DOCSLIB.ORG

Jackhammer) Is a Brand New Level Editor for Games with a Quake-Style BSP Architecture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jackhammer) Is a Brand New Level Editor for Games with a Quake-Style BSP Architecture J.A.C.K. Reference Manual Version 1.1 April 1, 2018 Copyright © Crystice Softworks 2013 — 2018 VDK Reference Manual Revision 6 (Apr 2018) Page 2/87 Introduction J.A.C.K. (Just Another Creation Kit; previously known as Jackhammer) is a brand new level editor for games with a quake-style BSP architecture. The aim is to develop a convenient cross- platform tool capable of incorporating the best features of existing editors, such as Valve Hammer Editor, Q3Radiant and others. Despite Quake and Half-Life having been released a long time ago, the large communities have arisen around, still developing modifications and games on their bases. However the existing editors suffer from fundamental disadvantages their users are well familiar with. J.A.C.K. does aspire to be the universal level design tool for classic games. But not only the classics! The editor shall become a key development tool for the Volatile engine, so that is why its second name is Volatile Development Kit. J.A.C.K. is being developed since August 2013. Despite not all the ideas being implemented and not all the functions being completely error-free, you are already able to download fully functional version of the editor, install and evaluate J.A.C.K. in action. Please don't forget that any complicated software may contain some issues. We are interested in a vast testing of the editor and grateful in advance for your comments and suggestions! We are pleased to see you amongst the J.A.C.K. users! J.A.C.K. Steam Store page: http://store.steampowered.com/app/496450 Online information about J.A.C.K. is available from: http://jack.hlfx.ru Def2fgd tool: https://bitbucket.org/FreeSlave/def2fgd Copyright Notice: some parts of the manual were taken from the official Worldcraft 3.x CHM manual; copyright © 1996- 2000 Valve LLC, all rights reserved. The appropriate modifications were introduced in some places, to handle the differences between Worldcraft/VHE and J.A.C.K. 2 VDK Reference Manual Revision 6 (Apr 2018) Page 3/87 Important Notice Concerning the situation with copyright issues for Half-Life map compiling tools (ZHLT/VHLT), we are not able to distribute the tools with the Steam version of J.A.C.K. This also applies to Half-Life modifications. Therefore, before you can proceed with level design for Half-Life, you have to download and install map compiling tools manually. We did our best to facilitate this process as much as possible, so here is a step-by-step guide: 1) Download a proper version of the tools for your operating system. If you don’t know exactly whether your Windows is 32-bit or 64-bit, you can download 32-bit version of the tools; they can run on 64-bit Windows, but not vice versa. Windows, 32-bit: http://jack.hlfx.ru/pub/vhlt_win32_x86.zip Windows, 64-bit: http://jack.hlfx.ru/pub/vhlt_win32_x64.zip Linux/SteamOS, 32-bit: http://jack.hlfx.ru/pub/vhlt_linux_x86.zip Linux/SteamOS, 64-bit: http://jack.hlfx.ru/pub/vhlt_linux_x64.zip MacOS, 32-bit: http://jack.hlfx.ru/pub/vhlt_macos_x86.zip MacOS, 64-bit: http://jack.hlfx.ru/pub/vhlt_macos_x64.zip Or, visit the official VHLT page: http://forums.svencoop.com/forumdisplay.php/217-Vluzacn-s-Map-Compile-Tools 2) After you downloaded the tools, unpack the archive to the Half-Life directory (where hl.exe is located); the new "tools" subdirectory containing the executables and other necessary files will be created. Finally, the following executables must exist (the path to "SteamApps" is just an example; please assume your own Steam path instead): C:/Program Files/Steam/SteamApps/common/half-life/tools/hlcsg.exe C:/Program Files/Steam/SteamApps/common/half-life/tools/hlbsp.exe C:/Program Files/Steam/SteamApps/common/half-life/tools/hlvis.exe C:/Program Files/Steam/SteamApps/common/half-life/tools/hlrad.exe 3) Run the Automatic Configuration Tool in J.A.C.K. (Ctrl+F2); make sure the path to Half-Life has been automatically detected (if not, this probably means you don’t own a legal copy of the game) and is the same you’ve just unpacked the tools into. Press OK to create a game configuration for Half- Life. Now everything should be fine. 4) If you still get the error "File not found" when compiling a map, please examine the paths again; you have probably unpacked the tools to a wrong directory. You can also manually correct the paths in the Configure dialog (F2). 3 VDK Reference Manual Revision 6 (Apr 2018) Page 4/87 Contents 1. BASIC INFORMATION ....................................................................................................................................................7 1.1. KEY FEATURES ...............................................................................................................................................................7 1.2. HARDWARE AND SOFTWARE REQUIREMENTS................................................................................................................11 1.3. CONTACTING THE AUTHORS..........................................................................................................................................11 2. SETUP GUIDE ..................................................................................................................................................................12 2.1. GENERAL SETTINGS ......................................................................................................................................................12 2.2. GAME CONFIGURATIONS ..............................................................................................................................................12 