DOCSLIB.ORG

Art and Archaeology

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art and Archaeology department of Art Archaeology & Newsletter fall 1 1 Dear Friends and Colleagues: Inside Welcome back! This year’s depart- will add another important dimension to Prince- ton’s efforts to provide an education in art history ment newsletter is being published within a globalized world. Made possible through Faculty News later than in previous years: it made generous grants by department alumni and the Program in Hellenic Studies, this program is sched- sense to us to include activities, uled to add more destinations across the continents 9 research, and travel projects that over the coming years. Graduate Student News For the first time in almost a century, the students and faculty undertook department is in a position to offer a University- during the summer months in this wide subsidy program for scholarly publications on 14 art-related topics from the Barr Ferree Fund. Sub- Undergraduate News issue and to start with a fresh news stantial amounts from the fund were disbursed last cycle at the beginning of the new year to support publications by our colleagues in the departments of German, architecture, history, 19 academic year. music, and English, as well as by former gradu- Lectures, Conferences, Symposiums That is not to say that there are ate students from our own department. not enough important news items to In addition to our year-long lec- report from the last academic year— ture series, organized in conjunction quite the contrary. I am delighted to with the Institute for Advanced Study, Seminar Study Trips announce that Rachael DeLue, our the department hosted the graduate specialist in American art, has been student conference “Drawing a Blank: granted tenure with the rank of Past and Present,” and an undergrad- Tang Center associate professor, and I would like uate conference in which many of to congratulate her sincerely, on our seniors presented their thesis behalf of the whole department. research to their peers and to our 4 colleagues. Gerhard Wolf of Rachael’s fabulous rapport with our Marquand Library undergraduate students will be put the Max Planck Institute in to good use, since she will serve as Florence gave this year’s our new department representative Weitzmann Lecture, and Pat 6 beginning this fall. Rachael takes over Brown’s former students Visual Resources Collection this position from Anne McCauley, who organized a major confer- provided departmental seniors of the ence on Venetian art and 8 classes of 2008–11 with principled and architecture in the time of Index of Christian Art thoughtful guidance through the thicket of Giorgione in her honor. junior paper and senior thesis regulations Much work, but also and course selections. Many thanks to her exciting prospects, lie ahead of us: The 3 for her excellent work during those years. department will conduct searches for Excavations Over the last few semesters, the two positions this year—one in Byz- department has embarked on establishing antine and the other in modern art a limited number of undergraduate seminars that history. We will also invite our former graduate 33 include a travel component. These courses, which students to return to their alma mater for a sympo- News from Alumni in recent years have taken students and their sium on teaching and curating modern art. instructors to places as diverse as Rome and Doha, Thomas Leisten, chair Qatar, to experience art objects and sites firsthand, Faculty News Bridget Alsdorf was a 2010–11 Chester Dale DeLue returns to teaching in the fall as a Fellow at the Metropolitan Museum of Art in New tenured associate professor and begins a two-year York, where she conducted research for a new book appointment as a Behrman Faculty Fellow in the on fin-de-siècle French art, focusing on the repre- Humanities. She will also serve as the department sentation of theatrical audiences and urban crowds. representative, advising undergraduate majors. This Her research also took her to Paris, Amsterdam, and fall, her teaching will include the methodology Geneva. She presented her work on Félix Vallotton seminar for junior majors, as well as an undergrad- at the Met’s fellowship colloquia in the spring. uate seminar on intersections between art-making Other talks included a presentation at the Yale and the science of natural history. She has been Center for British Art for a conference on 19th- named reviews editor for The Art Bulletin and will century images of artistic display; a paper on the art serve as editor-designate until 2012 and as the The Getty Research Journal historian Alois Riegl for a panel on “Theories and editor until 2015. This summer, DeLue partici- features Bridget Alsdorf’s article Methods” at the Nineteenth-Century French Studies pated in the Freshman Scholars Institute at “Fantin’s Failed Toast to Truth” Conference at Yale University; and a talk on Henri Princeton, a