Philip Partridge Resume May 2018
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Judy & Punch: Amor E Vingança
COMUNICADO DE IMPRENSA 23/07/2020 Museu da Marioneta exibe bonecos tradicionais que dão origem ao filme ‘JUDY & PUNCH: AMOR E VINGANÇA’ ESTREIA NA PRÓXIMA SEMANA Mia Wasikowska e Damon Herriman são ‘Judy & Punch: Amor e Vingança’, uma adaptação de Mirrah Foulkes do tradicional espetáculo de marionetas. O filme estreia a 30 de julho nos cinemas nacionais e com o bilhete de cinema é possível obter 50% de desconto para a Exposição Permanente do Museu da Marioneta, em Lisboa. Judy e Punch são autores de um espetáculo de marionetas em Seaside, uma cidade sem costa que, em pleno século XVII, é dominada pela pobreza e violência. Apesar do sucesso das suas representações teatrais, também a vida do casal vai ser tomada pelo caos e tragédia que os rodeia, numa mistura entre conto de fadas e realidade que revela a natureza inevitável de cada um. A direção desta produção australiana ficou a cargo da atriz e argumentista Mirrah Foulkes (‘Reino Animal’, ‘The Turning’ e séries ‘All Saints’, ‘Top of the Lake’). Depois das experiências de realização em curta-metragens (a primeira, ‘Dumpy Goes to the Big Smoke’, foi em 2012), Foulkes sentiu-se inspirada para criar este filme “a partir de um espetáculo de marionetas esquisito e misógino, explorando a nossa obsessão contemporânea por violência e, dessa forma, reapropriar e reavivar os seus significados e ressonâncias com o clima atual”. O resultado é um filme sombrio, realista e divertido, onde a imaginação não tem limites. Os protagonistas são interpretados por Mia Wasikowska (‘Alice no País das Maravilhas’, ‘Os Miúdos Estão Bem’, ‘O Homem do Coração de Ferro’) e Damon Herriman (‘Era uma vez em…Hollywood’, ‘The Nightingale’, e séries ‘Caçador de Mentes', ‘Justified’). -
AACTA Announces Short Film Nominees for the 4Th AACTA Awards
MEDIA RELEASE Strictly embargoed until Wednesday 3rd September, 2014. AUSTRALIAN ACADEMY ANNOUNCES FIRST NOMINEES FOR 4TH AACTA AWARDS The countdown to Australia’s top screen Awards has officially started, with the first nominees for the 4th Australian Academy of Cinema and Television Arts (AACTA) Awards announced today. Nominees were announced in the Best Short Animation and Best Short Fiction Film categories for the 4th AACTA Awards, which will also see Australia’s best film, television and documentaries awarded in Sydney in January 2015. Feature Films in Competition and nominees for the AACTA Award for Best Feature Length Documentary for the 4th AACTA Awards will be announced in the coming weeks, and all Feature Film, Television and the remaining Documentary nominees will be announced later in 2014. NOMINEES FOR THE AACTA AWARD FOR BEST SHORT ANIMATION • GOD SQUAD. Nicholas Kempt, Troy Zafer • Grace Under Water. Anthony Lawrence • Love In The Time Of March Madness. Robertino Zambrano, Melissa Johnston • The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4. Steve Baker This year’s Best Short Animation nominees arrive at the AACTA Awards with a host of Festival screenings behind them, both national and international. The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4, which screened at SXSW 2014 and St Kilda Film Festival 2014, is by writer-director Steve Baker, a previous Tropfest and AFI Award winner. This darkly funny short film portrays Raymond, a loner with a penchant for peeing in the rain, as a likeable, if not likely, dating prospect. Also funny and touching is Love In The Time Of March Madness - a ‘tall short’ about a 6’4” woman whose success on the basketball court is at odds with her luck in love. -
Re-Thinking Water and Food Security
RE-THINKING WATER AND FOOD SECURITY Re-thinking Water and Food Security Fourth Botín Foundation Water Workshop Editors Luis Martínez-Cortina Spanish Geological Survey (IGME), Spain Alberto Garrido Research Centre for the Management of Agricultural and Environmental Risks (CEIGRAM), Spain; Technical University of Madrid (UPM), Spain; Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain Elena López-Gunn Marcelino Botin Foundation – Water Observatory (FMB-WO), Spain; London School of Economics (LSE), UK Cover photo: Courtesy of M. Campos and M. Rica Izquierdo. CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business © 2010 Taylor & Francis Group, London, UK Typeset by MPS Ltd. (A Macmillan Company), Chennai, India