Automatic Setup .............................................................................................................................................................12 Manual Setup .................................................................................................................................................................12 3. LEVEL DESIGN BASICS ................................................................................................................................................17 3.1. INTRODUCTION TO EDITING ..........................................................................................................................................17 Solids: the Foundation of 3D Design.............................................................................................................................17 Entities ...........................................................................................................................................................................17 Entity Types....................................................................................................................................................................17 Putting it All Together....................................................................................................................................................17 3.2. THE 3D AND 2D VIEWS.................................................................................................................................................18 Using Cameras...............................................................................................................................................................18 Camera Placement.........................................................................................................................................................18 Keyboard Shortcuts........................................................................................................................................................19 3.3. CREATING SOLIDS.........................................................................................................................................................19 Creating Solids from Scratch .........................................................................................................................................19 Creating Solids by Cloning ............................................................................................................................................20 3.4. TEXTURING SOLIDS.......................................................................................................................................................20 Texture Browser.............................................................................................................................................................21 Texture Application Mode..............................................................................................................................................22 3.5. RESHAPING SOLIDS.......................................................................................................................................................23 Vertex Manipulation.......................................................................................................................................................23 Vertices and Edges.........................................................................................................................................................24 Face Splitting .................................................................................................................................................................25 Vertex Welding...............................................................................................................................................................25
Load more

Recommended publications
  • Empirical Investigation on Measurement of Game Immersion Using Real World Dissociation Factor
    Thesis no: MSCS-2016-13 Empirical Investigation on Measurement of Game Immersion using Real World Dissociation Factor Gadila Swarajya Haritha Reddy Faculty of Computing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Faculty of Computing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Computer Science. The thesis is equivalent to 20 weeks of full time studies. Contact Information: Author(s): Gadila Swarajya Haritha Reddy E-mail: [email protected] University advisor: Prof. Sara Eriksén Department of Creative Technologies Faculty of Computing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Context. Games involve people to a large extent where they relate them- selves with the game characters; this is commonly known as game immer- sion. Generally, some players play games for enjoyment, some for stress relaxation and so on.Game immersion is usually used to describe the degree of involvement with a game. When people play games, they don’t necessar- ily realize that they have been dissociated with the surrounding world. Real world dissociation (RWD) can be defined as the situation where a player is less aware of the surroundings outside the game than about what is happen- ing in the game itself. The RWD factor has been expected to measure the losing track of time, lack of awareness of surroundings and mental trans- portation. Objectives. In this thesis, we measure and compare the difference in game immersion between experienced and inexperienced players using RWD fac- tor.
    [Show full text]
  • Now We Are All Sons of Bitches
    Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2).
