Black Manifesto! "Refuse to Dumb It Down" to Support Learning and Unlearning in Revolutionary Times

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REFUSE TO DUMB IT DOWN RESOURCES - EPISODE 4 1 S d A h INTRODUCTION A collection of resources that complement episode 4 of Black Manifesto! "Refuse to dumb it down" to support learning and unlearning in revolutionary times. FURTHER READING AND RESOURCES Angelou, M, 1978, And still I rise, New York: Penguin Random House Angelou, M, 1993, Wouldn't take nothing for my journey now, Toronto: Random House of Canada Burrows, J., 2010, A Choreographer's Handbook, London: Routledge FKA twigs, 2020, sad day. Available at: https://www.youtube.com/watch?v=IxGDNRE- 2c0&list=LL&index=14 hooks, b., 2000, All about love: new visions, New York: William Morrow Jackie, 2020, Directed by Jodie Turner-Smith, Absolute Beginners, Dazed and Gucci, [video] https://www.youtube.com/watch? v=_QrDroDV_lM&list=PLpMYl5hbYkRHUGDBA3mXtXAW5JBNaOP9_&index=2 Just Dance: Maze, 2016, Directed by Eve McConnachie, Nowness, [video] https://www.nowness.com/series/just-dance/maze-scottish-ballet Lewis, A., 2020, Krewe Du Kanaval Honors The Haitian Roots Of New Orleans, National Public Radio (NPR). Retrieved from: https://www.npr.org/sections/worldcafe/2020/02/12/804873908/krewe-du-kanaval- honors-the-haitian-roots-of-new-orleans? fbclid=IwAR2xbwDOI5PhQa1WDMGrj1vjDgXZZIi995Hf3j_0VBX5rpZnrTrRxk2- m2M&t=1607951380767 Lewis, J., 2020, John Lewis: Together, You Can Redeem the Soul of Our Nation, The New York Times. Retrieved from: https://www.nytimes.com/2020/07/30/opinion/john-lewis-civil- rights-america.html Pina Bausch: Seasons March, 2011, Directed by Wim Wenders, Nowness, [video] https://www.nowness.com/topic/dance/pina-bausch-seasons-march-wim-wenders Spotify, 2020, Life, Maya Alexis [playlist] Available at: https://open.spotify.com/playlist/4jWVpiYOY061nQcmuvi03d?si=CYx_- VtFQZyWK9sMvv9FxQ Image credit: Solange Knowles, When I Come Home, 2019 LIFE LESSON FROM EPISODE FOUR "I would say no matter what is going on, keep doing the work." - Maya Taylor, 2020.

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SYNCHRONICITY and VISUAL MUSIC a Senior Thesis Presented to the Faculty of the Department of Music Business, Entrepreneurship An
SYNCHRONICITY AND VISUAL MUSIC A Senior Thesis Presented to The Faculty of the Department of Music Business, Entrepreneurship and Technology The University of the Arts In partial fulfillment of the requirements for the degree of BACHELOR OF SCIENCE By Zarek Rubin May 9, 2019 Rubin 1 Music and visuals have an integral relationship that cannot be broken. The relationship is evident when album artwork, album packaging, and music videos still exist. For most individuals, music videos and album artwork fulfill the listener’s imagination, concept, and perception of a finished music product. For other individuals, the visuals may distract or ruin the imagination of the listener. Listening to music on an album is like reading a novel. The audience builds their own imagination from the work, but any visuals such as the novel cover to media adaptations can ruin the preexisted vision the audience possesses. Despite the audience’s imagination, music can be visualized in different forms of visual media and it can fulfill the listener’s imagination in a different context. Listeners get introduced to new music in film, television, advertisement, film trailers, and video games. Content creators on YouTube introduce a song or playlist with visuals they edit themselves. The content creators credit the music artist in the description of the video and music fans listen to the music through the links provided. The YouTube channel, “ChilledCow”, synchronizes Lo-Fi hip hop music to a gif of a girl studying from the 2012 anime film, Wolf Children. These videos are a new form of radio on the internet.
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ARTIST INDEX(Continued)
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
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Zerkratzte Oberflächen
# 2019/47 dschungel https://jungle.world/artikel/2019/47/zerkratzte-oberflaechen Das neue Album von FKA Twigs Zerkratzte Oberflächen Von Jana Sotzko Der Musikerin FKA Twigs ist ein zögerliches, aber dennoch fesselndes neues Album gelungen. Es beginnt mit einem Ende: »If I walk out the door, it starts our last goodbye«, singt FKA Twigs im sakralen Eröffnungstrack ihres neuen Albums gegen eine sich verdichtende und immer lauter wummernde Klangcollage an. Vor der Unschärfe der Musik scheint ihr Anliegen umso klarer hervorzutreten. Um Abschiede und Neuanfänge geht es auch in den folgenden acht Songs immer wieder. Der musikalischen wie visuellen Ästhetik der Kunstfigur FKA Twigs ist mit engen Genrebegriffen nicht beizukommen. Auch »Magdalene« ist, angefangen beim Titel, eine an Verweisen reiche, vielschichtige Arbeit. Erster Vorbote war bereits im April die Single »Cellophane«, eine reduzierte Ballade, die das im ersten Satz konstatierte Scheitern einer Beziehung Stück für Stück ausformuliert: »I don’t want to have to share our love / I try but I get overwhelmed / All wrapped in cellophane, the feelings that we had.« Im dazu veröffentlichten Video gerät die Musikerin als Pole-Dance-Performerin ins Trudeln, ihr durchtrainierter Körper fällt direkt von der Pole-Dance-Stange in eine andere Welt, sie wird durch mystische Sphären gewirbelt, prallt unsanft auf und beginnt schließlich, ihren Körper in Schlamm gehüllt, zu ruhen. Auf dem neuen Album ist »Cellophane« der letzte Song und stellt eine Art inhaltliche Zusammenfassung dar, denn im Zentrum von »Magdalene« – daraus macht die Künstlerin kein Geheimnis – stehen körperlicher und emotionaler Schmerz. Das Ende einer Liebesbeziehung und eine belastende Operation an der Gebärmutter verarbeitet Tahliah Debrett Barnett alias FKA Twigs auf ihrem zweiten Album zu kunstvollem Pop, der bei aller Verletzlichkeit auch so kraft- und lustvoll klingt wie ihr zukunftsweisendes Debüt »LP1« aus dem Jahr 2014.
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