Expert Advisers on Cultural Services 137 Major Cultural Events 138-151 Administration 152-177 Financial Management 152-153 Public Feedback 154 Outsourcing 155-156 Human Resources 157-165 Environmental Efforts 166-168 Facilities and Projects 169-170 Information Technology 171-175 Public Relations and Publicity 176-177 Feedback Channels 178 Appendices 179-201 Foreword In 2013-14, the LCSD organised a wide range of sporting, leisure and cultural programmes that suit the needs and interests of different segments of the population, while continuing to manage and maintain cultural and recreational facilities for public use. During the year, a number of Hong Kong’s most important sports facilities were completed.
    [Show full text]
  • Alternative Geography Earcag | 9Th Meeting
    EAST ASIAN REGIONAL CONFERENCE IN ALTERNATIVE GEOGRAPHY EARCAG | 9TH MEETING For spatial justice: RETHINKING SOCIO-SPATIAL ISSUES FROM EAST ASIAN PERSPECTIVES 10–15 DECEMBER 2018 Daegu University (10 DEC) & Daegu EXCO (11-12 DEC) Field Trip (13-15 DEC) | Local Organizing Committee Bae-Gyoon Park (Seoul National University) Byeongsun Jeong (Seoul Institute) Byung-Doo Choi (Daegu University) HaeRan Shin (Seoul National University) Hyunjoo Jung (Seoul National University) In Kwon Park (University of Seoul) Jin-Tae Hwang (Seoul National University) Jong Heon Jin (Kongju National University) Sanghun Lee (Hanshin University) Sang-hyun Chi (Kyunghee University) Seung-Ook Lee (Korea Advanced Institute of Science & Technology) Se Hoon Park (Korea Research Institute for Human Settlements) Young A Lee (Daegu University) | International steering Committee Byung-Doo Choi (Daegu University) Bae-Gyoon Park (Seoul National University) Amriah Buang (Malaysia) Jim Glassman (University of British Columbia, Canada) Chu-joe Hsia (Nanjing University, China) Jinn-yuh Hsu (National Taiwan University, Taiwan) Fujio Mizuoka (Hitotsubashi University, Japan) Toshio Mizuuchi (Osaka City University, Japan) Wing-Shing Tang (Hong Kong Baptist University, Hong Kong) | Organizers | Sponsors CONtents Conference aims and theme 2 Keynote speakers 3 Program at a glance 9 Sessions 12 Abstracts 23 Map & Floor Plan 94 Useful information 97 1 | Conference aims and theme In January 1999, the East Asian Regional Conference in Alternative Geography (EARCAG) was held in Gyeongju and Daegu, South Korea, where twenty scholars assembled to discuss research on the theme of ‘Socio-Spatial Issues for East Asian Countries in the 21st Century’. Since this inaugural gathering, scholars within the expanding EARCAG network have witnessed complex socio-spatial changes in East Asia that have served to produce and re-shape various forms of inequality, injustice, and precarity, and they have sought to critically examine these issues from East Asian perspectives.
    [Show full text]
  • Using Music and Emotion to Enable Effective Affective Computing Brennon Christopher Bortz
    USINGMUSICANDEMOTIONTOENABLEEFFECTIVEAFFECTIVE COMPUTING brennon christopher bortz Dissertation submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Computer Science and Applications R. Benjamin Knapp, Chair D. Scott McCrickard Steve R. Harrison Eric D. Lyon Isabel S. Bradburn Javier E. Jaimovich 15 May 2019 Keywords: Affective Computing, Music, Psychophysiology, Databases ABSTRACT—ACADEMIC Using Music and Emotion to Enable Effective Affective Computing Brennon Christopher Bortz The computing devices with which we interact daily continue to become ever smaller, intelligent, and pervasive. Not only are they becoming more intelligent, but some are developing awareness of a user’s affective state. Affective computing—computing that in some way senses, expresses, or modifies affect—is still a field very much in its youth. While progress has been made, the field is still limited by the need for larger sets of diverse, naturalistic, and multimodal data. This work first considers effective strategies for designing psychophysi- ological studies that permit the assembly of very large samples that cross numerous demographic boundaries, data collection in naturalistic envi- ronments, distributed study locations, rapid iterations on study designs, and the simultaneous investigation of multiple research questions. It then explores how commodity hardware and general-purpose software tools can be used to record, represent, store, and disseminate such data. As a realization of these strategies, this work presents a new database from the Emotion in Motion (EiM) study of human psychophysiological response to musical affective stimuli comprising over 23,000 participants and nearly 67,000 psychophysiological responses.
