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Anton Yelchin May Be ‘Very Cynical’ About Fame, but with His Role in Romantic Indie Drama Like Crazy
anton yelchin may be ‘very cynical’ about fame, but with his role in romantic indie drama like crazy. it’s about to become unavoidable. by steve cummins. photographed crazy by hilary walsh ANTON YELCHIN LOOKS LIKE he’s in ready tolove kill me. Lips pursed, his green Such open self-analysis is at odds with eyes narrowing, he scowls when I other Hollywood stars of his ilk, but then suggest that signing up to star in Like there’s something different about the Crazy—a low-budget, largely improvised Russian-born actor. Dressed in a green indie movie with an unknown director— Harris Tweed sports jacket over a was, on paper, a risky move. Fixing his checked shirt and navy jeans, he’s eyes on mine, there’s an intense stare as animated, candid, and talkative when he tries to suss me out. And then, as faced with questions on his personal life, quickly as it arrived, it’s gone. where others are guarded. Talk to him It’s a telling moment. Later, as we sit about his work methods—his obsessive back in the sunshine during an abnormally note-taking and his ability to bring warm August day in Dublin, the 22-year- extraordinary depth to characters such as old actor (who’s in Ireland to promote the Jacob in Like Crazy and Porter in The horror movie Fright Night, in which he Beaver—and he becomes even more stars opposite Colin Farrell), will tell me engaged, words whizzing from his mouth that he doesn’t trust people, that his core and hands moving around impatiently. -
45477 ACTRA 8/31/06 9:50 AM Page 1
45477 ACTRA 8/31/06 9:50 AM Page 1 Summer 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTION! Production coast to coast 2006 SEE PAGE 7 45477 ACTRA 9/1/06 1:53 PM Page 2 by Richard We are cut from strong cloth Hardacre he message I hear consistently from fellow performers is that renegotiate our Independent Production Agreement (IPA). Tutmost on their minds are real opportunities for work, and We will be drawing on the vigour shown by the members of UBCP proper and respectful remuneration for their performances as skilled as we go into what might be our toughest round of negotiations yet. professionals. I concur with those goals. I share the ambitions and And we will be drawing on the total support of our entire member- values of many working performers. Those goals seem self-evident, ship. I firmly believe that Canadian performers coast-to-coast are cut even simple. But in reality they are challenging, especially leading from the same strong cloth. Our solidarity will give us the strength up to negotiations of the major contracts that we have with the we need, when, following the lead of our brothers and sisters in B.C. associations representing the producers of film and television. we stand up and say “No. Our skill and our work are no less valuable Over the past few months I have been encouraged and inspired than that of anyone else. We will be treated with the respect we by the determination of our members in British Columbia as they deserve.” confronted offensive demands from the big Hollywood companies I can tell you that our team of performers on the negotiating com- during negotiations to renew their Master Agreement. -
Queer Identities Rupturing Dentity Categories and Negotiating Meanings of Oueer
Queer Identities Rupturing dentity Categories and Negotiating Meanings of Oueer WENDY PETERS Ce projet dPcrit sept Canadiennes qui In the article, "The Politics of constructed by available discourses shpproprient le terme "queerJ'comme InsideIOut," Ki Namaste recom- (Foucault). Below, I describe some orientation sexuelk et en explore ks mends that queer theoreticians pay of the meanings participants as- dzfirentes signt$cations. Leur identiti attention to the diversity of non- cribed to queer, and explore the et expiriencespointent rt. certaines ca- heterosexual identities. I created the ways in which queer was under- tigories sexuelles existantes comme les- following research project through stood and represented by people biennes et hitirosexuelles. my interest in queer theory and a who claim, or have claimed, queer subsequent recognition that queer, as their sexuality identity category. In the 1990s, the term "queer" gained as described in queer theory, is an The first person to email the new acceptance within poststruct- excellent description for my sexu- listserv identified herself as uralistlpostmodernist thought. In ality and gender practices. Since "Stressed!" Stressed wrote often part, this was an attempt to move queer is a term that resists a static about trying to finish her gradu- away from reproducing the hetero- definition, I was curious to see who ate-level thesis, and chose her alias sexist binary of heterosexual and ho- else was claiming queer as an iden- to reflect her current state of mind. mosexual. Queer theory contends that tity category and what it meant for She related how her claiming of in order to challenge heteronorma- them. After sending an email to queer as an identity category came tivity, we need to go beyond replac- friends and various listservs detail- through her coming-out process ing one restrictive category with an- ing my interest in starting an aca- and her reluctance to choose a sexu- other. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Bruce Greenwood, Leslie Hope, Benjamin Ayres
