Supplemental Material: a Strong Loophole-Free Test of Local Realism
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SELINA MACARTHUR Editor
(7/20/21) SELINA MACARTHUR Editor www.selinamacarthur.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “THIS IS GOING TO HURT” Lucy Forbes AMC Networks Naomi De Pear (Series) Tom Kingsley BBC James Farrell Sister Pictures Adam Kay “THE ELECTRICAL LIFE OF Will Sharpe Amazon Studios Adam Ackland LOUIS WAIN” StudioCanal Leah Clarke SunnyMarch Guy Heeley “CATHERINE THE GREAT” Phillip Martin HBO Christine Healy (Mini-Series) Sky “BLACK MIRROR: USS Toby Haynes Netflix Charlie Brooker CALLISTER” Ian Hogan (Season 4, Episode 1) Louise Sutton Winner: Primetime Emmy for Editing for a Limited Series or a Movie “FLOWERS” Will Sharpe Channel 4 Jane Featherstone (Seasons 1 & 2) See So Naomi De Pear Winner: RTS Craft Award for Best Editing Diederick Santer “THE BISEXUAL” Desiree Akhavan Channel 4 Katie Carpenter Hulu Naomi De Pear Jane Featherstone “TIN STAR” Grant Harvey Sky Atlantic Alison Jackson (Season 1, Episode 6) Rowan Joffe Cameron Roach Diedrick Santer “HUMANS” Carl Tibbetts AMC Jonathan Brackley (Season 2, Episodes 3 & 4) Channel 4 Chris Fry Lars Lundström Henrik Widman “COLD FEET” Juliet May ITV Kenton Allen (Season 6, Episodes 3 & 4) Mike Bullen Rebecca Ferguson Matthew Justice “HARRY PRICE: GHOST Alex Pillai Bentley Productions Jack Lothian HUNTER” ITV Studios Denise Paul (TV Movie) Jo Wright “JEKYLL & HYDE” Stewart Svaasand ITV Studios Charlie Higson (Mini-Series, Episode 10) Emily Russell Louise Sutton (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (7/20/21) SELINA MACARTHUR Editor - 2 -
The Pandorica Opens / the Big Bang Sample
The Black Archive #44 THE PANDORICA OPENS / THE BIG BANG SAMPLE By Philip Bates Published June 2020 by Obverse Books Cover Design © Cody Schell Text © Philip Bates, 2020 Range Editors: Paul Simpson, Philip Purser-Hallard Philip Bates has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available #32: The Romans by Jacob Edwards #33: Horror of Fang Rock by Matthew Guerrieri #34: Battlefield by Philip Purser-Hallard #35: Timelash by Phil Pascoe #36: Listen by Dewi Small #37: Kerblam! by Naomi Jacobs and Thomas L Rodebaugh #38: The Sound of Drums / Last of the Time Lords by James Mortimer #39: The Silurians by Robert Smith? #40: The Underwater Menace by James Cooray Smith #41: Vengeance on Varos by Jonathan Dennis #42: The Rings of Akhaten by William Shaw #43: The Robots of Death by Fiona Moore This book is dedicated to my family and friends – to everyone whose story I’m part of. CONTENTS Overview Synopsis Introduction 1: Balancing the Epic and the Intimate 2: Myths and Fairytales 3: Anomalies 4: When Time Travel Wouldn’t Help 5: The Trouble with Time 6: Endings and Beginnings -
SPECTACULAR DOCTOR WHO HD CINEMA EVENT BBC Worldwide Australasia Partners with Event Cinemas for Global Exclusive
FOR ONE NIGHT ONLY: SPECTACULAR DOCTOR WHO HD CINEMA EVENT BBC Worldwide Australasia partners with Event Cinemas for global exclusive 26 February 2013: For the first time in New Zealand, Doctor Who fans will be able to see two high definition episodes of Doctor Who on the big screen, in a special cinema event as part of the celebrations for the Doctor Who 50th anniversary year. For one night only on Thursday 14 March at 7pm, fans can experience ‘The Impossible Astronaut’ and ‘Day of the Moon’ from Series 6 in HD, a two-part story which introduced the newest monster created by series executive producer and showrunner Steven Moffat – the Silence. Screening in cinemas across New Zealand and Australia, this will be a world-first multiple cinema screening for Doctor Who. Taking place at select Event Cinemas across the country, there will be a ‘best dressed’ prize at each cinema for the Doctor Who fan with the most impressive costume, from Time Lords to Monsters. More details can be found on participating cinema websites. Written by Steven Moffat and directed by Toby Haynes, the 90-minute screening stars Matt Smith (Eleventh Doctor), Karen Gillan (Amy Pond), Arthur Darvill (Rory Williams), Alex Kingston (River Song) and Mark Sheppard (Canton Everett Delaware III). In ‘The Impossible Astronaut’, the Doctor, Amy and Rory receive a secret summons that leads them to the Oval Office in 1969. Enlisting the help of a former FBI agent and the irrepressible River Song, the Doctor promises to assist the President in saving a terrified little girl from a mysterious Space Man. -
