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What’s the point of taking pictures with your friends if you don’t post them online? ~ Karina, 16, Generation MySpace Everyone in the back of his mind wants to be a star. ~ Chad Hurley, founder of YouTube Part 2 As long as people continue to be pumped up with false feedback, connected in illusory close relationships, and driven by flash rather TECHNOLOGY: The Culture of i than substance – that is, as long as fantasy can trump reality in the game of life – narcissism will thrive. ~ Jean M. Twenge, PhD & W. Keith Campbell, PhD The Narcissism Epidemic: Living in the Age of Entitlement Personality does not exist in isolation. This increase in narcissism in individuals is, we believe, just an outcome of a massive shift in Our self-absorption is not only slowly killing us personally but also culture toward a greater focus on self-admiration. setting up our whole world for a tragic collapse. ~ Jean M. Twenge, PhD & W. Keith Campbell, PhD ~ David A. Zimmerman, Deliver Us from Me-Ville The Narcissism Epidemic: Living in the Age of Entitlement There’s a trick to being human; you only have to think about Having changed ourselves, we no longer perceive our yourself. transformation. ~ Gaius Baltar, Battlestar Galactica ~ Roger Kimball, New Criterion What are mere mortals that you are mindful of them, I’m good enough. I’m smart enough. And doggone it, people like human beings that you care for them? me. You made them a little lower than the angels; ~ Stuart Smalley, Daily Affirmations you crowned them with glory and honour and put everything under their feet. The narcissist spends his or her life regulating his or her social ~ Hebrews 2:6-8 (TNIV) relationships in order to maximize self-admiration. ~ Jean M. Twenge, PhD & W. Keith Campbell, PhD The Narcissism Epidemic: Living in the Age of Entitlement Like that eternally distracting reflecting pool of Greek lore, the Facebook profile can become an abyss of self-love that consumes one entirely. ~ Caitlin Mueller, Stanford Daily Because screen culture is rooted in a peakaboo mentality anchored in images, today’s teens are expert exhibitionists, vigilant voyeurs, and novice narcissists. ~ Candice Kelsey, Generation MySpace .

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Representations and Discourse of Torture in Post 9/11 Television: an Ideological Critique of 24 and Battlestar Galactica
REPRESENTATIONS AND DISCOURSE OF TORTURE IN POST 9/11 TELEVISION: AN IDEOLOGICAL CRITIQUE OF 24 AND BATTLSTAR GALACTICA Michael J. Lewis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Jeffrey Brown, Advisor Becca Cragin ii ABSTRACT Jeffrey Brown Advisor Through their representations of torture, 24 and Battlestar Galactica build on a wider political discourse. Although 24 began production on its first season several months before the terrorist attacks, the show has become a contested space where opinions about the war on terror and related political and military adventures are played out. The producers of Battlestar Galactica similarly use the space of television to raise questions and problematize issues of war. Together, these two television shows reference a long history of discussion of what role torture should play not just in times of war but also in a liberal democracy. This project seeks to understand the multiple ways that ideological discourses have played themselves out through representations of torture in these television programs. This project begins with a critique of the popular discourse of torture as it portrayed in the popular news media. Using an ideological critique and theories of televisual realism, I argue that complex representations of torture work to both challenge and reify dominant and hegemonic ideas about what torture is and what it does. This project also leverages post-structural analysis and critical gender theory as a way of understanding exactly what ideological messages the programs’ producers are trying to articulate.
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