Printed and bound in Poland by Poligrafia Janusz Nowak, Poznán All rights reserved. No part of this publication or the information contained herein may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, by photocopying, recording or otherwise, without written prior permission from the publisher. Although all care is taken to ensure integrity and the quality of this publication and the information herein, no responsibility is assumed by the publishers nor the author for any damage to the property or persons as a result of operation or use of this publication and/or the information contained herein. Library of Congress Cataloging-in-Publication Data Marcelino Botín Water Forum (4th : 2009 : Santander, Spain) Re-thinking water and food security : fourth Marcelino Botín Foundation water workshop / editors, Luis Martínez-Cortina, Alberto Garrido, Elena López-Gunn. p. cm. Includes index. ISBN 978-0-415-58790-7 (hard cover : alk. -
Dir. Damien Power; Prod
katie@katieflaxman.com www.katieflaxman.com FEATURE FILM Killing Ground (currently in post-production) Dir. Damien Power; Prod. Joe Weatherstone, 2016 What if it Works? (Assembly Editor) Dir. Romi Trower; Prod. Tristram Miall, 2015 The Last Reel Dir. Kulikar Sotho, Hanuman Films Cambodia, 2013 2014 Tokyo International Film Festival - Winner: “Asian Spirit Award” 2014 Singapore International Film Festival 2014 Cambodian International Film Festival 2015 AEAN International Film Festival - Nominee: Best Editing Strangers, Lovers, Killers Dir. Oliver Torr, Matt Zeremes & Ross Wilson, Puck Films, 2009 DOCUMENTARY Head First - Series 2 Dir/Presenter. Sabour Bradley, Prod. Mushroom Pictures on ABC1, 2014 Brain Dir. Polly Staniford, Prod. Matchbox Pictures. Part of the Anatomy series on ABC1, 2013 Project Shiphunt @Radical Media, NYC, 2011 Minutes of a Parting Dir. Ben Briand, Prod. Cherub Pictures. Documentary about The Sydney Theatre Company’s production in Geneva, 2009 The Making of “The Square” Dir. David Michôd. Documentary about “The Square”, 2008 Transgression Dir. Dean Francis, AFTRS, 2004 TELEVISION - DRAMA/COMEDY Please Like Me - Series 4 (Assembly Editor) Josh & John Productions for ABC1 and Pivot, 2016 Hammer Bay Drama series pilot for MTV, Dir. Ben Briand, Cherub Pictures, 2007 2008 St Kilda Film Festival TELEVISION - FACTUAL The Weekly - Series 2 Thinkative TV for the ABC, 2016 Wacky World Beaters Active TV for ABC3, 2013 Australia’s Next Top Model Shine for Fox 8, 2013 Formal Wars Matchbox Pictures for Channel 7, 2013 The Amazing -
Parent/Student Handbook 2020-2021
ALL SAINTS CATHOLIC SCHOOL Parent/Student Handbook 2021-2022 Administration is the final resource and has the right to amend this handbook at any time. 2021-2022 School Staff Administration Ms. Kristen Strausbaugh Principal [email protected] Mr. Gary Yee Assistant Principal [email protected] Mrs. Christine Lerch School Counselor [email protected] Mrs. Micki Shore Curriculum Director [email protected] Mrs. Michele Santillan Director of Advancement & Marketing [email protected] Mrs. Jennifer Walker Accountant [email protected] Office Staff Mrs. Andrea Hansen Administrative Assistant [email protected] Director of Admissions Mrs. Carol Pisarski [email protected] Administrative Assistant Teachers Preschool Mrs. Liz Muncy Teacher 112 [email protected] Pre-Kindergarten Ms. Susan Swiderek Teacher 113 [email protected] Mrs. Tina Sowders Teacher 114 [email protected] Kindergarten Mrs. Gina Simmons Teacher 109 [email protected] Mrs. Erin Kolpacke Teacher 103 [email protected] Mrs. Alicia Baker Teacher 111 [email protected] Mrs. Amy McIvor Teacher 105 [email protected] Grade 1 Mrs. Lisa Formosa Teacher 102 [email protected] Ms. Samantha Vendittelli Teacher 106 [email protected] Mrs. Alex Spangler Teacher 110 [email protected] Grade 2 Mrs. Michelle MacLellan Teacher 107 [email protected] Mrs. Kayla DeLuna Teacher 105 [email protected] Mrs. Sarah Button Teacher 104 [email protected] Grade 3 Mrs. Nancy Christie Teacher 108 [email protected] Ms. Jessica Swartz Teacher 101 [email protected] Ms. Alexa Deutschmann Teacher 300 [email protected] Grade 4 Mrs. Lori Trower Teacher 202 [email protected] Mrs. Maria MacKenzie Teacher 203 [email protected] Mrs. MaryBeth Nicholas Teacher 204 [email protected] Grade 5 and 6 Ms. -
WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected]
