DOCSLIB.ORG

Shock Factor Gone... but Haunting Tale Is Worth Revisiting Doors Open: 19:30: Over 16S Only

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shock Factor Gone... but Haunting Tale Is Worth Revisiting Doors Open: 19:30: Over 16S Only Thursday September 18, 2014, The Gazette 7 Sukekiyo 2014 LIVE in Europe featured on Season 6 of Russell : “ameagari no yuushi”. O2 Simmons Presents Def Poetry on Academy Islington, London N1 HBO. Artists performing: Watsky. 0PS. Thursday, September 18. Shock factor gone... but haunting tale is worth revisiting Doors open: 19:30: Over 16s only. Mother + Special Guests Penn Wednesday, September 24. Badgley - Jimmy Giannopoulos GHOST FROM production nicely interrogates Claire Plus Special Guests. London - Simon Oscroft - Darren Will A PERFECT PLACE the motivations behind Oslo, London E8 1LL. Wednesday, M O T H E R, fronted by Gossip Arcola Theatre recollection, lending the September 24. ####$ scenes a crackling energy. Girl’s Penn Badgley, have Mars Red Sky plus Trippy Wicked. announced four shows next The shock factor of Philip Feast and Reid form a The Black Heart, London NW1 month. Sebright Arms, London E2 Ridley’s modern Gothic sterling tragicomic double act 0AP. Thursday, September 25. 9AG. Thursday September 18. horror has somewhat as they summon ghosts to LV & Josh Idehen Plus Sega Bite The Buffalo plus Nights + diminished. re-enact Torchie’s agonising Bodega DJ Set + Special losses: she desperately Fossa. Hoxton Bar & Kitchen, Sharp-suited gangster Travis Guest Darq E Freaker. London seeking a way to avert London N1 6NU. Thursday, Flood (Michael Feast) returns Oslo, London E8 1LL. Thursday, disaster, he experiencing September 18. home after a long exile; while September 25. crippling visceral empathy. Nathan Fake (Live) Plus Wesley his contemporaries did time, Chloe Howl Plus Lisbon. Scala Matsell + Special Guest: Patten Travis swapped Bethnal Rio and her gang (spiky London, N1 9NL. Thursday, Live A/V. London Oslo, London Green for Hollywood, Scarlett Brookes and Rachel September 25. E8 1LL. Thursday, September 18. reminiscing about the Redford) seek new world “heydays” in a whitewashed order by asserting violent Hauschka + Special Guests. Salsa Republic Presents El Union Chapel, London, N1 2UN. autobiography. power over men, but remain Grande. Scala London, 275 Thursday, September 25. defined by their original Pentonville Road, London N1. El Torchie (Sheila Reid) shares abusers – such vengeance is Jolie Holland. Monto Water Rats, Grande the mega Salsa, Latin & that fondness for the past, a hollow gesture. London WC1X 8BZ. Thursday, Afro-Latin monthly event in the her “perfect place” – more I Sheila Reid and Michael Feast Picture: Ben Broomfield September 25. UK is back in the iconic Scala vivid than the bleak present, Ridley may be treading in King’s Cross. Doors open which contains her burned- familiar ground with his Throwing Muses with special girl gang, made in her image: contrivances leading to Islington 9pm, lessons for all levels from out shell of a flat, hospitalised observation that old sins cast guest Tanya Donelly. trampy Spice Girl-meets- inevitable revelations, Assembly Hall, London. Iconic 9.30pm, Club until 5am. Prices: husband and motherless long shadows, but this avenging angel. reunions and moralistic alt-rockers Throwing Muses have £10 & £8 Students with valid ID granddaughter. Said haunting piece of the past is justice. The pleasure, then, is announced a September UK tour granddaughter, Rio The action is as heavily worth revisiting. More info: www.salsarepublic. in the winding journey, and (compelling Florence Hall), is signposted as a Dickens in support of their ninth studio co.uk / [email protected] Russell Bolam’s atmospheric Marianka Swain the leader of an adolescent novel, with too-neat album ‘Purgatory/Paradise’. The Every 3rd Friday of the Month. tour will see Throwing Muses Night Care Vs Night Train. The reunited with original co-vocalist Lexington, 96-98 Pentonville while you take a moment for Ani DiFranco. Union Chapel, O2 Academy2 Islington, London To perform, email music@ and songwriter Tanya Donelly Rd, London N1. 