2011 First Half Year Results
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BROADBAND SPECIFICATION GUIDE Everything You Need to Know to Specify a Broadband/RF System
BROADBAND SPECIFICATION GUIDE Everything You Need to Know to Specify a Broadband/RF System One Jake Brown Road, Old Bridge, NJ 08857 Version 6 • $25.95 U.S.A. 800-523-6049 • Fax: 732-679-4353 www.blondertongue.com Rev: 130211 Broadband Specification Guide Introduction This Broadband Specification Guide has been designed to break down a broadband system into simple building blocks to be used when specifying an RF System for any type of facility. Blonder Tongue Laboratories, Inc. has been in the business of manufacturing equipment for broadband systems for over 60 years. We have taken that knowledge and experience to formulate this Broadband Specification Guide especially for specifiers/architects/engineers using easy-to- understand descriptions accompanied with relevant diagrams. While the information presented in this guide is intended to help you design a RF systems it is not intended to be applicable or suited to every circumstance which might arise during the design or construction phases of such a system. The information and diagrams contained in this guide are the exclusive property of Blonder Tongue Laboratories, Inc., and may be reproduced, published for specifying, designing a RF system, or promoting Blonder Tongue products. No warranty or liability is implied, nor expressed and this guide should not be construed to be a replacement for knowledge and experience provided by a professional RF designer/engineer. Suggestions or feedback? Simply e-mail us at [email protected] with the subject line of “Broadband Specification Guide.” ©2012 Blonder Tongue Laboratories, Inc. All rights reserved. All trademarks are property of their respective owners. -
Commercial Radio
FINALISTS FOR 2019 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan>Syndication/Production Company BEST ON-AIR TEAM – METRO FM The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold Nova Network, NOVA Entertainment M Chrissie, Sam & Browny Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne VIC, NOVA Entertainment M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM, Sydney NSW, Australian Radio Network M Fifi, Fev & Byron; Fifi Box, Brendan Fevola & Byron Cooke, 101.9 The Fox, Melbourne VIC, Southern Cross Austereo M Kennedy Molloy; Jane Kennedy & Mick Molloy, Triple M Network, Southern Cross Austereo M BEST ON-AIR TEAM – METRO AM Afternoons with Erin Molan & Natalie Peters; Erin Molan & Natalie Peters, 2GB, Sydney NSW, Macquarie Media Limited M Breakfast with David Penberthy & Will Goodings; David Penberthy & Will Goodings, 5AA, Adelaide SA, NOVA Entertainment M Drive with Mark Allen & David Schwartz; Mark Allen & David Schwartz, Macquarie Sports Radio, Melbourne VIC, Macquarie Media Limited M Ray Hadley's Continuous Call Team; 2GB, Sydney NSW, Macquarie Media Limited M Laurel, Gary & Mark; Laurel Edwards, Gary Clare & Mark Hine, 4KQ, Brisbane QLD, Australian Radio Network M BEST ON-AIR TEAM COUNTRY AND PROVINCIAL Monkey in the Morning; Matt Monk, Lachi Rooke & Danielle Keilar, -
COMMERCIAL RADIO AWARDS (Acras) Please Note: Category Finalists Are Denoted with the Following Letters: Country>Provincial>Non-Metropolitan>Metropolitan
