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Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Workshop Leaders and Speakers
WORKSHOP LEADERS AND SPEAKERS Arabic to English group: Jonathan Wright Jonathan Wright is a British journalist and literary translator. He joined Reuters news agency in 1980 as a correspondent, and has been based in the Middle East for most of the last three decades. He has served as Reuters' Cairo bureau chief, and he has lived and worked throughout the region, including in Egypt, Sudan, Lebanon, Tunisia and the Gulf. From 1998 to 2003, he was based in Washington, DC, covering U.S. foreign policy for Reuters. For two years until the fall of 2011 Wright was editor of the Arab Media & Society Journal, published by the Kamal Adham Center for Journalism Training and Research at the American University in Cairo. Elisabeth Jaquette Elisabeth Jaquette is a translator from the Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the TA First Translation Prize, longlisted for the Best Translated Book Award, and supported by several English PEN Translates Awards, a Jan Michalski Foundation residency, and the PEN/Heim Translation Fund. She has also served as a judge for numerous translation prizes, including most recently the National Book Award for Translated Literature. Elisabeth’s book-length translations include The Queue by Basma Abdel Aziz (Melville House), Thirteen Months of Sunrise by Rania Mamoun (Comma Press), and The Apartment in Bab el-Louk by Donia Maher (Darf Publishers). Forthcoming in 2020 are The Frightened Ones by Dima Wannous (Harvill Secker/Knopf) and Minor Detail by Adania Shibli (Fitzcarraldo/New Directions). English to Arabic group: Boutheina Khaldi Boutheina Khaldi is Associate professor of Arabic and translation studies at the American University of Sharjah. -
The Canadian Writer & the Iowa Experience
THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
See More of Our Credits
ANIMALS FOR HOLLYWOOD PHONE: 661.257.0630 FAX: 661.269.2617 BEAUTIFUL BOY OLD MAN AND THE GUN ONCE UPON A TIME IN VENICE DARK TOWER HOME AGAIN PUPSTAR 1 & 2 THE HATEFUL EIGHT 22 JUMP STREET THE CONJURING 2 PEE-WEE’S BIG HOLIDAY DADDY’S HOME WORLD WAR Z GET HARD MORTDECAI 96 SOULS THE GREEN MILE- WALKING THE PURGE: ANARCHY DON’T WORRY, HE WON’T GET THE MILE FAR ON FOOT THE LONE RANGER DUE DATE THE FIVE YEAR ENGAGEMENT ZERO DARK THIRTY THE CONGRESS MURDER OF A CAT THE DOGNAPPER OBLIVION HORRIBLE BOSSES CATS AND DOGS 2 – THE SHUTTER ISLAND POST GRAD REVENGE OF KITTY GALORE THE DARK KNIGHT RISES YOU AGAIN THE LUCKY ONE HACHIKO FORGETTING SARAH MARSHALL TROPIC THUNDER MAD MONEY OVER HER DEAD BODY THE HEARTBREAK KID UNDERDOG STUART LITTLE THE SPIRIT REXXX – FIREHOUSE DOG THE NUMBER 23 IN THE VALLEY OF ELAH YEAR OF THE DOG CATS AND DOGS MUST LOVE DOGS CATWOMAN BLADES OF GLORY STUART LITTLE 2 PIRATES OF THE CARIBBEAN P I RA T ES O F THE CARIBBEAN PIRATES OF THE CARIBBEAN – - THE CURSE OF THE – DEAD MAN’S CHEST WORLD’S END BLACK PEARL CHEAPER BY THE DOZEN 2 THE DEPARTED EVERYTHING IS ILLUMINATED THE PACIFIER ALABAMA MOON RUMOR HAS IT NATIONAL TREASURE ELIZABETHTOWN ALONE WITH HER PETER PAN THE GREEN MILE TROY WALK THE LINE THE HOLIDAY RAISING HELEN MOUSE HUNT CHRISTMAS WITH THE CRANKS OPEN RANGE BATMAN AND ROBIN THE MEXICAN PAULIE BUDDY KATE AND LEOPOLD WILLARD Animals for Hollywood - ph. 661.257.0630 e-mail: [email protected] pg. -
Redefining the Sublime and Repositioning Appalachian Literature: A
REDEFINING THE SUBLIME AND REPOSITIONING APPALACHIAN LITERATURE: A CLOSER LOOK AT THE POETRY OF WEST VIRGINIA’S MURIEL MILLER DRESSLER AND IRENE MCKINNEY By JULIE A. HAINES A Thesis Submitted to the Faculty of the Graduate Studies Division of Ohio Dominican University Columbus, Ohio MASTER OF ARTS IN ENGLISH FEBRUARY 2016 ii iii CONTENTS ACKNOWLEDGEMENTS……………………………………………………………………iv INTRODUCTION………………………………………………………………………………1 CHAPTER 1…………………………………………………………………………………….5 CHAPTER 2…………………………………………………………………………………...16 CHAPTER 3…………………………………………………………………………………...38 CONCLUSION………………………………………………………………………………..44 WORKS CITED……………………………………………………………………………….46 iv ACKNOWLEDGEMENTS My sincere thanks first go to Dr. Kelsey Squire for her assistance and guidance in this work. Your thorough planning and detailed comments and suggestions truly helped direct my thoughts and ideas into something so much more. Thanks are also owed to Dr. Martin Brick for his comments and suggestions to this work as well as providing my first introduction to graduate literary study. While these two were integral to this thesis, each English faculty member at Ohio Dominican University that I have encountered has pushed me to academic work beyond what I once thought possible. I am so lucky to work for Bloom Vernon Local Schools, a district that provided me the support necessary to complete this program. The administration team of Rick Carrington, Marc Kreischer, and Brett Roberts saw the value in credentialing high school teachers to do what is “best for kids.” I would also like to thank Darcee Claxon for our collaborative work in earlier courses and Judy Ellsesser for being a sounding board and patient listener and reader. Finally, I must thank my husband, Thad, for his patience and support through this whole process. -