11pm-4am free yourself and enjoy exhilarating London, N1 2UN. Monday, N1 0PS. Tuesday, September 23. therownartsproject.com to book who played with the band up entry. Night Care our free Friday performances by outstanding September 22 and Tuesday, Ezra Furman. Scala London. N1 a place. 8 - 11pm, free entry, until 1991 and now she will be night club with upstairs DJs musicians. Friday, September 19. September 23. 9NL. Tuesday, September 23. Tuesday, September 23 and 30, supporting the band throughout Tuesday, October 7, 14, 21 and playing indie, disco, house & pop The Cairos. Sebright Arms, London Woman’s Hour + special guests. Dillon plus special guests. XOYO, the tour. Originally formed in 28. - downstairs is Night Train with E2 9AG. Friday, September 19. Village Underground, London, London EC2A 4AP. Tuesday, 1983, Throwing Muses were the DJs playing vintage rock’n’roll, I’m Not From London Does London EC2A 3PQ. Affirming themselves September 23. Fu Manchu Plus Bloodnstuff. O2 first American act to sign to cult retro R&B & garage-punk. Friday, as one of the finest up-and- Academy Islington, London N1 independent record label 4AD, #4. The Garage, London N5 1RD. Turquoise Tuesdays. Hideway Bar, September 19. coming purveyors of modernist 0PS. Wednesday, September 24. pioneering the term ‘alternative Saturday, September 20. 114 Junction Road, London N19 pop, Woman’s Hour are currently rock’ long before the likes of Bach to Baby concerts present: King Buzzo (The Melvins) London 5LB. A new weekly night of live Watsky plus The LaFontaines. in the studio making their debut todays acts. Book your Miniatures - Small is Beautiful. Oslo, London E8 1LL. Saturday, music, experimental performance Scala, London, N1 9NL. George St. Andrew’s Church, Thornhill for release next year. Tickets Throwing Muses tickets via September 20. and collaboration. Where Music Virden Watsky is an American Gigantic.com today. Doors open: Square, London N1. Children avaiable. Doors open: 7pm, Over rapper and poet from San My Grey Horse + Bella Figura + Meets the Avant-Garde. Join us 7pm, Over 16s only. Thursday, dance, roam about, and listen 18s only. Tuesday, September 23. Francisco, California. Watsky We Are Z. Sebright Arms, London every Tuesday at Hideaway’s September 25 and Friday, to music the way they feel it, Me Vs Hero plus special guests. performs slam poetry, and was E2 9AG. Monday, September 22. Underground Bar, 8 - 11pm. September 26. .
Load more

Recommended publications
  • Magnetic Fields with Tanya Donelly At
    FOR IMMEDIATE RELEASE Contact: Joyce Linehan, 617-282-2510 or [email protected] Update to Oct. 4 release: Tanya Donelly added to Magnetic Fields show at Symphony Hall; Jenny Dee & The Deelinquents added to Lee Fields show at Jordan Hall FIRST NIGHT BOSTON ANNOUNCES SOME FESTIVAL HIGHLIGHTS RESERVED SEATING AVAILABLE FOR SELECT SHOWS ON SALE NOW MAGNETIC FIELDS WITH TANYA DONELLY AT SYMPHONY HALL; LEE FIELDS & THE EXPRESSIONS WITH JENNY DEE & THE DEELINQUENTS AT NEC’S JORDAN HALL; JOHN SCOFIELD AT BERKLEE; AND A MIDNIGHT FIREWORKS CRUISE High resolution images available on request (BOSTON—Nov. 1, 2012) First Night Boston announces some highlights of the 37th edition of the country’s oldest and largest New Year’s Eve arts festival. A reserved seating section has been set aside for some events, so people may purchase a guaranteed seat if they wish. These premium package tickets for select performances are $35, and each ticket purchase includes a First Night Boston 2013 button, which is the ticket for admission to all First Night indoor events. All First Night events take place on Monday, Dec. 31, 2012 and tickets are on sale now at www.firstnight .org. Approximately 30% of the venues for those shows listed below will be set aside for advance reserved seating sale, while the rest of each venue will be open to all First Night button holders on a first come, first served basis as usual. All other First Night indoor venues are open to all button holders. Complete festival programming, which will include over 1000 artists in 200 exhibitions and performances in 35 different locations, will be announced in mid-November.
