Gender and Media Intersect: Challenges and Opportunities – a Report 1 2

Total Page:16

File Type:pdf, Size:1020Kb

Gender and Media Intersect: Challenges and Opportunities – a Report 1 2 CONTENTS Editorial • Message from the Director i • Message from the Guest Editor ii Perspectives 1 Gender and Media Intersect: Challenges and Opportunities – A Report 1 2. Quote - Unquote : A Media Mirror 3 3. Walk the Talk : An Excerpt 4 Contributions 1. Get an Education, Grab that Technology… Help Yourself 7 2. Promoting Gender Mainstreaming in Media Education and Research 10 3. Women in Media in the age of Globalization 12 4. Hindi Soap Operas: A Boon or Bane? 13 5. Mobile phones and Gender: A Technological Bridge 15 6. Understanding Gender and Media: A Novice Perspective 16 7. One Step Forward and Two Steps Back 18 8. Women as an Object: By Will or Forced? 19 9. Violence against Women and the Role of Media 21 10. Gender Disguise in the Indian Entertainment Industry: Cross Dressing 23 11. Moving Towards new AGENDA for GENDER : Spaces for Discourse 25 Book Review • Media, Gender and Popular Culture in India: Tracking Change and Continuity 27 Current Statistics • Representation of Women in News Media: A Survey by Media Studies Group 29 Insight • AMbpfp¡dp„ drlgpAp¡“¡ gNsp kdpQpfp¡ ‘f A¡L$ “S>f 32 Bibliography· • Archives : Gender and Media 33 • Relevant Readings: Gender and Media 35 WSRC News • Activity Report 37 • Documentation Center 39 Guest Editor Nidhi Shendurnikar Tere Senior Research Fellow (UGC-SRF) Department of Political Science Faculty of Arts The Maharaja Sayajirao University of Baroda Editorial Assistant Nalanda Tambe Senior Master Student Faculty of Journalism and Communication The Maharaja Sayajirao University of Baroda Hon. Director Prof. Shagufa Kapadia Professor Department of Human Development and Family Studies Faculty of Family and Community Sciences The Maharaja Sayajirao University of Baroda Publication coordination - Geetha Srinivasan Library Assistant Women’s Studies Research Center The Maharaja Sayajirao University of Baroda Khushbu Suthar Program Officer Women’s Studies Research Center The Maharaja Sayajirao University of Baroda Message from the Director Greetings from the Women’s Studies Research Center! Gender and Media – the two concepts are inherent to us and to our everyday lives. Gender defines our identity to a large extent and media defines our world or, at least our perception of much of the world. The intersection between the two is thus inevitable. In this age of technology media engulfs us 24/7, literally. Being perpetually swamped with messages, the media has a powerful influence on our thoughts as individuals and as a society. A “catch-22” kind of question that often arises in discussions related to media and gender is as follows: Do the media create, or maintain, or reflect the gender-based roles that saturate our environment? I believe that media has immense potential to mobilize change (we have seen concrete examples of this in the recent past) and bring in transformation to create a society that is gender sensitive and gender just. This issue of the WSRC Communiqué offers a diverse collection of articles that discuss a range of perspectives on gender and media from academicians and practicing media professionals, thereby presenting an interdisciplinary outlook on the theme. Together the articles highlight the opportunities that the gender-media intersection offers and the challenges that need to be met, yet. Shagufa Kapadia, PhD Professor of Human Development i Message from the Guest Editor Gender and Media We live in a world of ‘mediatized realities’. As both consumers and creators of media content, the way we absorb socio-political realities is being increasingly influenced by media dynamics. In an era dominated by globalization and media proliferation, it is difficult to overlook media’s effect on gender dynamics, especially in the context of a developing country like India. The scenario post the Delhi gang rape (December 2012) has become extremely sensitive and cognizant of gender issues in the public sphere. Media ‘hype’ and ‘intrusion’ witnessed after the horrific incident is viewed by some in a positive light, whereby constant media dwelling brings issues of grave concern to the limelight. However, public opinion on media coverage of gender issues has been critical of media selectivity and media framing in order to garner audience attention. Presently, media debates on gender are propelled by the profit motive, leading to sensational and trivial coverage. It is in this backdrop that we set out to examine the nuances of media’s role with respect to gender in the current issue of this newsletter. The theme sprang up when the Women’s Studies Research Centre (WSRC) and The Faculty of Journalism & Communication (FJC) collaborated for a UGC sponsored National Seminar on ‘Gender and Media Intersect: Challenges and Opportunities’ (October 2013). It was realized that the theme offered an exciting interdisciplinary convergence and an opportunity to invite