Fall Semester 2018
Rethink Learning Discovery Vitality Camaraderie Enrichment Creativity FALL SEMESTER CATALOG • 2018 MONDAY, SEPTEMBER 10–FRIDAY, DECEMBER 14, 2018 CONTENTS 3 From the Director 4 Chicago Study Groups At-A-Glance 7 Chicago Study Groups 34 Evanston Study Groups At-A-Glance 36 Evanston Study Groups 51 Special Event 52 Membership Options 54 Registration & Refund Policies 56 Registration Form 58 Campus Maps 60 Resources 61 Calendar KEY TO SYMBOLS IN CATALOG Technology use (including but not limited Field Trips — walking to email, internet research, use of Canvas, Field Trips — own transportation needed opening Word and PDF documents) Kindle edition available Will read 20+ pages a week Class member’s participation as a Will read 40+ pages a week discussion leader is strongly encouraged Digital SLR camera required Low level of discussion during class Movie Group or films will be shown Medium level of discussion during class High level of discussion during class Contents 2 sps.northwestern.edu/olli FROM THE DIRECTOR, KIRSTY MONTGOMERY I am delighted to present Osher Lifelong Learning REGISTRATION SESSIONS Institute’s fall semester, 2018. This eclectic New and existing members may attend one of our selection of studies will run for fourteen weeks, drop-in sessions to register in person using our from Monday, September 10, through Friday, online registration system. Session date for both December 14, 2018. Fall registration begins at 9 campuses: a.m. on Monday, July 23, 2018. WHEN: Monday, July 23, 9 a.m.–2 p.m. LOCATIONS: HOW TO REGISTER Chicago — Wieboldt Hall, Room 415 ONLINE: Registration may be completed online by Evanston — 500 Davis St., Suite 700. -
Changing Kenya's Literary Landscape
CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King -
THE GOOD GERMAN Wettbewerb the GOOD GERMAN the GOOD GERMAN – L’AMI ALLEMAND Regie: Steven Soderbergh
Berlinale 2007 THE GOOD GERMAN Wettbewerb THE GOOD GERMAN THE GOOD GERMAN – L’AMI ALLEMAND Regie: Steven Soderbergh USA 2006 Darsteller Jake Geismar George Clooney Länge 108 Min. Lena Brandt Cate Blanchett Format 35 mm, 1:1.85 Corporal Tully Tobey Maguire Farbe und Colonel Muller Beau Bridges Schwarzweiß Levi Dominic Comperatore Stabliste Lieutenant Schaeffer Dave Power Buch Paul Attanasio, Danny Tony Curran nach dem Roman Kongress- von Joseph Kanon abgeordneter Jack Thompson Kamera Peter Andrews General John Roeder Kameraführung Cris Lombardi General Sikorsky Ravil Isyanov Kameraassistenz Steven Meizler Gunther Behn Don Pugsley Schnitt Mary Ann Bernard Bernie Teitel Leland Orser Ton Paul Ledford Hannelore Robin Weigert Mischung Larry Blake Pressesprecher J. Paul Boehmer Musik Thomas Newman Interviewer Tom Cummins Production Design Philip Messina Angestellter Brandon Keener Art Director Doug Meerdink Requisite Robin L. Miller Tobey Maguire, George Clooney, Cate Blanchett Kostüm Louise Frogley Maske Julie Hewett Michelle Vittone- THE GOOD GERMAN McNeil Berlin 1945. Der amerikanische Kriegskorrespondent Jake Geismer soll über Regieassistenz Gregory Jacobs die bevorstehende Konferenz von Potsdam berichten. Jake kennt Berlin – Casting Debra Zane einst hat er hier ein Nachrichtenbüro geleitet. Und er hat sich hier verliebt. Herstellungsltg. Das scheint aber Ewigkeiten her zu sein, als er jetzt mit dem Jeep die Produktionsltg. Frederic W. Brost Aufnahmeleitung Ken Lavet Berliner Ruinenlandschaft durchquert. Quentin Halliday Jakes Fahrer, Corporal Tully, ist auf dem Schwarzmarkt aktiv – er handelt mit Produzenten Ben Cosgrove allem und jedem und spielt alle Seiten gegeneinander aus, um den besten Gregory Jacobs Preis zu erzielen. Doch das ist durchaus nicht ungewöhnlich. Im Berlin die- Executive Producers Benjamin Waisbren ser Tage verfolgt jeder eigene Strategien, um seine Bedürfnisse zu befriedi- Frederic W. -
See Syllabus Here