WALLY CROWDER 2ND UNIT DIRECTOR/STUNT COODINATOR [email protected] MOTION PICTURES 2015 Monster Trucks (Stunt Performer) 2015 Kidnap (Assistant Stunt Coordinator) 2015 Self/less (Stunt Driver) 2015 Furious Seven (Stunt Driver) 2014 Alexander and the Terrible, Horrible, No Good, Very Bad Day (Utility Stunts) 2014 The Barber (Stunt Driver) 2014 Let’s Be Cops (Stunt Driver/Stunts) 2012 This is 40 (Stunt Driver) 2011 Jeff, Who Lives at Home (Stunts/Actor-Fisherman) 2011 Larry Crowne (Stunts) 2010 Uncle Nigel (Stunt Coordinator) 2009 A Christmas Carol (Stunts) 2009 Angels & Demons (Stunt Performer) 2009 12 Rounds (Stunt Performer/Actor-Streetcar Conductor) 2009 The Smell of Success (Stunts) 2006 The Last Time (Stunt Coordinator) 2005 Red Eye (Utility Stunts) 2005 The Dark (Stunt Coordinator) 2003 Basic (Stunts) 2003 House of 1000 Corpses (Stunt Performer) 2003 Old School (Stunts) 2003 War Stories (Stunt Coordinator) 2003 The Street Lawyer (Stunt Coordinator) 2002 Women vs. Men (Stunt Coordinator) 2002 Outta Time (Stunts) 2001 Rock Star (Stunts) 2001 Training Day (Stunts) 2001 Lying in Wait (Stunt Performer) 2001 Double Take (Stunts) 2000 The Adventures of Rocky & Bullwinkle (Stunts) 2000 Hot Boyz (Stunts) 1999 Avalon: Beyond the Abyss (Stunt Coordinator) 1999 House on Haunted Hill (Stunts) 1999 One Last Score (If…Dog…Rabbit) (Stunts) 1999 NetForce (Stunt Coordinator) 1998 The Siege (Stunt Performer) 1998 With Friends Like These… (Stunt Coordinator) 1998 Point Blank (Stunts) 1997 Acts of Betrayal (Stunts) 1997 Gone Fishin’ (Stunts) 1997 -
TODD TUCKER Special Make-Up Effects Illusion Industries
TODD TUCKER Special Make-Up Effects Illusion Industries FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS COOTIES Honest Glacier Films / Universal 2nd Unit Director / 2nd Unit Makeup Artist SMURFS 2 Raja Gosnell Columbia Pictures Special Make-Up Effects Department Head Hank Azaria Personal GI JOE 2: RETALLIATION Jon Chu Paramount Pictures Special Make-Up Effects Department Head THE SMURFS Raja Gosnell Columbia Pictures Special Make-Up Effects / Creative Director TRANSFORMERS 3: DARK OF THE MOON Michael Bay Paramount Pictures Special Make-Up Effects Supervisor NIGHT OF THE DEMONS Adam Gierasch 7 Arts Pictures Special Make-Up Effects Supervisor DYLAN DOG: DEAD OF NIGHT Kevin Munroe Hyde Park Films Special Make-Up Effects Supervisor WATCHMEN Zack Snyder Warner Brothers Special Make-Up Effects / Creative Director THE CURIOUS CASE OF BENJAMIN BUTTON David Fincher Paramount Pictures Special Make-Up Effects / Prosthetics Shop Supervisor LEONIE Hisako Matsui Overture Films / Hyde Park Films Special Make-Up Effects / Creative Director SAAT KHOON MAAF Vishal Bhardwaj Vishal Bhardwaj Pictures Special Make-Up Effects / Creative Director MOSTLY GHOSTLY Richard Correll Universal Pictures Special Make-Up Effects Supervisor / Creative Director SOCCER MOM Gregory McClatchy Anchorbay Entertainment Special Make-Up Effects Supervisor Producer / 2nd Unit Dir. TRAILER PARK OF TERROR Steven Goldmann Summit Entertainment Special Make-Up Effects Supervisor / 2nd Unit Dir. Producer / Creative Director CREATURE PEOPLE Scott Essman Visionary Cinema APOCALYPTO Mel Gibson Icon / Buena Vista Pictures Special Make-Up Effects Supervisor BIG BAD WOLF Lance W. Dreesen Screen Media Ventures Stunt Performer LITTLE MAN Keenan Ivory Wayans Revolution Studios Special Make-Up Effects Supervisor SCARY MOVIE 4 David Zucker The Weinstein Company THE EXORCISM OF EMILY ROSE Scott Derrickson Screen Gems FARM HOUSE George Bessudo Alliance Group Ent. -
Nominees for Election
128th Annual Council of the Diocese of Southern Virginia Nominees for Election Standing Committee The Standing Committee is composed of three members of the clergy and three members of the laity. It acts as a Council of Advice to the Bishop and assumes many Episcopal duties for the diocese if there is a vacancy in the Bishop’s Office, as outlined in the Diocesan Constitution Article XV, Diocesan Canon V and in the Canons of the National Church. Lay Nominees, one to be elected. Rusty Bishop, St. Timothy’s, Clarksville I have been a member of the Episcopal Church since 1994, initially in the Diocese of Washington (EDOW) and then the Diocese of Southern Virginia when I transferred membership to St. Timothy's, Clarksville, in 2015. I had attended St. Timothy's part time (twice monthly) since 2004 until my retirement and move to Clarksville in 2015. While a member of the EDOW, I served 12 years on parish Vestry, numerous years as delegate to Convention, 6 years on Standing Committee (2005-2011), and 3 years on the Disciplinary Board (2011-2014). I attended the 2009 General Convention as an Alternate Lay Deputy. Since transferring membership to St. Timothy's I have served as the delegate to Council and on the Vestry. I have also served a term on the Executive Board as the lay representative for Convocation 9, and on the Disciplinary Committee. I have served with the Credentials Committee for the past several Councils, including the special Council for the election of the Bishop. Recently I was appointed to the Commission on Ministry. -