contributions from different perspectives. Though invariably, deliberations on gender and media restrict their focus on media portrayal of women and their experiences, this issue attempts to go beyond conventional discourse. The attempt has been to incorporate write-ups from a variety of perspectives such as debates on media coverage of LGBT issues, gender reflections in cinema, the politics of gendered debates in India, gender and media technology, gender in media research and education (a crucial line of thought - training communication professionals). Any discussion on media and gender also involves ‘women in the media’, the circumstances they work under, their work environment and the politics of gender in the media industry. The issue attempts to bring forth scholars, researchers, academicians, students and practicing media professionals on the same platform to provide a discursive range of ideas on the theme. This theme is significant because gender sensitive reportage and information dissemination is required more than ever before – since today we are faced with an increased rate of crime/violence towards women and other gender based minorities in the public and private sphere. This calls for a heightened level of awareness and responsibility on part of the media. A gender sensitive, a gender conscious media is indeed the need of the hour in a democratic political set up like India – wherein the media cannot restrict itself to information and entertainment. The call for media responsibility stares us in the face – especially on issues of gender equality, gender empowerment and gender sensitivity. The present issue attempts to integrate media responses to gender from the standpoint of the press, audio-visual media, cinema, media research and media education. Most importantly, the newsletter consists of contributions from practising media professionals who encounter news routines on a daily basis and thus can provide a real time view of how gender sensitive current media practice are. The theme itself is interdisciplinary in nature and the contributions in the newsletter are reflective of the same. It has been our attempt to make this issue comprehensive and dialogic - of immense benefit to scholars and researchers engaged in different disciplines. Media responses to gender ought to come from every section of the society and this issue is a modest beginning in that direction. We hope that with this academic attempt of ours, deliberations on the media’s role with respect to gender will be taken forward at every level, especially in centres of higher education and other scholarly domains. I hope through this issue our readers will look forward to an exciting and refreshing array of opinions that envisage a free, fair and gender sensitive ‘fourth estate’. Nidhi Shendurnikar Tere Senior Research Fellow (UGC-SRF) Department of Political Science, Faculty of Arts The Maharaja Sayajirao University of Baroda [email protected] ii Gender and Media Intersect: Challenges and Opportunities – A Report Kiran Bhatia Col. Lalit Kandpal Students, (FJC) Geetha Srinivasan Library Assistant Women’s Studies Research Center “Gender and Media Intersect: Challenges and Opportunities” UGC sponsored Regional Seminar, held on 5th October, 2013. Hosted by Women’s Studies Research Center Faculty of Family and Community Sciences & Faculty of Journalism and Communication Media plays a crucial role in the struggle for fair serves as a synoptic presentation of the proceedings gender representation and can bridge the gap between of the seminar. social identities of women and men. The promotion Around 285 participants from all across the of gender equality both within the working University including students, research scholars, environment and in the portrayal of women through lecturers, professors, Heads of the various the use of fair and positive images, concepts and Departments, Deans, Advisory committee members, language can ensure a reconstruction of gender issues the Hon. Director of the WSRC and representatives as being independent of the biases of the patriarchal of different NGO’s and other different institutes from discourse. Media has a potential of harnessing the in and around Vadodara graced the seminar with their capacities of women as socio-political actors by presence. encouraging their involvement in technical, decision making and agenda setting activities as opposed to INAUGURAL SESSION: perceiving them as mere audience. Prof. Uma Joshi, Dean, Faculty of Family and The seminar provided an extensive understanding of Community Science, inaugurated the seminar with the dynamic relationship between media and gender generic remarks about the
Recommended publications
  • Entertainment
