The Queens Transport
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Romanian Films
Coperta_RomFilm2020.pdf 2 07.02.2020 18:31:23 !"#$ % !"!" ROMANIAN FILMS !"#$ % !"!" ROMANIAN FILM PROMOTION !"#$ % & MINORITY CO'PRODUCTIONS !"#$ % #$ !"!" % !( MINORITY CO'PRODUCTIONS !"!" % )$ IN DEVELOPMENT * PRODUCTION * POST'PRODUCTION !"!" % ($ ROMANIAN FILMS INDEX % +& 2019 !GANG: ANOTHER KIND OF CHRISTMAS !GANG: UN ALTFEL DE CRĂCIUN Directed by: Matei Dima Screenplay: Radu Alexandru, Vali Dobrogeanu, Matei Dima Producers: Anca Truţă, Christmas is near and Selly, who has just Ştefan Lucian, Matei Dima met Corneliu Carafă, vanishes into thin air. Selly’s band colleagues first think that Cast: Selly, Diana Condurache, Gami, Pain, they should replace him with another Cosmin Nedelcu, Julia Marcan, Matei Dima singer, but soon it becomes apparent that Selly may very well be in danger. A great CONTACTS: Vertical Entertainment adventure begins! [email protected] $/ MIN NATIONAL RELEASE DATE: DECEMBER !+, !"#$ ARREST AREST Directed by: Andrei Cohn Screenplay: Andrei Cohn Producer: Anca Puiu Cast: Alexandru Papadopol, Iulian Postelnicu, András Hatházi, Sorin Cociș August, 1983. Architect Dinu Neagu, his wife and the two children spend a few Main Selection: Karlovy Vary IFF 2019 days on a nude beach near an industrial area. Dinu is arrested and taken to the Other films by the director: Bucharest police office, where he is put in Back Home (2015) a cell together with Vali, a collaborator of the Securitate. As days go by, things will CONTACTS: Mandragora get more and more absurd... [email protected] #!/ MIN NATIONAL RELEASE DATE: SEPTEMBER !", !"#$ PRODUCTION COMPANY: MANDRAGORA 4 BEING ROMANIAN: A FAMILY JOURNAL * JURNALUL FAMILIEI #ESCU Directed by: Şerban Georgescu Screenplay: Şerban Georgescu Producer: Şerban Georgescu The story of millions of Romanians who Cast: Ioana Pârvulescu, have ended up living between these Mihaela Miroiu, Sorin Ioniţă borders and having to stand each other: just the way things happen in every large Other films by the director: Cabbage, family. -
Tglengarrians See King and I Queen on Royal Tour
VOL. Xivn—No. 21, Alexandria, Ont., Friday, May 26, 1939. $2.00 A YEAS tGlengarrians See King and i Queen on Royal Tour #8,000^at|Alexandria, Sunday, Give IN MAGNIFICENT SETTING CANADA GETS ROYAL SALUTE Whole Empire Heard His Majesty Monarchs Real Highland Welcome Speak From Winnipeg Wednesday '/V .- "■ ■- Flowers Presented by. Little Tots During Seven- 1 pill % .. Royal Visitors Given Warm Reception At All Minute Stop Here.—Queen Asks Ontario Points—Now Getting For Pipe Music x Prairie Welcome Winnipeg, May ^4—British subjects in the four corners of the world today Their Majesties King George VI and Queen Elizabeth came to Alex- heard King George, speaking from the centre of Canada in an Empire Day ad- andria Sunday afternoon and during- their seven-minute stop, here, won a dress, declare that spiritual dignity and material happiness of human life must be : lasting plaice in the hearts of over 8,000 wildly cheering subjects who hiad general before the Empire can claim to be of service to its own people and the assembled from every section of Glengarry and many outside points to do world. them honor. Throughout the entire visit and until the train was lost to view. He said the Empire’s wealth and power were but instruments, and the end was -Their Majesties remained on the observation platform plainly visible ta » all <(freedom, justice and peace in equal numbers for all, secure against attack from present. While yet retaining their regal bearing, the king and Queen dis- without and from within.”. played a warm, democratic friendliness as. -
ABSTRACT Title of Dissertation: ROYAL SUBJECTS
ABSTRACT Title of dissertation: ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860- 1901 Charles Vincent Reed, Doctor of Philosophy, 2010 Dissertation directed by: Professor Richard Price Department of History ABSTRACT: The dissertation explores the development of global identities in the nineteenth-century British Empire through one particular device of colonial rule – the royal tour. Colonial officials and administrators sought to encourage loyalty and obedience on part of Queen Victoria’s subjects around the world through imperial spectacle and personal interaction with the queen’s children and grandchildren. The royal tour, I argue, created cultural spaces that both settlers of European descent and colonial people of color used to claim the rights and responsibilities of imperial citizenship. The dissertation, then, examines how the royal tours were imagined and used by different historical actors in Britain, southern Africa, New Zealand, and South Asia. My work builds on a growing historical literature about “imperial networks” and the cultures of empire. In particular, it aims to understand the British world as a complex field of cultural encounters, exchanges, and borrowings rather than a collection of unitary paths between Great Britain and its colonies. ROYAL SUBJECTS, IMPERIAL CITIZENS: THE MAKING OF BRITISH IMPERIAL CULTURE, 1860-1901 by Charles Vincent Reed Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2010 Advisory Committee: Professor Richard Price, Chair Professor Paul Landau Professor Dane Kennedy Professor Julie Greene Professor Ralph Bauer © Copyright by Charles Vincent Reed 2010 DEDICATION To Jude ii ACKNOWLEGEMENTS Writing a dissertation is both a profoundly collective project and an intensely individual one. -