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world. -
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences. -
Ftonews#202 2
24 November 2006 Subject: FTONEWS#202 Date: 24 November 2006 From: ftonews <[email protected]> Conversation: FTONEWS#202 --------------------------------------------------------------------------------------------------------------------- FTONEWS #202: --------------------------------------------------------------------------------------------------------------------- FTO ANNUAL REPORT 05/06 AVAILABLE ONLINE The NSW Film and Television Office (FTO) Annual Report 2005/2006 can be downloaded from the FTO website or a hardcopy can be obtained from the office. PH: 9264 6400 http://www.fto.nsw.gov.au/content.asp?content=5&Id=23 --------------------------------------------------------------------------------------------------------------------- FTO CONGRATULATES NSW INSIDE FILM AWARD WINNERS The FTO congratulates the cast and crew of the feature film SUBURBAN MAYHEM, winner of three Inside Film Awards. SUBURBAN MAYHEM, supported by the FTO with development and production investment and a Regional Filming Fund grant, won major three awards - Best Actress (Emily Barclay), Best Music (Mick Harvey, Norman Parkhill) and Best Editing (Stephen Evans). SUBURBAN MAYHEM was filmed entirely on location in New South Wales, in and around the regional centre of Newcastle. The FTO would also like to congratulate NSW producer and former FTO Board Member Jan Chapman who received the Living Legend IF Award for her contribution to the Australian screen industry. --------------------------------------------------------------------------------------------------------------------- -
Fat Tony__Co Final D
A SCREENTIME production for the NINE NETWORK Production Notes Des Monaghan, Greg Haddrick Jo Rooney & Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler, Adam Todd, Jeff Truman & Michaeley O’Brien SERIES WRITERS Peter Andrikidis, Andrew Prowse & Karl Zwicky SERIES DIRECTORS MEDIA ENQUIRIES Michelle Stamper: NINE NETWORK T: 61 3 9420 3455 M: 61 (0)413 117 711 E: [email protected] IMPORTANT LEGAL NOTIFICATION TO MEDIA Screentime would like to remind anyone reporting on/reviewing the mini-series entitled FAT TONY & CO. that, given its subject matter, the series is complicated from a legal perspective. Potential legal issues include defamation, contempt of court and witness protection/name suppression. Accordingly there are some matters/questions that you may raise which we shall not be in a position to answer. In any event, please note that it is your responsibility to take into consideration all such legal issues in determining what is appropriate for you/the company who employs you (the “Company”) to publish or broadcast. Table of Contents Synopsis…………………………………………..………..……………………....Page 3 Key Players………….…………..…………………….…….…..……….....Pages 4 to 6 Production Facts…………………..…………………..………................Pages 7 to 8 About Screentime……………..…………………..…….………………………Page 9 Select Production & Cast Interviews……………………….…….…Pages 10 to 42 Key Crew Biographies……………………………………………...….Pages 43 to 51 Principal & Select Supporting Cast List..………………………………...….Page 52 Select Cast Biographies…………………………………………….....Pages 53 to 69 Episode Synopses………………………….………………….………..Pages 70 to 72 © 2013 Screentime Pty Ltd and Nine Films & Television Pty Ltd 2 SYNOPSIS FAT TONY & CO., the brand-new production from Screentime, tells the story of Australia’s most successful drug baron, from the day he quit cooking pizza in favour of cooking drugs, to the heyday of his $140 million dollar drug empire, all the way through to his arrest in an Athens café and his whopping 22-year sentence in Victoria’s maximum security prison.