Development Stage of Tourism Objects in Malang Regency, East Java
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Concise Ancient History of Indonesia.Pdf
CONCISE ANCIENT HISTORY OF INDONESIA CONCISE ANCIENT HISTORY O F INDONESIA BY SATYAWATI SULEIMAN THE ARCHAEOLOGICAL FOUNDATION JAKARTA Copyright by The Archaeological Foundation ]or The National Archaeological Institute 1974 Sponsored by The Ford Foundation Printed by Djambatan — Jakarta Percetakan Endang CONTENTS Preface • • VI I. The Prehistory of Indonesia 1 Early man ; The Foodgathering Stage or Palaeolithic ; The Developed Stage of Foodgathering or Epi-Palaeo- lithic ; The Foodproducing Stage or Neolithic ; The Stage of Craftsmanship or The Early Metal Stage. II. The first contacts with Hinduism and Buddhism 10 III. The first inscriptions 14 IV. Sumatra — The rise of Srivijaya 16 V. Sanjayas and Shailendras 19 VI. Shailendras in Sumatra • •.. 23 VII. Java from 860 A.D. to the 12th century • • 27 VIII. Singhasari • • 30 IX. Majapahit 33 X. The Nusantara : The other islands 38 West Java ; Bali ; Sumatra ; Kalimantan. Bibliography 52 V PREFACE This book is intended to serve as a framework for the ancient history of Indonesia in a concise form. Published for the first time more than a decade ago as a booklet in a modest cyclostyled shape by the Cultural Department of the Indonesian Embassy in India, it has been revised several times in Jakarta in the same form to keep up to date with new discoveries and current theories. Since it seemed to have filled a need felt by foreigners as well as Indonesians to obtain an elementary knowledge of Indonesia's past, it has been thought wise to publish it now in a printed form with the aim to reach a larger public than before. -
The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses
Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.79, 2019 The Influence of Hindu, Buddhist, and Chinese Culture on the Shapes of Gebyog of the Javenese Traditional Houses Joko Budiwiyanto 1 Dharsono 2 Sri Hastanto 2 Titis S. Pitana 3 Abstract Gebyog is a traditional Javanese house wall made of wood with a particular pattern. The shape of Javanese houses and gebyog develop over periods of culture and government until today. The shapes of gebyog are greatly influenced by various culture, such as Hindu, Buddhist, Islamic, and Chinese. The Hindu and Buddhist influences of are evident in the shapes of the ornaments and their meanings. The Chinese influence through Islamic culture developing in the archipelago is strong, mainly in terms of the gebyog patterns, wood construction techniques, ornaments, and coloring techniques. The nuance has been felt in the era of Majapahit, Demak, Mataram and at present. The use of ganja mayangkara in Javanese houses of the Majapahit era, the use of Chinese-style gunungan ornaments at the entrance to the Sunan Giri tomb, the saka guru construction technique of Demak mosque, the Kudusnese and Jeparanese gebyog motifs, and the shape of the gebyog patangaring of the house. Keywords: Hindu-Buddhist influence, Chinese influence, the shape of gebyog , Javanese house. DOI : 10.7176/ADS/79-09 Publication date: December 31st 2019 I. INTRODUCTION Gebyog , according to the Javanese-Indonesian Dictionary, is generally construed as a wooden wall. In the context of this study, gebyog is a wooden wall in a Javanese house with a particular pattern. -
Mapping of Regional Inequality in East Java Province
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 8, ISSUE 03, MARCH 2019 ISSN 2277-8616 Mapping Of Regional Inequality In East Java Province Duwi Yunitasari, Jejeet Zakaria Firmansayah Abstract: The research objective was to map the inequality between regions in 5 (five) Regional Coordination Areas (Bakorwil) of East Java Province. The research data uses secondary data obtained from the Central Bureau of Statistics and related institutions in each region of the Regional Office in East Java Province. The analysis used in this study is the Klassen Typology using time series data for 2010-2016. The results of the analysis show that: a. based on Typology Klassen Bakorwil I from ten districts / cities there are eight districts / cities that are in relatively disadvantaged areas; b. based on the typology of Klassen Bakorwil II from eight districts / cities there are four districts / cities that are in relatively disadvantaged areas; c. based on the typology of Klassen