OMC | Data Export
Richard Scully, "Entry on: Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Bang by Lindsey Alford , Toby Haynes, Steven Moffat", peer-reviewed by Elizabeth Hale and Daniel Nkemleke. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/90. Entry version as of October 05, 2021. Lindsey Alford , Toby Haynes , Steven Moffat Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Bang United Kingdom (2010) TAGS: Classical myth Roman Britain Roman history We are still trying to obtain permission for posting the original cover. General information Doctor Who (Series, S05E12-13): The Pandorica Opens / The Big Title of the work Bang Studio/Production Company British Broadcasting Corporation (BBC) Country of the First Edition United Kingdom Original Language English First Edition Date 2010 First Edition Details June 19, 2010 / June 26, 2010 Running time 50 min (each) September 6, 2010 (DVD [Region 2]); July 26, 2016 (DVD [Region Date of the First DVD or VHS 1]) Awards Hugo Award, Best Dramatic Presentation, Short Film (2011) Genre Science fiction, Television series, Time-Slip Fantasy* Target Audience Crossover Author of the Entry Richard Scully, University of New England, [email protected] Elizabeth Hale, University of New England, [email protected] Peer-reviewer of the Entry Daniel Nkemleke, Universite de Yaounde 1, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
Selina Macarthur Editor
Selina MacArthur Editor AWARDS Winner: 2016 RTS Craft & Design Award for Editing - Entertainment and Comedy for FLOWERS Winner: The Technicolor Creative Technology Award at the WFTV Awards 2018 Winner: 2018 Emmy for Outstanding Single-Camera Picture Editing For A Limited Series Or Movie for BLACK MIRROR: USS CALLISTER Agents Madeleine Pudney Assistant 020 3214 0999 Eliza McWilliams [email protected] 020 3214 0999 Credits Film Production Company Notes LOUIS WAIN Amazon / StudioCanal / Film 4 / Dir: Will Sharpe Shoebox / SunnyMarch Prods: Adam Ackland, Ed Clarke, Leah Clarke & Guy Heeley Television Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] THIS IS GOING TO Sister Pictures / BBC Two HURT CATHERINE THE New Pictures / Origin Dir: Philip Martin GREAT Pictures Prod: David M. Thompson, Jules Hussey THE BISEXUAL Sister Pictures Dir: Desiree Akhavan Prod: Katie Carpenter FLOWERS 2 Sister Pictures Dir: Will Sharpe Prod: Sam Pinnell BLACK MIRROR: USS Netflix Dir: Toby Haynes CALLISTER Prod: Louise Sutton Winner: Emmy for Outstanding Single-Camera Picture Editing For A Limited Series Or Movie TIN STAR Kudos / Sky Atlantic Dir. Grant Harvey Prod. Jonathan Curling HUMANS Kudos/ Channel 4 Dir: Carl Tibbetts Prod: Paul Gilbert THE TUNNEL: Kudos Film and Dir: Anders Engström VENGEANCE Television Prod: Toby Welch COLD FEET Big Talk Productions Dir: Juliet May Prod: Rebecca Ferguson FLOWERS Kudos Film and Dir: Will Sharpe Television/ Channel 4 Prod: Naomi de Pear RTS Winner, Editing - Entertainment and Comedy HARRY PRICE: GHOST Bentley Productions/ ITV Dir: Alex Pillai HUNTER Prod: Denise Paul JEKYLL AND HYDE J & H Ltd/ ITV Dir. -
Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2. -
The Eleventh Hour
THE ELEVENTH HOUR 6 THE ELEVENTH HOUR Chapter One THE ELEVENTH HOUR Written by: Steven Moffat Directed by: Adam Smith First broadcast: 3 April 2010 “What have you got for me this time?” Running at 65 minutes, the opening episode of Series Five, The Eleventh Hour , covers a lot of ground. Its major task is to introduce a new Doctor, in the form of actor Matt Smith, whose debut had been awaited since the announcement of his casting in January 2009 and his brief appearance at the conclusion of The End of Time – Part Two , broadcast on 1 January 2010. As well as introducing us to the eleventh incarnation of the Doctor, this episode is