    ENTERTAINMENT z Monday z December 21, 2020 5 Aamir Khan is no longer a part of the Sidharth Malhotra shares the first look of his next project, Hindi remake of 'Vikram Vedha', will 'Challon Ke Nishaan' starring Diana Penty! eanwhile acting in the films, several Bollywood feature in this film instead! actors are also featuring in the music video whether Mit Akshay Kumar or Sonakshi Sinha, everyone is showing their interest in the short music video. Well, previous- ly, he was seen in the revamped version of the song Masakali Oil-Free Oats Cutlet with the title, 'Masakali 2.0.' Sidharth Malhotra shared a glimpse of his upcoming music video 'Challon Ke Nishaan' on his Instagram story. In the music video, he will be seen romancing Diana Penty. Helmed by Bosco Leslie Martis, the song has been composed by Sunny Inder and sung by Stebin Ben and penned by Kumar. The actor wrote, "Kya Karein Shikayat Bhi, Apna To Muqaddar Hi Nikla Beimaan, Ungliyon Pe Reh Gaya 'Challon Ke Nishaan' Coming Soon." On the professional front, last time we saw Sidharth Malhotra in Milap Zaveri's romantic-drama film, 'Marjaavaan' (2019) opposite Tara Sutaria. Talking about his future upcoming project, Sidharth will be seen sharing the screen with his Ingredients rumored girlfriend Kiara Advani in Vishnuvardhan's 1/2 cup oats, 1 grated carrot amir Khan is known as a perfectionist as he doesn't really take 'Shershaah'. 1 teaspoon cumin powder, 1/2 teaspoon red chilli powder his audience for granted. He believes in doing a film at one 2 tablespoon biscuit crumbs, 1 teaspoon green cardamom Atime, unlike other Bollywood stars who usually sign several coriander leaves as required projects in one go.
    [Show full text]
  • Gender Basic Course 2013
    GENDER BASIC COURSE 2013 Introduction: JAGORI started out as a collective, with a challenge to take feminist consciousness at the grass root level by interlinking the theory and practice at the same level with a creative aspect so as to reach to women who don’t have means and opportunities to access education. Gender Basic Course (GBC) being one of its main course, is organized every year by JAGORI. It is for those who have recently joined or are contributing to the development sector with an objective of building conceptual clarity on gender, patriarchy and other systems of dominance like caste, class, religion etcetera. The workshop tends to develop a gender lens, for to analyze ongoing activities with reference to the existent development model and its effect on women and other marginalized communities. There were 39 participants from 22 organizations all from 9 different states of India and Nepal, who participated in the Gender Basic Course. These participants are working as grass root organization workers, organization workers, consultants and from various other fields who are engaged with social issues referring specifically to women’s rights. Objectives of the Course: • To develop a basic understanding on the concept of patriarchy and its manifestations on different systems of oppression. • To know the implications of patriarchy as an umbrella having caste, class, gender, sexuality, masculinity and other aspects dominated by it with reference to understand Violence Against Women as its manifestation. • To know about different laws, how they are formulated, its application towards dealing issues of women. • To understand the role of women movement in India and its present status along with challenges it has to face.
    [Show full text]
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • UTV Inks Library Syndication Deals Worth Over $1 Million (Which Is Over Rs 4 Crores)
    UTV inks library syndication deals worth over $1 million (which is over Rs 4 crores) ~Multiple deals signed for terrestrial and satellite rights primarily in overseas territories~ Mumbai, Thursday, May 26, 2011: UTV Motion Pictures has recently signed a spate of TV syndication deals for satellite and terrestrial rights for evergreen titles from its growing film library. The deals are cumulatively worth over $1 million (i.e. over Rs 4 crores). These are mainly older catalog titles that have completed their first exploitation and are still in huge demand for television exploitation. UTV Motion Pictures has signed a deal with a leading Korean media firm in Seoul for exclusive terrestrial TV rights for five of its acclaimed films. This limited term and few runs deal includes much-loved films like – Ashutosh Gowariker’s Jodhaa Akbar, Anurag Basu’s Life in a… Metro, Rakeysh Omprakash Mehra’s Delhi-6, Dharma Productions’ Wake Up Sid, and Aamir Khan Productions’ Jaane Tu… Ya Jaane Na. UTV’s movies will also be aired on Al Rai TV in the Middle East for a limited period. The titles in non exclusive satellite free to air deal include Jodhaa Akbar, Race, Kismat Konnection and others. Amrita Pandey, Senior Vice President, International Distribution & Syndication, UTV Motion Pictures, said, ‘For our strong library titles, these television syndication deals add significant revenue even after the first round of exploitation. Our endeavor is to monetize our IP over several platforms on an ongoing basis.’ For the overseas territory UTV and the Zee Network have entered into a limited term deal for non exclusive telecast rights in non-Indian languages for 13 films, including Wake Up Sid, Wednesday, Delhi-6, Dev.D, Kurbaan and others.