FINALISTS FOR 2016 AUSTRALIAN COMMERCIAL RADIO AWARDS (ACRAs) Please note: Category Finalists are denoted with the following letters: Country>Provincial>Non-Metropolitan>Metropolitan BEST ON-AIR TEAM – METRO FM Kate, Tim & Marty; Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Network, NOVA Entertainment M The Kyle & Jackie O Show; Kyle Sandilands & Jackie Henderson, KIIS 106.5, Sydney NSW, Australian Radio Network M The Hamish & Andy Show; Hamish Blake & Andy Lee, Hit Network, Southern Cross Austereo M Jonesy & Amanda; Brendan Jones & Amanda Keller, WSFM , Sydney NSW, Australian Radio Network M Fifi & Dave; Fifi Box & Dave Thornton, hit101.9 Fox FM, Melbourne VIC, Southern Cross Austereo M Chrissie, Sam & Browny; Chrissie Swan, Sam Pang & Jonathan Brown, Nova 100, Melbourne VIC, NOVA Entertainment M BEST ON-AIR TEAM – METRO AM FIVEaa Breakfast; David Penberthy & Will Goodings, FIVEaa, Adelaide SA, NOVA Entertainment M 3AW Breakfast; Ross Stevenson & John Burns, 3AW, Melbourne VIC, Macquarie Media Limited M 3AW Nightline/Remember When; Bruce Mansfield & Philip Brady, 3AW, Melbourne VIC, Macquarie Media Limited M The Big Sports Breakfast with Slats & TK; Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney NSW, Tabcorp M Breakfast with Steve Mills & Basil Zempilas; Steve Mills & Basil Zempilas, 6PR, Perth WA, Macquarie Media Limited M Nights with Steve Price; Steve Price & Andrew Bolt, 2GB, Sydney NSW, Macquarie Media Limited M BEST ON-AIR TEAM COUNTRY & PROVINCIAL Bangers & Mash; Janeen Hosemans & Peter Harrison, 2BS Gold, Bathurst -
SOUTHERN CROSS AUSTEREO STANDARD ADVERTISING TERMS and CONDITIONS 1. INTERPRETATION 1.1 Certain Statutory Definitions a Term: (
SOUTHERN CROSS AUSTEREO STANDARD ADVERTISING TERMS AND CONDITIONS 1. INTERPRETATION 1.1 Certain statutory definitions A term: (a) defined in the Corporations Act 2001 (Cth) but not in the Agreement has the meaning given to it in the Corporations Act 2001 (Cth); or (b) defined in the GST Law but not in the Agreement or the Corporations Act has the meaning given to it in the GST Law. 1.2 Other definitions The definitions set out below also apply in the Agreement. Advertising means communication of any Advertising Material during advertising airtime on any SCA radio station or television station (or an NBN television station, as applicable), publishing of any Advertising Material on any SCA website (or any websites, as applicable), or any sponsorship, promotion or other activity to promote the Client or its products. Advertising Material means any written, audio or audio visual material and all corresponding intellectual property rights created for the purpose of producing an advertisement for broadcast by SCA (or NBN, as applicable) under the Agreement. Accredited Advertising Agency means any advertising agency accredited by SCA that at all times has a minimum of five Clients and no individual Client at any time provides more than 50% of the billings of the Accredited Advertising Agency for the prior twelve (12) month. Agreement means this document together with any schedules or attachments, including any SCA Proposal, Sales Schedule, Broadcast Confirmation, Broadcast Agreement, Production Quote or similar document. BSA means the Broadcasting Services Act 1992 (Cth) and all relevant standards and codes of practice determined or registered under the BSA. -
“Dick” Barton, Former Director of Engineering at Free TV Australia (Formally Known As FACTS)
Media Release 27 April 2021 Passing of Mr Richard “Dick” Barton, former Director of Engineering at Free TV Australia (formally known as FACTS) It is with great sadness to announce the passing of Free TV’s former Director of Engineering, Richard “Dick” Barton on 21 April 2021. Mr Barton held the position of Director of Engineering at the Federation of Australian Commercial Television Stations (FACTS) from 1981 to 2001. His broadcast engineering career commenced only three years after the Australian launch of television, during which time he worked as a broadcast engineer at NSW 9 Adelaide and TNQ 7 and FNQ 10 in North Queensland. His time at the coalface of television production and transmission spanned the rapid expansion of this new medium across Australia and many technical advances, most notably the conversion to colour television in 1975. Dick Barton demonstrated deep technical knowledge and industry leadership during his time with FACTS, where he was instrumental in guiding the