Directed by Jerry Ciccoritti Written by Jeff Kober Starring: Bruce Greenwood, Leslie Hope, Benjamin Ayres, Megan Follows, David Hewlett, Kris Holden-Reid, Jeff Kober, Grace Lynn Kung, Kristin Lehman, Daniel Maslany, Tony Nappo, Paula Rivera TRT: 92:26 Format: 2:39 Sound: 5.1 surround sound Rating: (pending) Country: Canada Language: English Genre: Drama Trailers: Available Website: www.IndicanPictures.com Table of Contents Synopsis ...................................................................................................................................................................... 2 Director’s Statement .................................................................................................................................................. 3 Producer’s Statement ................................................................................................................................................. 3 Artist’s Statement (Jeff Kober) ................................................................................................................................... 4 Cast Bios ...................................................................................................................................................................... 5 Bruce Greenwood (Frank) ...................................................................................................................................... 5 Leslie Hope (Melanie) ............................................................................................................................................ -
The Reporter, November 24, 1980
City University of New York (CUNY) CUNY Academic Works The Reporter Archives 1980 The Reporter, November 24, 1980 How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_arch_reporter/254 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] WBMB: Elevator Horror The Holdups and Deadaebes. By DHYANA ZIEGLER In case you haven't noticed, the elevator situation at Baruch is horrendous. Students ·are shoved, or crammed into elevators like sarqines. -Long lines, such as the line in the Sound 26th Street building, extend as faras the local elevators. As a result, students are late for classes because they have to wait on these long lines. A few weeks ago, the Roving Reporter took a look at students' responses to the services ·offered at Baruch College, and ninety per cent of the comments concerned the of poor elevator service. Pinhas Friedenberg, Registrar, made must go up and down at the same time an effortto help combat the elevator horror because of the class schedule starting and by having some classes start 15 minutes ending classes at the same time. "We need after other classes, to cut down on. the more elevators, but I .guess it's too expen Baruch rush._ "It should have made things better sive. If they could stagger classes, it would just because of the schedule." But accord help alleviate problems," says Thompson. ing to students, the system has failed.· The elevator operators are literal by Phillip McConnell Friedenberg feels that the system should ly "catching hell" from students and fa work because students have more time in The list of student activities that the culty because the situation is just so between classes. -
View That Includes Their Perceptions of Time, in Which Their Own Future Is Naturally Hidden from Them
Reading In and Out of Order: Living In and Around an Extended Fiction DOI https://doi.org/10.32393/jlmms/2020.0001 Published on Fri, 01/24/2020 - 00:00 Many series books recount the life of a character growing up over a sequence of titles, offering a strong sense of clear progression. Readers, however, may encounter this series out of order, or they may encounter numerous adapted versions of a story. Either way, they have to decide their own interpretative priorities. Back to top Introduction The concept of a sequence implies an orderly progression. A series of books conveys the sense of a logical advancement through a character’s life or a succession of events, intelligibly assembled into a system that is sometimes even numbered for maximum clarity. Such a sequence of novels frequently uses time as an organizer—either moving through part of a character’s lifespan or manipulating the calendar to run on a repeat cycle through (for example) Nancy Drew’s eighteenth summer. We know that life is not as tidy as the stories conveyed in books. But, in the case of series, even the material presentation of the books is misleading; despite the neat row of ascending numbers on the books’ spines, readers encounter a series of titles in partial, messy, sometimes consuming, and sometimes unsatisfying ways. Furthermore, in the clutter and circularity of contemporary culture, book series in their pristine order on the shelf frequently do not represent the only versions of characters and events. Media adaptations, publishers’ reworkings, fan variations, and a plethora of consumables all offer forms of what we might call “re- presentation,” and there is no telling what route through this busy landscape of reiteration any particular reader may take, or what version of the story they may encounter before reaching the original version. -