Rail Operations Skills for the Twenty First Century
www.railwayoperators.co.uk Issue 47 | April 2021 THE BIANNUAL MAGAZINE FOR MEMBERS OF THE INSTITUTION OF RAILWAY OPERATORS IRO here for you, supporting your Rail operations skills development Within 24 hours of the first Covid lockdown being announced, IRO had for the twenty first “ungated” access to our Professional Operators Development (POD) tool, ensuring that it could be reached by everyone in rail and not just members and the employees of century corporate members. We predicted that online resources for self-development would be useful for those isolating or furloughed. We made them free Fiona Tordoff Rachel Heath and they have been widely taken up. Not only AIRO FIRO has IRO membership been increasing we have also experienced a growing number of enquiries coming through from engineers and Fiona Tordoff IRO’s CEO and Rachel Heath, IRO Midlands Area Chair reflect on the important other disciplines who are interested in joining. contribution made by operations to the success of our railways and the vital part our profession must Just before second lockdown, IRO launched Rail Academy (RA), offering online rail play in taking the rail industry forward… operations learning with unlimited potential Believe it or not Railway Operations is a more for customisation by employers, again putting established profession than many of us think - learning within arm’s reach of anyone working as old as the engineering disciplines that it sits in rail. alongside. Ever since the first railways were built, Because of restrictions, we moved our area operators and engineers have worked side by side, events programme online with free monthly and it is well over 200 years since the first rule book webinars broadcasting to regular audiences was published! of over two hundred people. -
The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18
SOVEREIGN GRANT ACT 2011 The Sovereign Grant and Sovereign Grant Reserve Annual Report and Accounts 2017-18 Presented to Parliament pursuant to Section 2 and Section 4 of the Sovereign Grant Act 2011 Ordered by the House of Commons to be printed 27 June 2018 HC 1153 © Crown copyright 2018 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open- government-licence/version/3 Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/government/publications Any enquiries regarding this publication should be sent to us using the contact details available at www.royal.uk ISBN 978-1-5286-0459-8 CCS 0518725758 06/18 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK on behalf of the Controller of Her Majesty’s Stationery Office. Produced by Impress Print Services Limited. FRONT COVER: Queen Elizabeth II and The Duke of Edinburgh visit Stirling Castle on 5th July 2017. Photograph provided courtesy of Jane Barlow/Press Association. CONTENTS Page The Sovereign Grant 2 The Official Duties of The Queen 3 Performance Report 9 Accountability Report: Governance Statement 27 Remuneration and Staff Report 40 Statement of the Keeper of the Privy Purse’s Financial Responsibilities 44 The Certificate and Report of the Comptroller and Auditor General to the Houses of 46 Parliament and the Royal -
Amazing-Facts-About-The-Queen.Pdf
Thank You So Much and Welcome Thank you so much choosing this lovely book about the Queen. Part of the proceeds will go towards helping people in Africa and other 3rd world countries with pressing health issues. I have been a Nurse for 50 years and have always been very grateful for excellent health and our very good health services. Others are not so lucky! I sincerely hope that you enjoy reading some amazing and unusual facts about the Queen 1 Table of Contents Early Years……………………..……………...……………………………… Page 7 The Queens First Home ………..………………….……………………………... Page 9 Never went to school ….................................................................................. Page 11 A Royal romance............................................................................................ Page 15 Married in Westminster Abbey..................................................................... Page 19 Engagement ring.......................................................................................... Page 18 The wedding …................................................................................................ Page 19 Eight bridesmaids.......................................................................................... Page 20 The Queen's wedding dress …......................................................................... Page 22 Wedding gifts........................................................................................................ Page 22 Honeymoon.......................................................................................................... -