industry through some major developments, most notably regional licence aggregation, the introduction of the new Broadcasting Services Act in 1992 and planning for the transition to digital television. He was deeply respected in the Australian media sector, and received recognition for his many achievements within the broadcasting industry including the Paul Marlan Engineering Award in 1997 for his significant contribution to commercial television engineering. Mr Barton’s expertise in the area of digital television standards was critical to Australia’s move from analogue to digital broadcasting and his capability was internationally recognised in many forums, including being requested by the United Nations International Telecommunications Union to Chair the 1999 preparatory meeting for the World Radio Conference in 2000. -
For Personal Use Only Use Personal For
ASX RELEASE 20 August 2020 SCA delivers EBITDA of $108.2M Southern Cross Media Group Limited (ASX: SXL) (SCA) today announced its financial results for the year ended 30 June 2020. The results highlight SCA’s significantly improved balance sheet and strong cash flow, along with continuing or growing demand for SCA’s core audio products and progressive improvement in revenues since May 2020. The following table summarises the results, including comparisons to the prior year. Excluding AASB16 (Leases) FY2020 FY2020 Comparison to FY20191 Revenue $540.8M $540.8M $661.0M (18.2%) Expenses ($432.6M) ($447.8M) ($513.6) (12.8%) EBITDA $108.2M $93.0M $147.4M (36.9%) NPAT $25.1M $29.7M ($91.4M) N.m. Underlying NPAT - $35.8M $73.9M (51.6%) Net Debt $131.6M $131.6M $292.6M (55.0%) N.m. Not meaningful Headline achievements for the year are summarised below. • SCA recorded EBITDA of $108.2M for the year, representing an EBITDA margin of 20%. Despite the severe impact of COVID-19 since mid-March, SCA achieved a positive EBITDA contribution in all four quarters. This included EBITDA of $21M in the June quarter2, compared to an average of $26M for the preceding three quarters of FY2020. • SCA’s balance sheet is robust, with healthy liquidity. The net proceeds of $160.8M from the equity raising conducted in April remain on balance sheet. Coupled with ongoing strong cash conversion and receivables collection, the equity raising has resulted in historically low net debt of $131.6M and leverage of 1.24x EBITDA. -
Digital Terrestrial Radio for Australia
Parliament of Australia Department of Parliamentary Services Parliamentary Library Information, analysis and advice for the Parliament RESEARCH PAPER www.aph.gov.au/library 19 December, no. 18, 2008–09, ISSN 1834-9854 Going digital—digital terrestrial radio for Australia Dr Rhonda Jolly Social Policy Section Executive summary th • Since the early 20 century radio has been an important source of information and entertainment for people of various ages and backgrounds. • Almost every Australian home and car has at least one radio and most Australians listen to radio regularly. • The introduction of new radio technology—digital terrestrial radio—which can deliver a better listening experience for audiences, therefore has the potential to influence people’s lives significantly. • Digital radio in a variety of technological formats has been established in a number of countries for some years, but it is expected only to become a reality in Australia sometime in 2009. • Unlike the idea of digital television however, digital radio has not fully captured the imagination of audiences and in some markets there are suggestions that it is no longer relevant. • This paper provides a simple explanation of the major digital radio standards and a brief history of their development. It particularly examines the standard chosen for Australia, the Eureka 147 standard (known also as Digital Audio Broadcasting or DAB). • The paper also traces the development of digital radio policy in Australia and considers issues which may affect the future of the technology. Contents Introduction ................................................................................................................................. 