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Sfiff 2019 Program Here
SantaFeIndependent.com 2019 team and advisory board 2019 SFIFF TEAM Jacques Paisner Artistic Director Liesette Paisner Bailey Executive Director Jena Braziel Guest Service Director Derek Horne Director of Shorts Programmer Beau Farrell Associate Programmer Stephanie Love Office Manager Dawn Hoffman Events Manager Deb French Venue Coordinator Chris Bredenberg Tech Director Allie Salazar Graphic Designer Blake Lewis Headquarters Manager Castle Searcy Festival Dailies Adelaide Zhang Box Office Assistant Sarah Mease Box Office Assistant Eileen O’Brien MC Sage Paisner Photographer 2019 SFIFF ADVISORY BOARD Gary Farmer, Chair Chris Eyre Kirk Ellis David Sontag Alexandria Bombach Nicole Guillemet “A young Sundance” Alton Walpole —Indiewire Kimi Ginoza Green Paul Langland Beth Caldarello Xavier Horan “An all inclusive Marissa Juarez resort for cinephiles...” —Filmmaker Magazine “Bringing the community together” 505-349-1414 —Slant Magazine www.santafeindependent.com • [email protected] 418 Montezuma Ave. Suite 22 Santa Fe, NM 87501 3 AD AD welcome WELCOME Dear Santa Fe Independent Film Festival Visitors and Community, Welcome to Santa Fe, and to the festival The Albuquerque Journal calls “The Next Sundance.” The Santa Fe Independent Film Festival (SFIFF), now in its eleventh year, has become one of Santa Fe’s most celebrated annual events. I know you will enjoy SFIFF’s world-class programming and award-winning guests, including renowned ac- tors Jane Seymour and Tantoo Cardinal. I encourage you to investi- gate the many activities, museums, galleries, restaurants, and more that Santa Fe has to offer. The Santa Fe Independent Film Festival fills five days with screen- ings, workshops, educational panels, book signings, and celebra- tions. -
Ashkenaz-Press-Kit-708.Pdf
SYNOPSES (120 WORDS) Ashkenazim—Jews of European origin—are Israel’s “white folks.” And like most white folks in a multicultural society, they see themselves as the social norm and don’t think of themselves in racial or ethnic terms because by now, “aren’t we all Israeli?” Yiddish has been replaced with Hebrew, exile with occupation, the shtetl with the kibbutz and old-fashioned irony with post-modern cynicism. But the paradox of whiteness in Israel is that Ashkenazim aren’t exactly “white folks” historically. A story that begins in the Rhineland and ends in the holy land (or is it the other way around?), Ashkenaz looks at whiteness in Israel and wonders: How did the “Others” of Europe become the “Europe” of the others? (100 WORDS) Ashkenazim—Jews of European origin—are Israel’s “white folks.” And like most white folks in a multicultural society, they see themselves as the social norm and don’t think of themselves in racial or ethnic terms because by now, “aren’t we all Israeli?” Yiddish has been replaced with Hebrew, exile with occupation, the shtetl with the kibbutz and old-fashioned irony with post-modern cynicism. But the paradox of whiteness in Israel is that Ashkenazim aren’t exactly “white folks” historically. Ashkenaz looks at whiteness in Israel and wonders: How did the “Others” of Europe become the “Europe” of the others? (50 WORDS) Ashkenazim—Jews of European origin—are Israel’s “white folks.” But the paradox of whiteness in Israel is that Ashkenazim aren’t exactly “white folks” historically... Ashkenaz looks at whiteness in Israel and wonders: How did the “Others” of Europe become the “Europe” of the others? (25 WORDS) Ashkenaz looks at Ashkenaziness —the Israeli version of whiteness — and wonders: How did the “Others” of Europe become the “Europe” of the others? DIRECTOR’S BIO/FILMOGRAPHY Rachel Leah Jones is a director/producer born in Berkeley, California and raised in Tel Aviv. -
500 DUNAM on the MOON a Documentary by RACHEL LEAH JONES 500 DUNAM on the MOON a Documentary by RACHEL LEAH JONES