    [Show full text]
  • Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015
    Repositorium für die Medienwissenschaft Jennifer deWinter; Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015 https://doi.org/10.25969/mediarep/14996 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: deWinter, Jennifer; Kocurek, Carly A.: Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2. In: Thomas Hensel, Britta Neitzel, Rolf F. Nohr (Hg.): »The cake is a lie!« Polyperspektivische Betrachtungen des Computerspiels am Beispiel von PORTAL. Münster: LIT 2015, S. 31– 48. DOI: https://doi.org/10.25969/mediarep/14996. Erstmalig hier erschienen / Initial publication here: http://nuetzliche-bilder.de/bilder/wp-content/uploads/2020/10/Hensel_Neitzel_Nohr_Portal_Onlienausgabe.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Weitergabe unter Attribution - Non Commercial - Share Alike 3.0/ License. For more gleichen Bedingungen 3.0/ Lizenz zur Verfügung gestellt. Nähere information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by-nc-sa/3.0/ http://creativecommons.org/licenses/by-nc-sa/3.0/ ­­­Jennifer deWinter / Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in ›Portal‹ and ›Portal 2‹ Chell stands in a corner facing a portal, then takes aim at the adjacent wall with the Aperture Science Handheld Portal Device. Between the two portals, one ringed in blue, one ringed in orange, Chell is revealed, reflected in both. And, so, we, the player, see Chell. She is a young woman with a ponytail, wearing an orange jumpsuit pulled down to her waist and an Aperture Science-branded white tank top.
    [Show full text]
  • Master Thesis
    Faculty of Computer Science and Management Field of study: COMPUTER SCIENCE Specialty: Information Systems Design Master Thesis Multithreaded game engine architecture Adrian Szczerbiński keywords: game engine multithreading DirectX 12 short summary: Project, implementation and research of a multithreaded 3D game engine architecture using DirectX 12. The goal is to create a layered architecture, parallelize it and compare the results in order to state the usefulness of multithreading in game engines. Supervisor ...................................................... ............................ ……………………. Title/ degree/ name and surname grade signature The final evaluation of the thesis Przewodniczący Komisji egzaminu ...................................................... ............................ ……………………. dyplomowego Title/ degree/ name and surname grade signature For the purposes of archival thesis qualified to: * a) Category A (perpetual files) b) Category BE 50 (subject to expertise after 50 years) * Delete as appropriate stamp of the faculty Wrocław 2019 1 Streszczenie W dzisiejszych czasach, gdy społeczność graczy staje się coraz większa i stawia coraz większe wymagania, jak lepsza grafika, czy ogólnie wydajność gry, pojawia się potrzeba szybszych i lepszych silników gier, ponieważ większość z obecnych jest albo stara, albo korzysta ze starych rozwiązań. Wielowątkowość jest postrzegana jako trudne zadanie do wdrożenia i nie jest w pełni rozwinięta. Programiści często unikają jej, ponieważ do prawidłowego wdrożenia wymaga wiele pracy. Według mnie wynikający z tego wzrost wydajności jest warty tych kosztów. Ponieważ nie ma wielu silników gier, które w pełni wykorzystują wielowątkowość, celem tej pracy jest zaprojektowanie i zaproponowanie wielowątkowej architektury silnika gry 3D, a także przedstawienie głównych systemów używanych do stworzenia takiego silnika gry 3D. Praca skupia się na technologii i architekturze silnika gry i jego podsystemach wraz ze strukturami danych i algorytmami wykorzystywanymi do ich stworzenia.
