Students Feel Med School Pangs *•• by Lois Kimmelman
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The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
My Odyssey Through the Underground Press
Michael Kindman. My Odyssey through the Underground Press. Edited by Ken Wachsberger. East Lansing: Michigan State University Press, 2011. xx + 206 pp. $39.95, paper, ISBN 978-1-61186-000-9. Reviewed by Susan Keith Published on Jhistory (August, 2012) Commissioned by Heidi Tworek (University of British Columbia) Social movements of the Sixties--a cultural era movements of the Sixties as Michael “Mica” Kind‐ often said to have begun in the 1950s or even man in his posthumous memoir My Odyssey 1940s and to have continued until nearly the mid Through the Underground Press. In a book edited 1970s--gave new voice to a variety of groups that by Ken Wachsberger as one of four volumes in the previously had been marginalized in U.S. society. Voices from the Underground series, Kindman, [1] During this period, as Abe Peck writes, “War, who died in 1991, recounts his involvement in racism, class, nationalism, the environment, sexu‐ student protests, an autocratic urban religious ality, the nature of consciousness, culture, work, commune, the back-to-the-land movement, the lifestyle--all were radically, substantially, some‐ men’s movement, and gay liberation. As Kindman times explosively reconsidered.”[2] Alternative was either a creator of, contributor to, or acute newspapers and magazines were key components observer of the media of all these struggles, his of this reconsideration, as Peck and other schol‐ book will be useful to historians of both alterna‐ ars--including John McMillian in Smoking Type‐ tive media and social movements. writers: The Sixties Underground Press and the The frst three chapters of the book chronicle Rise of Alternative Media in America (2011)--have Kindman’s transformation into, in Wachsberger’s documented. -
The Whole Earth California and the Disappearance of the Outside
The Whole Earth The Whole California and the Disappearance of the Outside the Disappearance of the and California The Whole Earth California and the Disappearance of the Outside Alex Slade Nextera SEGS VI-IX/Harper Lake Wildlife Viewing Area, Lockhart, CA Calenergy Geothermal Generating Plants/Sonny Bono Salton Sea National Wildlife Refuge, Calipatria, CA Cogentrix SEGS II/Yarrow Ravine Rattlesnake Habitat Area, Daggett, CA 2013 | Photographs | each 122 × 153 cm | Courtesy the artist 2 Eleanor Antin Going Home from Roman Allegories 2004 | Chromogenic print | 124 × 260 cm Courtesy Anonymous Collection Image Courtesy Ronald Feldman Fine Arts, New York and Anonymous Collection 3 TABLE OF CONTENTS Foreword Navigating in and Bernd M. Scherer with the System 6 Sabeth Buchmann 60 The Whole Earth Diedrich Diederichsen Visual Essay Anselm Franke Frontier: 8 At the Pacific Wall 72 Earthrise and the Disappearance of the Outside Plan the Planet Anselm Franke John Palmesino and 12 Ann-Sofi Rönnskog / Territorial Agency Pop Music and the 82 Counterculture Diedrich Diederichsen From Here to California 20 Laurence A. Rickels 91 Visual Essay Universalism Visual Essay 36 Whole Systems 100 The Politics of the Whole Fred Turner A Thousand Ecologies 43 Erich Hörl 121 Whole Earths, 1968–1980 Norman M. Klein 54 4 TABLE OF CONTENTS The Limit of The Power of Information Limitlessness Mercedes Bunz Eva Meyer 172 132 Visual Essay Visual Essay Self Incorporated / Boundless Interior Networks and the Long Boom 137 177 “After we knew that the Visual Essay Earth was a sphere” The Earth is Not Whole Flora Lysen 187 150 Musical Stations Medium Earth of the Counterculture Kodwo Eshun 189 159 Installation Views Visual Essay Biographies Apocalypse, Babylon, Simulation Acknowledgments 163 Colophon 192 On the Californian Utopia / Ideology Maurizio Lazzarato 166 5 Foreword — In the mid-1960s, several years into America’s space came the point of reference for Brand’s project. -
True Tales of the Occult, Crime & Conspiracy
True Tales of the Occult, Crime & Conspiracy Curt Rowlett True Tales of the Occult, Crime & Conspiracy Copyright © 2008 by Curt Rowlett All rights reserved. All materials contained in this book are protected by United States copyright law, HOWEVER, I do give permission for the book to be distributed, transmitted, displayed, published or broadcast, so long as you don’t alter the text in any fashion, try to claim the work as your own, or try to sell it to anyone. Cover art Copyright © 2005 by Hannah Humphries. Edited & formatted by Curt Rowlett. Front and back cover layout by Curt Rowlett. July 2020 Revised (and still free) Edition. ISBN: 1-4116-6083-8 Table of Contents Acknowledgments........................................................................i Author’s