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Intersectional Feminism: What Suzzie Wants, Stories of Others
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by British Columbia's network of post-secondary digital repositories INTERSECTIONAL FEMINISM: WHAT SUZZIE WANTS, STORIES OF OTHERS by Adebayo Coker B.A., Obafemi Awolowo University, Ile-Ife, Nigeria, 2005. MPIA., University of Lagos, Akoka, Lagos, Nigeria, 2007. THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF NORTHERN BRITISH COLUMBIA August 2018. © Adebayo Coker, 2018 ii Abstract Culture and religion are some of the oppressive tools being used to subjugate the fundamental rights of women in Nigeria. The need is for a nexus amongst the different fragments of feminism to speak against customs of exploitation and subjugation, but not at the expense of the good culture of the land and in a way not to create loss of identity. To get the message across, some real stories must be told. Aligning narrative craft to share the different experiences that I have witnessed firsthand or told me by the victims of these vast injustices is the focus of this thesis, so the world may learn that there are these experiences and fundamental gender oppressions still exist. iii Table of Contents Abstract ii Table of Contents iii Acknowledgement iv Introduction 1 Clannish Claw 18 Begging Mercy 42 Papal Entreatment 62 Amiss Nowhere 81 What Suzzie Wants 86 Table D'Hote 89 Fargin 92 Works Cited 100 References 102 iv Acknowledgement My Canada immigration story started in Fall 2016. I almost ran back home to the equator. -
Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S. -
Signature Redacted Certified By: William Fjricchio Professor of Compa Ive Media Studies Thesis Supervisor Signature Redacted Accepted By
Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon B.A. Film University of California, Berkeley, 2008 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2019 C2019 Matthew G. Graydon. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. S~ri' t A Signature red acted Department of Comparative 6/ledia Studies May 10, 2019 _____Signature redacted Certified by: William fJricchio Professor of Compa ive Media Studies Thesis Supervisor Signature redacted Accepted by: MASSACHUSETTS INSTITUTE Professor of Comparative Media Studies _OF TECHNOLOGY Director of Graduate Studies JUN 1 12019 LIBRARIES ARCHIVES I I Manufacturing Dissent: Assessing the Methods and Impact of RT (Russia Today) by Matthew G. Graydon Submitted to the Department of Comparative Media Studies on May 10, 2019 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT The state-sponsored news network RT (formerly Russia Today) was launched in 2005 as a platform for improving Russia's global image. Fourteen years later, RT has become a self- described tool for information warfare and is under increasing scrutiny from the United States government for allegedly fomenting unrest and undermining democracy. It has also grown far beyond its television roots, achieving a broad diffusion across a variety of digital platforms. -
Turner 1 Nicole Turner Charles Klinetobe American History Since
Turner 1 Nicole Turner Charles Klinetobe American History Since 1865 2 June 2019 Gender Representation in Film: Empowering Women One Role at a Time These past couple of years have made tremendous strides towards gender equality in media, and particularly film, on camera and behind the scenes. Between the Me Too movements and the fights for equal pay for men and women, the film industry has very publicly been shamed into making changes. But on screen there is a fight for equality as well. In 2014, a whopping 71.9% of speaking roles in film was attributed to men, leaving only 28.1% for female characters. However, in 2017 the percentage of female speaking roles jumped to 31.8% (MDSC Initiative “Distribution”). While the divide between men and women in film has lessened, it has not disappeared. Not to mention the female representation in film that could be even more harmful to gender equality. While quantity can contribute to representation, it is also important to look at the quality. Gender representation in media, particularly film, is unequal in it’s female concentrated blockbusters, female directors, and pay between female and male actors. Film is a giant industry. In 2016, $38.6 billion was made globally from movies. $27.2 billion of those dollars came exclusively from the box office*. The box office is a term that refers to the place where a ticket is sold. This means that a majority of money made from films is made from ticket sales to theaters. Following a basic business logic, that you should put your money towards the most profitable endeavors, this means that studios focus on producing movies that draw in moviegoers. -
Ice-Candy-Man
ARTICLES Complutense Journal of English Studies ISSN: 2386-3935 http://dx.doi.org/10.5209/CJES.54661 The Female Body as the Site of Male Violence during the Partition of India in Bapsi Sidhwa’s Ice-Candy-Man Arunima Dey1 Abstract. This paper on Bapsi Sidhwa’s Ice-Candy-Man intends to undertake a comprehensive investigation of various forms of gendered violence during the partition of India. An analysis of the central female figure of Ayah underscores how acts of abduction and rape use woman’s sexuality as a tool to articulate religious/national enmity. Moreover, the paper will claim that Ayah’s abduction can be read as a punishment for her lack of adherence to cultural norms, which was expected from women during partition period, thereby highlighting that women’s bodies were (and continue to be) under patriarchal surveillance and regulation, and those who fail to abide by societal rules are inevitably discarded. Next, I intend to explore the effective use of female agency and solidarity in the novel as a means to counter male violence and subjugation. Furthermore, I will comment on the treatment of abducted/raped women by the patriarchal state to expose the social reality post partition where victimised women, due to their altered position as contaminated sexual beings, were ostracised by society. In essence, by investigating gendered violence during partition followed by continued societal victimisation of the female survivors, this paper will highlight how Sidhwa’s novel contributes to a thus far silenced gynocentric reading of partition history. Keywords: Bapsi Sidhwa, Ice-Candy-Man, violence against women, the partition of India, South Asian feminism. -