    [Show full text]
  • GWT + HTML5 Can Do What? (Google I/O 2010)
    GWT + HTML5 Can Do What!? Ray Cromwell, Stefan Haustein, Joel Webber May 2010 View live notes and ask questions about this session on Google Wave http://bit.ly/io2010-gwt6 Overview • HTML5 and GWT • Demos 1. Eyes 2. Ears 3. Guns What is HTML5 • Formal definition o Best practices for HTML interpretation o Audio and Video elements o Other additional elements • Colloquial meaning o Canvas o WebGL o WebSockets o CSS 3 o LocalStorage o et al GWT support for HTML5 • Very easy to build Java wrappers • Many already exist in open-source projects • Will be moving many of these into GWT proper (~2.2) • Not part of GWT core yet • GWT has always strived to be cross-browser • Most new features are not available on all browsers WebGL • OpenGL ES 2.0, made Javascript-friendly • Started by Canvas3D work at Mozilla • Spread to Safari and Chrome via WebKit • Canvas.getContext("webgl"); WebGL Differences to OpenGL 1.x • No fixed function pipeline (no matrix operations, no predefined surface models) • Supports the GL Shader Language (GLSL) o Extremely flexible o Can be used for fast general computation, too • Distinct concepts of native arrays and buffers o Buffers may be stored in graphics card memory o Arrays provide element-wise access from JS o Data from WebGL Arrays needs to be copied to WebGL buffers before it can be be used in graphics operations Eyes: Image Processing Image Processing Photoshop Filters in the Browser • Work on megapixel images • At interactive frame rates • Provide general purpose operations o scale, convolve, transform, colorspace
    [Show full text]
  • Die Kulturelle Aneignung Des Spielraums. Vom Virtuosen Spielen
    Alexander Knorr Die kulturelle Aneignung des Spielraums Vom virtuosen Spielen zum Modifizieren und zurück Ausgangspunkt Obgleich der digital divide immer noch verhindert, dass Computerspiele zu ge- nuin globalen Gütern werden, wie es etwa der Verbrennungsmotor, die Ka- laschnikow, Hollywoodikonen, Aspirin und Coca Cola längst sind, sprengt ihre sich nach wie vor beschleunigende Verbreitung deutlich geografische, natio- nale, soziale und kulturelle Schranken. In den durch die Internetinfrastruktur ermöglichten konzeptuellen Kommunikations- und Interaktionsräumen sind Spieler- und Spielkulturen wesentlich verortet, welche weiten Teilen des öf- fentlichen Diskurses fremd und unverständlich erscheinen, insofern sie über- haupt bekannt sind. Durch eine von ethnologischen Methoden und Konzepten getragene, lang andauernde und nachhaltige Annäherung ¯1 an transnational zusammengesetzte Spielergemeinschaften werden die kulturell informierten Handlungen ihrer Mitglieder sichtbar und verstehbar. Es erschließen sich so- ziale Welten geteilter Werte, Normen, Vorstellungen, Ideen, Ästhetiken und Praktiken – Kulturen eben, die wesentlich komplexer, reichhaltiger und viel- schichtiger sind, als der oberflächliche Zaungast es sich vorzustellen vermag. Der vorliegende Artikel konzentriert sich auf ein, im Umfeld prototypischer First-Person-Shooter – genau dem Genre, das im öffentlichen Diskurs beson- ders unter Beschuss steht – entstandenes Phänomen: Die äußerst performativ orientierte Kultur des trickjumping. Nach einer Einführung in das ethnologische
    [Show full text]
  • June 2019 the Edelweiss Am Rio Grande Nachrichten
    Edelweiss am Rio Grande German American Club Newsletter-June 2019 1 The Edelweiss am Rio Grande Nachrichten The newsletter of the Edelweiss am Rio Grande German American Club 4821 Menaul Blvd., NE Albuquerque, NM 87110-3037 (505) 888-4833 Website: edelweissgac.org/ Email: [email protected] Facebook: Edelweiss German-American Club June 2019 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 8 Kaffeeklatsch Irish Dance 7pm Karaoke 3:00 pm 5-7 See page 2 9 10 11 12 13 14 15 DCC Mtng & Irish Dance 7pm Strawberry Fest Dance 2-6 pm Essen und Dance See Pg 4 Sprechen pg 3 16 17 18 19 20 21 22 Jazz Sunday GAC Board Irish Dance 7pm Karaoke Private Party 2:00-5:30 pm of Directors 5-7 6-12 6:30 pm 23 24 25 26 27 28 29 Irish Dance 7pm Sock Hop Dance See Pg 4 30 2pm-German- Language Movie- see pg 3 Edelweiss am Rio Grande German American Club Newsletter-June 2019 2 PRESIDENT’S LETTER Summer is finally here and I’m looking forward to our Anniversary Ball, Luau, Blues Night and just rolling out those lazy, hazy, crazy days of Summer. On a more serious note there have been some misunderstandings between the GAC and one of our oldest and most highly valued associate clubs the Irish-American Society (IAS). Their President, Ellen Dowling, has requested, and I have extended an invitation to her, her Board of Directors, and IAS members at large to address the GAC at our next Board meeting.