Introduction...................................................................iii A Few Words Concerning the Endnotes and Sources................ix Part I: Tales of the Occult Chapter 1: Historical American Vampires: In Fiction and Fact....2 Chapter 2: The Strange Case of John Whiteside Parsons........13 Chapter 3: The House of Blood.................................................23 Chapter 4: Phantom Black Dogs...............................................28 Chapter 5: The Tale of the Poe Toaster....................................33 Chapter 6: The Curse of Palmyra Island...................................36 Chapter 7: A Lecture on Lycanthropy........................................47 Chapter 8: Reports from the Labyrinth......................................52 Part II: Crime -
Charles Manson I Kultovi Proizašli Iz Hipijevskog Pokreta*
Eseji, članci i ras prave Pro Tempore 6/7 Marija Marčetić uvod [povijest / anglistika] Šezdesete u sad-u pamte se kao desetljeće ratnog angažmana u Vijetnamu i antiratnog pokreta, borbe za građanska prava, te sveobuhvatnih društvenih Charles Manson i kultovi proizašli i kulturnih promjena. Iako je u svoje vrijeme izazivao zgražanje zbog radikal- nog odbacivanja tradicionalnog američkog, malograđanskog sustava vrijednosti, iz hipijevskog pokreta* hipijevski pokret danas simbolizira šezdesete i spomenute promjene, ponekad i nezasluženo. Raznovrsne zajednice i pojedince okupljene oko hipijevskog pokreta labavo su povezivala zajednička načela. Najradikalniji izraz pobune protiv tradicionalnih, uglavnom obiteljskih vrijednosti, činile su komune, u kojima se nastojalo osmisliti novi društveni sustav U radu se nastoji smjestiti Charlesa Mansona u širi kontekst i provesti ga u praksu, iako su se hipiji pritom, možda i nesvjesno, ipak pozivali na hipijevskog pokreta, odnosno komuna i kultova povezanih s američku povijesnu komunalnu tradiciju, o čemu piše Timothy Miller.|1 Život u hipijevskim pokretom. Opisuje se nekoliko takvih zajednica i nji- komunama obilježavalo je nastojanje da se prakticiraju konkretni ideali pojedine hov odnos prema pitanjima kao što su obitelj, seksualnost, odnos komune, ali su kao zajednički nazivnik u svima njima zapamćeni propagiranje mira, prema ženama, konzumacija droga i status vođe (gurua) unutar ljubavi i seksualnih sloboda. No, iako su propagirali mir, i u svijesti ljudi često utje- zajednice, te ih se uspoređuje s The Manson Family. Razmatraju lovljuju antiratni pokret, hipiji dobrim dijelom nisu u njemu bili stvarno aktivni. se sličnosti u njihovim stavovima i naučavanjima u kontekstu Dapače, zamjerali su onim hipijima koji su bili politički aktivni sudjelujući u hipijevskog pokreta, te opisuju eventualne međusobne poveza- antiratnim prosvjedima, jer su oni svojim sukobima s policijom zaoštravali ionako nosti. -
The Civics of Rock: Sixties Countercultural Music and The
THE CIVICS OF ROCK: SIXTIES COUNTERCULTURAL MUSIC AND THE TRANSFORMATION OF THE PUBLIC SPHERE by Michael Jacob Kramer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2006 Approved by Advisor: John F. Kasson Reader: Robert Cantwell Reader: Peter Filene Reader: Lawrence Grossberg Reader: Jacquelyn Hall © 2006 Michael Jacob Kramer ALL RIGHTS RESERVED ii ABSTRACT MICHAEL KRAMER: The Civics of Rock: Sixties Countercultural Music and the Transformation of the Public Sphere (Under the direction of Professor John F. Kasson) For the counterculture of the 1960s and 70s, rock music was not only mass entertainment, but also a form of public life. While many scholars have argued that rock was incompatible with civic participation, this book claims that in music scenes such as San Francisco, in poster art and dancing, on the radio and in print publications, rock served as a flash point for dilemmas of citizenship and civil society. As frequently as it deteriorated into escapism and hedonism, rock also created an atmosphere of inquiry in which the young might listen, think, move, and feel their way through issues of public and civic interaction, such as identity, belonging, power, and democracy. Even when exported by the American military to Vietnam or when circulating to youth movements worldwide, far from eclipsing public life, rock music transformed it into a mass-mediated mode of association -
Významná Osobnost Evropské Kinematografie. Michelangelo Antonioni: Postavení V Dějinách Světové Kinematografie, S Důrazem Na Tvorbu Šedesátých Let