program for incoming freshmen, and Fantin-Latour for the Rutgers University Depart- was a featured presenter at a professional develop- ment of Art History Distinguished Speaker Series. ment workshop for New Jersey school teachers, Alsdorf devoted much of the year to completing her sponsored by the New Jersey Council for the book on the fraught dynamic between individual Humanities, on the topic of race in American and group in 19th-century French painting (forth- history and culture. coming from Princeton University Press). She also Hal Foster was inducted into the American published three articles: “Interior Landscapes: Academy of Arts and Sciences in the fall of 2010. Metaphor and Meaning in Cézanne’s Late Still He also received the 2010 Clark Prize for Excellence Lifes” in Word & Image (October–December 2010); in Arts Writing, which honors individuals whose “La fraternité des individus: les portraits de groupe critical or art-historical writing has had a significant de Degas” in 48/14: La revue du Musée d’Orsay impact on public understanding and appreciation (autumn 2010); and “Fantin’s Failed Toast to Truth” of the visual arts. During the spring 2011 semester, in the Getty Research Journal (January 2011). At he was Siemens Fellow at the American Academy Princeton, she was awarded the Arthur H. Scribner in Berlin. His 2002 book Design and Crime was Bicentennial Preceptorship for 2011–14, and this reissued by Verso Press in spring 2011, and The fall she joins the Department of French and Italian Art-Architecture Complex, a volume on the rapport as associated faculty. between art and architecture over the last 50 years, Rachael Z. DeLue spent the final year of her will be released by Verso Press this September. The Rachael Z. DeLue et al., Arthur H. Scribner Bicentennial Preceptorship First Pop Age: Painting and Subjectivity in the Art of Idol Anxiety completing the manuscript of her book Arthur Dove Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, and the Art of Translation, which will be published a book that reveals how these five artists reflect on by the University of Chicago Press. A preview of her the profound changes in image and personhood analysis of Dove and the sonic appeared in the jour- that occur with pop culture, will be published by nal History and Technology in March, and her essay Princeton University Press in December. “Dreadful Beauty and the Undoing of Adulation Thomas DaCosta Kaufmann was awarded the in the Work of Kara Walker and Michael Ray degree of Doctor Philosophiae Honoris Causa by the Charles” was published in Idol Anxiety, edited by Technische Universität, Dresden. The diploma pre- Josh Ellenbogen and Aaron Tugendhaft (Stanford sented to him at a ceremony held in Dresden in University Press, 2011). She presented portions of May 2011 cited his scholarship, especially on her research at Tulane University, the University of Central Europe, its contribution to the establish- North Carolina–Chapel Hill, and the Center for ment of a more global history of art, and his services Advanced Study in the Visual Arts at the National to international collaboration and understanding. Gallery of Art in Washington, D.C. Other lectures At the ceremony, Kaufmann lectured on natural included a talk at the Philadelphia Museum of Art history and art in Dresden. on the Italy-themed landscapes of George Inness During the summer of 2010, he gave lectures and a presentation on landscape and history at Har- on the possibilities of world art history at the vard’s Graduate School of Design. Her other works “Visual Culture and National Identity” symposium in progress include a book-length primer on the at the Van Gogh Museum in Amsterdam, at the Hal Foster, The Art-Architecture concept of visuality, as well as a study of representa- symposium “Sur le terrain: Geographies of Art” at Complex tions of the prehistoric and ancient past in the Terran Foundation in Paris, and at the Univer- American art and visual culture. sity of Coimbra, Portugal. He also spoke on the 2 fall 1 1 geography of art at the University of San Marino. During the 2010–11 academic year, he co-organized and chaired the session “Voices from around the World” for the National Committee of the History John Blazejewski of Art and the International Committee of the College Art Association at CAA’s annual meeting; he was also invited by CAA to chair an extraordi- nary centennial session on globalization. The Historians of Netherlandish Art invited him to co-chair and organize a session on the global aspects of Netherlandish art at the annual meeting of the Renaissance Society of America in Montreal. He gave the summary lecture at a symposium in Prague related to the exhibition devoted to Hans von Aachen that he helped organize. Kaufmann served on the fellowship committee of the European Research Council and as a reader for the Fellowship Committee of the Radcliffe Institute at Harvard University, and worked on Department faculty 2010–11.