A Carriage Ride Through History
Photo: Captain Tucker/Wikimedia Commons Captain Tucker/Wikimedia Photo: A Carriage Ride Through History By Margaret Evans From pony cart to coronation coach, few vehicles have had such a colourful history as the horse-drawn carriage. Ever since the wheel was first invented the disc and at the ends of the axle had to be have a cart. It you hitched a horse to the front around 3,500 BC in Mesopotamia as a perfectly smooth and round in order for the end, you’d have an animal to pull it, which wooden disc with a hole in the middle for wheel to fit and turn. Otherwise, too much would save doing it yourself. With the some form of axle, creative Sumarian minds friction would cause breakage. domestication of the horse almost 6,000 years were buzzing. They were, after all, already The wheel for transportation actually ago, a marriage between the cart and the planting crops, herding animals, and had a followed the invention of the potter’s wheel. horse was inevitable, eventually pretty impressive social order. But getting But those Bronze Age inventors wasted little transforming a civilization. On the Sumerian the wheel contraption right took a bit of time connecting the dots and figuring out Battle Standard of Ur is the depiction of an creative genius. The holes in the centre of that if you put a box on top of the axle, you’d onager-drawn cart from 2,500 BC. 56 Equine Consumers’ Guide 2016 CANADA’S HORSE INDUSTRY AT YOUR FINGERTIPS Photo: David Crochet/Wikimedia Commons Crochet/Wikimedia David Photo: Photo: Steve F-E-Cameron/Wikimedia Commons F-E-Cameron/Wikimedia Steve Photo: Photo: David Crochet/Wikimedia Commons Crochet/Wikimedia David Photo: The earliest form of a “carriage” (from Old became the defining form of transport. -
Royal Mews Teachers' Pack
The Royal Mews, Buckingham Palace Teachers’ Information - 2012 Your booking 2 Arriving at the Royal Mews 4 Your visit 5 About the Royal Mews 7 A day in the life of the Royal Mews 9 This information will help you and your group make the most of your visit. If you have any further questions, please contact the Education Bookings Team on 020 7766 7323 Also included: Royal Mews Guidebook Postcards Coach Pass Learning Bookings Team Ticket Sales and Information Office The Official Residences of The Queen London SW1A 1AA Telephone 020 7766 7323 Fax 020 7930 9625 e-mail [email protected] 1 We hope you enjoy your visit to the Royal Mews About your booking Is my booking confirmed? Your visit has been reserved. On your reservation letter you will find a date by which full payment must be received. A confirmation letter will be sent on receipt of your payment. Please read your reservation letter carefully; if any details are incorrect please telephone us on 020 7766 7323. A copy of the full terms and conditions is available on request, including details of cancellations, refunds or additions to your group prior to the visit. How do I arrange a complimentary planning visit? If you and a colleague would like to make a planning visit to the Royal Mews before your booked session, please contact the Education Bookings Team on 020 7766 7323 to arrange 2 complimentary tickets. Your tickets will be available for collection at the Royal Mews on the day. If you would like to meet a member of the Education team as part of your planning visit, please advise us when you make your booking. -
Annual Report 2017−2018
ROYAL COLLECTION TRUST ANNUAL REPORT REPORT COLLECTION TRUST ANNUAL ROYAL 2017−2018 www.royalcollection.org.uk ANNUAL REPORT 2017−2018 ROYA L COLLECTION TRUST ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2018 www.royalcollection.org.uk AIMS OF THE ROYAL COLLECTION TRUST In fulfilling The Trust’s objectives, the Trustees’ aims are to ensure that: ~ the Royal Collection (being the works of art ~ the Royal Collection is presented and held by The Queen in right of the Crown interpreted so as to enhance public and held in trust for her successors and for the appreciation and understanding; nation) is subject to proper custodial control and that the works of art remain available ~ access to the Royal Collection is broadened to future generations; and increased (subject to capacity constraints) to ensure that as many people as possible are ~ the Royal Collection is maintained and able to view the Collection; conserved to the highest possible standards and that visitors can view the Collection ~ appropriate acquisitions are made when in the best possible condition; resources become available, to enhance the Collection and displays of exhibits ~ as much of the Royal Collection as possible for the public. can be seen by members of the public; When reviewing future plans, the Trustees ensure that these aims continue to be met and are in line with the Charity Commission’s general guidance on public benefit. This Report looks at the achievements of the previous 12 months and considers the success of each key activity and how it has helped enhance the benefit to the nation. -
Annual Report 2018−2019