Bakorwil III from nine districts / cities there are three districts / cities that are in relatively lagging regions; d. based on the Typology of Klassen Bakorwil IV from 4 districts / cities there are three districts / cities that are in relatively lagging regions; and e. based on the Typology of Klassen Bakorwil V from seven districts / cities there are five districts / cities that are in relatively disadvantaged areas. Keywords: economic growth, income inequality, Klassen typology, regional coordination, East Java. INTRODUCTION Development inequality between regencies / cities in East East Java is an area of accelerated economic growth in Java Province can be seen from the average GRDP Indonesia. According to economic performance data distribution of Regency / City GRDP at 2010 Constant (2015), East Java is the second largest contributing Prices in Table 1.2. -
Journal Für Religionskultur
________________________________ Journal of Religious Culture Journal für Religionskultur Ed. by / Hrsg. von Edmund Weber in Association with / in Zusammenarbeit mit Matthias Benad, Mustafa Cimsit, Natalia Diefenbach, Alexandra Landmann, Martin Mittwede, Vladislav Serikov, Ajit S. Sikand , Ida Bagus Putu Suamba & Roger Töpelmann Goethe-Universität Frankfurt am Main in Cooperation with the Institute for Religious Peace Research / in Kooperation mit dem Institut für Wissenschaftliche Irenik ISSN 1434-5935 - © E.Weber – E-mail: [email protected]; [email protected] http://web.uni-frankfurt.de/irenik/religionskultur.htm; http://irenik.org/publikationen/jrc; http://publikationen.ub.uni-frankfurt.de/solrsearch/index/search/searchtype/series/id/16137; http://web.uni-frankfurt.de/irenik/ew.htm; http://irenik.org/ ________________________________ No. 215 (2016) Dang Hyang Astapaka and His Cultural Geography in Spreading Vajrayana Buddhism in Medieval Bali1 By Ida Bagus Putu Suamba2 Abstract The sway of Hinduism and Buddhism in Indonesia archipelago had imprinted deep cultural heritages in various modes. The role of holy persons and kings were obvious in the spread of these religious and philosophical traditions. Dang Hyang Asatapaka, a Buddhist priest from East Java had travelled to Bali in spreading Vajrayana sect of Mahayana Buddhist in 1430. He came to Bali as the ruler of Bali invited him to officiate Homa Yajna together with his uncle 1 The abstract of it is included in the Abstact of Papers presented in the 7th International Buddhist Research Seminar, organized by the Buddhist Research Institute of Mahachulalongkornrajavidyalaya University, Ayutthaya, Thailand held from the 18th to the 20th of January, 2016 (2559 BE) at Mahachulalongkornrajavidy- alaya University, Nan Sangha College, Nan province. -
4109211012147314740006Sept
Arte-Polis 4 International Conference - Creative Connectivity and the Making of Place i Proceedings Arte-Polis 4 International Conference Creative Connectivity and the Making of Place: Living Smart by Design Bandung, 5-7 July 2012 Volume 2 School of Architecture, Planning and Policy Development Institut Teknologi Bandung INDONESIA Arte-Polis 4 International Conference - Creative Connectivity and the Making of Place ii Proceedings Arte-Polis 4 International Conference Creative Connectivity and the Making of Place: Living Smart by Design Bandung, 5-7 July 2012 Arte-Polis 4 Advisory Committee Nezar ALSAYYAD, Ph.D. (Univ. of California, Berkeley – United States of America) Christopher SILVER, Prof. (University of Florida – United States of America) Togar M. SIMATUPANG, Prof. (Institut Teknologi Bandung – Indonesia) Eku WAND, Prof. (Braunschweig Univeristy of Art – Germany) Mohammad DANISWORO, Prof.(em). (Institut Teknologi Bandung – Indonesia) Himasari HANAN, Dr.-Ing. (Institut Teknologi Bandung – Indonesia) Setiawan SABANA, Prof. (Institut Teknologi Bandung – Indonesia) Chairman, Arte-Polis 4 Organizing Committee Arif Sarwo WIBOWO, Dr.Eng. Reviewers Christopher SILVER, Prof. (University of Florida – United States of America) Eku WAND, Prof. (Braunschweig Univeristy of Art – Germany) Setiawan SABANA, Prof. (Institut Teknologi Bandung – Indonesia) Togar M. SIMATUPANG, Prof. (Institut Teknologi Bandung – Indonesia) Himasari HANAN, Dr.-Ing. (Institut Teknologi Bandung – Indonesia) Armein Z. R. LANGI, Ph.D. (Institut Teknologi Bandung – Indonesia) -
26 Mulyadi.Indd