500 DUNAM ON THE MOON a documentary by RACHEL LEAH JONES 500 DUNAM ON THE MOON a documentary by RACHEL LEAH JONES SYNOPSIS 500 DUNAM ON THE M00N is a documentary about the Palestinian village of Ayn Hawd which was captured and depopulated by Israeli forces in the 1948 war and subsequently transformed into a Jewish artist's colony and renamed Ein Hod. It tells the story of the village's original inhabitants who, after expulsion, settled only 1.5 kilometers away in the outlying hills. Since Israeli law prevents Palestinian refugees from returning to their homes, the refugees of Ayn Hawd established a new village: “Ayn Hawd al-Jadida” (The New Ayn Hawd). Ayn Hawd al-Jadida is an unrecognized village, which means that it receives no services such as electricity, water, or an access road. Relations between the artists and the refugees are complex: unlike most Israelis, the residents of Ein Hod know the Palestinians who lived there before them, since the latter have worked as hired hands for the former. Unlike most Palestinian refugees, the residents of Ayn Hawd al-Jadida know the Israelis who now occupy their homes, the art they produce, and the peculiar ways they try to deal with the fact that their society was created upon the ruins of another. It echoes the story of indigenous peoples everywhere: oppression, resistance, and the struggle to negotiate the scars of the past with the needs of the present and the hopes for the future. Addressing the universal issues of colonization, landlessness, housing rights, gentrification, and cultural appropriation in the specific context of Israel/Palestine, 500 DUNAM ON THE M00N documents the art of dispossession and the creativity of the dispossessed. -
FILMS on Palestine-Israel By
PALESTINE-ISRAEL FILMS ON THE HISTORY of the PALESTINE-ISRAEL CONFLICT compiled with brief introduction and commentary by Rosalyn Baxandall A publication of the Palestine-Israel Working Group of Historians Against the War (HAW) December 2014 www.historiansagainstwar.org Licensed under Creative Commons Attribution – NonCommercial – ShareAlike 1 Introduction This compilation of films that relate to the Palestinian-Israeli struggle was made in July 2014. The films are many and the project is ongoing. Why film? Film is often an extraordinarily effective tool. I found that many students in my classes seemed more visually literate than print literate. Whenever I showed a film, they would remember the minute details, characters names and sub-plots. Films were accessible and immediate. Almost the whole class would participate and debates about the film’s meaning were lively. Film showings also improved attendance at teach-ins. At the Truro, Massachusetts, Library in July 2014, the film Voices Across the Divide was shown to the biggest audiences the library has ever had, even though the Wellfleet Library and several churches had refused to allow the film to be shown. Organizing is also important. When a film is controversial, as many in this pamphlet are, a thorough organizing effort including media coverage will augment the turnout for the film. Many Jewish and Palestinian groups list films in their resources. This pamphlet lists them alphabetically, and then by number under themes and categories; the main listings include summaries, to make the films more accessible and easier to use by activist and academic groups. 2 1. 5 Broken Cameras, 2012. -
“Advocate” És La Pel·Lícula Que Retrata Lea Tsemel, L’Advocada Més Odiada D’Israel, Coneguda Mediàticament Com “L’Advocada Del Diable”