    [Show full text]
  • Samuel Taylor Coleridge
    TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr.
    [Show full text]
  • Cover Subtext Critical 12
    This Mortal Coil - You and your Sister (1991) (Chamber Pop Group) This songs was originally written and performed by Big Star's Chris Bell, who shares a place in the "27-club" beside Janis Joplin, Jim Morrison and Jimi Hendrix. Ivo Watts-Russell, then-owner of the 4AD-Label and Co-Founder of This Mortal Coil, selected in total 4 songs from Bell and Big Star for his rich output of obscure cover versions. Not obscure, but a bit odd, is the way the song was recorded, which can be found in the story of 4AD: Facing the other way - Martin Aston. What appears as an acoustic guitar chord, is a revolving midi-fied sequence, the sweet voices of (then) Pixies' Kim Deal and Tanya Donelly (Throwing Muses), sounding so much in harmony, but were recorded separately, just the string section ought to have played together. The midi-guitar resonates delicious and generously into your room, paving the way for honey sweet female voices, layered with some strings: just a perfect example of chamber pop. Nothing you can hear exposes anything about the tragedy surrounding this song and it's author to the listener. Radical Dance Faction - Hope (1991) (Chamber Pop Group) RDF is masterminded by Chris Bowsher, a musician from Hungerford, whose articulation could have mentored the Sleaford Mods. Meanwhile, his taste in creating spacial soundscapes including accentuation for voices and instruments, just provides a completely different mindset. This song talks about the indecision after terrorists attacks. With a speedy reggae rhythm basement that create the space for the pronounced, in my ears "jazzy" guitar riffs, a female voice contrasted by a male background singer, some meandering saxophone and hand percussion, the music leads the "long long road" to freedom from fear.
    [Show full text]
  • Best of the Year 2020
    r d e R e c o s P r e s S i d e n t B - s : Best of the Year 2020 Jimmy 2020 Pandemic and Cancer - thank God for music Liv’s List XOXO by The Jayhawks Beach Bunny - Honeymoon Fetch the Bolt Cutters by Fiona Apple Phoebe Bridgers - Punisher Punisher by Phoebe Bridgers Crack Cloud - Pain Olympics Women in Music, Pt. III by HAIM Disq - Collector Song For Our Daughter by Laura Marling Fontaines D.C. - A Hero’s Death Homegrown by Neil Young Ghostpoet - I Grow Tired But Dare Not Fall Asleep Shore by Fleet Foxes Freddie Gibbs & The Alchemist - Alfredo Beyond the Pale by Jarv Is... Lianne La Havas - Lianne La Havas My Echo by Laura Veirs Jyoti - Mama, You Can Bet! Good Souls Better Angels by Lucinda Williams Mary Lattimore - Silver Ladders Even in Exile by James Dean Bradfield Liv.E - Couldn’t Wait To Tell You… Midnight Manor by The Nude Party Agnes Obel - Myopia Sun Racket by Throwing Muses Okay Kaya - Watch This Liquid Pour Itself England Is a Garden by Cornershop Angel Olsen - Whole New Mess On Sunset by Paul Weller The Orielles - Disco Volador Reunions by Jason Isbell and the 400 Unit Protomartyr - Ultimate Success Today Alphabetland by X Rolling Blackouts Coastal Fever - Sideways To New Italy Down in the Weeds, Where the World Once Was by Bright Eyes Run The Jewels - RTJ4 Let It All In by Arboretum Slow Pulp - Moveys Sideways to New Italy by Rolling Blackouts Coastal Fever Shannon sez Squirrel Flower - I Was Born Swimming Collector by Disq Moses Sumney - græ Never Not Together by Nada Surf Bladee - 333 Tobin Sprout - Empty Horses The Unraveling
    [Show full text]
  • Issue 171.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions.