1 Radio basics: AM and FM radio ................................................................................................. 3 How do AM and FM work? ................................................................................................... 3 How AM radio works ....................................................................................................... -
Annual Report
AUSTRALIAN BROADCASTING AUTHORITY annual report Sydney 1995 Annual N.eport 1994-95 © Commonwealth of Australia, 1995 ISSN 1320-2863 Design by Media and Public Relations A1llst»alian Jllmadcasting Authority ll'dnted ln Autst?alia by Pirie ll'rinte•·s, lFyshwick, ACT For illqu:iiries aboun: this report, coITTutact: Publications Officer Australian Broadcasting Authority at address below IFoir imJ[1llili'ies about iruo<'maUon to be made avail!able rro Members olf Parliament al!lld Senators Oifil Ji'eq_ll.l!est, contact: Director Corporate Senrices Branch Australian Broadcasting Authority at address below lF<H· inqMiides •·elaHng i.o lFi·eedom of Knfo;·maHon, contact: FO! Officer Australian Broadcasting Authority Level 15, 201 Sussex Street Sydney NSW 2000 Ph. (02) 334 7700 Fax: (02) 334 7799 Postal address: PO Box QSOO Queen Victoria Building NSW 2000 2 Introduction Auistralian JBroadcasHng Authority Head Office Level 15 Darling Park 201 Sussex St 26 September 1995 Sydney PO Box Q500 Queen Victoria Building NSW 2000 The Hon. Michael Lee MP Phone (02) 334 7700 Minister for Communications and the Arts Fax (02) 334 7799 DX 13012 Market St Parliament House Sydney CANBERRA ACT 2600 Dear Minister, In accordance with the provisions of clause 14 of Schedule 2 of the Broadcasting Services Act 1992, I am pleased to present this report on the operations of the Australian Broadcasting Authority for the year 1994-95. Yours sincerely, 3 4 Introduction Table of contents Letter of transmission 3 Introduction to the report 7 The year in review 8 Corporate overview 17 Performance reporting Objective 1 21 Objective 2 30 Objective 3 36 Objective 4 50 Objective 5 54 Objective 6 68 Objective 7 74 Appendices 1 Staffing overview 79 2 Complaints, classified by category 1994-95 88 3 Freedom of information 89 4 Compliance index 104 5 Financial statements 105 Index 117 5 6 Introduction The report is presented in accordance with the reporting requirements for departmental annual reports. -
2020 Highlight Its Significantly Improved Balance Sheet and Strong Cash Flow, Along with Continuing Or Growing Demand for SCA’S Core Audio Products
For personal use only Year In Review SCA’s results in FY2020 highlight its significantly improved balance sheet and strong cash flow, along with continuing or growing demand for SCA’s core audio products. Despite the severe impact of the COVID-19 pandemic on SCA and broadcast media more broadly, there has been progressive improvement in revenues since May 2020. Excluding AASB 16 (Leases) FY2020 FY2020 Comparison to FY20191 Revenue $540.2M $540.2M $661.0M (18.2%) Expenses ($432.6M) ($447.8M) ($513.6) (12.8%) EBITDA $108.2M $93.0M $147.4M (36.9%) NPAT $25.1M $29.7M ($91.4M) N.m. Underlying NPAT - $35.8M $73.9M (51.6%) Net Debt $131.6M $131.6M $292.6M (55.0%) 1 Underlying amounts in FY2019 exclude the impact of one-off restructuring charges of $3.3 million and non-cash significant items, comprising the impairment of $158.9 million N.m. Not meaningful (net of tax) in relation to the Group’s regional television licences and the loss of $9.2 million on broadcast transmission assets held for sale on 30 June 2019. Despite the challenges presented by weak advertising markets and the COVID-19 pandemic, SCA traded profitably in all four quarters of the year. This was the result of disciplined cost control, as well as a prompt and effective response to maintain operations with the majority of our people working safely from home. The Company also appreciated support received during the year from shareholders, lenders, and Government and regulatory agencies. Consumption of SCA products, particularly digital audio, has grown during the pandemic. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