Load more

Recommended publications
  • Friday, June 1, 2018
    FRIDAY, June 1 Friday, June 1, 2018 8:00 AM Current and Future Regional Presidents Breakfast – Welcoming ALL interested volunteers! To 9:30 AM. Hosted by Beverly Randez ’94, Chair, Committee on Regional Associations; and Mary Newburn ’97, Vice Chair, Committee on Regional Associations. Sponsored by the Alumni Association of Princeton University. Frist Campus Center, Open Atrium A Level (in front of the Food Gallery). Intro to Qi Gong Class — Class With Qi Gong Master To 9:00 AM. Sponsored by the Class of 1975. 1975 Walk (adjacent to Prospect Gardens). 8:45 AM Alumni-Faculty Forum: The Doctor Is In: The State of Health Care in the U.S. To 10:00 AM. Moderator: Heather Howard, Director, State Health and Value Strategies, Woodrow Wilson School, and Lecturer in Public Affairs, Woodrow Wilson School. Panelists: Mark Siegler ’63, Lindy Bergman Distinguished Service Professor of Medicine and Surgery, University of Chicago, and Director, MacLean Center for Clinical Medical Ethics, University of Chicago; Raymond J. Baxter ’68 *72 *76, Health Policy Advisor; Doug Elmendorf ’83, Dean, Harvard Kennedy School; Tamara L. Wexler ’93, Neuroendocrinologist and Reproductive Endocrinologist, NYU, and Managing Director, TWX Consulting, Inc.; Jason L. Schwartz ’03, Assistant Professor of Health Policy and the History of Medicine, Yale University. Sponsored by the Alumni Association of Princeton University. McCosh Hall, Room 50. Alumni-Faculty Forum: A Hard Day’s Night: The Evolution of the Workplace To 10:00 AM. Moderator: Will Dobbie, Assistant Professor of Economics and Public Affairs, Woodrow Wilson School. Panelists: Greg Plimpton ’73, Peace Corps Response Volunteer, Panama; Clayton Platt ’78, Founder, CP Enterprises; Sharon Katz Cooper ’93, Manager of Education and Outreach, International Ocean Discovery Program, Columbia University; Liz Arnold ’98, Associate Director, Tech, Entrepreneurship and Venture, Cornell SC Johnson School of Business.
    [Show full text]
  • Timely Timeless.Indd 1 2/12/19 10:26 PM Published by the Trout Gallery, the Art Museum of Dickinson College, Carlisle, Pennsylvania 17013
    Timely and Timeless Timely Timely and Timeless Japan’s Modern Transformation in Woodblock Prints THE TROUT GALLERY G38636_SR EXH ArtH407_TimelyTimelessCover.indd 1 2/18/19 2:32 PM March 1–April 13, 2019 Fiona Clarke Isabel Figueroa Mary Emma Heald Chelsea Parke Kramer Lilly Middleton Cece Witherspoon Adrian Zhang Carlisle, Pennsylvania G38636_SR EXH ArtH407_Timely Timeless.indd 1 2/12/19 10:26 PM Published by The Trout Gallery, The Art Museum of Dickinson College, Carlisle, Pennsylvania 17013 Copyright © 2019 The Trout Gallery. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from The Trout Gallery. This publication was produced in part through the generous support of the Helen Trout Memorial Fund and the Ruth Trout Endowment at Dickinson College. First Published 2019 by The Trout Gallery, Carlisle, Pennsylvania www.trougallery.org Editor-in-Chief: Phillip Earenfight Design: Neil Mills, Design Services, Dickinson College Photography: Andrew Bale, unless otherwise noted Printing: Brilliant Printing, Exton, Pennsylvania Typography: (Title Block) D-DIN Condensed, Brandon Text, (Interior) Adobe Garamond Pro ISBN: 978-0-9861263-8-3 Printed in the United States COVER: Utagawa Hiroshige, Night View of Saruwaka-machi, from the series One Hundred Famous Views of Edo (detail), 1856. Woodblock print, ink and color on paper. The Trout Gallery, Dickinson College, Carlisle, PA. 2018.3.14 (cat. 7). BACK COVER: Utagawa Hiroshige, Night View of Saruwaka-machi, from the series One Hundred Famous Views of Edo (detail), 1856.