    [Show full text]
  • Collaborative Design: Integrating Game Engine to Online Interactive Presentation Tool
    COLLABORATIVE DESIGN: INTEGRATING GAME ENGINE TO ONLINE INTERACTIVE PRESENTATION TOOL RAKTUM SALLKACHAT, ARAYA CHOUTGRAJANK Master of Science Program in Computer-Aided Architectural Design Rangsit University, Thailand. [email protected]; [email protected] Abstract. In this research, we aim at the development of a computer- aided collaborative design tool, which supports the online architectural presentation independently from computer platforms and locations. Users are enabled to access the system and collaborate among working team via the Internet. Various online 3D Game engines are explored and evaluated. One 3D Game engine is selected and used as a base engine for the collaborative tool development. The application development will specifically concentrate on real-time presentation, shared representation and understanding among design teams and project owner. Traditional architectural design presentation in collaboration process will be imitated and transformed into digital age online presentation. 1. Introduction Traditionally, design collaboration between designers and clients used to be simply managed by using sketch, two-dimensional drawing, architectural model, and perspective drawing. These traditional tools are essential in architectural design process since they represents some forms of prototypes, which help architects in understanding clients’ needs as well as designing and developing projects that match clients’ expectation. In this information age, computer technology has been playing an important role and gradually replacing the traditional tools. Outcomes from this new digital tool are so real that customers could convincingly experience the design prior to actual construction. The development of architectural-specific application, especially 3-D presentation application, are complex and would need high-end system in both development and implementation phases.
    [Show full text]
  • Game Engine Architecture
    Game Engine Architecture Chapter 1 Introduction prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 1 Structure of a game team • Lots of members, many jobs o Engineers o Artists o Game Designers o Producers o Publisher o Other Staff prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 2 Engineers • Build software that makes the game and tools works • Lead by a senior engineer • Runtime programmers • Tools programmers prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 3 Artists • Content is king • Lead by the art director • Come in many Flavors o Concept Artists o 3D modelers o Texture artists o Lighting artists o Animators o Motion Capture o Sound Design o Voice Actors prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 4 Game designers • Responsible for game play o Story line o Puzzles o Levels o Weapons • Employ writers and sometimes ex-engineers prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 5 Producers • Manage the schedule • Sometimes act as the senior game designer • Do HR related tasks prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of Tulsa 6 Publisher • Often not part of the same company • Handles manufacturing, distribution and marketing • You could be the publisher in an Indie company prepared by Roger Mailler, Ph.D., Associate Professor of Computer Science, University of
    [Show full text]
  • PG National Vigorsol Beats,Quando Il Complotto Incontra Il Videogame,Top 5
    PG National Vigorsol Beats Lo scorso 7 Aprile, al Teatro Ciak di Milano si è disputata una delle serie più emozionanti dell’ultimo split del National Predator, campionato nazionale di League of Legends, la sfida finale che ha visto contrapporsi due team formati recentemente, i Campus Party Sparks e i Samsung Morning Stars. Il match ha animato il pubblico fisico e “virtuale” con colpi di scena e momento mozzafiato, registrando più di un migliaio di spettatori fisici e oltre 5000 su Twitch. Organizzata su una “Best of 5”, la partita ha visto uno scatto iniziale dei Morning Stars, vicini alla vittoria con un 2-0 sugli avversari. Tuttavia, l’ampia capacità d’adattamento e di “mind-reset” degli Sparks e, qualche errore anche dal lato dei Samsung, hanno garantito il recupero e la vittoria degli primi in classifica, concludendo con un 3-2 ottenuto dopo una partita da brividi. Durante lo Spring Split l’andamento del team vincitore è stato per lo più dominante, con sole 2 sconfitte durante la prima e terza settimana della competizione e ben 12 vittorie in totale. Essendo entrambe new entry della scena italiana, i team hanno sorpreso tutti, riuscendo a scavalcare team veterani e non. Per la prima volta vediamo come title sponsor della competizione Vigorsol, famosissima società di chewing-gum che ha deciso d’investire nella scena italiana, altro segno dell’importanza degli eSport e di League of Legends sempre crescente negli anni. Basti pensare come siano aumentate anche le poste in palio: il premio delle competizioni mondiali è passato dai 50.000 dollari della prima season a un picco di 2.680.000 dollari nella sesta season.