Fakulta filozofická Diplomová práce Významná osobnost evropské kinematografie. Michelangelo Antonioni: postavení v dějinách světové kinematografie, s důrazem na tvorbu šedesátých let. Tadeáš Frano 1 Západočeská univerzita v Plzni Fakulta filozofická Katedra filozofie Studijní program Humanitní studia Studijní obor Evropská kulturní studia Diplomová práce Významná osobnost evropské kinematografie. Michelangelo Antonioni: postavení v dějinách světové kinematografie, s důrazem na tvorbu šedesátých let. Tadeáš Frano Vedoucí práce: Mgr. Jan Kastner Katedra filozofie Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2013 2 Prohlašuji, ţe jsem práci zpracoval samostatně a pouţil jen uvedených pramenů a literatury. Plzeň, duben 2013 ……………………… 3 Obsah ÚVOD ..................................................................................................................................................... 6 SPOLEČENSKÉ KLIMA DOBY.......................................................................................................... 9 EVROPSKÁ KINEMATOGRAFIE 60. LET .................................................................................. 10 Francouzský film ............................................................................................................................................ 10 Španělský film ................................................................................................................................................ 11 Německý film ................................................................................................................................................ -
The Archive of Paul Williams
the archive of paul williams The Archive of Paul Williams JAMES CUMMINS bookseller The Archive of Paul Williams (1948-2013) For information, contact: Henry Wessells james cummins bookseller 699 Madison Avenue, New York City, 10065 Telephone (212) 688-6441 Fax (212) 688-6192 [email protected] jamescumminsbookseller.com hours: Monday – Friday 10:00 – 6:00, Saturday 10:00 – 5:00 Members A.B.A.A., I.L.A.B. Acknowledgments: With sincere thanks to Cindy Lee Berryhill, David G. Hartwell, Jonathan Lethem, and Samuel R. Delany. Front cover portrait of Paul Williams, in the Crawdaddy! ofces, March 1967, by David G. Hartwell. Collection of Cindy Lee Berryhill. terms of payment: All items, as usual, are guaranteed as described and are returnable within 10 days for any reason. All books are shipped UPS (please provide a street address) unless otherwise requested. Overseas orders should specify a shipping preference. All postage is extra. New clients are requested to send remittance with orders. Libraries may ap- ply for deferred billing. All New York and New Jersey residents must add the appropriate sales tax. We accept American Express, Master Card, and Visa. Paul Williams I think of Paul as a wonderful boy — the seventeen-, eighteen-, and nineteen- year-old, who edited Crawdaddy! and came over to my house and sat in the corner on the foor and asked me to write for it; and I did, and enjoyed it, and learned and grew because of it. I think of Paul as a wonderful man — the adult who had an encyclopedic knowledge of pop-music and culture, and who became a prime force in the posthumous career of Philip K. -
Making a Technology of Consciousness in the Long 1960S
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s Peter Sachs Collopy University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons, and the United States History Commons Recommended Citation Collopy, Peter Sachs, "The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s" (2015). Publicly Accessible Penn Dissertations. 1665. https://repository.upenn.edu/edissertations/1665 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1665 For more information, please contact [email protected]. The Revolution Will Be Videotaped: Making a Technology of Consciousness in the Long 1960s Abstract In the late 1960s, video recorders became portable, leaving the television studio for the art gallery, the psychiatric hospital, and the streets. The technology of recording moving images on magnetic tape, previously of use only to broadcasters, became a tool for artistic expression, psychological experimentation, and political revolution. Video became portable not only materially but also culturally; it could be carried by an individual, but it could also be carried into institutions from the RAND Corporation to the Black Panther Party, from psychiatrists’ officeso t art galleries, and from prisons to state-funded media access centers. Between 1967 and 1973, American -
Zabriskie Point
