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Eastwood, Dicaprio Try to Capture First FBI Director's Life in 'J. Edgar'
09 November 2011 | voaspecialenglish.com Eastwood, DiCaprio Try to Capture First FBI Director's Life in 'J. Edgar' AP From left, Leonardo DiCaprio, Armie Hammer and director Clint Eastwood at the premiere of "J. Edgar" last week in Los Angeles (You can download an MP3 of this story at voaspecialenglish.com) DOUG JOHNSON: Welcome to AMERICAN MOSAIC in VOA Special English. (MUSIC) I’m Doug Johnson. Today we play music from American Idol winner Scotty McCreery ... And we answer a question about American whiskey ... But first, it is history at the movie theater where a new film opens about former law enforcement chief J. Edgar Hoover. "J. Edgar" DOUG JOHNSON: The movie "J. Edgar" opens across America today. The film is about J. Edgar Hoover, the first director of the Federal Bureau of Investigation. Hoover was a complex and powerful man. He helped develop the FBI into an efficient and effective crime solving agency. However, in later years, many people 2 questioned the methods used by Hoover and his investigators. Bob Doughty tells more about the man and the movie. BOB DOUGHTY: Clint Eastwood directed the movie "J. Edgar." He grew up in the time when, in his words, "Hoover was always top cop." Eastwood said he had heard different stories about the former FBI director. Some of them were very critical. But Eastwood said anybody who stays in a job as long as Hoover did is going to create some enemies. J. Edgar Hoover was the leader of the FBI and the agency it developed from for almost fifty years. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Battery Adjust
k« \ [Ur lisiiiS ’ ’ ..■'-v; < -'‘ w m '' ' ' - ^ ^ /j i'i ^ ^ ^^^****^ ' ..... .. '-'' i^r" ^ 1 *'■'' ," J'Lv ! ' > ,' i-» ► "'•‘-.'t,^‘-a. " 'M i. ,;'V K'^' ; n > - # •2f ' ZT '• .TJ * r !■ m'^ - ■■ «t-. ■■>*?-- ■ ' -■' •,'str i'i-, >'■- C. P. IN GUISBERG C. P. IN NEUF ETANG THE BOWLS IN MONTBRONN LOADING UP Printed by Karl Scharr, Worner & Mayer Stuttgart-Vaihingen, Germany INTRODUCTION When asked to write an introduction for this book, I was, probably for the first time, at a loss for words. However, I think that it should be dedicated to those, without whom it could not have been written. Let us dedicate it then to Headquarters Battery... to the fire direction center for a magnificent job in combat... to the radio section that helped us immensely with com munications and gave us the metro messages... to the gallant, fearless wire crews who, with danger lurking on every side, kept the ever-important wire lines intact... to the peerless survey section for their numerous, accurate surveys... to the motor section that kept the vehicles running in spite of bad weather and roads... to the machine gunners for their protection... to the hard-working kitchen crew... to the medics for their medical care and their heroic services in the month of November... and to Sgt. Campbell, the finest leader of men it has ever been my privilege to know. Ordinarily, it would not be proper to gloat over a job well done, for it was only a matter of duty, and duty is man’s common lot. St. Francis used to say: „When you have labored all day, say to the Lord: I am but an unprofi table servant." But on this one occasion, I think you have reason for elation. -
Refocusing the Digital Lens of Idiomaticity: a Second Look at Understanding Idiomaticity in CALL1 John I