Norms and Narratives That Shape US Charitable and Philanthropic Giving Benjamin Soskis March 2021
CENTER ON NONPROFITS AND PHILANTHROPY RESEARCH REPORT Norms and Narratives That Shape US Charitable and Philanthropic Giving Benjamin Soskis March 2021 ABOUT THE URBAN INSTITUTE The nonprofit Urban Institute is a leading research organization dedicated to developing evidence-based insights that improve people’s lives and strengthen communities. For 50 years, Urban has been the trusted source for rigorous analysis of complex social and economic issues; strategic advice to policymakers, philanthropists, and practitioners; and new, promising ideas that expand opportunities for all. Our work inspires effective decisions that advance fairness and enhance the well-being of people and places. Copyright © March 2021. Urban Institute. Permission is granted for reproduction of this file, with attribution to the Urban Institute. Cover image by Tim Meko. Contents Acknowledgments iv Executive Summary v Norms and Narratives That Shape US Charitable and Philanthropic Giving 1 The Rise of Large-Scale Philanthropy 3 Narratives of Mass Giving’s Decline in the United States 9 Megaphilanthropy and Everyday Giving during the COVID-19 Crisis 13 The COVID-19 Crisis, Mutual Aid, and the Revitalization of Everyday Giving 16 The Surging Popularity of Cash Transfers during the COVID-19 Crisis 21 The Development of Norms around Time-Based Giving 26 Time-Based Norms and Narratives during the COVID-19 Crisis 32 Giving Norms and Narratives in a Postpandemic World 36 Notes 39 References 46 About the Author 49 Statement of Independence 50 Acknowledgments This report was funded by the Bill & Melinda Gates Foundation, with additional support from the William and Flora Hewlett Foundation. We are grateful to them and to all our funders, who make it possible for Urban to advance its mission. -
Art & Architecture Design Cultural Studies
ART & ARCHITECTURE DESIGN CULTURAL STUDIES NEW AND RECENT TITLES THE MIT PRESS Muriel Cooper David Reinfurt and Robert Wiesenberger Foreword by Lisa Strausfeld Afterword by Nicholas Negroponte Muriel Cooper (1925–1994) was the pioneering designer who created the iconic MIT Press colophon (or logo)— seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Vis- ible Language Workshop at MIT, and the first woman to be granted tenure at MIT’s Media Lab, where she developed software interfaces and taught a new generation of design- ers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT. A humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper’s legacy is still unfolding. This beautiful slip-cased volume, designed by Yasuyo Iguchi, looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters. -
The Voice of a Generation: Anexploration of Lena
THE VOICE OF A GENERATION: ANEXPLORATION OF LENA DUNHAM’S MULTI-MODAL PERSONAE by Torrey Rae Lynch A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, Montana April 2016 ©COPYRIGHT by Torrey Rae Lynch 2016 All Rights Reserved ii TABLE OF CONTENTS 1. INTRODUCTION .........................................................................................................1 2. CHAPTER ONE: “TRUTHTELLING” WITHIN A MEMOIR-ISH: A LOOK INTO DUNHAM’S NOT THAT KIND OF GIRL: A YOUNG WOMAN TELLS YOU WHAT SHE’S “LEARNED” .............................................................................14 “Grace,” Gendered Authorship, and Narrative Geography .................................................................................................21 “Barry” and The Co-Authoring of Narratives ........................................................28 Having it All-ish ..........................................................................................................33 3. CHAPTER TWO: TOWARD A SAFER AND HOMIER SPACE: A FEMINIST CRITIQUE ON DUNHAM’S WEBSITE/E-NEWSLETTER, LENNY .....................................................................38 Third-Wave as Contradictory ...................................................................................42 Digital Sphere as Safe-ish ..........................................................................................48 Home and Not Home .................................................................................................51 -
MASARYK UNIVERSITY Faculty of Social Studies Department of Sociology