    [Show full text]
  • Think HK Music Is All Ballads and Boredom? You'd Be Wrong. There's
    Think HK music is all ballads and boredom? You’d be wrong. There’s a whole raft of exciting talent emerging across the city’s scene, in every type of genre imaginable – and to prove it, we’ve uncovered 23 of the most promising new singers and bands that you need to listen to right now. Your new favourite artist is waiting… By Mark Tjhung and Arthur Tam 20 timeout.com.hk AGA RISING R&B STAR If you’re into: Brandy, Justin Lo Label: Universal Music Latest Release: AGA (2013) Upcoming Release: New single out beginning of June For more: bit.ly/AGA-FB Recommending Listening: <<問好>> Greetings, bit.ly/TOHK-AGA ast year, Hong Kong didn’t see many new pop talents, and the one been <<問好>> (Greeting) and One Day at a Time, both fluid R&B ballads fresh shining light to break into the scene was AGA. The 25-year- accented with a touch of sensuality. AGA’s voice glides through the tracks Lold Agatha Kong was crowned with the gold award at last year’s with crisp dulcet tones for a delicate take on heartbreak. Besides her own Commercial Radio 903 music awards and has been creating quite a stir in hits, AGA has written songs for other artists like Fiona Sit’s mega-hit Better the scene since she debuted late last year with her eponymous album AGA. Me, emphasising AGA’s knack for writing a commercial hit. Any day now, Her sultry voice, R&B sensibilities and catchy songwriting ability has shot she releases her new single and, later in the year, expect her sophomore her straight to the top of the Cantopop charts.
    [Show full text]
  • Chapter 2: Genre and Classification
    The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 2: Genre and Classification §1 Chinese Popular Music My working definition of popular music hinges on its relation to the mass media, and on considering its emergence and transformations in tandem with the masses (urbanization, adolescence, yuppies) and the media (phonograph, radio, MTV, MP3, MySpace). This working definition will remain undeveloped, because I have chosen not to focus on dis- tinguishing popular music from other musics, but on subdivisions within popular music. However, this still involves addressing popular music’s appellation of the mass, the popu- lar and the People.1 I will discuss music and artists that I tentatively group under the labels sinified rock, fringe pop, and new folk. However, I hypothesize that rather than around genres Chinese popular is structured around the four organizational principles language-geogra- phy-ethnicity, generation, gender, and marketability. Is rock subversive, pop hegemonic, and folk conservative, and are these the right questions? Territories in Hyperspace
    [Show full text]
  • Monkey King’ the Second Half Ranks Albums Released from Spoken in Taiwan, Which Include Mandarin, 1993 to 2005
    TAIPEI TIMES MONDAY, APRIL 6 , 2 0 0 9 PAGE 1 3 [ THE WEEKENDER ] the age of MP3s, the album isn’t dead Puyuma musician of all, A-mei (阿妹), whose 1996 — at least not as an art form. This idea debut album Sisters (姊妹) ranked 10th. partly inspires a new book that aims A new book offers the In SELECTION CRITERIA to canonize the finest in Taiwanese pop and rock with a list of the 200 best albums released first list of Taiwan’s For the 1975 to 1992 list, the top albums were since 1975. best pop and rock albums chosen, submitted, then voted upon by over 100 Taiwan Popular Music — 200 Best voters consisting of Taiwanese music critics, Albums (台灣流行音樂 200最佳專輯) is one of the from the past 34 years writers, industry representatives and musicians. first attempts to cull together a definitive list For the 1993 to 2005 list, the voting panel of classic Taiwanese pop and rock albums, BY DAVid CHen was whittled down to 26 people chosen by the complete with background information on each STAFF REPORTER Association of Music Workers In Taiwan (中華音 album and artist. 樂人交流協會), a music industry advocacy group, Chai Found Music Workshop went overboard The book, a project conceived by a group of which organized and produced the book. on the multimedia effects. PHOTO COURTESY OF CHAI FOUND MUSIC WORKSHOP National Taiwan University (NTU) students, is The criteria for selecting albums were: the divided into two parts: the first half is a revised album had to be full length (EPs and singles were edition of a book first printed in 1994 that not considered); the songs had to have lyrics; the ranks albums released from 1975 to 1992, and language had to be one of the major languages ‘Monkey King’ the second half ranks albums released from spoken in Taiwan, which include Mandarin, 1993 to 2005.
    [Show full text]