· “Advocate” és la pel·lícula que retrata Lea Tsemel, l’advocada més odiada d’Israel, coneguda mediàticament com “l’advocada del diable”. S’estrena a més de 70 sales el proper mes de febrer. · Les projeccions es mantindran durant tot el mes de febrer en format presencial o online segons les restriccions sanitàries de cada comunitat. El proper mes de febrer arriba a sales Advocate, un retrat d’un dels personatges més odiats d’Israel: l’advocada defensora de presumptes terroristes palestins Lea Tsemel. Una pel·lícula que va formar part de la shortlist dels Premis Oscar i que aquest mes de febrer s’estrena a 70 sales arreu d’Espanya de la mà de Docs del Mes. Traïdora, advocada del diable... a la lletrada jueva Lea Tsemel l’han anomenat de totes les maneres possibles. Està especialitzada en la defensa de presoners polítics palestins i no té pèls a la llengua amb els seus companys de professió. Accepta els reptes més difícils, com ara representar acusats palestins que han comès, presumptament, delictes de terrorisme o crims contra ciutadans israelians sota la convicció que la repressió que pateix Palestina justifica la seva lluita per alliberar-se. Un seguiment exhaustiu durant la preparació de les defenses de dos casos concrets, el de l’Ahmad, un nen de 13 anys acusat de participar en un apunyalament d’un noi israelià, i el de l’Israa Jaabis, acusada pels oficials israelians d’un intent frustrat d’atemptat suïcida, ens apropa a la inclassificable i excepcional personalitat de la protagonista. Defensora dels drets humans i amb una energia inesgotable, porta més de cinc dècades denunciant l’estat d’ocupació i repressió que pateixen els palestins i, a la vegada, intentant fer entendre a l’opinió pública que el govern d’Israel és responsable d’aquesta violència. -
Palestinian Nonviolent Resistance to Occupation Since 1967
FACES OF HOPE A Campaign Supporting Nonviolent Resistance and Refusal in Israel and Palestine AFSC Middle East Resource series Middle East Task Force | Fall 2005 Palestinian Nonviolent Resistance to Occupation Since 1967 alestinian nonviolent resistance to policies of occupa- tion and injustice dates back to the Ottoman (1600s- P1917) and British Mandate (1917-1948) periods. While the story of armed Palestinian resistance is known, the equally important history of nonviolent resistance is largely untold. Perhaps the best-known example of nonviolent resistance during the mandate period, when the British exercised colo- nial control over historic Palestine, is the General Strike of 1936. Called to protest against British colonial policies and the exclusion of local peoples from the governing process, the strike lasted six months, making it the longest general strike in modern history. Maintaining the strike for so many months required great cooperation and planning at the local Residents of Abu Ghosh, a village west of Jerusalem, taking the oath level. It also involved the setting up of alternative institu- of allegiance to the Arab Higher Committee, April 1936. Photo: Before tions by Palestinians to provide for economic and municipal Their Diaspora, Institute for Palestine Studies, 1984. Available at http://www. passia.org/. needs. The strike, and the actions surrounding it, ultimately encountered the dilemma that has subsequently been faced again and to invent new strategies of resistance. by many Palestinian nonviolent resistance movements: it was brutally suppressed by the British authorities, and many of The 1967 War the leaders of the strike were ultimately killed, imprisoned, During the 1967 War, Israel occupied the West Bank, or exiled. -
Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing -
Dépliants Hiver 2015 Dépliants Automne 05.Qxd 2015-02-09 14:59 Page 35