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) In Musicologia e Scienze dello Spettacolo Università Ca’ Foscari Tesi di Laurea Venezia Il ritratto americano di Ca’ Foscari Dorsoduro 3246 30123 Venezia Michelangelo Antonioni: la colonna sonora di Zabriskie Point. Relatore Ch. Prof. Paolo Pinamonti Correlatore Ch. Prof. Fabrizio Borin Laureanda Giorgia Trotter Matricola 834409 Anno Accademico 2011/ 2012 Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) In Musicologia e Scienze dello Spettacolo Tesi di Laurea Il ritratto americano di Michelangelo Antonioni: la colonna sonora di Zabriskie Point. Relatore Ch. Prof. Paolo Pinamonti Correlatore Ch. Prof. Fabrizio Borin Laureanda Giorgia Trotter Matricola 834409 Anno Accademico 2011/ 2012 SOMMARIO INTRODUZIONE ................................................................................................................ 7 1. GENESI E SCRITTURA DI ZABRISKIE POINT .................................................................. 11 1.1. Il ritorno al contemporaneo ........................................................................................................ 11 1.2. Dopo il sogno, la realtà: Antonioni scopre l’America .............................................................. 20 1.3. Dalla realtà al testo: scrittura di Zabriskie Point .......................................................................... 25 1.4. Attori veri, storie vere: la scelta del non professionismo ........................................................ 27 1.5. Il deserto occupa l’inquadratura -
The Underground Press and the Transformation of Metaphysical Religion, 1964-1973
UNIVERSITY OF CALIFORNIA RIVERSIDE Metaphysical Underground: The Underground Press and the Transformation of Metaphysical Religion, 1964-1973 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Religious Studies by Jeremy Guida December 2016 Dissertation Committee: Dr. Amanda J. Lucia, Co-Chairperson Dr. Michael Alexander, Co-Chairperson Dr. Matthew King Copyright by Jeremy Guida 2016 The Dissertation of Jeremy Guida is approved: ____________________________________________________________ ____________________________________________________________ Committee Co-Chairperson ____________________________________________________________ Committee Co-Chairperson University of California, Riverside ACKNOWLEDGEMENTS The completion of this dissertation is the result of no small number of people who have, in various ways, contributed to its content and production. There are many to thank. Michael Alexander and Amanda Lucia have been excellent advisors. Michael’s support, advice and encouragement have been sources of motivation and confidence without which I would not have completed the dissertation. Amanda’s careful and expert attention to my work in general, and especially this dissertation, has made the work infinitely better than it otherwise would have been. Their faith in me and this project, even in the face of many difficulties, has seen this dissertation through to completion. Other faculty at the University of California Riverside have provided professional guidance and support, especially Matthew King, Pashaura Singh, Jennifer Hughes and Ivan Strenski. Faculty at the University of Redlands have also supported me long after I was a student, especially John Walsh, Fran Grace, Julius Bailey, Karen Derris and Bill Huntley. Thanks are also due to my family and friends who have tolerated the difficulty of a loved one enticed by the life of an academic. -
Book Reviews
124 Historical Journal of Massachusetts • Summer 2020 BOOK REVIEWS Inventing a Christian America: The Myth of the Religious Founding. By Steven K. Green. New York: Oxford University Press, 2015. 295 pages. $31.95 (hardcover). It ain’t necessarily so, argues Steven K. Green in a reflection of George Gershwin. Majorities can be wrong. Facts may not match belief. Case in point for Green, the currently common belief about the philosophical underpinnings of American society and government. This book is a history of a myth. America is a Christian nation. So we believe, at least a goodly portion of us. From the Mayflower through the Constitution until today, our history affirms the Christian underpinnings of our Bible-based exceptionalism. Although politicians of every stripe and majorities of average Americans in poll after poll believe that to be the case, the evidence—including an unambiguously non-religious near-revered Constitution—overwhelmingly says otherwise. America the secular—with toleration for if not acceptance of other religions—is the reality. But reality does not negate myth. As Green explains, myth is not fable or fantasy but a comforting interpretation of the past that we create to make the discomfort of today more tolerable and explicable. Until fairly recently, the consensus among scholars, a consensus not particularly surprising to non-academics, was that the founding generation established an enlightenment constitution in accordance with the great clockmaker Deist views of the leading members of the revolutionary generation. The enlightened revolutionary impulse led to the disestablishment of state churches and the acceptance of formerly disparaged or persecuted minority sects, and to a wall-separated state and religion, like all walls not impenetrable but sufficient to allow religion to flourish in its realm, and government in its separate sphere.