    [Show full text]
  • Women and Men in the News
    Nordic Council of Ministers TemaNord 2017:527 Women and men in the news and men in Women 2017:527 TemaNord Ved Stranden 18 DK-1061 Copenhagen K www.norden.org WOMEN AND MEN IN THE NEWS The media carry significant notions of social and cultural norms and values and have a powerful role in constructing and reinforcing gendered images. The news WOMEN AND MEN in particular has an important role in how notions of power are distributed in the society. This report presents study findings on how women and men are represented in the news in the Nordic countries, and to what extent women and IN THE NEWS men occupy the decision-making positions in the media. The survey is based on the recent findings from three cross-national research projects. These findings REPORT ON GENDER REPRESENTATION IN NORDIC NEWS CONTENT are supported by national studies. The results indicate that in all the Nordic AND THE NORDIC MEDIA INDUSTRY countries women are underrepresented in the news media both as news subjects and as sources of information. Men also dominate in higher-level decision-making positions. The report includes examples of measures used to improve the gender balance in Nordic news. Women and men in the news Report on gender representation in Nordic news content and the Nordic media industry Saga Mannila TemaNord 2017:527 Women and men in the news Report on gender representation in Nordic news content and the Nordic media industry Saga Mannila ISBN 978-92-893-4973-4 (PRINT) ISBN 978-92-893-4974-1 (PDF) ISBN 978-92-893-4975-8 (EPUB) http://dx.doi.org/10.6027/TN2017-527 TemaNord 2017:527 ISSN 0908-6692 Standard: PDF/UA-1 ISO 14289-1 © Nordic Council of Ministers 2017 Layout: NMR Print: Rosendahls Printed in Denmark Although the Nordic Council of Ministers funded this publication, the contents do not necessarily reflect its views, policies or recommendations.
    [Show full text]
  • Feminisms 1..277
    Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) and Feminist Identities at the Borders Involving the Isolated Female TV Detective in Scandinavian-Noir 29 Janet McCabe Lena Dunham’s Girls: Can-Do Girls,
    [Show full text]
  • Challenging Gender and Racial Stereotypes in Online Spaces Alternative Storytelling Among Latino/A Youth in the U.S
    Challenging Gender and Racial Stereotypes in Online Spaces Alternative Storytelling among Latino/a Youth in the U.S. Alexandra Sousa & Srividya Ramasubramanian Media play an important role in perpetuating racial and gender stereotypes that harm the self-esteem and self-concept of marginalized youth, especially for Latino/a youth in the US context. However, this article illustrates that through a participatory media and media literacy approach, media can also become part of the solution. The main aim of this article is to document Latinitas, the first digital magazine in the United States cre- ated by and for young Latinas that challenges stereotypes through participatory digital storytelling. Explored through an interview with one of Latinitas’ co-founders and press coverage about the organization, this case study sheds light on the importance of alterna- tive community-based initiatives for minority youth to redefine their identities in their own terms. The findings shed light on how to design alternative youth media programs, negotiate funding, build relationships with the surrounding community, and adapt to the changing media landscape. Such initiatives point to the importance of media literacy programs and participatory storytelling initiatives aimed at redefining youth identity and empowering youth voices. Existing research informs us that media play an important role in the formation and sus- tenance of gender stereotypes (Mazzarella, 2013), which are also culturally constructed in ways that intersect with other markers of identity and difference, such as race/ethnicity and socio-economic status (Rivera & Valdivia, 2013). One group in the United States that is particularly affected by this phenomenon, and in predominately negative ways, is young Latina women (Molina-Guzman & Valdivia, 2004; Valdivia, 2010).
