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Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
Chuck Klosterman on Film and Television
Chuck Klosterman on Film and Television A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2478-6 Portions of this work originally appeared in Esquire and on SPIN.com. Contents From Sex, Drugs, and Cocoa Puffs This Is Emo What Happens When People Stop Being Polite Being Zack Morris Sulking with Lisa Loeb on the Ice Planet Hoth The Awe-Inspiring Beauty of Tom Cruise’s Shattered, Troll-like Face How to Disappear Completely and Never Be Found From Chuck Klosterman IV Crazy Things Seem Normal, Normal Things Seem Crazy Don’t Look Back in Anger Robots Chaos 4, 8, 15, 16, 23, 42 Television From Eating the Dinosaur “Ha ha,” he said. -
44 MILLION REASONS to #Savegamingrevenue
44 MILLION REASONS TO #SaveGamingRevenue ECGRA has strategically invested $44 million in 203 community and cultural assets, 700 entrepreneurs and business lenders, job Grants training and educational institutions, and & Loans neighborhoods and municipalities. 6:1 Return Local share gaming revenue is strengthening the nonprofit ECGRA has invested $6.7 million in business TM organizations and for-profit $ growth through Ignite Erie resulting in $39.6 businesses in the city of Erie that 22mm million in additional capital for local companies. are implementing the city’s in the City comprehensive plan. $18.1million in gaming revenue is inextricably woven into $ Erie’s cultural, recreational, 18.1mm and human services assets, ECGRA’s investments have resulted QUALITY dramatically improving quality in a cumulative impact of $87.2 OF LIFE of life for residents and quality million, supported and sustained of experience for tourists. 573 573 jobs, and generated $2.9 JOBS million in local and state taxes. Two Ways to Help WRITE. CALL. ADVOCATE EDUCATE yourself. for Erie’s share. Transforming a Region with Local Share Gaming Revenue: An Economic Impact Study Tell Your Legislators How ECGRA Read and Share ECGRA’s Grant Money Works for You! Economic Impact Study at ECGRA.org/impactstudy ECGRA.org/calltoaction prepared by: @ECGRA814 #IgniteErie ECGRA.org/igniteerie /ECGRA ECGRA_Economic Impact Full Page Ad.indd 1 3/1/17 3:11 PM 44 MILLION REASONS TO CONTENTS: From the Editors The only local voice for Sometimes we all need a news, arts, and culture. March 29, 2017 Editors-in-Chief: little health care. Brian Graham & Adam Welsh #SaveGamingRevenue or an entire week recently, one of our Managing Editor: staff members had a nagging cough. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics
Mercer Law Review Volume 63 Number 2 Articles Edition Article 4 3-2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics Kim D. Chanbonpin Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Cultural Heritage Law Commons, and the Legal Writing and Research Commons Recommended Citation Chanbonpin, Kim D. (2012) "Legal Writing, the Remix: Plagiarism and Hip Hop Ethics," Mercer Law Review: Vol. 63 : No. 2 , Article 4. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol63/iss2/4 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). University of California, Berkeley (B.A., 1999); University of Hawaii (J.D., 2003); Georgetown University Law Center (LL.M., 2006). -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Hip Hop Matters