ROYAL COLLECTION TRUST ANNUAL REPORT REPORT COLLECTION TRUST ANNUAL ROYAL 2018−2019 www.rct.uk ANNUAL REPORT 2018−2019 ROYA L COLLECTION TRUST ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2019 www.rct.uk AIMS OF THE ROYAL COLLECTION TRUST CONTENTS In fulfilling The Trust’s objectives, the Trustees’ aims are to ensure that: ~ the Royal Collection (being the works of art ~ the Royal Collection is presented and CHAIRMAN’S FOREWORD 5 held by The Queen in right of the Crown interpreted so as to enhance public DIRECTOR’S INTRODUCTION 7 and held in trust for her successors and for the appreciation and understanding; nation) is subject to proper custodial control PRESENTATION AND PARTICIPATION 9 and that the works of art remain available ~ access to the Royal Collection is broadened Visiting the Palaces 9 to future generations; and increased (subject to capacity constraints) ~ Buckingham Palace 9 to ensure that as many people as possible are ~ The Royal Mews 11 ~ the Royal Collection is maintained and able to view the Collection; ~ Windsor Castle 12 conserved to the highest possible standards ~ Clarence House 12 and that visitors can view the Collection ~ appropriate acquisitions are made when ~ Palace of Holyroodhouse 16 in the best possible condition; resources become available, to enhance Exhibitions 21 the Collection and displays of exhibits Historic Royal Palaces & Loans 33 ~ as much of the Royal Collection as possible for the public. INTERPRETATION 37 can be seen by members of the public; Learning 37 Publishing 39 When reviewing future plans, the Trustees ensure that these aims continue to be met and are CARE OF THE COLLECTION 43 in line with the Charity Commission’s general guidance on public benefit. -
Annual Report
Annual Report 2012-2013 Office of the Secretary to the Governor General VIVAT REGINA Emblem for the Diamond Jubilee of Her Majesty Queen Elizabeth II This emblem was created to mark the 2012 celebrations of the Diamond Jubilee, the 60th anniversary, of Her Majesty Queen Elizabeth II’s accession to the Throne as Queen of Canada. The anniversary is expressed by the central diamond shape. The Royal Cypher consists of the Royal Crown above the letters EIIR (i.e., Elizabeth II Regina, the latter word meaning Queen in Latin). The maple leaves refer to Canada, while the motto VIVAT REGINA means “Long live The Queen!” VIVAT REGINA The Viceregal Lion The emblem used by the Office of the Secretary to the Governor General is the crest from the Royal Arms of Canada. It consists of a gold lion wearing the Royal Crown and holding in its right paw a red maple leaf. The lion stands on a wreath of the official colours of Canada, red and white. Photo credits Canadian Space Agency: page 15 Sgt Eric Jolin, Rideau Hall: pg. 17 MCpl Vincent Carbonneau, Rideau Hall: pgs. 9, 13 Pte Ariane Montambeault, Rideau Hall: cover page, pgs. 6, 14 Department of Canadian Heritage: page 5 Cpl Roxanne Shewchuk, Rideau Hall: pgs. 5, 8, 10, 11, 13, 15, 17 Sgt Ronald Duchesne, Rideau Hall: cover page, pgs. 4, 5, 6, 7, 8, 10, 11, 12, 14, 15 Chris Weicker, Rideau Hall: pgs. 16, 18 Sgt Serge Gouin, Rideau Hall: pgs. 16, 18 MCpl Dany Veillette, Rideau Hall: pgs. 5, 6, 8, 9, 10, 12, 13, 14, 15, 16 MCpl Evan Kuelz, Rideau Hall: page 3 Rideau Hall, 1 Sussex Drive, Ottawa, Ontario K1A 0A1 Citadelle of Québec, 1 Côte de la Citadelle, Québec, Quebec G1R 4V7 © Her Majesty The Queen in Right of Canada represented by the Office of the Secretary to the Governor General (2013). -
The Royal Mews
QUEEN AT 85 The Royal Mews The Royal Mews is an important branch of the Lord Chamberlain's Office and provides road transport for The Queen and members of the Royal Family by both horse-drawn carriage and motor car. It is at the Royal Mews that the State vehicles are housed and maintained. These include the magnificent Gold State Coach used for Coronations and those carriages used for Royal and State occasions, State Visits, Weddings and the State Opening of Parliament. Since 1843 the daily messenger Brougham has set out from the Royal Mews to collect and He built the main coachhouses on the east side, deliver post between Buckingham Palace and St. and, on the west, he created two sets of State James's Palace. Stables with room for 54 horses as well as forage and harness rooms. Another regular task is that of collecting a newly appointed foreign Ambassadors or High A matching Doric arch and a back or 'upper Commissioners from their official residence, mews' were added at the north end of the conveying them in a carriage to Buckingham quadrangle. A grand house for the Master of the 79 Palace for their audience with The Queen, and Horse and his assistant was also created. afterwards returning them to their residence The buildings were completed in 1825. Later History of The Royal Kings and Queens made their own changes to Mews keep this working environment up-to-date. The Royal Mews first started in its present In 1837, Queen Victoria became the first location in 1760, when George III moved his Monarch to use Buckingham Palace as both an carriage collection and some of his horses there official residence and home.