    [Show full text]
  • Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
    Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
    [Show full text]
  • LOK SABHA DEBATES /~Nglish Version)
    eries, Vol. XXXII, No.1 ~onday,June13,1994 Jyaistha 23,1916 (Saka) ~ /J7r .t:... /jt.. LOK SABHA DEBATES /~nglish Version) Tenth Session (Tenth Lok Sabha) PARLIAMENT LiBRARY No................... ~, 3 ......~' -- l)ate ... _ -~.. :.g.~ ~ ..... - (Vol. XXXIJ contains No. I to 2) LOK SABHA SECRETARIAT NEW DELHI Price: Rs., 50,00 [ORIGINAL ENGLISH PROCEEDINGS INCLUDED IN ENGLISH VERSION AND ORIGINAL HINDI PROCEEDINGS INCLUDED IN HINDI VERSION WILL BE TREATED AS AUTHORITATIVE AND NOT THE TRANSLATION THEREOF.) \.J1 (') ".... r--. 0'\ 0 .... ..... t- -.1 ::s ct ..... ....... ct" "- ~ ~ CD ~ \.0 _. ..... ::s ..... vJ e;- O' ~ ::s en Po I-cJ i ..~ &CD ~ p ~ ~ m .... c.; Cl to tp ~ p; ::r t- Il' .. r-- rt c.". ..... b' t: t=~ I'i' t- ~ Ll> .... ~ ti t- \.0 ::s t<: ~ \.0 ~ su ~ .. ~ cr. 0 ~ ..... ~ 0 .. ~ Ci; ~ )--'. 0' Ii (i..i :::T I~ CD ::r Ii ;::F '1 'Ii ~ :::T jl) cT ,-. 11 ~ tJ· I ~ 0 ()q ,.... ~ t. (I) !i. .... .- c: eD ::s (1) 112 w r) .... fl) Z ..., .1- Ql ~ -~ ..... tJ' .~ . Q ~ ~ 0 ~ 0 III SU . g;. I\) ::s '-' p:> g ~ Ii I';" .. g _" ~ 1.0.... 0'\ ,...... (l)C04 CI b:I ttl (/2 PlSl'l ::r .... PI ~ :::r c.". I-' ~ tS' ~~ .g jl) .... ~ ....,~ ::S~ .., tel ~ ~! ~ ~ SU ::s U; ~(I) .. ::r (j) Ii &~ ::r t- ti .... f-Io :?: § .~ ,.... ~ CQ . ::r ~ ::s ;S; ~ ALPHABETICAL LIST OF MEMBERRS TENTH LOK SABHA A Ayub Khan, Shri (Jhunjhunu) Abdul Ghafoor, Shr; (Gopalganj) Azam, Dr. Faiyazul (Bettiah) oedya Nath, Mahant (Gorakhpur) B Ar"aria, Shri Basudeb (Bankura) Baitha, Shri Mahendra (Bagaha) Adaikalaraj, Shri L. (TiruchirapaUi) Bala, Dr. Asim (Nabadwip) Advani, Shri Lal K.