804 Bulgarian Journal of Agricultural Science, 25 (No 4) 2019, 804–809 The effect of regional source of solid coconut sugar and additional concentration of activated carbon on the quality of pandanus-scented coconut sugar syrup Arie Febrianto Mulyadi*, Susinggih Wijana, Dwi Elsa Yunita Brawijaya University, Faculty of Agricultural Technology, Department of Agroindustrial Technology, 65145 Malang, East Java, Indonesia *Corresponding author: [email protected] Abstract Mulyadi, A. F., Wijana, S., & Yunita, D. E. (2019). The effect of regional source of solid coconut sugar and addi- tional concentration of activated carbon on the quality of pandanus-scented coconut sugar syrup. Bulgarian Journal of Agricultural Science, 25(4), 804–809 This research aimed to fi nd the best regional source of raw materials for the manufacture of coconut sugar syrup and the right concentration of activated carbon during processing of the pandanus-scented coconut sugar syrup. The experiment was set up into a randomized factorial design with two factors: the fi rst factor was the regional source within Indonesia of the solid coconut sugar (Malang, Blitar, or Trenggalek) and the second factor was the concentration of activated carbon (5%, 10%, 15%). The results of an organoleptic test of the sugar syrup showed no regional source effect, while the concentration of the activated carbon similarly had no signifi cant effect on color, scent, and fl avor. The best results were obtained with the solid coconut sugar from the Blitar region and with activated carbon at 5%. Quality measures of the pandanus-scented coconut sugar syrup from the best treatment were: total sugar of 67.88%, the water level of 29.46%, and ash level of 2.58%. -
Abstract (228.3Kb)
Proceedings of The 5th Tourism and Hospitality International Conference (THIC 2017) Panji Museum Agoes Tinus Lis Indrianto & Dewa Gde Satrya * One of competitive grant output, Ministry of Research, Technology, Higher Education, Republic of Indonesia, 2006 ** Lecture of Hospitality Business, Ciputra University ABSTRACT The origin of Panji Foklore Stories, a romantic tale between Panji Asmorobangun and Dewi Sekartaji. Panji Stories tells the story about Kadiri Kingdom get rapid developed in the Majapahit times. This story then spread out to various regions, begin from Nusa Tenggara, Bali, almost all Java, and Sumatera region, Kalimantan until to Malay Peninsula, Malaysia, Thailand, Myanmar, and Philippines. Unrealized then at last Panji Stories become the bigger challenging tales in wayang stories, Ramayana and Mahabharata. The Various of Panji Culture expression in the form of oral literature, visual literature, performance art, and values of life. Panji Culture has many variants derived from Java, is properly be packed as a museum. In Tumpang, Malang, East Java, has stood up Panji Museum Inggil Foundation-owned. Statement of the problem in this study is how the museum packing based on Story Panji? This article aims to provide inputs of thematic museum-based Panji Story. Indonesia museums has it own uniqueness, in addition to the large number, evenly spread out in many regions, also has multiform types of collection. But, the essential problem is not solved yet, both from internal or external side, that leading museum has not attracted by the tourists. The strategy of Panji story based museum development that described through this study expresses the importance opportunity of museum management modernization to increasing the museum attractiveness in Indonesia. -
13B AJBAS Oct 2016
Australian Journal of Basic and Applied Sciences, 11(15) December 2017, Pages: 34-46 AUSTRALIAN JOURNAL OF BASIC AND APPLIED SCIENCES ISSN:1991-8178 EISSN: 2309-8414 DOI: 10.22587/ajbas.2017.11.15.6 Journal home page: www.ajbasweb.com The Formulation of One Tambon One Product Concept as the Effort to Empower Micro, Small & Medium Enterprises in Designing the Strategy to Improve Their Competitive Advantage and Market Access in Welcoming ASEAN Market in Great Malang Gunarianto University of Widyagama, Faculty of Economics, Malang-Indonesia Address For Correspondence: Gunarianto, Faculty of Economic, University of Widya Gama Malang, Jl. Borobudur No.35, Blimbing, Malang City, East Java, 65141, Indonesia. ARTICLE INFO ABSTRACT Article history: Competitive advantage and market access have a good impact on Micro, Small & Received 12 October 2017 Medium Enterprises (MSME) in achieving their economical outputs such as Accepted 22 December 2017 economical growth, job creation, and