    [Show full text]
  • MHT 009 CORIN ASHLEY Broken Biscuits CD LP
    CORIN ASHLEY BROKEN BISCUITS Little Crumbles Broken Biscuit #3 Wind Up Boy (feat. Tanya Donelly) Edison's Medicine Broken Biscuit #9 Magpie Over Citadel Broken Biscuit #6 In Appropriate Fashion King Hollow Junior Partner Jellyfish Powder Your Face With Sunshine "Broken Biscuits is a great album. In fact, it might be the sleeper of 2017. I definitely recommend it in the highest possible terms: excellent, superb, outstanding and tremendous" - Huffington Post "Broken Biscuits is as good a pop album as you're likely to hear this year" - Shindig Magazine "Corin Ashley’s reward is our reward: a tremendous album. Take a listen to “Broken Biscuits” and you’ll hear a pop master back at work as if he’d never left” - Boston Herald In 2015, after a spell as the touring bass player for seminal chamber-pop band Cardinal, Corin Ashley set about recording the follow-up to his critically acclaimed 2013 album New Lion Terraces. Things were going along just swimmingly at Q Division studios in Boston, with an inspiring collaboration with Tanya Donelly (Throwing Muses, Breeders, Belly) called "Wind Up Boy," and quick progress on a half dozen additional tunes. Corin took occasional breaks from work on the album, flying to Cardiff, Wales to play bass and sing on Martin Carr's (ex- Boo Radleys) album The Breaks, and performing a few shows opening for a diverse set of artists (Fitz & The Tantrums, Frank Turner, Robyn Hitchcock and, on one storied summer evening, Foreigner and Styx). He ended 2015 by opening a sold-out hometown show for one of his lifelong musical heroes, Dave Davies of The Kinks, who had bounced back to recording and touring after a 2004 stroke.
    [Show full text]
  • Alt-Rock and College- Pop of the 1980S, Came to an Abrupt, Grinding Halt in the 1990S
    The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Alt-pop (These are excerpts from my book "A History of Rock and Dance Music") Pop renaissance in the USA TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. During the first half of the 1990s, pop music vastly outnumbered underground/experimental music. It was the revenge of melody, after a quarter of a century of progressive sounds. A cycle that began with the demise of the Beatles and the rise of alternative/progressive rock, and that continued with the German and Canterbury schools of the 1970s, and then punk-rock and the new wave, and peaked with the alt-rock and college- pop of the 1980s, came to an abrupt, grinding halt in the 1990s. The more fashionable and rewarding route was, however, the one that coasted the baroque pop of latter-day Beach Boys, Van Dyke Parks, Big Star and XTC, the one that coupled catchy refrains and lush arrangements. The single most important school may have been San Francisco's, which had originated in the 1980s with the Sneetches. Jellyfish (2), featuring guitarist Jason Falkner, wrote perhaps the most impeccable melodies of the time. Bellybutton (1990), a milestone of naive, bubblegum melodic music inspired by Merseybeat and later Beach Boys, was both cartoonish and shimmering, while the arrangements on Spilt Milk (1993) were almost baroque.
    [Show full text]
  • Oh, Echoes of Shadows of Memories of Songs.(*) Autobiography As a Performative Act
    dig me out Discourses of Popular Music, Gender and Ethnicity edited by Maria José Belbel / Rosa Reitsamer. Art Centre Arteleku, Spain/Austria 2009 Oh, Echoes of Shadows of Memories of Songs.(*) Autobiography as a performative act. There are important senses in which “queer” can signify only when attached to the first person. Queer is as queer does. It’s all about performative actions. Autobiography can be a performative act. Alone of the things that queer can refer to: the open mesh of possibilities, gaps, overlaps, dissonances, resonances, laspses and excesses of meaning when the constituent elements of anyone’s gender, of anyone’s sexuality aren’t made (or can’t be made) to signify monolithically. Homosexuality, its strongest associations, as we have noted, are with effeminacy, transvestism, promiscuity, prostitution, continental European culture, and the arts. Eve Kosofsky Sedgwick Let this be the epitaph of my heart Cupid put too much poison in the dart... Who will mourn the passing of my heart Will its little droppings climb the pop charts. The Magnetic Fields Cambio de idea. Cambio de forma. Cambio de tiempo. Cambio de sentido. Astrud dig me out I’ve been very fond of music and dancing since I was very young. My family from my mother’side used to sing flamenco. I remember a time without a record-player, then my parents bought a Grundig pickup in the early sixties, and inmediately after that, television came up. At first, we didn’t have a set and we used to go and watch it at a hotel as if we were going to the cinema, it was such an amazing thing; later, my parents bought our first TV set around 1963.