dépliants Hiver 2015_Dépliants Automne 05.qxd 2015-02-09 14:59 Page 35 CINÉ-OUTREMONT PROGRAMME DU 23 FÉVRIER AU 8 JUIN 2015 www.cinemasparalleles.qc.ca DEUX JOURS, UNE NUIT FÉLIX ET MEIRA M. TURNER de Mike Leigh Version originale anglaise avec sous-titres français. Grande-Bretagne. 2014. 150 min. Avec Timothy Spall, Paul Jesson et Dorothy Atkinson. (G). Les dernières années de l’existence du peintre britannique, J.M.W Turner (1775-1851). Artiste recon- nu, membre apprécié quoique dissipé de la Royal Academy of Arts, il vit entouré de son père, qui est aussi son assistant, et de sa dévouée gouvernante. Il fréquente l’aristo- cratie, visite les bordels et nourrit son inspiration par ses nombreux voyages. «Une œuvre rude, rustre, vive, exubérante, stridente et grinçante, empreinte de fantaisie et de mélancolie.» (La voix du Nord). Prix d'interprétation masculine au Festival de Cannes et aux Prix du cinema européen 2014. LUNDI 18 MAI 16 h et 19 h 30 WILD de Jean-Marc Vallée Version originale anglaise avec sous-titres français. États-Unis. 2014. 115 min. Avec Reese Witherspoon, Laura Dern et Gaby Hoffmann. (13 ans +). D'après le best-seller de Cheryl Strayed. Après plusieurs années d’errance, d’addiction et l’échec de son couple, Cheryl Strayed prend une décision radicale: elle tourne le dos à son passé et, sans aucune expérience, se lance dans un périple en solitaire de 1700 kilo- mètres, à pied, avec pour seule compagnie le souvenir de sa mère disparue… «Il con- vient de saluer la volonté de l'actrice d'entreprendre une nouvelle phase dans sa démarche artistique.» (Marc-André Lussier, La Presse). -
The Palestinian Arab Minority in Israel March 2011
The Inequality Report The Palestinian Arab Minority in Israel March 2011 The Inequality Report: The Palestinian Arab Minority in Israel ADALAH – THE LEGAL CENTER FOR ARAB MINORITY RIGHTS IN ISRAEL 94 Yaffa Street, PO Box 8921, Haifa 31090, Israel Tel: +972 4 950 1610 – Fax: +972 4 950 3140 Adalah Email: [email protected] The Legal Center for Arab Minority Rights in Israel Website: www.adalah.org Principle author Katie Hesketh Additional authors Suhad Bishara, Advocate Rina Rosenberg, Esq. Sawsan Zaher, Advocate Design UnderGround Studio ISBN: 978-965-90512-3-6 Three videos accompany this report: Targeted Citizen; Targeted Citizen – Unrecognized Villages Case; and Targeted Citizen – Israel Railways Case. These videos are available on the website of Adalah and Adalah’s YouTube page. The videos were written and directed by Rachel Leah Jones. This report and the three videos together comprise “The Inequality Series”. Adalah wishes to thank Christian Aid for its financial support to this project. The contents of the videos and this document are the sole responsibility of Adalah – The Legal Center for Arab Minority Rights in Israel and can under no circumstances be regarded as reflecting the official position of Christian Aid. March 2011 Adalah also appreciates the generous contributions of the following foundations Inequality Report: and institutions to our work: The Ford-Israel Fund; OxfamNOVIB; The Open Society Institute Development Foundation; The New Israel Fund; The European Union; The Palestinian Arab Minority in Israel Evangelischer Entwicklungsdienst (EED); The Federal Department of Foreign Affairs December 2010 - Switzerland; The Naomi and Nehemiah Cohen Foundation; Broederlijk Delen; The Sigrid Rausing Trust; and The NGO Development Center. -
CINEART Spain: Gypsy Davy NEW YORK
FILM CINEART Spain: Gypsy Davy NEW YORK Tue, April 23, 2013 7:30 pm Venue The JCC in Manhattan, 334 Amsterdam Avenue, New York, NY 10023 View map Phone: 646-505-4444 Admission Buy tickets More information PRAGDA Shot over a ten-year period in five countries across three Credits continents, this documentary features some of the finest “old- Organized by Pragda, co-presented school” Gypsy Flamenco artists as well as some of the hottest by JCC Manhattan, Spain Culture New York and SPAIN arts & culture. names in American and Spanish alternative rock. Special thanks to Instituto Cervantes New York. Pragda is arriving at New York’s emblematic cinemas in one of our most ambitious undertakings yet, and we can’t wait for you to join us. With CINEART Spain, we’ll tour NYC’s most dynamic boroughs while showcasing one award-winning Spanish film and visiting a landmark film house every month. We aim to discover new Spanish film lovers by delivering