poverty reduction Gunarianto, et al (2008). Two Available online 31 December 2017 long -term objectives are proposed for this research. First is to ensure that every local MSME has comprehensively understood One Tambon One Product concept, which it is proved by the ability of local MSME in deciding whether the concept shall be applied or not, and if yes, also in making strategic plan for implementing the concept. Secondly Keywords: is to identify factors supporting and constraining the successful application of One One Tambon One Product, MSME, Tambon One Product concept at local MSME. The object of research is MSME in SWOT Great Malang. These MSME are selected with some approaches, including making a long list of leading commodities, determining one leading commodity as priority, determining the application of One Tambon One Product concept at local MSME, and making a plan of action (a road map). -
Socio-Cultural Relations Between India and Indonesia
Proceeding of the International Seminar and Conference 2015: The Golden Triangle (Indonesia-India-Tiongkok) Interrelations in Religion, Science, Culture, and Economic. University of Wahid Hasyim, Semarang, Indonesia. August 28-30, 2015 Paper No. C.9 Socio-Cultural Relations Between India and Indonesia Mohd Tahseen Zaman Department of Islamic Studies, Jamia Millia Islamia University Jamia Nagar, New Delhi-110025, India Phone: +91(11)26981717, 26984617, 26984658, 26988044, 26987183, Fax: +91(11)2698 0229 [email protected] Abstract- India and Indonesia are two nations that from its inception, have a strong historical relation; cultural as well as intellectual. Both have some in common and similarities in many aspects. In India and Indonesia there are multiple religions, beliefs, ethnicities, languages, cultures that share and interact each other. The most interesting thing is both have shared cultural relations manifested in daily life. Some historians assumed that India‟s influence on Indonesian‟s culture is quite dominant, moreover, until the nineteenth century the Malay people received everything from India: their religion, their political system, astrology, medicine, literature, art and technical skills. Therefore this study is basically based on historical investigation and focuses on cultural analysis between Indonesia and India. Keywords: culture, shared, inception, ties Introduction The socio-cultural relations between India and Indonesia are very old. The Indian cultural impact has been seen in the all sphere of Indonesian‟s people life. They share lot of religious and cultural similarity with India. According to historical evidences the contact between India and Indonesia has been established during the beginning of the Christian era. “Traders from India, particularly from its eastern and southern coastal regions, travelled far and wide in the pursuit of trade and established trade relations with the countries of the region which is now known as Southeast Asia, and then was known as Dvipantara of Suvarndvipa. -
Garudeya Batik the Relief Sculpture "Garudeya" of Sukuh Temple As an Idea of Batik Creation
Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.79, 2019 Garudeya Batik The Relief Sculpture "Garudeya" of Sukuh Temple as an Idea of Batik Creation Dharsono Departement of Fine Art, Faculty of Fine Art and Design, Indonesian Institute of the Arts, Surakarta, Indonesia Abstract Creative artistic batik inspired by Garudeya sculptures carved on the reliefs of Sukuh Temple in Karanganyar, Central Java, Indonesia. The process of making batik is focused on preserving traditional arts as a form of cultural resilience. Preservation can be interpreted as maintaining, caring for and protecting. Conservation is the preservation of the form of development and use of values. Conservation is more prioritizing in the development of response alternatively to the condition of art and culture globally. This study aims to make prototypes and designs of batik as artistic creations sourced from reliefs of Garudeya sculptures carved on the outer walls of Sukuh Temple. To achieve this goal, it requires an experimental method of reproductive form with garap (work on) innovation, a sanggit work with a concept of revitalization. The method of creating sanggit works has a level of importance that refers to the form of traditional arts preservation, by trying to provide alternative artworks with the reproduction technique of garap innovation. Technically experienced processing reduction through the elements; contour lines, colouring techniques and content fields in thematic engineering. Conservation with the concept of revitalization and reinterpretation, producing prototypes and batik designs as artistic creations inspired by the Garudeya sculpture carved into the reliefs of Sukuh Temple. The artistic creation of the "Garudeya" batik inspired by the Garudeya Sculpture is a symbol of Garuda as a liberator figure who is part of the search for Tirta Amerta (living water) story contained in The Adiparwa book. -