    [Show full text]
  • The Power of the Chinese Brush Concentration Paper Fall Term 1980 Richard M. Ambrose
    The Power of the Chinese Brush Concentration Paper Fall Term 1980 Richard M. Ambrose Poetry, prose, calligraphy and painting have long been regarded as the major arts of Chinese civilization. While each art form can be considered separately, there is a fundamental relationship which exists between them. Each form employs the Chinese brush and ink. One cannot over-emphasize the important role of the brush in the history of Chinese paintings. Each brushstroke that is applied reveals the touch of the artist and has a character of its own. Whether thick or thin; straight or curved, short or long, the combination of strokes establishes shapes. Each shape has its own characteristics: breadth, height, contraction, density, emptiness and balance. The interaction of strokes and voids (negative space) within the painting, creates a tension which must be held in equilibrium. The Chinese brush is the end as well as the means. The brush was more than just a tool. It provided a means for the revelation of the idea behind the images. The two concepts of technique and idea were in fact, one and the same. Therefore, the brush is not only the vehicle but also the soul of the artist. The visual qualiti_fts behind Chinese painting are frequently misunderstood. This may be due in part to the application of western definitions to Chinese art. To understand the Chinese artist's intentions, one must understand his existence within the realm of Chinese culture. For instance it has been said that the Chinese way of looking at life was not through religion, philosophy, or science, but primarily through the arts.
    [Show full text]
  • Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
    Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media.
    [Show full text]
  • Japanese Woodblock Print Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8qz2j76 No online items Inventory of the Japanese woodblock print collection Finding aid prepared by Hoover Institution Library and Archives Staff Hoover Institution Library and Archives © 2021 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Inventory of the Japanese woodblock 2019C113 1 print collection Title: Japanese woodblock print collection Date (inclusive): ca. 1894-1932 Collection Number: 2019C113 Contributing Institution: Hoover Institution Library and Archives Language of Material: Japanese Physical Description: 2 oversize boxes(2.0 Linear Feet) Abstract: Japanese woodblock prints (nishiki-e) depicting battle and political scenes, primarily from the late 19th century. Hoover Institution Library & Archives Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Materials were acquired by the Hoover Institution Library & Archives in 2020. Preferred Citation [Identification of item], Japanese Woodblock Print Collection, [Box no., Folder no. or title], Hoover Institution Library & Archives Scope and Content of Collection Japanese woodblock prints (nishiki-e) of battle and political scenes, primarily from the late 19th century. Subjects and Indexing Terms Sino-Japanese War, 1894-1895 -- Pictorial works Russo-Japanese
    [Show full text]
  • Learning Jueju Through Chinese Painting: a Branch of Bamboo
    Worksheet Learning Jueju through Chinese Painting: A Branch of Bamboo Reading comprehension Answer the following questions based on background knowledge. Ni Zan (Chinese: 倪瓚; 1301–1374) was a Chinese painter during the Yuan and early Ming dynasties. Along with Huang Gongwang, Wu Zhen, and Wang Meng, he is one of the Four Masters of the Yuan dynasty. He is also a representative painter of the Nanzong landscape painting during the Yuan dynasty. Ni Zan’s works are mainly ink and water on paper, with light colors in between. The trees in the foreground and the regular script inscriptions in the blank spaces have almost become Ni Zan’s personal symbols. • What is Ni Zan’s identity? • What is he considered to be one of? • What are the characteristics of his works? Worksheet: Learning Jueju through Chinese Painting: A Branch of Bamboo asia.si.edu/teachingchina 1 Bamboo has been depicted in Chinese painting for more than a thousand years. Along with the pine and the plum, bamboo is a member of the Three Friends of Winter due to its ability to bear the harshest of winters. It is also one of the Four Gentlemen (the other three being the plum, the orchid, and the chrysanthemum) due to the moral virtues it represents. The hollowness of the bamboo stalk symbolizes tolerance and open-mindedness, and its flexibility and strength signify the human values of cultivation and integrity: one yields but does not break. All of these virtues make bamboo a very popular subject in Chinese painting, especially among scholar–artists. • How long has bamboo appeared in Chinese painting? • What does the “Three Friends of Winter” refer to? • What does the “Four Gentlemen” refer to? • What does bamboo symbolize? • Why has bamboo become a popular theme in Chinese painting? Worksheet: Learning Jueju through Chinese Painting: A Branch of Bamboo asia.si.edu/teachingchina 2 The poet Qian Weishan (act.