terrific Spanish cinema to all corners of New York. Already an ardent Spanish film cineaste? Join us in exploring New York neighborhoods and iconic cinema institutions. April’s screening of CINEART Spain features the outstanding documentary Gypsy Davy, directed by Rachel Leah Jones at JCC Manhattan on April 23. The film was a favorite at the Sundance Film Festival in 2012. The mission of The Jewish Community Center in Manhattan is to foster an inclusive, engaged and informed community that embraces diversity and is rooted in Jewish values. GYPSY DAVY ■ By Rachel Leah Jones. Israel, USA, Spain. -
2012 Sundance Film Festival Announces Films in Competition
FOR IMMEDIATE RELEASE Media Contacts: November 30, 2011 Sarah Eaton 310.360.1981 [email protected] Casey De La Rosa 310.360.1981 [email protected] 2012 SUNDANCE FILM FESTIVAL ANNOUNCES FILMS IN COMPETITION Park City, UT — Sundance Institute announced today the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. The Sundance Film Festival will take place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah. The complete list of films is available at www.sundance.org/festival. Robert Redford, Founder and President of Sundance Institute remarked, “We are, and always have been, a festival about the filmmakers. So what are they doing? What are they saying? They are making statements about the changing world we are living in. Some are straight-forward, some novel and some offbeat but always interesting. One can never predict. We know only at the end, and I love that.” John Cooper, Director of the Sundance Film Festival, said, “In these challenging economic times, filmmakers have had to be more resourceful and truly independent in their approaches to filmmaking. Looking at this year’s submissions, the result is more fully realized visions and stronger stories; we are proud to see the Festival emerging as a key indicator of the health and creativity of our filmmaking community. The overall quality of the films in the 2012 Competition section will make for an exciting Festival and a remarkable year ahead for independent film audiences everywhere.” For the 2012 Sundance Film Festival, 110 feature-length films were selected, representing 31 countries and 44 first-time filmmakers, including 24 in competition. -
Loft-Film-Fest-2019-Program.Pdf
GET YOUR TICKETS LOFT FILM FEST SPONSORS FILM FESTIVAL BADGE TITLE SPONSORS General: $180 Loft Members: $150 FILMS General: $12 Loft Members: $10 OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 PRESENTING SPONSORS CONTACT [email protected] (520) 795-0844 FULL SCHEDULE ON PAGES 12-13 LOFT FILM FEST STAFF FESTIVAL EXECUTIVE DIRECTOR OFFICIAL HOTEL OF OFFICIAL BEER OF Peggy Johnson LOFT FILM FEST LOFT FILM FEST FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS Cassie Ramirez Breneman, Anthony Cutrone, Christine Hill, Debi Chess Mabie, Max McCauslin, SUPPORTING SPONSORS Mike Plante, Ernie Quiroz, Nikki Sanchez, VR Consultant Eric Carr FINANCE DIRECTOR Jonathan Kleefeld MARKETING/DESIGN Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld PROGRAM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Anthony Cutrone, Shawna Dacosta, Ben Mackey, Daniela Ontiveros, Emily Quinn DIRECTOR OF THEATRE OPERATIONS FILM SPONSORS Jason Denholm Anonymous, Max McCauslin, Hal Melfi, Patricia & John Whitehill, OPERATIONS MANAGER University of Arizona School of Theatre, Film & Television, Joe Tarver, Brenda Rodriguez Claire Scheuren ASSISTANT MANAGERS Marcel Jeanisse, Madeline McClure, Candace Ripley, IN-KIND DONATIONS Pedro Robles-Hill, A.J. Simon Old Pueblo Trolley , Proud Source H2O THE LOFTY ACHIEVEMENT AWARD The Loft Film Fest is awarding two Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have significantly contributed to the world of cinema, and who continues to The Loft Film Fest was proud to receive a $20,000 Art inspire, entertain and enlighten audiences.