New and Old Registration
Government of Tamil Nadu State Transport Authority Registration Series Allotted to Regional Transport Offices Registration series Sl.NO RTO/ Unit Office current Registration series old CHENNAI NORTH ZONE MSP,MSV,MSY, MSL,TMP,TMV,TMY, TMU,TMQ,TMM,TMJ,TMF,TMS,TMD, 1 CHENNAI ( C ) - Ayanavaram TN01 TCX,TSE,TSB,TSH,TSL,TSP,TMB,TMS 2 CHENNAI (NE) - Tondiarpet TN03 3 CHENNAI ( NW ) - Anna Nagar TN02 MST, MSW, MSS, MSR, MSQ, MSM, TMW, 4 CHENNAI ( E ) - Basin Bridge TN04 TMT, TMH TSC, TCZ 5 CHENNAI ( N ) - Vyasarpadi TN05 6 REDHILLS TN18 7 Ambattur U.O. TN18Z 8 TIRUVALLUR TN20 9 Poondamallee U.O. TN20Y CHENNAI SOUTH ZONE MSC, MSX, MSZ, TMC,TMX,TMZ,TMS, TMR,TMO,TMK,TMG,TME,TCV,TSG,TMI,T 10 CHENNAI ( S ) - Tiruvanmiyur TN07 SR,TST 11 CHENNA(SE) - Mandaveli TN06 TMA, TCW, TSA,TSF, TSK, TSI, TSD, TSJ, 12 CHENNAI ( W ) - K.K.Nagar TN09 TSO 13 CHENNAI ( SW ) - Valasarawakkam TN10 14 MEENAMBAKKAM - Alandur TN22 15 Tambaram TN11 16 Solinganallur U.O. TN11Z 17 KANCHEEPURAM TN21 MDH, TNH, TDH, TCH, TAH 18 Sriperambadur TN21W 19 CHENGALPATTU TN19 20 Madurantagam U.O. TN19Z VILLUPURAM ZONE 21 VELLORE TN23 MDJ,TNJ,TNM,TDJ, TAJ, TCJ, TAV 22 Vaniyambadi U O TN23Y 23 Gudiyatham U O TN23T 24 RANIPET TN73 25 Arakkonam U.O. TN73Z 26 TIRUVANNAMALAI TN25 TAI 27 Arani U O TN25Z 28 CUDDALORE TN31 MDF, TNF, TDF, TCF, TAF 29 Neyveli U O TN31Y 30 Chidambaram U O TN31U 31 Virudhachalam U.O. TN31V 32 VILLUPURAM TN32 33 Kallakurichi TN32W 34 Ulundurpet U O TN32Z 35 Tindivanam TN16 SALEM ZONE MDS, MDL, TNS, TNL, TDS, TDL TDM, TDW, TCE, TCS, TAS, TAN, TAL, TAM, 36 SALEM (W) TN30 TLS, TN-27 37 Omalur U.O. -
2020 Annual Report 2020
ANNUAL REPORT 2020 HT&E LIMITED HT&E ANNUAL REPORT 2020 HT&E owns one of Australia’s leading audio companies, ARN, providing the most complete audio experience for our listeners and the Kyle & Jackie O most comprehensive audio KIIS 1065 Sydney solutions for our partners. The Group also maintains a number of other investments, including a 25% interest in the secure messaging business, Soprano and outdoor assets in Hong Kong. 5.3m Radio audience #1 reach (weekly) * national commercial radio network ^ 2.6m 124% Digital websites podcast downloads ^^ audience reach (monthly)** * Source: GfK Radio Ratings, S8 2020, SMBAP, ARN AM/FM/DAB, Mon-Sun 5:30-12mn (cume), Commercial Radio Groups AM/FM/ 1.9m DAB+, Mon-Sun 5:30-12mn, Mon-Fri 5:30-9am (share %), P10+, iHeartRadio registered unless otherwise stated. ** Source: Google Analytics: Website Page Impressions, All Devices, users (lifetime) *** Australia, station websites include KIIS Network, PG Network, Edge (not de-duped): Dec 2020). *** Source: Adobe Analytics, iHeartRadio Australia Registration Data, Lifetime Users Dec 20. 81.3m **** Source: AdsWizz Audiometrix, Total Radio Streaming, Total Listening Hours 2020 v 2019. Streaming listening hours ^ Source: GfK Radio Ratings, S8 2020, SMBAP, M-S 5:30am-12mn, (+53% YoY) **** cume, ARN AM/FM/DAB+, P10+. ^^ Source: Megaphone Hosting Platform, 900k+ Australian Device Sample, December 2020 cf. January 2020. ^^^ Source: Australian Podcast Ranker. REDEFINING AUDIO CONTENTS 01 We are everywhere our listeners are, providing the greatest breadth and depth of audio content in Australia. ARN’s stations broadcast across six metropolitan markets to over five million people each week. People engage via three core brands: The KIIS Network, The Pure Gold Network and The Edge.