    [Show full text]
  • At the End of the Stream: Copy in 14Th to 17Th Century China
    Renaissance 3/2018 - 1 Dan Xu At the End of the Stream: Copy in 14th to 17th Century China There were no single words in Chinese equivalent to By the 14th century the three formats became the form the English word copy. By contrast, there were four preferred by artists, and remained unchallenged until distinctive types of copy: Mo (摹 ), the exact copy, was the early 1900s, when the European tradition of easel produced according to the original piece or the sketch painting came to provide an alternative.[1] The album of the original piece; Lin (临 ) denotes the imitation of was the last major painting format to develop. It ar- an original, with a certain level of resemblance; Fang rived along with the evolution of leaf-books. The album (仿 ) means the artistic copy of a certain style, vaguely was first used to preserve small paintings, later being connected with the original; and the last one, Zao (造 ), adopted by artists as a new format for original work refers to purely inventive works assigned to a certain and also as teaching resource or notebook for the master’s name. artist himself. Pictorial art in China frst emerged as patterns on In the process of the material change, it’s note- ritual vessels, then was transmitted to wall paintings worthy that Mo, the faithful copy, was involved in three and interior screens; later it was realised on horizontal slightly different ways: 1. to transmit an image from hand scrolls, vertical hanging scrolls and albums. manuscript/powder version to final work; 2.
    [Show full text]
  • Download This Issue
    PRINCETon’s HARVARD GAME ASIAN AMERICAN CHEROKEE CHIEF PREVIEW STUDIES UPDATE PRINCETON ALUMNI WEEKLY THE ENGINEER Mother Nature, meet Frances Arnold ’79 OCTOBER 22, 2014 PAW.PRINCETON.EDU 00paw1022_CovFinal.indd 1 10/6/14 11:45 AM Nova Cæsarea: A Cartographic Record of the Garden State 1666-1888 Main Gallery, Firestone Library • Now through January 25, 2015 Curator Tours: October 26 and December 14 at 3 p.m. http://library.princeton.edu/njmaps FRIENDS OF THE ALSO ON VIEW PRINCETON UNIVERSITY LIBRARY Suits, Soldiers, and Hippies: Join the Friends of Princeton University Library at: The Vietnam War Abroad and at Princeton https://makeagift.princeton.edu/fpul/MakeAGift.aspx A new exhibition at the Mudd Manuscript Library highlights materials from the To purchase publications from the Public Policy Papers and the University Archives that document the war’s course Rare Books and Special Collections through the view of policymakers as well as student reaction to the war. On view go to: http://www.dianepublishing.net/ now until June 5, 2015. See: http://www.princeton.edu/mudd/ for more details. Rare Books 9-2014.indd 2 10/2/2014 1:09:07 PM October 22, 2014 Volume 115, Number 3 An editorially independent magazine by alumni for alumni since 1900 PRESIDENT’S PAGE 2 INBOX 3 FROM THE EDITOR 5 ON THE CAMPUS 7 Socioeconomic diversity Feeding Princeton Boost for Asian American studies Recruiting graduate students New apartments behind schedule SPORTS: Harvard- game preview Princeton’s first football team More Past LIFE OF THE MIND 17 Effort versus
    [Show full text]
  • Learning Jueju Through Chinese Painting: a Branch of Bamboo