also our first encounter with a new companion, Amelia Pond, or Amy as she is formally known throughout the series. The episode opens with a pre-titles sequence. This was shot after the production block for this episode had wrapped and was separately produced by Nikki Wilson and directed by Jonny Campbell, who had been working on the production of the episodes The Vampires of Venice and Vincent and the Doctor . The pre-titles pick up directly from the conclusion of The End of Time , with the TARDIS exploding, in flames, and hurtling back to Earth whilst carrying the newly regenerated Doctor. Before the new title sequence crashes in, this opening clearly operates as a ‘handing of the baton’ from one era of the show, that overseen by Russell T. Davies, to the next, the newest as produced by Steven Moffat. With an action sequence that shows the Doctor clinging on to the TARDIS for dear life as it spirals out of control across the cityscape of London at night, Moffat here clearly desires to assure viewers that they are watching the same series that had made its triumphant return back in 2005. -
Television Society July/August 2021 L Volume 58/7
July/August 2021 Comedy’s feelgood revival LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society July/August 2021 l Volume 58/7 From the CEO The emotion of the is full of great reads. -
1214 10/01 Issue One Thousand Two Hundred Fourteen Thursday, October One, Mmxx
LAST UPDATED: WEDNESDAY, JANUARY 27, 2021 8:02:37 PM #1214 10/01 issue one thousand two hundred fourteen thursday, october one, mmxx “ACCUSED AND ON THE RUN” Telefilm 09-24-20 ê ACCUSED PRODUCTIONS INC. 3876 Norland Avenue, Burnaby, BC V5G 4T9 [email protected] PHONE: 604-421-4355 STATUS: October 7 LOCATION: Vancouver PRODUCER: Navid Soofi DIRECTOR: Troy Scott PM: Darren Robson PC: Jeff Desmarais CD: Judy JK Lee QUBEFILM 1197 Howe Street, Vancouver, BC V6Z 2X4 604-568-2823 [email protected] “ACTS OF CRIME” Pilot / ABC ESMAIL CORP 8536 National Blvd., Culver City, CA 90232 [email protected] PHONE: 310-558-6087 STATUS: Active Development PRODUCER: Chad Hamilton WRITER/DIRECTOR: Sam Esmail UNIVERSAL CONTENT PRODUCTIONS 100 Universal City Plaza, Universal City, CA 91608 818-777-1000 The drama is described as a unique spin on the crime procedural. “AFRICAN HISTORY Y” Feature Film ABOVE THE SEA 830 Linda Flora Dr., Los Angeles, CA 90049 [email protected] PHONE: 310-498-8510 STATUS: Active Development LOCATION: Africa PRODUCER: DeForrest Taylor ([email protected]) - Marc Le Chat - Raymond J. Markovich WRITER: Tony Kaye - Charles Chanchori - Jason Corder DIRECTOR: Tony Kaye CAST: Djimon Hounsou A story of tragedy and redemption. “AFTER WE FELL” Feature Film 09-03-20 ê PRODUCTION OFFICE PHONE: +359-8 999 83878 STATUS: October 2020 LOCATION: Sofia, Bulgaria PRODUCER: Jennifer Gibgot - Mark Canton - Courtney Solomon - Anna Todd - Brian Pitt DIRECTOR: Castille Landon PM: Harrison Huffman ([email protected]) CAST: Josephine Langford - Hero Fiennes Tiffin CD: Chelsea Bloch - Marisol Roncali OFFSPRING ENT. - BREAKTHROUGH FILMS 2016 Broadway Santa Monica, CA 90404 424-268-5881 [email protected] CALMAPLE FILMS 844 Seward Street, Los Angeles, CA 90038 310-432-2763 - 310-270-4260 FRAYED PAGES ENTERTAINMENT 11400 W Olympic Blvd., Suite 590, Los Angeles, CA 90064 [email protected] WATTPAD STUDIOS 6121 Sunset Blvd. -
To Download the Full Content London 2019 Agenda
2019 3-6 December 2019 Kings Place & St. Pancras Renaissance Hotel, London DEVELOPMENT MARKET & CONFERENCE Agenda & Information Conference information REGISTRATION SPEED-NETWORKING All speakers and delegates MUST register at Kings New for 2019! A number of key speakers and industry Place on the Ground Floor. Please note you will executives will take part in a new speed-networking not be able to register at the St. Pancras Hotel. programme. Many 10-minutes slots have already been booked, but some walk-in meetings are available. TRAVELLING BETWEEN VENUES Speed-networking takes place in Hansom Hall, St. This is a 10 minute walk, or you can pick up a Pancras Hotel during Tuesday, Wednesday and rickshaw from outside either venue to take you