HIP HOP MATTERS HIP HOP MATTERS Politics, Pop Culture, and the Struggle for the Soul of a Movement S. Craig Watkins Beacon Press, Boston Beacon Press 25 Beacon Street Boston, Massachusetts 02108-2892 www.beacon.org Beacon Press books are published under the auspices of the Unitarian Universalist Association of Congregations. © 2005 by S. Craig Watkins All rights reserved Printed in the United States of America 09 08 07 06 8 7 6 5 4 3 2 1 This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. Text design by Patricia Duque Campos Composition by Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Watkins, S. Craig (Samuel Craig) Hip hop matters : politics, pop culture, and the struggle for the soul of a movement / S. Craig Watkins. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-8070-0986-5 (pbk. : acid-free paper) 1. Rap (Music)—History and criticism. 2. Hip-hop. I. Title. ML3531.W38 2005 782.421649—dc22 2004024187 FOR ANGELA HALL WATKINS, MY WIFE AND BEST FRIEND CONTENTS PROLOGUE Hip Hop Matters 1 INTRODUCTION Back in the Day 9 PART ONE Pop Culture and the Struggle for Hip Hop CHAPTER ONE Remixing American Pop 33 CHAPTER TWO A Great Year in Hip Hop 55 CHAPTER THREE Fear of a White Planet 85 CHAPTER FOUR The Digital Underground 111 PART TWO Politics and the Struggle for Hip Hop CHAPTER FIVE Move the Crowd 143 CHAPTER SIX Young Voices in the Hood 163 CHAPTER SEVEN “Our Future...Right Here, Right Now!” 187 CHAPTER EIGHT “We Love Hip Hop, But Does Hip Hop Love Us?” 207 CHAPTER NINE Artificial Intelligence? 229 EPILOGUE Bigger Than Hip Hop 249 ACKNOWLEDGMENTS 257 NOTES 261 BIBLIOGRAPHY 279 INDEX 283 PROLOGUE Hip Hop Matters Stakes is high. -
Duke of Edinburgh Award the Book of Everything K-6 Explore the Mountains
PIN OAK ISSUE 49: TERM 1, MARCH 24, 2017 OXLEY COLLEGE DUKE OF THE BOOK OF K-6 EXPLORE THE EDINBURGH EVERYTHING MOUNTAINS AWARD Contents My Rip Rap* Headmaster’s Report 3 Based on the Year 10 Geography Field work Excursion to the 4 Big Issue Illawarra Coast. Sitting on the bus for an hour and a half, everyone talking, the rain 5 Take Inspiration pouring, dropping off Mr Spies’ students, lots or people walking to watch the rollers breaking, do some drawing, the sea gulls squawking, 6 K - 6 News plants growing (on the dunes), some of them dying… Warilla beach was windy, the rocks had been falling, we saw the 7 More K-6 cliff erosion, and heard the noises of nature, waves smashing like a hammer, and we had the best ocean view, but buildings on the cliffs 8 Feature Article will eventually falter and you will see them no more, and parks on the water, waves are going to eventually destroy them too, and that’s the 10 Deputy Head Reports end of my rap review. On the Branch 11 *A ‘Rip Rap’ wall is a type of sea defence 12 Old Oxleyan By Thomas Walters-Whyte 13 What’s happening...in the World 14 Gallery 15 Calendar Creative Writing : Last Words (continued) 16 Newsflash Just one more minute. Just one more minute. I was bouncing in my seat causing the teacher to give me a disapproving stare. But I didn’t care. My mind was going in circles. Why was my father there? Why Pin Oak Team was he smiling? Did he kill the man? God I just wanted to go home. -
How Can Baylor Achieve BU Supporters
INDIE FAvorite’s SECRET TO SUCCESS: BAylor’s big lead LATEST THROWS FAIR APPEALS TO STUDENTS, OFFERS TOO MUCH FOR CU TO OVERCOME PAGE 6 FANS CURVE PAGE 7 FREE BOOKS FOR SEMESTER PAGE 3 ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT WEDNESDAY, JANUARY 31, 2007 How can Baylor achieve BU supporters Unapproved department proposals defend grant for ’07-’08 total nearly $700 million 2012? Lilley, ambassadors “We go and talk to the con- By Jon Schroeder gressional staffers, asking them Staff writer lobby in Austin on to maintain the funding levels behalf of students (for the grant) and stress why When the dust settled from Baylor’s Dec. 15 strategic it is important to us that they planning deadline, the university had about 60 major By Melissa Limmer maintain that funding,” said proposals carrying a total price tag of about $700 mil- Staff Writer Phoenix sophomore and Baylor lion over the course of the next 10 years. Ambassador Cassidy Ford. That’s a “very rough” amount, said Dr. Larry Baylor President John Lil- “TEG is a really big deal be- Lyon, vice provost for institutional effectiveness, not- ley played a role other than the cause it is only for private in- ing that $700 million is only an estimate school’s leader last week when stitutions. It makes a huge dif- and that none of the proposals have he served as a lobbyist. Lilley ference to the students who do been evaluated yet by Baylor’s budget was in Austin on Jan. 23 speak- receive it,” Ford said. -