Productions in Ontario 2013
SHOT IN ONTARIO 2013 Feature Films – Theatrical A DAUGHTER’S REVENGE Company Name: NB Thrilling Films 5 Inc. Producer: Don Osborne Exec. Producers: Pierre David, Tom Berry, Neil Bregman Director: Curtis Crawford Production Manager: Don Osborne D.O.P.: Bill St. John Key Cast: Elizabeth Gillies, Cynthia Stephenson, William Moses Shooting Dates: Nov 30 – Dec 12/13 A FIGHTING MAN Company: Rollercoaster Entertainment Producers: Gary Howsam, Bill Marks Exec. Producer: Jeff Sackman Line Producer: Maribeth Daley Director: Damian Lee Production Manager: Anthony Pangalos D.O.P.: Bobby Shore Key Cast: Famke Janssen, Dominic Purcell, James Caan, Kim Coates, Michael Ironside, Adam Beach, Louis Gossett Jr., Sheila McCarthy Shooting Dates: Apr 15 – May 15/13 A MASKED SAINT Company: P23 Entertainment Producers: Cliff McDowell, David Anselmo Director: Warren Sonoda Line Producer/Production Manager: Justin Kelly D.O.P.: James Griffith Key Cast: Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll Shooting Dates: Nov 4 – Nov 22/13 BEST MAN HOLIDAY Company: Blackmailed Productions / Universal Pictures Producer: Sean Daniel Exec. Producer: Preston L. Holmes Director: Malcolm Lee Production Manager: Dennis Chapman D.O.P.: Greg Gardiner Key Cast: Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Taye Diggs Shooting Dates: Apr 8 - May 22/13 BERKSHIRE COUNTY Company: Narrow Edge Productions Producer: Bruno Marino Exec. Producers: Tony Wosk, David Miller Director: Audrey Cummings Production Manager: Paul Roberts D.O.P.: Michael Jari Davidson Key Cast: Alysa King, Madison Ferguson, Cristophe Gallander, Samora Smallwood, Bart Rochon, Aaron Chartrand Shooting Dates: Apr 4 - May 16/13 December 2013 1 SHOT IN ONTARIO 2013 BIG NEWS FROM GRAND ROCK Company: Markham Street Films Producer: Judy Holm, Michael McNamara Director: Daniel Perlmutter Production Manager: Sarah Jackson D.O.P.: Samy Inayeh Key Cast: Aaron Ashmore, Kristin Booth, Art Hindle, Ennis Esmer Shooting Dates: Sep 30 – Oct 24/13 BLUR Company: Black Cat Entertainment Producer: Bruno Marino Exec. -
Cuadernos De La Fundación Dr
CUADERNOS de la Fundación Dr. Antonio Esteve 35 La ficción televisiva desde el punto de vista La medicina en las series de los profesionales de la medicina de televisión House y el diagnóstico médico. Lisa Sanders The Knick y las técnicas quirúrgicas. Leire Losa Los Soprano y el psicoanálisis. Oriol Estrada Rangil Coordinador: Toni de la Torre The Big Bang Theory y el síndrome de Asperger. Ramon Cererols Breaking Bad y la adicción a la metanfetamina. Patricia Robledo Mad Men y el tabaquismo. Joan R. Villalbí The Walking Dead y el imaginario de la epidemia. Josep M. Comelles y Enrique Perdiguero Gil Angels in America, The Normal Heart y Positius: VIH y sida en las series de televisión. Aina Clotet y Marc Clotet, con el asesoramiento de Bonaventura Clotet Nip/Tuck, Anatomía de Grey y la cirugía plástica. María del Mar Vaquero Pérez Masters of Sex y la sexología. Helena Boadas CSI y la medicina forense. Adriana Farré, Marta Torrens, Josep-Eladi Baños y Magí Farré Homeland y el mundo de las emociones. Liana Vehil y Luis Lalucat Olive Kitteridge y la depresión. Oriol Estrada Rangil La medicina en las series de televisión True Detective y la atracción del mal. Luis Lalucat y Liana Vehil Polseres vermelles y el cáncer. Pere Gascón i Vilaplana ISBN: 978-84-942571-9-3 FUNDACIÓN DR. ANTONIO 9 788494 257193 ESTEVE 35 CUADERNOS DE LA FUNDACIÓN DR. ANTONIO ESTEVE Nº 35 La medicina en las series de televisión Coordinador: Toni de la Torre Ilustración de la portada realizada por Suxinsu (www.suxinsu.com). La presente edición recoge las opiniones de sus autores, por lo que la Fundación Dr. -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Call Me by Your Name
Presents CALL ME BY YOUR NAME A film by Luca Guadagnino (131 min., USA/Italy/France/Brazil, 2017) Languages: English, Italian, French, German w/ English subtitles Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CALL ME BY YOUR NAME The Cast Oliver ARMIE HAMMER Elio TIMOTHÉE CHALAMET Mr. Perlman MICHAEL STUHLBARG Annella AMIRA CASAR Marzia ESTHER GARREL Chiara VICTOIRE DU BOIS Mafalda VANDA CAPRIOLO Anchise ANTONIO RIMOLDI Art Historian 1 ELENA BUCCI Art Historian 2 MARCO SGROSSO Mounir ANDRÉ ACIMAN Isaac PETER SPEARS 2 CALL ME BY YOUR NAME The Filmmakers Director LUCA GUADAGNINO Screenplay JAMES IVORY Based on the Novel Call Me By Your Name by ANDRÉ ACIMAN Producers PETER SPEARS LUCA GUADAGNINO EMILIE GEORGES RODRIGO TEIXERA MARCO MORABITO JAMES IVORY HOWARD ROSENMAN Executive Producers DEREK SIMONDS TOM DOLBY MARGARETHE BAILLOU FRANCESCO MELZI D’ERIL NAIMA ABED NICHOLAS KAISER SOPHIE MAS LOURENÇO SANT’ANNA Director of Photography SAYOMBHU MUKDEEPROM Editor WALTER FASANO Production Designer SAMUEL DESHORS Costume Designer GIULIA PIERSANTI Songs “Mystery of Love” and “Visions of Gideon” Written and Performed by SUFJAN STEVENS Production Sound Mixer YVES-MARIE OMNES Re-Recording Mixer JEAN-PIERRE LAFORCE Music Supervisor ROBIN URDANG Music Consultant GERRY GERSHMAN Casting / Line Producer STELLA SAVINO Main Titles -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.