    lesson plan Learning Jueju through Chinese Painting: A Branch of Bamboo Subject: Chinese Language Arts Grade Level: High School Duration: 85 minutes Dynasty: Yuan (1279–1368) or Ming (1368–1644) Object Types: Album, Painting Themes: Animals and Nature; Language and Stories Contributed by: Yuanyuan Gao, DC International School, Washington, DC A Branch of Bamboo Ni Zan 倪瓚, inscription by Qian Weishan China, Yuan or Ming dynasty, ca. 1369 Ink on paper 11 9/16 x 11 7/16 in Gift of Charles Lang Freer. Freer Gallery of Art, F1915.36d Objectives Students will analyze the painting A Branch of Bamboo along with the poetry printed on it. Then, students will create their own Chinese quatrain, a jueju. Essential Questions • What’s unique about Ni Zan’s painting? • What does bamboo symbolize? • What are the features of jueju? • How do poems and paintings complement each other in Chinese art? Smithsonian Freer Gallery of Art Arthur M. Sackler Gallery lesson plan: Learning Jueju through Chinese Painting: A Branch of Bamboo 1 Background Information Ni Zan (Chinese: 倪瓚; 1301–1374) was a Chinese painter during the Yuan and early Ming dynasties. Along with Huang Gongwang, Wu Zhen, and Wang Meng, he is one of the Four Masters of the Yuan dynasty. Bamboo has been depicted in Chinese painting for more than a thousand years. Along with the pine and the plum, bamboo is a member of the Three Friends of Winter due to its ability to bear the harshest of winters. It is also one of the Four Gentlemen (the other three being the plum, the orchid, and the chrysanthemum) due to the moral virtues it represents.
    [Show full text]
  • Revealing Details in Light and Shadows
    ABOUT THE COVER Kobayashi Kiyochika (1847–1915), Mosquito Net and Full Moon at Shinagawa, 1884 (detail), from the series One Hundred Views of Musashi. Woodblock print; ink and color on paper 14 5/8 in x 9 13/16 in/ 37.2 cm x 24.9 cm). Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC, United States, Robert O. Muller Collection, S2003.8.1217. Revealing Details in Light and Shadows Byron Breedlove and Reginald Tucker uring the Edo period (1603–1868) in Japan, a time As an artist who successfully fused motifs and ideas Dwhen Tokugawa Ieyasu and his descendants ruled, from Japanese and Western art, Kobayashi Kiyochika occu- economic growth gave rise to a more literate, sophisticated, pies a unique niche among Japanese illustrators of the Edo and affluent culture, hungry for the trappings of luxury, in- period. Japanese art historian, dealer, and collector Rich- cluding extravagant art. This cultural shift was described ard Lane considers Kiyochika to be both the last important by the phrase ukiyo, or “floating world,” which was asso- ukiyo-e artist and the first exponent of the modern Japanese ciated with the pursuit of pleasure and hedonism in urban woodcut. Kato Yosuke, curator of Nerima Art Museum, areas. The art of the Edo period, dominated by painting and Tokyo, explains that “Kiyochika is often referred to as the woodblock prints, came to be known as “pictures of the last ukiyo-e artist” because he stuck to colored woodblock floating world” or ukiyo-e. prints and “kept pinning his hope on their potential until the end, despite the diversification and development of printing Author affiliation: Centers for Disease Control and Prevention, techniques in modern times.” Atlanta, Georgia, USA Kiyochika’s ukiyo-e color woodblock prints, as well DOI: https://doi.org/10.3201/eid2405.AC2405 as his newspaper illustrations and wartime propaganda art, Emerging Infectious Diseases • www.cdc.gov/eid • Vol.