UTC and Chattanooga Rock UTC and Chattanooga Rock
A publication for alumni and friends of The University of Tennessee at Chattanooga Summer 2012 UTCUTC andand ChattanoogaChattanooga rockrock Town and gown gain from working together CHATTANOOGA Today 1 CHATTANOOGA August 2012 to Today Calendar December 2012 Features ........................ 2-23 As of this printing, dates are tentative and subject to change. Please confirm dates with the UTC Alumni Office at (423) 425-4785 or (800) 728-4882. 4 We have achieved Chattanooga and UTC make AUGUST a great team, and the world is 16 Legacy Reception, 3:30 p.m., Patten House taking note. 16 UTC Night at the Lookouts 18 Meet the Mocs, Finley Stadium 8 They shall take up serpents 20 Classes Begin UTC professor takes the lid off a religious mystery. SEPTEMBER 11 Patten Performance, Secret Sisters, 7:30 p.m., Fine Arts Center 10 Read all about it 13 University Convocation, 12:15 p.m., Fine Arts Center Alumnus delivers news to the world as Los Angeles 13 First home football game, 7 p.m., Mocs vs. Glenville State Times editor. 14 Founders Day Activities, 11 a.m.-2 p.m., Heritage Plaza 16-22 Homecoming Week 16 You gotta have friends 18 Campus Pep Rally, 11:50 a.m., Heritage Plaza Time to Achieve campaign utc homecoming 2012 sets up students for success. 20 Homecoming Tap Party, 5:30 p.m., Big River Grille 21 Homecoming Golf Tournament, 11 a.m., Valleybrook Golf Club Campus News ............. 24-35 22 Homecoming Tailgate Party, 3 p.m., First Tennessee Pavilion 22 Mocs vs. Appalachian State, 6 p.m., Finley Stadium 21-22 Fifty Plus Weekend Athletic News ........... -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
THOMAS MARVEL Director of Photography 2821 3Rd Street Santa Monica, CA 90405
THOMAS MARVEL Director of Photography 2821 3rd Street Santa Monica, CA 90405 1986- Hamilton College, Clinton NY, Bachelor of Arts 1987- Grotowski Studio Theatre, Wroclaw, Poland 1987-1989 Production Assistant 1989-1994 Studio Lighting Technician 1994-1998 Chief Lighting Technician 1998- Present, Director of Photography 2015 NARRATIVE “The Nice Guys” Camera Operator, Directed by Shane Black, DP Philippe Rousselot COMMERCIALS Harbin Beer, “Shaq and Friends” directed by Gil Green MUSIC VIDEOS Mary J. Blige “Doubt” directed by Ethan Lader 2014 COMMERCIALS Sandals Foundation, “Soles of Youth” directed by Gil Green Mexico CPTM Tourismo, “Vivirlo para Creerlo” directed by Michael Abt Diners Club, “Club Miles” directed by Alejandro Dube Novo Nordisk, “Rev Run Diabetes Awareness” directed by Ron Jacobs Novo Nordisk , “Debbie Allen Diabetes Awareness” directed by Ron Jacobs Domino’s Pizza, “Must Try” directed by Francisco Pugliese MUSIC VIDEOS Wisin ft. Pitbull, “Control” directed by Carlos Perez Ricardo Arjona, “Apnea” directed by Carlos Perez 2013 NARRATIVE “The Veil” feature film directed by Brent Ryan Green COMMERCIALS Park Hyatt, “Anthem” directed by Josh Hayward Nissan, “Skylar Gray” directed by Declan Whitbeloom 1 Pepsi, “Wally Lopez” directed by Gil Green Sanofi Pasteur, “Dana Torres PSA” directed by Ron Jacobs YouTube, “Comedy Week Promo with Arnold Schwarzenneger” directed by Nick Ryan Tigo, “Verdades” directed by Roberto Mancia Valspar Paint, “Tori and Dean” directed by Natalie Barandes WalMart, “Gain” directed by Francisco Pugliese