    [Show full text]
  • INDIAN HINDI FILM INDUSTRY USING SOCIAL MEDIA PLATFORM for PROMOTIONS and MARKETING: a STUDY with SPECIAL REFERENCE to FACEBOOK and TWITTER Dr
    International Journal of Technical Research and Applications e-ISSN: 2320-8163, www.ijtra.com Special Issue 10 (Nov-Dec 2014), PP. 128-131 INDIAN HINDI FILM INDUSTRY USING SOCIAL MEDIA PLATFORM FOR PROMOTIONS AND MARKETING: A STUDY WITH SPECIAL REFERENCE TO FACEBOOK AND TWITTER Dr. Mausumi Bhattacharyya1, Debastuti Dasgupta2 1Associate Professor and In- Charge, Centre for Journalism and Mass Communication, 2Research Scholar, Centre for Journalism and Mass Communication 1,2Visva Bharati, Santiniketan, West Bengal, India [email protected], [email protected] Abstract: Film promotion has been now considered as embracing marketing as its integral component like the important as actual making of the film. Although the history of actual film making process. Promotion is important part of the film marketing can be traced back from the days of the any release as it involves high financial risk. Without proper inception of the film itself, it has reshaped its periphery time marketing of a film, a film with fantastic plots, characters, and often. It has gone through the age of posters, wall papers, sets fail to attract audience. print ads etc. New Media is the latest addition to this arena. Film has also started utilising the potential of new media Marketing in a nutshell, is selling and advertising. With the completely in terms of marketing and promotions. Indian passage of time it has reshaped its periphery to include Hindi film industry is too not far behind. It has also used new satisfying customer needs, promoting products efficiently media as well as social media forum to make people aware of and creating value laden exchange with customers.
    [Show full text]
  • Comparing Classifications Feature Films and Video Games
    Comparing Classifications feature films and video games 2012 & 2013 October 2014 Office of Film and Literature Classification Comparing Classifications 2012 & 2013 2 Office of Film and Literature Classification Comparing Classifications 2012 & 2013 Comparing Classifications: feature films and video games 2012 & 2013 Office of Film and Literature Classification Te Tari Whakarōpū Tukuata, Tuhituhinga Level 1, 88 The Terrace PO Box 1999 Wellington 6140 Phone 04 471 6770 Fax 04 471 6781 Email [email protected] Web www.classificationoffice.govt.nz ISBN: PDF 978-0-477-10417-3 This work is licensed under the Creative Commons Attribution 3.0 New Zealand licence. In general, you are free to copy, distribute and adapt the work, as long as you attribute the work to the Office of Film and Literature Classification and abide by the other license terms. To view a copy of this license, please visit http://creativecommons.org/licenses/by/3.0/. Please note that the Office of Film and Literature Classification may not be used in any way that infringes any provision of the Flags, Emblems, and Names Protection Act 1981. Attribution to the Office of Film and Literature Classification should be in written form and not by reproduction of any such emblem or logo. Acknowledgements The Classification Office is grateful to Nokuthaba Sibanda and Lara Wieser from the School of Mathematics, Statistics and Operations Research at Victoria University of Wellington who worked with us in 2009 to develop the scoring methodology and the analytical approaches used in this report. We are also grateful to Mike Camden of Statistics NZ who helped us in 2010 to present the data graphically.
    [Show full text]
  • EROS INTERNATIONAL PLC (Translation of Registrant’S Name Into English)
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 6-K REPORT OF FOREIGN PRIVATE ISSUER PURSUANT TO SECTION 13a-16 OR 15d-16 UNDER THE SECURITIES EXCHANGE ACT OF 1934 For the month of June, 2016 001-36176 (Commission file number) EROS INTERNATIONAL PLC (Translation of registrant’s name into English) 550 County Avenue Secaucus, New Jersey 07094 (Address of principal executive office) ________________________________________ Indicate by check mark whether the registrant files or will file annual reports under cover Form 20-F or Form 40-F. Form 20-F ☑ Form 40-F ☐ Indicate by check mark whether the registrant by furnishing the information contained in this Form is also thereby furnishing the information to the Commission pursuant to Rule 12g3-2(b) under the Securities Exchange Act of 1934. Yes ☐ No ☑ If “Yes” is marked, indicate below the file number assigned to the registrant in connection with Rule 12g3-2(b): Other Events This report on Form 6-K is being furnished to disclose the press release issued by the Registrant on June 28, 2016. The purpose of the press release, furnished as Exhibit 99.1, was to announce the Registrant’s results of operations for the fourth quarter and fiscal year ended March 31, 2016. The information in this Form 6-K and Exhibit 99.1 attached hereto shall not be deemed “filed” for purposes of Section 18 of the Securities Act of 1934. SIGNATURE Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned, thereunto duly authorized.
    [Show full text]