    [Show full text]
  • Interview with Tanya Donelly
    Interview with Tanya Donelly Over the past few weeks Newport musician Bob Kendall has curated a series of acoustic shows at the brand new upstairs venue located at The Salvation Cafe on 140 Broadway in The City By The Sea. Rhode Island-based musical acts and artists such as Haunt The House, Allysen Callery, The Silks’ Tyler-James Kelly, Jess Powers, Smith & Weeden, Luke Randall and William Schaff have been part of the series so far and on Jan 29 and 30, a highly influential Newport native will be headlining. You might know her from ’80s alternative rockers Throwing Muses or ’90s alt-pop act Belly, but Tanya Donelly has also forged a path as a solo musician. I had a chat with her about being entwined in both music scenes in Boston and Providence, nervousness on stage and the Swan Song series. Rob Duguay: What do you enjoy most about playing in your hometown? Tanya Donelly: It’s been a really long time; I guess it’s been about 15 years or maybe longer. It’s interesting because in looking forward to it I feel comfortable and also really terrified. I think because it is a room full of people who have watched me grow up and vice versa. It can be a very nice feeling and I’m really looking forward to that and most specifically looking forward to playing with the musicians I grew up with and who sort of made me the musician I am now. It can also be nervewracking to sit in front of these people.
    [Show full text]
  • Album of the Week: Chadwick Stokes' the Horse Comanche,Album Of
    Album Of The Week: Chadwick Stokes’ The Horse Comanche He’s an integral part of Boston-based acts Dispatch and State Radio, but Chadwick Stokes has also built a reputable solo career. Straying from the jam rock of Dispatch and the reggae-infused punk of State Radio, Stokes’ solo material revolves around folk music that sounds like something you’d listen to while sitting around a campfire with a few close friends. His new album, The Horse Comanche, is a continuation of Stokes’ solo style in the most excellent form. With a few added dimensions, Stokes’ take on folk is broadened and expanded with each track. Produced by Iron & Wine’s Sam Beam, the quality of sound in The Horse Comanche is impeccable. Stokes doesn’t limit himself to just one type of music; there’s a great variety of styles exhibited and you get an introduction to Stokes’ versatility when it comes to writing a song and strumming his guitar. Some tracks have an infectious groove while others have a lot of heart and passion, making The Horse Comanche pleasurable in all sorts of ways. There’s a certain catchiness with a few songs as well, but not in an annoying way where you’re praying to the heavens to get those meaningless lyrics out of your head. Don’t let all of this New England snow get you down. Take the opportunity to nestle in your favorite blanket and snuggle with my top tracks off of the Album Of The Week. It might not warm you up, but your music taste will benefit.
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • 32254 Pease Isn't Quiete.Indd
    Índice Introducción. Tengo dos cabezas ................................................... 9 1. 1966-1983 ............................................................................. 13 2. 1983-1985 ............................................................................. 21 3. 1985-1986 ............................................................................. 29 4. 1986 ...................................................................................... 35 5. 1987 ...................................................................................... 43 6. 1988 ...................................................................................... 49 7. 1989 ...................................................................................... 59 8. 1990-1991 ............................................................................. 69 9. 1992 ...................................................................................... 77 10. 1993-1994 ............................................................................. 85 11. 1995-1996 ............................................................................. 95 12. 1997-1998 ............................................................................. 105 13. 1998-2000 ............................................................................. 111 14. 2001-2002 ............................................................................. 121 15. 2003-2005 ............................................................................. 131 16. 2005-2007 ............................................................................
    [Show full text]