Iranian Journal of Language Teaching Research 6(2), (July, 2018) 1-21 1 Content list available at http://ijltr.urmia.ac.ir Iranian Journal of Language Teaching Research Urmia University Refocusing the Digital Lens of Idiomaticity: A Second Look at Understanding Idiomaticity in CALL1 John I. Liontas a, * a University of South Florida, US A B S T R A C T This article takes a critical second look at understanding idiomaticity in CALL (Computer Assisted Language Learning). The conditions markedly affecting second language teaching and learning are highlighted amidst pedagogical constructs supporting the reconstructive nature of idiomatic understanding and production in English. The ensuing discussion underscores the promise digital technologies hold for further research work on idiomaticity including, but not limited to, idiom, metaphor, simile, metonymy, hyperbole, proverb, slang, cliché, lexical bundle, phrasal expression, multiword construction, collocation, colloquialism, and tropes of figurative language. It is argued that for the purposes of diagnosis and achievement idiomaticity must be thoughtfully anchored in pedagogical paradigms requiring further examination and care. These exemplars, as the need arises across contexts and audiences, are seen as particularly useful to the development and refinement of idiomatic knowledge, especially when such knowledge reflects the judicious and purposeful use of CALL technologies, electronic tools, and digital resources. Pedagogical implications addressing idiom- learning activities and task-based digital projects are also discussed. Keywords: idiomaticity; pragmatics; second language teaching; digital learning; learner empowerment; natural language use © Urmia University Press A R T I C L E H I S T O R Y Received: 23 Jan. 2018 Revised version received: 21 May 2018 Accepted: 1 June 2018 Available online: 1 July 2018 * Corresponding author: Department of Teaching and Learning, College of Education, University of South Florida, Tampa, US Email address: [email protected] © Urmia University Press 2 John I. -
1Q12 IPG Cable Nets.Xlsm
Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER -
Matchbox Dreams
Matchbox Dreams Book 1: The Drapkin kids in Dreamland DOUGLAS SCHWARTZ Copyright © 2019 by Douglas Schwartz All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews. ii FOREWORD (For parents to read before reading the first story) About Dreams What Do Toddlers Dream About? By Dr. Harvey Karp From infants to adults, everyone dreams. Psychologist David Foulkes studies children (from tots to teens) to bring the secrets of their dreams to the light of day. In his lab, he lets kids fall asleep and then wakes them three times a night—sometimes in REM and sometimes in NREM—and asks them to describe what they recall. Foulkes’ findings are surprising…in how unsurprising they are. Basically, little kids have little dreams. But exactly what kids see while dreaming depends on their age. As children develop and grow, their dreams do too. Toddler dreams are usually just snapshots, looking much more like a slide show than a movie when compared to the dreams of adults. They heavily feature animals and other familiar sights, like images of people eating. According to Foulkes, “Children’s dream life…seems to be similar to their waking imagination and narration,” he explains in his study, Children’s Dreaming and the Development of Consciousness. “Animals carry human concerns and readily become objects of identification.” iii Understandably, dreams can confuse small kids. -
Time to Settle in and Develop a Sound That Shows Cities) Program-Invites Local Country Radio
ARTIST: Scotty MCCreerY ALBUM:See You Tonight LABEL: Mercury Nashville/19/ Interscope RELEASE DATE: OCt. 15 MANAGEMENT:Blue Crew Productions PRODUCERS:Frank Rogers, Mark Bright PUBLISHING: Dagum Publishing (BMI) BOOKING AGENT:Blake McDaniel, Creative Artists Agency CHART HISTORY:ClearAs Day (2011), No.1 Billboard BOYS NOIZE 200, Top Country Albums, DJ/producer Boys Noize 1.2 million; Christmas With (realnameAlex Ridha) heads Scotty McCreery(2012), No. out on a world tour this fall, 2 Top Country Albums, No.4 featuring selectappearances Billboard 200,350,000 with his Skrillex-teaming side project Dog Blood and TwirrER:@ScottyMcCreery booked bynew agent Lee Anderson of AM Only. COUNTRY Routing: Anderson hoped to curate a list of smaller, inti- mate and "cool" spots. "The big dance festivalsare great experiences, but sonically the artists kind of blend together," Learning hesays."Our strategywas to come in, strip it down, hit venueslike Beta in Denver [Oct.17], Output in Brooklyn Experience [Oct. 22, 24] and Grand Cen- tral in Miami [Oct. 31], mixed Scotty McCreery's sound and with festivals, where it's really going to pop-like Voodoo reachmaturesonthird album in New Orleans [Nov. 1] and Freak Night in Seattle [Oct. while 'Idol' champpursues 26]." Boys Noize will also play In the City in Johannesburg college degree (Oct. 4), Olympia in Montreal (Oct. 25), Fabric in London By Gail Mitchell (Nov.15) and such Australian citiesasSydney (Stereosonic, Nov. 30), Perth (Dec.1), Mel- bourne (Dec. 7) and Brisbane And that includedco-writing fivesongs, among "There wasn'talot of timetoroll out the first album," (Dec. 8). them the title -track lead single. -
SKAD Leś M., Fantastycznonaukowe Podróże W Czasie
Wydawca: Temida 2 Przy współpracy i wsparciu finansowym Wydziału Filologicznego Uniwersytetu w Białymstoku Redaktor Naukowy Wydawnictwa Temida 2: Cezary Kosikowski Rada Naukowa Wydawnictwa Temida 2: Przewodnicz ący Rady Naukowej Wydawnictwa Temida 2: Emil W. Pły- waczewski Członkowie z Uniwersytetu w Białymstoku: Stanisław Bo żyk, Leonard Etel, Ewa M. Guzik-Makaruk, Adam Jamróz, Dariusz Kijowski, Cezary Kosikowski, Cezary Kulesza, Jarosław Ławski, Agnieszka Malarewicz-Jakubów, Maciej Perkowski, Stanisław Prutis, Eugeniusz Ru śkowski, Walerian Sanetra, Joanna Sie ńczyło-Chlabicz, Ryszard Skarzy ński, Halina Świ ęczkowska, Jaroslav Volkonovski, Mieczysława Zdanowicz Członkowie z Polski: Marian Filar (Uniwersytet Mikołaja Kopernika w To- runiu), Edward Gniewek (Uniwersytet Wrocławski), Lech Paprzycki (S ąd Najwy ższy) Członkowie zagraniczni: Lidia Abramczyk (Pa ństwowy Uniwersytet im. Janki Kupały w Grodnie, Białoru ś), Vladimir Bab čak (Uniwersytet w Koszycach, Słowacja), Renata Almeida da Costa (Uniwersytet La Salle, Brazylia), Chris Eskridge (Uniwersytet w Nebrasce, USA), José Luis Iriarte Ángel (Uniwersytet Navarra, Hiszpania), Marina Karasjewa (Uniwersytet w Worone żu, Rosja), Bernhard Kitous (Uniwersytet w Rennes, Francja), Martin Krygier (Uniwersytet w Nowej Południowej Walii, Australia), Petr Mrkyvka (Uniwersytet Masaryka, Czechy), Marcel Alexander Niggli (Uniwersytet we Fryburgu, Szwajcaria), Andrej A. Novikov (Pa ństwowy Uniwersytet w Sankt Petersburgu, Rosja), Sławomir Redo (Uniwersytet Wiede ński, Austria), Ro ścisław Radyszewski (Uniwersytet im. Tarasa Szewczenki w Kijowie, Ukraina), Bernd Schünemann (Uniwersytet w Monachium, Niemcy), Sebastiano Tafaro (Uniwersytet w Bari, Włochy), Wiktor Trinczuk (Kijowski Narodowy Handlowo-Ekonomiczny Uniwersytet, Ukraina) Żadna cz ęść tej pracy nie mo że by ć powielana i rozpowszechniana w ja- kiejkolwiek formie i w jakikolwiek sposób (elektroniczny, mechaniczny), włącznie z fotokopiowaniem – bez pisemnej zgody wydawcy. ISBN 978-83-65696-23-6 ISBN 978-83-65696-23-6 Recenzenci: prof. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Announces: the TWILIGHT ZONE Composed by CRAIG SAFAN
Announces: THE TWILIGHT ZONE Composed by CRAIG SAFAN, BASIL POLEDOURIS, WILLIAMS GOLDSTEIN, CHRISTOPHER YOUNG, ELLIOT KAPLAN, ARTHUR KEMPEL, DENNIS McCARTHY, JAC REDFORD, FRED STEINER, and KEN WANNBERG Intrada Special Collection Volume ISC 348 Submitted for your approval, Intrada presents 22 scores from these first two seasons of the mid '80s revival of The Twilight Zone. Featuring an array of talented composers, the scores are bound together by the composers' willingness to chart that middle ground between light and shadow, between science and superstition—a “dimension of sound” that could only have emerged from the Twilight Zone. In conjunction with keyboardist and longtime Dead-associate Merl Saunders, the Grateful Dead collaborated on the main title, which conjures a uniquely creepy vibe, while incorporating Constant’s iconic motif. Additionally, the following episodes are included, moving from purely orchestral to entirely electronic, sporting a myriad of styles reflecting the range of colorful story lines. Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 Main Title” Christopher Young – “A Small Talent for War,” “A Matter of Minutes” Basil Poledouris – “A Message From Charity,” “Monsters!,” “Profile in Silver,” “Song of the Younger World” Kenneth Wannberg – “Still Life” Dennis McCarthy – “Voices in the Earth” Merl Saunders and The Grateful Dead – “The Twilight Zone ’85 End Title” J.A.C. Redford – “What Are Friends For?” Craig Safan – “Dead Woman’s Shoes,” “Wong’s Lost and Found Emporium,” “The Uncle Devil Show,” “Opening Day,” “To See the Invisible Man,” “Tooth and Consequences,” “Teacher’s Aide” Fred Steiner – “A Day in Beaumont” Elliot Kaplan – “The Last Defender of Camelot” Arthur Kempel – “The Elevator” William Goldstein – “Her Pilgrim Soul,” “The Card,” “Time and Teresa Golowitz” From its earliest years, The Twilight Zone has been synonymous with visions of wonderment, weirdness and terror. -
Ornette Coleman and Harmolodics by Matt Lavelle
Ornette Coleman and Harmolodics by Matt Lavelle A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written and approved under the direction of Dr. Henry Martin ________________________ Newark, New Jersey May 2019 © 2019 Matt Lavelle ALL RIGHTS RESERVED ABSTRACT Ornette Coleman stands as one of the most significant innovators in jazz history. The purpose of my thesis is to show where his innovations came from, how his music functions, and how it impacted other innovators around him. I also delved into the more controversial aspects of his music. At the core of his process was a very personal philosophical and musical theory he invented which he called Harmolodics. Harmolodics was derived from the music of Charlie Parker and Coleman’s need to challenge conventional Western music theory in pursuit of providing direct links between music, nature, and humanity. To build a foundation I research Coleman’s development prior to his famous debut at the Five Spot, focusing on evidence of a direct connection to Charlie Parker. I examine his use of instruments he played other than his primary use of the alto saxophone. His relationships with the piano, guitar, and the musicians that played them are then examined. I then research his use of the bass and drums, and the musicians that played them, so vital to his music. I follow with documentation of the string quartets, woodwind ensembles, and symphonic work, much of which was never recorded. -
SCOTTY Mccreery TALKING POINTS
! SCOTTY McCREERY TALKING POINTS • McCreery will release his new single “Five More Minutes” in 2017. • McCreery wrote “Five More Minutes” with Frank Rogers and Monty Criswell. He first performed it on the Grand Ole Opry during CMA Music Festival on June 10, 2016, where he received a standing ovation from the audience. Two weeks later, the Opry uploaded the performance on YouTube. The performance was praised by Rolling Stone Country, Taste of Country, Rare Country, Whiskey Riff, Sounds Like Nashville, and more. You can watch the performance here: https://www.youtube.com/watch?v=gb8o8fgMs3A. McCreery won the 2016 Rare Country Award for Grand Ole Opry Moment of the Year in Dec. 2016 for this performance. • McCreery is performing concerts across the country throughout 2017. Tour dates can be found at scottymccreery.com. • McCreery recently returned from performing his first concert in New Zealand on March 4. He co-headlined the Stampede Music Festival with LeAnn Rimes. • McCreery performed at the “Heroes and Friends: A Tribute to Randy Travis” event in Nashville on Feb. 8. He performed the Randy Travis classic “1982.” Travis is one of McCreery’s musical heroes. Travis surprised McCreery by coming out to watch his concert in January 2017 at Billy Bob’s in Ft. Worth, Texas. • McCreery performed as part of Radio Disney’s “The Human Race” single, which premiered on both Radio Disney and Radio Disney Country in Nov. 2016. His distinctive vocals kick the song off at the beginning, and he can be heard at various points throughout the multi-artist single. Other artists performing on the song include Kelsea Ballerini, Lauren Alaina, Locash, Mickey Guyton, Lindsay Ell, and many more.