    [Show full text]
  • 5P.Qian,Part 1,Spirit and Self
    ∫ SPIRIT AND SELF IN MEDIEVAL CHINA Published with the support of the School of Hawaiian, Asian, and Pacific Studies, University of Hawai‘i ∫ SPIRIT AND SELF IN MEDIEVAL CHINA The Shih-shuo hsin-yü and Its Legacy Nanxiu Qian university of hawai‘i press honolulu © 2001 University of Hawai‘i Press All rights reserved Printed in the United States of America 060504030201 654321 Library of Congress Cataloging-in-Publication Data Qian, Nanxiu. Spirit and self in medieval China: the Shih-shuo hsin-yü and its legacy / Nanxiu Qian. p. cm. Includes bibliographical references and index. ISBN 0-8248-2309-5 (alk. paper)—ISBN 0-8248-2397-4 (pbk. : alk. paper) 1. Liu, I-ch’ing, 403-444. Shih shuo hsin yè. I. Title: Shih-shuo hsin-yü and its legacy. II. Title. DS736.L5363 Q25 2001 895.1'8240208—dc21 00-062949 Chapter 8 first appeared in Nan Nuu: Men, Women, and Gender in Early and Imperial China, Kononklijke Brill N.V., Leiden, The Netherlands (1999). Chapter 9 first appeared in Early Medieval China 4 (1998): 49–82. Both appear here in revised form with the permission of the publishers. University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Deborah Hodgdon Printed by The Maple-Vail Book Manufacturing Group To Richard B. Mather ∫ Contents List of Figures ix Acknowledgments xi Chinese Dynasties xiii Japanese Periods Involved in the Japanese Shih-shuo Imitations xv Introduction 1 Part 1 From Character Appraisal to Character Writing: The Formation of the Shih-shuo Genre Chapter 1.
    [Show full text]
  • What West Wrought the Graduate College Turns 100: a Photo Essay
    NAJLA SAID ’96 TAX!EXEMPT STATUS NEW IMAGING TOOL, WRITES HER ROLE CHALLENGED NEW REVELATIONS PRINCETON ALUMNI WEEKLY What West Wrought The Graduate College Turns 100: A Photo Essay SEPTEMBER 18, 2013 PAW.PRINCETON.EDU 00paw0918_cover REV1.indd 1 9/3/13 5:30 PM Art by renowned illustrator Isabelle Arsenault. RENOWNED GUIDANCE We have served families for generations, offering the counsel and advice needed to handle even the most complex wealth management needs. To learn how we can apply our knowledge and experience to help preserve your family’s legacy, call Mark Graham at 302-651-1665, email [email protected], or visit wilmingtontrust.com. FIDUCIARY SERVICES | WEALTH PLANNING | INVESTMENT MANAGEMENT | PRIVATE BANKING ©2013 Wilmington Trust Corporation. An M&T Company. wt007751 IVY_MG_M.indd 1 6/25/13 4:13 PM 7751 IVY_MG 8.125” x 10.5” 130906_WilmingtonTrust.indd 1 7/16/13 1:45 PM September 18, 2013 Volume 114, Number 1 An editorially independent magazine by alumni for alumni since 1900 PRESIDENT’S PAGE 2 Adam Maloof sits at his new grinding INBOX 3 machine, named GIRI, page 28. FROM THE EDITOR 5 ON THE CAMPUS 11 Lawsuit challenges tax- exempt status Annual Giving results Construction update Grafton challenge Student Dispatch: Sustainable fashion Students make documentary "lm SPORTS: Football preview Summer softball LIFE OF THE MIND 27 The psychology of scarcity Gregor Creative destruction The amazing fruit !y Research shorts PRINCETONIANS 45 Alumna’s research leads to reparations agreement Laura Ray ’84 *91: Polar-robot designer A. Scott Berg ’71 on Woodrow Wilson Reading Room: Aaron Hirsh ’94 CLASS NOTES 52 Searching for Palestine 34 Away From the Horde 38 MEMORIALS 71 Najla Said ’96 has a famous last name, but A photographic celebration of the Graduate CLASSIFIEDS 78 she is writing her own script, determined that College, which turns 100 this year.
    [Show full text]