MASARYK UNIVERSITY Faculty of Social Studies Department of Sociology DISSERTATION THESIS Brno 2020 Vanda Maufras Černohorská MASARYK UNIVERSITY Faculty of Social Studies Department of Sociology Mgr. et Mgr. Vanda Maufras Černohorská ‘Thank you for leaving all your good advice at the door’: On ASPEKT and Online Feminism Dissertation Thesis Supervisor: doc. PhDr. Kateřina Nedbálková, Ph.D Advisor: doc. Bernadette Nadya Jaworsky, Ph.D Brno 2020 2 I hereby declare that I have worked on this thesis independently, using only the referenced sources and literature. In Prague, 21 July 2020 Vanda Maufras Černohorská 3 Acknowledgments Through the writing of this dissertation, a process that took seven long years, I have received a great deal of support and assistance. First and foremost, I would like to thank my supervisor doc. PhDr. Kateřina Nedbálková, Ph.D for her intellectual guidance, valuable comments, and endless patience in times when life kept distracting me from my academic endeavour. I am also very much indebted to my advisor doc. Bernadette Nadya Jaworsky, Ph.D. who has thought me how to “write sociology” and provided me with continuing encouragement through the years. This dissertation as well as my own intellectual path has been greatly influenced by a 2015/2016 research visit at the Centre for Cultural Sociology (CCS), Yale University. I would like to thank Professor Jeffrey C. Alexander for enabling me to become part of an exceptionally stimulating environment, and to the CCS Workshop participants for providing me with invaluable comments and pointing me in many new directions. This remarkable academic and personal experience was possible thanks to the support of the Czech Fulbright Commission, to which I am grateful. -
An Original Screenplay
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-2017 Kat & Lily: An Original Screenplay Isabella Engelhard Syracuse University Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Film Production Commons Recommended Citation Engelhard, Isabella, "Kat & Lily: An Original Screenplay" (2017). Syracuse University Honors Program Capstone Projects. 1060. https://surface.syr.edu/honors_capstone/1060 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. Kat & Lily An Original Screenplay © (Isabella Engelhard, 4/26/2017) i ABSTRACT In Kat & Lily, my screenplay focuses on the strained relationship between two sisters and their approach to love, life, and self-actualization. Kat, the older sister, is a wild child and Lily, the youngest, has a much more practical approach to life. Their parents divorced when they were young, thus causing both sisters to approach love in different ways. On one hand, Kat uses her sexuality to gain power over men, and on the other hand, Lily feels that her brain is more important than her body. My screenplay is very much a romantic comedy trope, however, I wanted to flip it on its head and give it more meaning. The context of my screenplay is deeply rooted in feminism and the idea of complex familial relationships and human vulnerability. Kat and Lily both represent two sides of feminism, while their relationships, both familial and romantic, remain incredibly complex. -
ANNUAL REPORT 2016 Annual Report 2016
ANNUAL REPORT 2016 Annual Report 2016 The Urban Institute, 2100 M Street NW, Washington, DC 20037 The Brookings Institution, 1775 Massachusetts Ave. NW, Washington, DC 20036 http://www.taxpolicycenter.org Letter from the Directors Tax policy was an important topic in public policy discussions A highlight of 2016 was the inaugural Donald C. Lubick in 2016, largely driven by the presidential election. Candidates Symposium, held in May, which featured an address by in the primaries and the general election offered competing Robert Stack, Deputy Assistant Secretary for International visions of how taxes should be structured and the appropriate Taxation at the US Department of the Treasury, as well as level of taxation. Throughout the turbulent process, the Tax a panel of distinguished scholars and practitioners. The Policy Center (TPC) provided timely, accessible, and objective symposium focused on how the tax policies of our major analysis for the public, the media, and policymakers. We foreign trading partners affect US businesses. This annual modeled each major candidate’s tax proposals, estimated event is a fitting tribute to our friend, mentor, and colleague their likely economic effects, and updated the analyses as the in tax policy, Don Lubick. proposals evolved. We then disseminated this work through events, commentary, and publications. During 2016, TPC made several advances to our basic toolkit, which generates many contributions to the tax We hosted three major election-related events in 2016. policy debate. We improved our models in three ways. First, A February gathering featured speeches by both House we updated and improved our microsimulation model. Ways and Means Committee Chairman Kevin Brady and Second, we implemented “dynamic analyses,” which show Senate Finance Committee Ranking Minority Member how tax proposals affect the overall size of the economy and Ron Wyden. -
Which Feminisms?
New Masses, New Movements—17 susan watkins WHICH FEMINISMS? f all the opposition movements to have erupted since 2008, the rebirth of a militant feminism is perhaps the most surprising—not least because feminism as such had never gone away; women’s empowerment has long been a Omantra of the global establishment. Yet there were already signs that something new was stirring in the us and uk student protests of 2010, the 2011 Occupy encampments at Puerta del Sol and Zuccotti Park. In India, mass rallies condemned the gang rape of Jyoti Pandey in 2012 and feminist flash-mobs have disrupted the moral-policing operations of Hindutva fundamentalists. The protests against sexual assault on us campuses blazed across the New York media in 2014. In Brazil, 30,000 black women descended on the capital in 2015 to demonstrate against sexual violence and racism, calling for the ouster of the corrupt head of the National Congress, Eduardo Cunha; earlier that year, the March of Margaridas brought over 50,000 rural women to Brasília. In Argentina, feminist campaigners against domestic violence were at the forefront of protests against Macri’s shock therapy. In China, the arrest in 2015 of five young women preparing to sticker Beijing’s public transport against sexual violence—members of Young Feminist Activism, an online coa- lition that’s played cat-and-mouse with the authorities—was met with web petitions signed by over 2 million people. In January 2017, a ‘feminism of the 99 per cent’ declared itself with the million-strong march against the Trump Administration in the us.