    [Show full text]
  • Quake Three Download
    Quake three download Download ioquake3. The Quake 3 engine is open source. The Quake III: Arena game itself is not free. You must purchase the game to use the data and play. While the first Quake and its sequel were equally divided between singleplayer and multiplayer portions, id's Quake III: Arena scrapped the. I fucking love you.. My car has a Quake 3 logo vinyl I got a Quake 3 logo tatoo on my back I just ordered a. Download Demo Includes 2 items: Quake III Arena, QUAKE III: Team Arena Includes 8 items: QUAKE, QUAKE II, QUAKE II Mission Pack: Ground Zero. Quake 3 Gold Free Download PC Game setup in single direct link for windows. Quark III Gold is an impressive first person shooter game. Quake III Arena GPL Source Release. Contribute to Quake-III-Arena development by creating an account on GitHub. Rust Assembly Shell. Clone or download. Quake III Arena, free download. Famous early 3D game. 4 screenshots along with a virus/malware test and a free download link. Quake III Description. Never before have the forces aligned. United by name and by cause, The Fallen, Pagans, Crusaders, Intruders, and Stroggs must channel. Quake III: Team Arena takes the awesome gameplay of Quake III: Arena one step further, with team-based play. Run, dodge, jump, and fire your way through. This is the first and original port of ioquake3 to Android available on Google Play, while commercial forks are NOT, don't pay for a free GPL product ***. Topic Starter, Topic: Quake III Arena Downloads OSP a - Download Aerowalk by the Preacher, recreated by the Hubster - Download.
    [Show full text]
  • Maxi Gamer Phoenixtm И Guillemottm Являются Торговыми Марками Компании Guillemot Corporation
    L]\_ Zdb Maxi Gamer PhoenixTM и GuillemotTM являются торговыми марками компании Guillemot Corporation. Pentium является зарегистрированной торговой маркой компании Intel Corporation. Microsoft and Windows являются зарегистрированными торговыми марками компании Microsoft Corporation; Windows 95TM, Windows 98TM, DirectXTM, Direct3DTM, DirectSoundTM, DirectPlayTM, DirectInputTM, DirectDrawTM, DirectMusicTM являются торговыми марками компании Microsoft Corporation. 3Dfx Interactive, VoodooTM, Voodoo Graphics, Voodoo RushTM, Voodoo2TM, Voodoo BansheeTM и GlideTM являются торговыми марками и/или зарегистрированными торговыми марками компании 3Dfx Interactive. OpenGL является зарегистрированной торговой маркой компании Silicon Graphics. IBM и VGA являются зарегистрированными торговыми марками компании International Business Machines Corporation. AdobeTM и AcrobatTM являются торговыми марками компании Adobe Systems Inc. :\db_ Z\Z Copyright Guillemot Corporation 1998. Все права защищены. Никакая часть настоящего руководства ни в каких целях не может быть воспроизведена или передана в какой бы то ни было форме и какими бы то ни было средствами, будь то электронные или механические, включая фотокопирование и запись на магнитный носитель, если на то нет письменного разрешения корпорации Guillemot. MS-DOS и Windows являются зарегистрированными торговыми марками Microsoft, Inc. I__\^ ^Z] d\^\Zb _]ba^Zb_ _\_ A:H «F_]Z_c^F b_]Za__bGuillemot Corporation. Guillemot Corporation 1998 ] Maxi Gamer Phoenix - User Manual 1 KH>?J@:GB? I. 'NMGDPBB0$;,*$0(53+2(1,;........................................................
    [Show full text]