1 Phyllis Wilson Moore For Dr. Judy P. Byers, 2009 ROOTED IN SOLID GROUND: JOURNEYS INTO APPALACHIAN LITERATURE Syllabus topics and a bibliography for teaching West Virginia literature using the literary map, the Internet, and Traditions: A Journal of West Virginia Folkculture and Educational Awareness Potential audiences: Post-secondary classroom teachers, school and public librarians, students in preparation for careers as teachers: English, reading, drama, or speech; students pursuing a degree in Library Science; students, workshop participants or others with a specific interest in West Virginia literature GOALS • Reinforce the position of West Virginia literature as a branch of Appalachian and American Literature; • Familiarize participants with the roots and variety of West Virginia’s multicultural literary heritage as well as its universality and “teach-ability”; • Create or increase interest in reading, teaching, and discussing West Virginia literature; • Provide participants with tools to identify and teach West Virginia literature appropriate to various age groups; topical interests; and levels of interest; • Create or increase participants’ understanding of the importance of recognizing and nourishing the literature of specific locales. INTRODUCTION Many of the seventeenth and eighteenth settlers of West Virginia came from Scotland, Ireland, England, Germany, among other European locales, to ports on the eastern coast of North America. They moved on to (what was then) the mountain wilderness west of the colonies.. These settlers and others brought their history and heritage, memories and stories, as well as the drive to be independent land owners. They were not here first or here alone, however. They massacred, uprooted, or in the best cases merged with Native Americans. -
The CR Recommends
Friday, January 3, 2020 The Commercial Review Portland, Indiana 47371 www.thecr.com $1 Iran eview seal of a l R ppr cia ov er al vows m m o C • harsh e The CR h T reply T h By QASSIM ABDUL- ZAHRA and ZEINA e KARAM Associated Press recommends C • BAGHDAD — Iran By RAY COONEY, JACK RONALD, RILEY EUBANKS, ROSE SKELLY AND CHRIS SCHANZ o vowed “harsh retaliation” The Commercial Review m for a U.S. airstrike near We tried out this idea last year and it seemed to be well received. Baghdad’s airport that So, here we go again. killed a top Iranian gener - The end of each year is filled with top 10 lists, not only of photos and stories like ours earlier this week, m al who had been the archi - but of all kinds of favorites — television, movies, podcasts, music, books and so on. tect of its interventions Last year was our first effort at providing our own lists of recommendations from across the spectrum. e l across the Middle East, as We return this year with a list of personal favorites from editor Ray Cooney, publisher Jack Ronald, r a tensions soared in the reporter Riley Eubanks, freelance reporter Rose Skelly and former sports editor Chris Schanz. c wake of the targeted v It qualifies as eclectic. i killing. a o Our hope again this year is that this list will open some doors and encourage you to consider reading a book, The killing of Gen. l r watching a TV show or take in a local opportunity that you may not have otherwise thought about. -
Document Resume Ed 128 802 Cs 202 916 Tttle
DOCUMENT RESUME ED 128 802 CS 202 916 TTTLE Associated Writing Programs. 1975 Catalogue of Programs. INSTITUTION Associated Writing Programs. SPONS AGENCY National Endowment for the Arts, Washington, D.C. PUB DATE 75 NOTE 46p. EDRS PRICE MF-$0.83 HC-$2.06 Plus Postage. DESCRIPTORS Bachelors Degrees; Catalogs; *College Programs; *Creative Writing; Directories; *Graduate Study; Higher Education; Masters Degrees; Program Descriptions; *Undergraduate Study IDENTIFIERS *Associated Writing Programs ABSTRACT This catalogue provides full information on most graduate degree programs in writing in the United States,with additional information on a number of undergraduate programs. In addition, the various functions and services of the Associated Writing Programs (AWP) are described. Two short sections, "Creative Writing at an Urban Campus," and "The M.F.A. and the University," examine, respectively, the innovation of an undergraduate writing program at the Virginia Commonwealth University andthe origins and implications of the Master of Fine Arts degree. (KS) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERICmakes every effort * * to obtain the best copy available. Nevertheless,items of marginal * r :lucibility are often encountered and this affects the quality * c microfiche and hardcopy reproductions EPIC makes available * vicl the EPIC Document Reproduction Service (EDRS) .EDRS is not * responsible for the quality