swiftly Thursday lunchtimes. and in style! Sponsored by Sky. SCREENINGS AND PRESENTATIONS NETWORKING A schedule of drama screenings and presentations Head to the Battlebridge Room at Kings Place on the will run throughout the event, See pages 7 & 9 for Ground Floor or to the Mezzanine for lounge seating. more. At St. Pancras head to The Ladies Smoking Room or The Gallery Room on the First Floor. THE INTERNATIONAL DRAMA AWARDS C21’s International Drama Awards will take place COFFEE CART on Thursday December 5 at Kings Place. The drinks Grab a delicious FREE coffee on the Mezzanine at reception starts at 5pm on the Conference Level, with Kings Place. Sponsored by Banijay Rights. the ceremony following from 6-7pm in Hall 1. LUNCH AT THE BOOKING OFFICE EVENING EVENTS Dine at the iconic Booking Office Restaurant at the Content London is host to a series of events every St. -
The Royal Television Society Announces Craft & Design Awards 2019
PRESS RELEASE THE ROYAL TELEVISION SOCIETY ANNOUNCES CRAFT & DESIGN AWARDS 2019 NOMINATIONS London, 7 November 2019 – The Royal Television Society (RTS), Britain’s leading forum for television and related media, has shortlisted the nominations for its 2019 Craft & Design Awards, sponsored by Gravity Media. Chernobyl leads the way with seven nominations, followed by Don’t Forget the Driver, Killing Eve and The Royal British Legion Festival of Remembrance all receiving nominations across three categories. The prestigious awards will be presented at a ceremony hosted by political comedian Ahir Shah on Monday 25th November at the London Hilton, Park Lane. The RTS Craft & Design Awards celebrate excellence in broadcast television and aim to recognise the huge variety of skills and processes involved in programme production across 30 categories ranging from Make Up Design: Drama to Director: Multicamera, with the RTS Special Award and the Lifetime Achievement Award being given at the discretion of the RTS. Chair of the Craft & Design Awards, Lee Connolly said: “We are very much looking forward to seeing everyone on the 25th to celebrate the fantastic television we have witnessed on our screens this year, not just here in the UK, but internationally.” The full list of nominations are as follows: Costume Design - Drama • Tom Pye & Nadine Clifford-Davern Gentleman Jack A Lookout Point Production in association with HBO for BBC One • Charlotte Holdich The Long Song Heyday Television / NBC Universal for BBC One • Odile Dicks-Mireaux Chernobyl Sister -
Fan-Producer Relations of Doctor Who—The Modern Doctor
Fan-Producer Relations of Doctor Who—The Modern Doctor ASHLEIGH LINSE Produced in Adele Richardson’s ENC 1102 The Fandom: It’s Bigger on the Inside A fandom begins as a cult following of active fans that study the show and become what Leora Hadas and Limor Shifman call experts (276). They contribute their own creative works to this cult community. As the participatory culture of a fandom expands, “agents of consecration” emerge who help to form a collective belief among the fans and judge the producers of the show (Shefrin 270). Elana Shefrin goes on to explain that the agents “may be critics, scholars, or professionals” and “possess special knowledge” greater than just being emotionally involved in the show (269). It is through these agents that a fandom can express praise or discontent (Nikunen 116; Shefrin 270). Audience approval plays a huge role in how high a show’s ratings are and it can be categorized into six activities: selectivity, attention, involvement, avoidance, distraction, and media skepticism (Kim and Rubin 108-11). Fans facilitate a show by being emotionally involved and drawing attention to it (Kim and Rubin 110). They can also act as deterrents by expressing skepticism or avoiding particular aspects of the show that they don’t agree with (Kim and Rubin 111). A person does not have to be a member of the fandom to be part of the audience and producers focus on pleasing the audience as a whole (Hadas and Shifman 278; Shefrin 272). Fandoms have grown significantly because of the Internet (Hadas and Shifman 277; Nikunen 116-7; Shefrin 273).