Analysis of Distribution Pattern of Rice Commodity in East Java
Journal of Economics and Sustainable Development www.iiste.org ISSN 2222-1700 (Paper) ISSN 2222-2855 (Online) Vol.7, No.8, 2016 Analysis of Distribution Pattern of Rice Commodity in East Java Susilo Faculty of Economics and Business Universitas Brawijaya Abstract Rice has strategic roles in stabilizing food stability, economic stability, and politic stability of a nation. Food distribution is one of the food stabilities sub-system whose role is very strategic, thus if it cannot be implemented well and smoothly, it will cause inadequate food availibality needed by society.This research attempts to find out and to analyze the rice distribution pattern from surplus regions with rice commodity to the deficit regions located in East Java. The data used in this research were the data obtained from Central Buerau of Statistics of East Java in 2010-2014. The analysis method were descriptive statistics, DLQ (Dinamic Location Quotient), and Gravitation Spatial Analysis. The results confirmed that the central regions of rice in East Java were found in some regencies, such as:Banyuwangi, Mojokerto, Pasuruan, Malang, Madiun, Bojonegoro, Ngawi, Lumajang, Lamongan, and Jember. The rice commodity of Malang was city supplied from Malang and Pasuruan. The number of rice surplus in Malang could only fulfill the needs of rice in Malang city. However, the number of the rice still did not cover yet the deficit of rice in Malang city, so it needed more supplies from Pasuruan. The needs of rice in Kediri city and Batu city were supplied from Mojokerto regency and Pasuruan regency. Finally, in order to fulfill the needs of rice in Madiun city, it could be supplied from Madiun city, and for Surabaya city, it could be supplied from Lamongan regency. -
Kinara Kinari Pada Relief Candi Badut Sebagai Ide
Jurnal Imajinasi Vol. XIII No. 2 - Juli 2019 Jurnal Imajinasi http://journal.unnes.ac.id/nju/index.php/imajinasi KINARA KINARI PADA RELIEF CANDI BADUT SEBAGAI IDE PENCIPTAAN MOTIF BATIK MALANGAN Romy Setiawan 1 1 Program Studi Seni Rupa Murni, Fakultas Ilmu Budaya, Universitas Brawijaya Info Artikel Abstrak Batik adalah salah satu bentuk kearifan lokal karya seni asli Indonesia Sejarah Artikel: dengan kain sebagai bahan bakunya dan cukup dikenal dunia. Salah Diterima Mei 2018 satu motif batik yang menarik untuk dikaji adalah relief Kinara Kinari Disetujui Juni 2018 pada Candi Badut yang berorientasi pada cerita tentang ajaran Hindu- Dipublikasikan Juli 2019 Budha. Karakter Kinara-Kinari dalam relief candi adalah representasi sepasang laki-laki dan perempuan yang dalam penggambarannya Keywords: berkepala manusia dan berbadan burung. Candi Badut dipilih karena Kinara Kinari, Candi Badut, merupakan candi tertua di Jawa Timur dan keberadaan relief Kinara motif batik Kinari di Jawa Timur hanya satu-satunya ada di Candi Badut. Dalam hal ini peneliti mencoba mengupayakan bagaimana memvisualisasikan karakter Kinara-Kinari ditampilkan dalam bentuk motif batik khas Malang. Metode penelitian yang digunakan adalah metode penciptaan seni rupa yang meliputi tahap eksplorasi, perancangan dan perwujudan. Karakter Kinara Kinari pada Candi Badut ini divisualisasikan dalam dua hasil rekonstruksi sosok Kinara Kinari pada relief Candi Badut menjadi bentukmotif batik visual tanpa motif mengurangi batik. Karakter makna Kinara dan filosofinyaKinari menjadi yang motif merupakan utama dalam proses penciptaan motif batik, selain ornamen pendukungnya. Pembuatan desain motif batik berdasarkan relief Kinara Kinari pada Candi Badut ini merupakan salah satu bentuk inovasi yang dilakukan sebagai wujud inkulturasi budaya, sehingga bukan hanya produk hasil jadi batiknya saja yang akan dikenal masyarakat, namun Candi Badut sebagai sumber ide penciptaan motif batik juga akan dikenal lebih luas.